James Goodman Irish Music Collection: Annotated index

TUNES OF THE MUNSTER PIPERS: IRISH TRADITIONAL MUSIC FROM THE JAMES GOODMAN MANUSCRIPTS

ANNOTATED INDEX OF ALL FOUR VOLUMES OF THE GOODMAN COLLECTION

IN THE ORDER OF THE MANUSCRIPTS

by Hugh and Lisa Shields

Version 1.7 as of 10 March 2022 (replacing Version 1.6 as of 8 May 2020)

for version history & list of changes in this version (and ERRATA to published edition of the book) please see the end of this document.

Online supplement to Tunes of the Munster Pipers 2: Irish Traditional Music from the James Goodman Manuscripts, ed. Hugh & Lisa Shields, volume 2, Dublin: Irish Traditional Music Archive, 2013, ISBN 978-0-9532704-5-3 (hardback), 978-0-9532704-6-0 (paperback), available from ITMA’s shop

Facsimiles of the TCD Goodman manuscripts are now available at goodman.itma.ie

STRUCTURE OF ENTRIES:

1) Volume and page of JG’s original manuscript

2) Source when attributed by JG

3) Title in italics (bold italics for tunes published in TMP 1 (nos 1–515) or TMP 2 (nos 516–1051), with JG’s expression marks, if any, followed by the TMP number in bold)

4) Editorial references to MS or printed collections, and remarks (introduced by a dash).

For abbreviations(ONMI, HUT, gnp, Pipes, Words, Tunes, etc.) see INFORMATION SOURCES AND ABBREVIATIONS in Tunes of the Munster Pipers 2:217–237 or on line here (updated and enhanced version).

‘Words’, ‘Pipes’ in this index refer to pages in Goodman’s Riverview notebook containing song texts and the incipits of 131‘piping tunes’. Links are now provided here to 70 of the song-text pages of the facsimiles.
‘Tunes’ refers to his selection of 54 airs in his unfinished manuscript book Irish music of every description....

5) Cross-references to any duplicate or related items in the collection, prefixed by ‘See’.

The next three fields (6 to 8, separated by tildes), which are a codification of the melodies, are enclosed in curly brackets:

6) Time signature and key, e.g. Cf (common time and key F), 2:4g, 9:8c, etc. C stands for cut time.

7) Format: In the format field $ is the symbol for Segno An exclamation mark stands for four vertical dots instead of the usual repeat mark or (occasionally) for a wrongly or strangely positioned repeat mark (e.g. !8||8!|DC on page 3/191c). In parts having two cadences (4 two cadences :| etc.). JG often omits the expected repeat marks (as in 1/23a, 1/33b, etc). KS = key signature; TS = time signature (used where missing etc.)

8) ‘Breathnach’ code: a system of numerically coding the stressed notes of the first two or more bars of a melody (Breathnach 1982)—it is provided as a rough guide to melodic similarities and should be used with caution, as it is not always clear what the tonic note of the tune is. BB used the numeral 1 for the tonic note (normally the final) and indicated higher and lower octaves by underlining or overlining. These octaves are depicted in the PDF version of this file by a straight quotation mark and an underline (single or doubled) placed after the numeral thus: 1' 5_ 7__. These octave markings are omitted here in this HTML version (which makes for easier searching).

• N.B. Coding of tunes written in 2:4 time can be problematic: these often include ‘common time’ tunes such as reels and hornpipes, as well as the more obvious polkas. They have been coded here, as seems appropriate, either by default as two bars (four stresses per bar: **** ****) or as four bars (two stresses per bar ** ** ** **) with a space separating the bars of code. In doubtful cases both versions are given.

Fields 1–3 and 6–7 of each entry derive from the MS; 4–5 and 8 are editorial. Goodman’s spelling (with the exception of ‘v’ for the vowel ‘u’) and capitalization have been retained; his contractions have been silently expanded.

VOLUME ONE OF GOODMAN MSS

facsimile

1/1a • K • FÁINNE GEAL AN LAE cheerfully • 1 — Pipes p 41, no 131; Tunes p 3a. {Cg ~ 8||8:|: ~ 3332 5575}

1/1b • K • REIDH CHNOC MNÁ DUIBHE with expression • 2 — Tunes p 3b. Cf (words only, ‘by George Roberts’) in O’D 1850 pp 181–83. {3:4g ~ 16|| = 4+4 $ 4+4 $ ~ 432 651}

1/1c • K • DÚN UI BHRAOIN slow • 3 — Pipes p 41, no 123; Tunes p 3c. {Cg ~ 8||8:|: = 4x4 ~ 3343 5553}

1/2a • K • Lá le Pádruig [is me adtig an tabhairne — index] slow • 4 — Words pp 96–97 An Maighisdir sgoile agus an Sglamhuidhe: ‘Lá le Pádruig ’s mé suidhe a dtigh an tabhairne’; Pipes p 40, no 109; Tunes p 4d. {Cc ~ 8||8:|:= 4x4 ~ 5134 5751}

1/2b • K • Bláith na g-craobh andante • 5 — Words pp 92–93 ‘Si bláith na gcraobh ar dhaith na sméar do chrádhuig mo chroidhe’; Tunes p 3d. P-S no 1131 is a copy of JG. {3:4g ~ 4||12|| = 4+4 $ 4+4 $ ~ 116 755}

1/2c • K • An bhean dubh vol II [?] 84 Lively • 6 — Tunes p 4b. {6:8g ~ 4||4||4:|: ~ 16 14 51 13}

1/3a • K • An Rógaire doill Slow • 7 — Pipes p 41, no 122; Tunes p 4c. {3:4c ~ 16|| = 4+4 $ 4+4 $ ~ 554 177}

1/3b • K • An Cailín Ruadh Slow • 8 — Words p 93 ‘Siud ort a cSeaghuin! is ní fhágfam an baille go luan’; Tunes p 4a. {3:4g ~ 20 = 10 $ 10|| $ ~ 555 445}

1/3c • K • An Bhrighid óg See page 264 Slow • 9 — See 1/264a. {Cc ~ 10 = 5 $ 5|| $ ~ 5211 2771}

1/4a • K • An Clár bog déil Slow & plaintive • 10 — Tunes p 1b. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). {3:4d ~ 16 = 8 $ 8|| ‘Symphony’ 16||DC ~ 653 137}

1/4b • K • Air Éire ní ’neósainn cia h-í [index: néosainn] With Feeling • 11 — Tunes p 5a. P-S no 1237 is a copy. O’D 1850 p 266 is almost identical, probably copied from JG. {3:4g ~ 12||12:|: = 8x4 ~ 511 345}

1/5a • K • A Mháire as a Mhúirnín plaintive • 12 — Words pp 125–26 ‘A mháire’s a mhuirnín ’s a lúibín ’na gcraobhfholt’; Tunes p 5d. P-S no 1127 is a copy (‘from the Revd. J. Goodman, Ardgroven, Castletown Bere, Dec. 3rd 1863’) the next six P-S tunes, nos 1128–34, are also copied from JG. See 4/36a. {3:4d ~ 8||8:| ~ 137 111}

1/5b • K • AN CORRÁN Lively [AN corrected < RA?] • 13 — Tunes p 5e. {6:8g ~ 14|| = 8+6 ~ 31 11 42 26}

1/5c • K • CAITILÍN NÍ UALLACHAIN Marked time not too slow – • 14 — Tunes p 4e. {3:4d ~ 8||8:|: ~ 135 135}

1/6a • K • An garbh cnoicín fhraoich [index: cnocín fraoig] Lively • 15 — Tunes p 6a. P-S no 1385 is a copy. {Cd ~ 8||8:|: ~ 5432 1315}

1/6b • [An garbh cnoicín fhraoich] An other setting of Same. — Tunes p 6b. A copy of O’D 1850 p 70. {Cc ~ 8||8:|: ~ 5535 7771}

1/7a • K • Fagbhamaoid súd mar atá sé playfully • 16 — Tunes p 6c. P-S no 1130 is a copy. See 3/109c. {6:8g ~ 8||8:|: = 4x4 ~ 51 35 35 37}

1/7b • K • Únadh Andante • 17 — Tunes p 6d. See 2/157c Gilderoy. {Cc ~ 8||8:|: ~ 7775 7775}

1/7c • K • An Cailín donn slow • 18 — Tunes p 6e. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). Cf MS 7348 p 169 The black-haired girl. Tune specification for PPM2 p 2 An buachaill bán. {3:4g ~ 8||8:|: ~ 113 667}

1/8a • K • An Raelthion leanabhach [index: leanabach] With expression • 19 — Tunes p 7a. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). ]). Cf S-P no 1520 An réaltan leanbhach. See 2/148 John Doe (variant). {Cd ~ 8||8 = 4 +$ 4|| ~ 5535 1132}

1/8b • K • ‘Táimse am chodladh &c[’] Slow with feeling • 20 — Cf Tunes p 7b (2nd part varies); Neal 1724 p 12 (variant). See 3/47b, 4/27a. {3:4g ~ 16||16:|: = 4x8? ~ 712 427}

1/8c • K • An Smachdaoin crón [index: Smachdín] Lively • 21 — Cf Tunes p 7e (last two bars vary). Despite the ‘K’ this might be a copy of O’D 1850 pp 228–29. P-S no 1582 is a copy. {2:4g ~ 9:|:9||DC [read 8+8? last bar on line above] ~ 13 35 13 72 (4 bars) rather than 1133 3555 (2 bars)}

1/9a • K • An Páisdín Fionn playfully • 22 — Tunes p 8a. {6:8d ~ 8||8:|: ~ 51 23 24 55}

1/9b • K • Maidin aoibhin cois taoibh an ghleanna slow • 23 — Tunes p 7d. Cf P-S no 1448. {Cg ~ 8||8:|: = 4x4 ~ 1117 5346}

1/9c • K • Air maidin a nae ’s me [index: mé] go moch Lively • 24 {Cg ~ 8||8:|: ~ 7247 5471}

1/10a • K • Sibéil Ni Bhriain Slow & distinct vol. iii 124 • 25 — Tunes p 8b. JG made note to ask his brother George to get this song from ‘Andy’ (presumably Tom Kennedy’s brother Andy, also a piper): UCC p [132]). See 3/124a Maire Ní Dhaonléith, same air with variants. P-S no 1570 is a copy. {Cd ~ 8||8:|: ~ 1355 6711}

1/10b • K? • Stáca ’n Mhargaidh Moderately Slow • 26 — Marked ‘K’ in index, but probably from O’Farrell. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). Cf OFPC 2 p 126 Stalk en vauraga. {3:4a [3 corrected < 6?] ~ 12||20|| bars 3 to12 = 23 to 32 ~ 356 111}

1/11a • K • An Súisín Bán [index: Suisín] • 27 — Tunes p 9a. See 1/268b, 4/85d The cooleen bawn. {Cg ~ 6||6|: [ = 4x3] ~ 4615 1342}

1/11b • K • Casadh an t-súgáin Slow • 28 — Tunes p 9b. {Cg ~ 6|| $ 6:|: $ = 4x3 ~ 1512 3311}

1/11c • K • Éamonn Mhagáine slow & distinct • 29 — Tunes p 9c. {3:4c ~ 16 = 2x4+$ 2x4|| $ ~ 113 557}

1/12a • K • A Rabhais ag an g-Carraig • 30 — See 3/53c. {Cg ~ 13 = 3+3+$ 3+4|| $ ~ 1115 3421}

1/12b • K • Seo tho thoil plaintive • 31 {Cg ~ 10 = 4+$ +4+2:| $ ~ 5566 1121}

1/12c • K • Fallaing ui Mhuimhneacháin Lively • 32 — Tunes p 3e. {6:8g ~ 2x4|| ~ 51 12 31 73}

1/12d • Ceann dubh dileas Slow • 516 — Pigot marked his copy of this as a ‘K’ tune in RIA MS 24.0.1 p 820g. {6:8c ~ 2x4:|: ~ 57 23}

1/13a • K • Bó na leath adhairce Slow & Marked • 33 {6:8g ~ 8:|:8||DC ~ 32 36 32 11}

1/13b • Bán chnoic Éireann o! slow • 517 — Tunes p 9d. Cf Horncastle pp 15–18; O’D 1850 p 44. {Cc ~ 8||8:| = 4x4 ~ 4642 1576}

1/13c • An chnotadh bán Lively — Cf O’D 1850 p 50. {Cg ~ 8||8:| ~ 1127 1116}

1/14a • Móirín ní Chuillionáin — Cf O’D 1850 p 56. { C d ~ 2x4:| ~ 1555 1232}

1/14b • Plancam Peirbhig Lively — Cf O’D 1850 p 76 Leir-ruathar Whiggiona, by An Mangaire Súgach. {9:8g ~ 4:|4||DC ~ 411 414}

1/14c • Cailín deas crúidhte na m-bó Slow with expression • 518 — Cf O’D 1850 p 82, An Bhlath Bhruinnioll, ornate setting; O’Hara GMR p 72. See 4/62e–63. {9:8g ~ 2x4:|: ~ 321 321}

1/15a • An Seanduine In marked time — Cf O’D 1850 p 96. See 2/34b Pay the reconing, 4/71. {6:8d ~ 2x8|| ~ 15 13}

1/15b • Domhnall na gréine with spirit — Cf O’D 1850 p 160. See 4/28a. {6:8c ~ 2x8|| ~ 32 31 62 62}

1/15c • Seaghan buidhe Lively — Cf O’D 1850 p 168. {6:8d ~ 2x8|| ~ 15 65 15 61}

1/16a • Buachaillín donn Slow — Tunes p 9e. RIA MS 24.0.1 p 868: note by Pigot at foot of page: ‘Mr Goodman has the commonly printed setting of the paisdin fionnn under the name of the buachaillín donn (p 16) as a slow air)’. Cf Holden ISQT 1 p 31 Pastheen Fuen; Crosby Irish pp 38–39 Cushlamachree. {6:4g ~ 2x8|| ~ 112751 333222}

1/16b • Tighearna Maigheó Slow with feeling — Tunes p 10a. Cf OFPC 2 p 10a. {Cc ~ 4:|:8:|: = 3x4 = 6x2 ~ 1154 5175}

1/16c • Sighle ni Ghuidhreadh Slow — Cf OFPC 1 pp 12–13. Part copy of 4/55c. {3:4g ~ 16||16:|: = 8x4 ~ 133 244 133 443}

1/17a • An Draonán donn plaintive — Cf O’D 1850 p 238. {3:4d ~ 8||8:|: = 4x4 ~ 336 116}

1/17b • K • Éamonn an Chnoic plaintive • 34 — Different version from 4/160c and Tunes p 1a. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). {3:4g ~ 6:|:11:|: = 6+5+6 ~ 123 313}

1/17c • bruach na cairrge báine — Exact copy of 4/36d. {6:8c ~ 4:|:8|| ~ 53 47}

1/17d • K • Buc Seó – With spirit • 35 — Tunes p 10c (parts reversed). See O’D Miscellany pp 60–62 An buck show (words only). {6:8c ~ 4:|:8|| ~ 77 77 36 31}

1/18a • K • Beinsín Luachra [index: Beinsinn] Slow • 36 — Tunes p10e. See 4/39a. {Cd ~ 8||8:|: = 4x4 ~ 3243 1153}

1/18b • K • Slurs • 37

Here follows a Collection of the Dance Music of Munster, viz. jigs, Reels, & Hornpipes, written down, for the most part from the playing of Thos. Kennedy – ex piper.

N.B. In order to avoid the difficulty of doubling the low notes on the pipes, & to add to the liveliness of the quick tunes, the following hints should be carefully attended to. Nos. 1, 2, & 5 are the curls in most general use, especially no 5 which is introduced in most of the old jigs with great effect. J.G.

[Slurs 1–11 are illustrated here in musical notation. For further ‘curls’ see 4/17a.]

1/19a • K • Airgiod Caillighe • 38 {6:8g ~ 2x8:|: ~ 42 75 (tonic g)}

1/19b • K • Sop air an lochda • 39 — Pipes p 40, no 104. {6:8g ~ 2x8:|: ~ 33 34 (tonic d)}

1/19c • K • Kissing & Drinking • 40 — Pipes p 40, no 108. Cf CRÉ 2 no 43 Gan ainm [= The hag at the churn]. {6:8g ~ 2x8:|: ~ 45 15}

1/20a • K • The Humours of Jug • 41 — Pipes p 40, no 107. {6:8g ~ =4x8:|: ~ 51 55 (tonic d)}

1/20b • K • Jackson’s Bottle of Punch • 42 — Pipes p 40, no 106. See 4/11c. {6:8d ~ 4x8:|: ~ 35 15}

1/21a • K • Down the Hills • 43 — Pipes p 19, no 17, UCC p [73], no 5. Cf Joyce AIM p 87 The blooming meadows (part 1). {6:8g ~ 4x8:|: ~ 51 34}

1/21b • K • Cailleach sa Chúinne or, The Maid in The Parlour • 44 — Pipes p 24, no 19. Nearly identical to OFNIM p 28. {6:8d ~ 4x8:|: ~ 34 34 (tonic g but final d)}

1/22a • K • Bachal an ghrinn or The Rake’s March • 45 — Pipes p 28, no 58. Cf OFPC 1 p 64. {6:8g ~ 2x8:|: ~ 35 51 (tonic g but final d)}

1/22b • K • buachaillín óg • 46 {6:8g ~ 2x8:|: ~ 51 77 (tonic g but final d)}

1/22c • K • Cailín an Chuic • 47 {6:8g ~ 2x8:|: ~31 61 31 36 (tonic g) or 6424 6462 (tonic d)}

1/23a • K • Fan mar a bhfuil tú a chladhaire • 48 — Cf P-S no 1212 Fan mar táir, a chlaidhre; ONDMI no 327 Stay where you are [Fan mar tair]. {6:8g ~ 2x8 two cadences each part|| ~ 15 15 (tonic d but final c)}

1/23b • K • The Bog of Allen • 49 {6:8g ~ 2x8:|: two cadences part 2 ~ 33 35 (tonic d but final e)}

1/23c • K • The Humours of Ceann Daibhche [roman-gaelic] • 50 {6:8d ~ 8:|:8 two cadences :| ~ (31 35 (tonic d) or 2724 (tonic e)}

1/24a • K • Máire an Phórtair • 51 — Cf Aird 1 p 50, no 143 Norickystie, or the wild Irishman (parts reversed); CRÉ 1 no 1 Cailleach an túirne [The maid at the spinning wheel] (parts 1 & 2 reversed). {6:8g ~ 2x8:|: ~ 32 51 12 77}

1/24b • K • The Dairy Maid’s Wish • 52 {6:8g ~ 8 two cadences :|: 8:|: ~ 77 51 3 5 47}

1/24c • K • Rattle the Cash spank /speak Ma/ha//l [illegible] • 53 — Cf Pipes p 40 no 103? pencil title illegible {6:8g ~ 2x8:|: ~ 11 57 47 22}

1/25a • K • The House Maid • 54 — Pipes p 19, no 14, UCC p [73], no 2. Cf ONMI no 719 East of Glandart. See 4/5d. {6:8d ~ 2x8:|: ~ 65 15 65 32}

1/25b • K • Paddy from Cork • 55 — Pipes p 19, no 13, UCC p [73], no 1. Cf ONMI no 1040 Paddy in London (parts 1 & 2). {6:8d ~ 2x8:|: ~ 35 51 34 62}

1/25c • K • The Humours of Cloyne • 56 {6:8g ~ 2x8:|: ~ 43 21 43 22}

1/26a • K • Split the Whisker [l corrected from t?] • 57 {6:8d ~ 2x8:| two cadences each part ~ 73 53 73 54}

1/26b • K • The Farmers Daughter • 58 — Cf ONMI no 296 The peeler and the goat; POK 2 no 16. {6:8g ~ 2x8:|: ~ 32 13 56 67}

1/26c • K • Brosnahin’s Frolic • 59 — Perhaps ‘Broisnihan’, a travelling Kerry dancing master, see Iris 2 pp 115–16. {6:8d ~ 2x4:|: ~ 55 57 55 52}

1/27a • K • My Love is in the House • 60 {6:8g ~ 2x8:|: ~ 51 27 52 24}

1/27b • K • Peggy the Piper • 61 — Pipes p 41, no 126. {6:8d ~ 2x8:|: ~ 15 55 15 44}

1/27c • K • The New Way to Miltown • 62 — Pipes p 41, no 124. {6:8d ~ 2x8:|: ~ 33 52 33 41}

1/28a • K • Doctor O’Neill • 63 — Cf ONMI no 1106 Barney O’Neill; ONMI no 883 Young Tim Murphy. {6:8g ~ 2x8:|: ~ 51 56 53 32}

1/28b • K • The Petticoat loose • 64 — Pipes p 19, no 15, UCC p [73], no 3. {6:8g ~ 2x8:|: ~ 32 32 52 51}

1/28c • K • Brandy and Whiskey • 65 — Pipes p 41, no 128. Cf ONMI no 795 Philip O Neill. {6:8g ~ 2x8:|: ~ 53 42 31 22}

1/29a • K • D’imthig an Sioc. The Frost is all gone • 66 — See 4/57b. {6:8c ~ 2x8:|: ~ 36 14 36 62}

1/29b • The Maids on the Green • 519 — Cf Pipes p 31, no 82. {6:8g ~ 2x8:|: ~ 16 35 35 32}

1/29c • K • The Humours of Berehaven • 67 — Part 2: see 3/103b Humours of holystone (part 1) {6:8c ~ 2x8:|: ~ 77 74 22 22}

1/30a • K • The Humours of Nedeen .i. Kenmare • 68 {6:8g ~ 2x8:|: ~ 33 13 23 22 (tonic g)}

1/30b • K • The Mountain Stage • 69 — Cf Fitzmaurice 2 p 1 Mount the stage. {6:8c ~ 2x8:|: ~ 52 52 52 51}

1/30c • K • An Gearraltach buidhe .i. The Kerry jig • 70 — Pipes p 25, no 22. Versions of The Kerry jig are common in print. {6:8c ~ 2x8:|: ~ 66 66 51 53}

1/31a • K • Cailleach do mharbhuidhis me • 71 — Cf Pipes p 39, no 92. {6:8g ~ 2x8:| two cadences each part ~ 71 21 22 22}

1/31b • K • The Humours of Purteen • 72 — Pipes p 39, no 99. Part 1: cf Curtin MS no 60 What call have you to me, Ned? {6:8c ~ 2x8:|: ~ 14 54 14 52}

1/31c • K • buachaill ó’n Sliabh • 73 {6:8d ~ 2x8||DC ~ 35 55 51 35}

1/32a • K • Three and four pence • 74 — Pipes p 39, no 98. {6:8g ~ 3x8:|: ~ 55 42 55 41}

1/32b • K • The Merry Dance • 75 — Pipes p 31, no 86. Cf Hime 1805 book 2 no 18 The merry dancers. {6:8g ~ 3x8:|: ~ 66 44 66 51}

1/33a • K • Punch for The Ladies [T corrected] • 76 — Pipes p 40, no 101. {6:8g ~ 2x8:|: ~ 32 31 32 66}

1/33b • K • Fasten the Leg in Her • 77 {6:8g ~ 2x8 two cadences each part|| ~ 33 51 22 36}

1/33c • K • The Tithes are all down [T of Tithes corrected] • 78 — Pipes p 18, no 8, UCC p [72], no 21. Cf ONMI no 795 Out on the ocean. {6:8c ~ 2x8:|: ~ 53 53 11 32}

1/34a • K • The Five pound jig. Dia Luain ’s dia Máirt • 79 — Pipes p 19, no 18. Cf OFPC 2 p 139 The lasses of Limerick (part 1); ONMI no 708 The gold ring (part 1). {6:8g ~ 2x8:|: ~ 41 41 41 47}

1/34b • K • Skin the Peeler • 80 — Pipes p 26, no 30. Cf Ryan p 100 Barney’s goat (parts reversed). {9:8 [corrected from 6:8?] ~ 2x4:|: ~ 331 335}

1/34c • Sagart na m-buataisidhe — See 1/103 (near duplicate). {6:8g ~ 2x8:|: ~ 22 27 13 72}

1/35a • K • The Black Stripper • 81 — Pipes p 26, no 34, UCC p [73], no 7. See 3/139a Kilkenny jig. {6:8g ~ 8:|:12:|: ~ 16 13 63 36}

1/35b • K • The House Keeper • 82 — Pipes p 40, no 120. {6:8g ~ 3x8:|: ~ 34 54 33 34}

1/36a • K • Kiss my Wife and Welcome • 83 — Pipes p 39, no 94. {6:8d ~ 2x8:|: ~ 51 52 51 55 (tonic e)}

1/36b • K • Teann an Síoda • 84 — Cf POK 3 no 80 Smash the windows. See 2/47a Smash the windows. {6:8d ~ 2x8:|: ~ 13 12 43 24}

1/36c • K • The Humours of Ballymore • 85 — Pipes p 25, no 25 [no name]. Ballymore was the Goodman family residence near Dingle. See 3/76a Tell her I am. {6:8g ~ 2x8:|: ~ 1414 55 62}

1/37a • K • The Lisburn Lasses Reel • 86 — Part 2: cf ONDMI no 792 The cup of tea (part 2). See 4/21b. {Cd ~ 2x8|| ~ 3151 3142}

1/37b • The Strawberry Banks — Copy of 4/53b. {Cg ~ 8:|:8||DC ~ 1372 3311}

1/37c • The Railroad — Copy of 4/90c. {Cd ~ 2x8:|: ~ 1163 1163}

1/38a • K • Reel • 87 — Pipes p 18, no 7. Cf ONMI no 1310 The Fermoy lasses. {Cg ~ 2x8|| ~ 1636}

1/38b • K • The Top of the cliff • 88 — Pipes p 30, no 70, Cf Joyce OIFMS pp 33–34 The new-mown meadows. See 1/51b The silver top (parts reversed). {Cg ~ 2x8:|: ~ 2556 2326}

1/38c • K • The Traveller • 89 — Pipes p 25, no 24 Country maid [JG:] ‘see OD book’. Cf ONMI no 1267 The merry sisters. {Cd ~ 4 two cadences |8||DC ~ 5651 5152 (tonic e)}

1/39a • K • Back the change • 90 — Pipes p 18, no 6 (varies). Cf CRÉ 1 no 135 An ball seirce [The beauty spot]; Bremner Scots reels p 93. Cf ‘Colonel Taylor’s reel’, from cylinder recording of piper Barney Delaney (Donnelly 1990, 12–15). See 3/162a. See also 2/153c. {Cd ~ 4:|:8||DC ~ 5551 5527}

1/39b • K • Reel (The telegraph) • 91 — Cf ONMI no 1553 Rolling on the ryegrass. See 2/180a, 3/108a. {Cg ~ 4:|8||DC ~ 5515 4615}

1/39c • K • The Green Pidgeon • 92 — Pipes p 18, no 5 (varies). Cf ONMI no 1396 The four courts. {Cg ~ 2x8||DC ~ 7275 7212}

1/40a • K • Raithinneach, a bhean bheag • 93 — Pipes p 19, no 11. {Cg ~ 2x8||DC ~ 1511 7477}

1/40b • K • The Humours of Fairfield • 94 — Pipes p 25, no 21. Cf ONMI no 682 Coming over the hills. {Cg ~ 4:|:8||DC ~ 2417 1224}

1/40c • K • Erins Groves • 95 — Pipes p 19, no 16, UCC p [73], no 4. Joyce OIFMS p 361 is a copy. {Cg ~ 4:|:8||DC ~ 1352 1115}

1/41a • K • Lady O’Briens Reel • 96 — Pipes p 25, no 27. Cf Ryan p 33 Honey-moon. {Cg ~ 2x8|| ~ 3151 3315 (final a but tonic g)}

1/41b • K • Reel [JG pencil] • 97 — Pipes p 25, no 28. {Cc ~ 4||8||DC ~ 1461 1421?}

1/41c • K • The Tinkers Frolic • 98 — Pipes p 26, no 36, UCC p [73], no 10. Cf Ryan p 24 The jolly tinker. See 3/136d, 4/50b The jolly tinker. {Cg ~ 2x8||DC ~ 1417 1417 (tonic b)}

1/42a • K • The Union is welcome to Ireland • 99 — Pipes p 26, no 38. Cf Mitchell & Small PPT no 14 The Sword in hand. See 3/127b The Cork lasses. {Cg ~ 2x8||DC ~ 1372 6336}

1/42b • K • Reel 100 — Cf Pipes p 26, no 39. {Cg ~ 4:|:8|| ~ 1313 2525}

1/42c • K • Miss Monaghan’s reel • 101 — Pipes p 27, no 44. See 4/82a, 2/153b Johnny shooting in the glen, 3/159a The dandy girl, 3/179b The pretty girls of this town. {Cg ~ 2x8:|: ~ 1335 4635}

1/43a • K • Betsy Baker • 102 — Pipes p 27, no 48, UCC p [72], no 18. Cf Aird 1 p 39, no 111 Push about the jorum; Ryan p 92 Rattle the bottles. See 4/53b The straw berry banks. {Cg ~ 4:|:8|| ~ 5372 3311}

1/43b • K • Miss Johnson • 103 — Pipes p 31, no 83, parts reversed. Cf Pipes p 27, no 49 Miss McDonald’s reel (UCC p [74], no [2]). See 2/162b, 3/65a, 4/121b. {Cg ~ 2x8|| ~ 3313 1515}

1/43c • K • The Wind that shakes the Barley • 104 — Pipes p 28, no 50. {Cg ~ 4:|:8||DC ~ 5551 6661}

1/44a • K • Reel • 105 — Pipes p 30, no 71 — A member of the ‘Colonel Frazer’ family? Cf DMWC no 33 The West wind. See 3/151b Frazers frolic. {Cg [TS corrected?] ~ 4:|:8|| ~ 3135 4224}

1/44b • K • Reel • 106 — Pipes p 30, no 72. Cf ONMI no 1184 The peeler’s jacket. {Cg ~ 2x8|| ~ 1313 7243}

1/44c • K • The Ladys cup of tea • 107 — Cf Pipes p 31, no 87 untitled; Joyce OIFMS p 35 The flurry reel; CRÉ 2 no 281 Laethanta spraoi na Cásca [Sporting days of Easter]. {Cc ~ 4:|:8|| ~ 5174 5524}

1/45a • The Fairy Dance — Cf Pipes p 31, no 90; Ryan p 8; Joyce OIFMS pp 65–66. {Cg ~ 2x8|| ~ 3333 4272}

1/45b • K • What the Devil ails you • 108 — Cf Pipes p 39, no 93. {Cg ~ 2x8|| ~ 1122 3133 i.e. 1020 3130 (0 being crotchet rests)}

1/45c • The Devils dream [corrected < The Devils among the Tailors] — Not Pipes p 30, no 78. Cf Lee 1801 [no] 1 The Devil among the taylors; Forde NCDs, set no 2, p 14; Westrop p 19. {Cg ~ 2x8:|: ~ 5757 5764}

1/46a • Miss McLeods reel • 520— See 4/20b, 1/189a. Different settings very common in print. {Cg ~ 2x8|| ~ 1166 3333 (tonic g, final a)}

1/46b • I’m over young to marry yet • 521 — Pipes p 30, no 79. Cf Kerr’s Merry 1 p 9. {Cg ~ 4:|:8|| ~ 5133 5132}

1/46c • The Soldier’s joy — Cf ONMI no 1642; Howe Omnibus p 41; Stephano p 3. {Cd ~ 2x8|| ~ 5151 5111}

1/47a • Lord McDonalds reel — Cf Aird 4 p 7, no 17; Campbell 8 p 19; Riley 1 p 32. {Cg ~ 4:|:8||DC ~ 5551 5122}

1/47b • K • Miss Pierce’s reel • 109 — Pipes p 41, no 125. Cf CRÉ 3 no 150 Áine bhóidheach [Bonny Ann] (part 1). {Cd ~ 3x4:|: ~ 3375 7175}

1/47c • K • The Honeymoon • 110 — Pipes p 41, nos 127 and 130. Cf Kerr’s Merry 2 p 17 (parts reversed). {Cg ~ 2x8|| ~ 1661 7635}

1/48a • K • Marsáil an Fhiadh .i. The Deers March • 111 — Cf Joyce OIFMS pp 23–24 Miss Redmond’s hornpipe; ONMI no 1593 Kit O’Mahoney’s hornpipe. {Cg ~ 2x8:|: ~ 3322 1141}

1/48b • K • The Kerry Lassie • 112 {Cd ~ 2x8|| ~ 3353 5415}

1/48c • K • The Quick reel • 113 {Cd ~ 2x8|| barline on end of bar 9 ~ 5552 5112}

1/49a • K? • Ellen Rosenburgh • 114 — Marked ‘K’ in index’. {Cd ~ 2x4:|: ~ 1362 1542}

1/49b • The Drummond Lasses • 522 — Copy of 4/97d. Cf ONDMI no 673; Riley 1 p 2 Duvil’s hornpipe; CRÉ 4 no 144 Ríl Leaicí [Lackey’s reel], parts reversed. {Cg ~ 2x4:|: ~ 1353 1372}

1/49c • K • Johnny is gone to France • 115 — Pipes p 41, no 121. {Cg ~ 4:|:8||DC ~ 5453 2454}

1/49d • K • The Basket of Oysters • 116 {Cd ~ 2x8|| ~ 7571 7531}

1/50a • K • The Yeomen’s reel • 117 {Cg ~ 4:|:8|| ~ 3154 2724}

1/50b • The Green Wood Lasses • 523 — Part 2: cf ONMI no 1480 The maid of Athlone (part 2), currently known as ‘The enchanted lady’. {2:4g ~ 4:|:8||DC ~ 6351 6362}

1/50c • The Kilkenny Hunt • 524 — Cf Robert Petrie 2 p 3 Honble Mrs Maule’s Reel; Kerr’s Merry 3 p 12 Sheep shanks; ONMI no 1500 The linen cap. See 3/136b Reel. {2:4g ~ 4:|:8||DC ~ 1535 2462}

1/51a • The Steam Packet • 525 — Cf Pipes p 31, no 81 [JG:] ‘see OD book’. See 3/110c The morning star. {2:4g ~ 2x8|| ~ 3331 3616}

1/51b • K • The Silver Top • 118 — Cf Joyce OIFMS pp 33–34 The new-mown meadows (parts reversed); ONMI no 1367 The threepenny bit. See 1/38b The top of the cliff. {2:4g ~ 2x8:|: ~ 3565 2326}

1/51c • K • Tare the Calico • 119 — Cf ONMI no 1410 The maids of Mitchellstown. {Cc ~ 4:|:8||DC ~ 1524 5454}

1/52a • K • The Highlanders Kneebuckle • 120 — Cf ONMI no 1543 Leather buttons; CRÉ 2 no 58 [Pat Ward’s jig]. {2:4d ~ 4 two cadences :|8|| ~ 3565 3522 (tonic d)}

1/52b • K • The Bride’s to Bed • 121 — Cf Ryan p 58 Cheese it; ONMI no 1548 Corney is coming. See 4/89c (nearly identical) 3/106c My love is in America. {Cd ~ 4:|:8|| ~ 5113 7342}

1/52c • Weel/ Well [?] may the Keel row — Cf gnp p 150; Kerr’s Merry 1 p 19; Kerr’s Merry 3 p 12; Forde 300 NM 1 p 28. {Cg ~ 4:|:8|| ~ 3142 3125}

1/53a • The Ferry Point • 526 — Part 1: See 1/189d I’ll gang nae mair to yon town, 2/158b, 3/153a. {2:4g ~ 2x8|| ~ 1131 3142}

1/53b • The Bonnie Lads of Scotland [B corrected] — Cf Aird 2 p 45, no 122; Aird 4 p 26, no 64, Aird 6 p 28, no 72; Ryan p 30. See near duplicate at 3/107b. {2:4d ~ 4:|:8|| ~ 3165 4522}

1/53c • Let no body see you — Copy of 4/19a. {Cg ~ 4:|:8|| ~ 7131 2275}

1/54 Hornpipes [Heading]

1/54a • K • Nelsons Hornpipe • 122 — Cf ONWSIM no 316 Nelson’s hornpipe; ONMI no 1558 The Cloone hornpipe & no 1617 O’Gallagher’s hornpipe. {Cg ~ 2x8:|: ~ 5635 1213}

1/54b • K • Fitzgeralds Hornpipe • 123 — Cf ONMI no 1713 Corney Drew’s hornpipe; Fitzgerald MS p 120; (Perhaps the ‘Gearaltach’ fiddler and dancing master mentioned in Iris 2 p 118). {Cg ~ 2x8:|: ~ 1113 6515}

1/54c • Blanchards Hornpipe — Cf Aird 4 p 37, no 92; Kerr’s collection p 28 Sailor’s hornpipe. See 4/59c. {Cd ~ 2x8:|: ~ 1345 3345}

1/55a • The Stage Hornpipe — Cf Kerr’s collection p 28 Hornpipe. See 4/59a Richers hornpipe. {Cd ~ 2x8:|: ~ 1117 2511}

1/55b • McNeile’s Hornpipe — Cf Kerr’s collection p 28 Jacky Tar. See 4/80a, 1/145b The college hornpipe. {Cg ~ 2x8:|: ~ 1115 3113}

1/55c • Murphys Hornpipe — Copy of 4/59e. See 4/18a and its copy 1/57b. {Cd ~ 4 two cadences ||8:|: ~ 1515 2224}

1/56a • The Pullet (Hornpipe) — Cf Kerr’s Merry 1 p 35. {Cd ~ 8:|:8||DC ~ 1661 5551}

1/56b • The Liverpool Hornpipe — Copy of 4/60a. {Cd ~ 2x8:|: ~ 3312 4316}

1/56c • Ross’s Hornpipe — Copy of 4/60b. {Cd ~ 2x8:|: ~ 1133 6716}

1/57a • Duval’s Hornpipe — Copy of 4/59b (part 2 bar 8: notes 1–4 wrongly transcribed, should be CBAG). {Cg ~ 8:|:12:|: ~ 1134 1134}

1/57b • Hornpipe — Copy of 4/18a. {Cd ~ 3x8:|: ~ 1515 1325}

1/58a • K • The Dublin Hornpipe • 124 — Pipes p 27, no 46, UCC p [73], no 8. — Cf ONMI no 1596 The slipper hornpipe. {Cd ~ 2x8:|: ~ 1276 3211 [?]}

1/58b • K • Fountains Hornpipe. Miss Lacey’s • 125 — Pipes p 18, no 4. Cf Amateurs companion p 1 Enrico; Trim Hardy no 13 Jacob or Enrico. See 1/195b The jockey hornpipe (part 1). {Cd ~ 2x8:|: ~ 1311 5535}

1/58c • K • Hanley’s Hornpipe • 126 — Part 1: see 3/98c Hornpipe. {Cg ~ 2x8:|: ~ 3535 1765}

1/59a • K • Hartneys Hornpipe ie O’Lyne’s March • 127 {Cg ~ 8:|:16:|: ~ 5111 5112}

1/59b • O’Farrell’s Hornpipe — Cf OFNIM 39. {Cd ~ 3x8:|: ~ 3112 2663}

1/60a • The Cuckoo’s Nest .i. An Spealadóir • 527 — Copy of 4/39c. {Cg ~ 3x8:|: ~ 4213 7445}

1/60b • Dwyers Hornpipe — near copy of 4/131d The Waterford hornpipe. {Cg ~ 3x8:|: ~ 3112 7552}

1/61a • Virginia Hornpipe • 528 — Not the same as Pipes p 29, no 65. Cf Kerr’s Merry 1 p 21 Negro melody, parts 2 & 3; Grier 3 no 166 [facs p 53, PDF no 188] untitled & no 184 [facs p 57, PDF 206] untitled. {Cd ~ 2x8:|: ~ 1535 6615}

1/61b • New York Hornpipe • 529 — Pipes p 29, no 64. Cf Roche 3 p 61 The standard hornpipe; Koehler 1 p 94 Ruby. {Cd ~ 2x8:|: ~ 1515 1535}

1/61c • The Jockeys Hornpipe • 530 — Pipes p 29, no 66. Cf Ryan p 191 Thunder hornpipe; ONMI no 1586 (1st setting). See 4/121a Ivorys hornpipe (part 1). {Cg ~ 2x8:|: ~ 1111 3313}

1/62a • K • The Newcastle Hornpipe • 128 — Cf Ryan p 74 Parry’s hornpipe; Kidson p 25 The Kirkgate hornpipe (2nd version) from a MS c. 1820. Another 1818 MS used by Kidson has the tune as the ‘Newcastle’. {Cg ~ 2x8:|: ~ 6665 4446}

1/62b–63 • K • Sport & Pleasure • 129 {Cc ~ 8:|:8:|:8:|:16||DC ~ 5134 5232}

1/63 • K • Spenser’s Hornpipe • 130 — Cf Bowen200 Welsh hornpipes [p?] The sermon hornpipe. {Cd ~ 5x8:|: ~ 3237 3115}

1/64a • K • Charlie is welcome home • 131 — Cf ONMI no 1579 The Wicklow hornpipe. {Cg ~ 2x8:|: ~ 6513 5575}

1/64b • K • Dickey Gossip • 132 — Cf Joyce MS 3 p 280, tune 835; Ryan p 190 Jaunting car (part 1). {Cg (part 1), d (part 2) ~ 2x8:|: ~ 1125 1451}

1/64c • K • The Steamboat • 133 — Pipes p 28, no 54. Cf ONMI no 1603 The harvest home (part 1). {Cd ~ 2x8:|: ~ 1313 1316}

1/65a • K • The Jockey thro’ the Fair • 134 {6:8d ~ 8:|:14:|: ~ 13 55 41 22}

1/65b • The Humours of Bandon (see other side) — See 1/66a. {6:8g ~ 8:|:13:|: ~ 51 27}

1/66a • K • The Humours of Bandon • 135 — See 1/91c Jerry’s rambles, 2/145b The humours of Listivain, 3/154b An t-seanbean sultmhar, 3/221c The jolly old woman. {6:8g ~ 8:|:16:|: ~ 51 27}

1/66b • K • The Humours of Ballinanty • 136 {Cd ~ 8:|:16:|: ~ 1131 2155 (tonic d)}

1/67a • K • Tino Tanto • 137 — Bars 1–2: see 1/70a Hornpipe. {Cg ~ 16:|:16|| ~ 5313 5313 (tonic g)}

1/67b • K • The Roving Siuler • 138 — See 2/63c Trip with the roving shiuler (different setting). {Cg ~ 2x8:|: ~ 1131 1376}

1/68a • The Flowers of Edinburgh • 531 — Common in print. JG’s incipit is unusual. {Cg ~ 2x8:|: ~ 1511 3542}

1/68b • K • Hornpipe • 139 — Pipes p 25, no 23. {Cg ~ 2x8:|: ~ 1116 5656 (tonic g but finals d)}

1/68c • Bony over the Alps [A corrected < a] — Copy of 4/65d. {Cg ~ 2x8:|: ~ 3212 7772}

1/69a • Jackson’s Hornpipe — Copy of 4/13b. {Cd ~ 3x8:|: ~ 1533 2216}

1/69b • K? • An Stáicín eórnadh • 140 — Marked ‘K’ in index. Cf O’D 1850 p 250, identical but 2:4 time. See 3/91b Kerin’s frolic, especially part 1. {Cg ~ 2x8:|: ~ 6635 2223}

1/69c • Jack Crumpe • 532 {Cc ~ 2x4:|: ~ 3311 5151}

1/70a • Hornpipe • 533 — Bars 1–2: see 1/67a Tino Tanto. {Cg ~ 2x8:|: ~ 5313 5312}

1/70b • Hornpipe • 534 {Cg ~ 2x8:|: ~ 3376 6165}

1/70c • K • The Drunken Gauger • 141 — Cf ONMI no 1041 The angry peeler. {6:8g ~ 2x8:|: ~ 31 51 32 22}

1/71a • K • Trim the velvet • 142 {6:8g ~ 2x8:|: ~ 32 22 32 11}

1/71b • K • Foxy Mary • 143 {6:8g ~ 8:|:8 two cadences :| ~ 56 56 56 53 (tonic g) or 43 43 43 42 (tonic a)}

1/71c • Reel • 535 {[4:4g] ~ 2x4|| two cadences each part|~ 11 65 51 32}

1/72 • K • Chorus jig (Jackson’s) • 144 {6:8d ~ 8:|: 8 two cadences ||5x8:|: ~ 51 54 51 56}

1/73a • K • Green Sleaves • 145 — Pipes p 39, no 95. {6:8g ~ 5x8:|: ~ 73 42 31 41}

1/73b • K • The Turnpike way • 146 — Cf Grier 3 [second] no 83 [facs p 34, PDF no 103] Jig; Grier 5 no 53 [facs p 9, PDF no 51] Jig. {9:8d ~ 2x4:|: ~ 365 367}

1/74a • The Drogheda jig — Part copy of 3/114. {6:8g ~ 4x8:|: ~ 11 14 11 12}

1/74b • K • The Yellow wattle • 147 {6:8g ~ 3x8:|: ~ 11 11 11 14}

1/75a • K • Timothy Doyle • 148 {6:8g ~ 3x8:|: ~ 34 14 14 62}

1/75b • K • Cnocán an Teampuill .i. Church hill • 149 — See 1/267d Allisdrum’s march (part v). {6:8g ~ 3x8:|: ~ 7554 7554 (tonic d) rather than 31 17 31 17 (tonic a)}

1/76a • K • Bean an leanna • 150 — Tunes p 11. {3:4g ~ 8||16|| ~ 616 544}

1/76b • K • “A réir as mé ag machdnamh air bheartaibh an t-saoghail” [2nd title in pencil:] B’fhearr leigean dóibh • 151 — Tunes p 11. {3:4d [3 illegible] ~ 16||16|| = 4x8 = 8x4 ~ 352 113}

1/77a • K • Prince Eugene • 152 — The last four bars marked ‘2nd time’ are written in the space at the end of 1/76a. {Cg ~ 2x8:|: ~ 1612 4232}

1/77b • K • Oh [italics] Bhean an tighe • 153 — Tunes p 12. {Cg ~ 2x8:|: ~ 3355 5564}

1/77c • K • The Wounded Hussar • 154 — See 1/100b Captain O’Cain. {3:4g ~ 8:|:16 = 2x8:|: ~ 511 321}

1/78a • K • Mary Neil • 155 — Cf Forde Collection no 452 Mary O’Neal. See 2/78c Erin’s lovely home. {Cg ~ 16 = 8+$ 8:| $ ~ 6513 4565

1/78b • K • Pilip an Cheóig • 156 — See 3/39b. {9:8g ~ 2x8|| ~ 227 227 (tonic g)}

1/78c • K • Pol [index: Poll] Ruaidh • 157 — Cf Aird 4 no 170 Sir John Scott’s favourite; OFPC 4 p 131 the Munster rake; CRÉ 4 no 31 Gan ainm [no name] (from Stephen Grier MS. {9:8c ~ 2x8|| ~ 126 124}

1/79a • K • Peggys Dream • 158 — Pipes p 40, no 105. {Cd ~ 4x8:|: ~ 3242 1553}

1/79b • This Earth is our Planet — Cf Moore 1818 no 7 song 11 They may rail at this life. See 2/1b, 4/29e. {6:8g ~ 2x8:|: ~ 55 35}

1/80a • K • “Open the Door for three [”] • 159 — Pipes p 27, no 43. Cf Holden CFIA p 23. {9:8g ~ 2x4:|: ~ 132 134}

1/80b • K • Slip jig • 160 — Pipes p 27, no 42. Cf Hamilton HUT 2 p1 Irish jig; ONDMI no 452 Last night’s fun (part 1). {9:8c ~ 4:|:8||DC [dots deleted? after part 2] ~ 522 621}

1/80c • Sir Roger De Coverly • 536 — Pipes p 29, no 68. Cf Stephano p 12. See 4/154a. {9:8g ~ 4:|:8||DC ~ 115 227}

1/81a • K • Sir Raymonds Frolic • 161 — Pipes p 31, no 88. Cf ONMI no 1160 Up and down again. {9:8g ~ 4:|:8||DC ~ 166 162}

1/81b • K • Slip jig • 162 — Cf Hamilton HUT 2 p 1 Irish jig (especially part 2); Joyce AIM p 7 Hop jig. {9:8d ~ 4:|:8||DC ~ 531 613}

1/81c • The Fox Hunters jig — Duplicate of 1/257b. {9:8g ~ 3x4:|: ~ 354 352}

1/82a • K • Spatter the Dew • 163 — Cf OFPC 2 p 132, parts 1 & 2. Part 1: cf Ryan p 130 The cock and hen. {9:8g ~ 4:|:4 two cadences :| ~ 331 335}

1/82b • K • The Rocky Road [R of Rocky corrected?] • 164 — Cf Citizen Nov 1841, tune no 39. See 2/154a The high road to Cork. {9:8g ~ 2x4:|: ~ 541 512}

1/82c • K • Ride a Mile • 165 — Not Pipes p 30, no 77 — See 3/143a. {9:8g ~ 2x4:|: ~ 517 135}

1/83a • K • Sean bhean críona an dranntáin • 166 — Tunes pp 11c, 12b; for different settings see 4/158 and O’D 1850 p 64. See 1/93a When the cock crows it is day. {6:8g ~ 8 two cadences ||8:|: ~ 36 31 36 44}

1/83b • K • Kiss The Widow • 167 — Pipes p 24, no 20. Cf OFPC 1 pp 62–63 Mullowney’s jigg; ONDMI no 11 Malowney’s wife. {6:8d ~ 2x8:|: ~ 35 55 43 42}

1/83c • K • Nothing in Life can sadden us • 168 — Pipes p 28, no 52. Cf Hughes Gems no 66 pp 15–16; ONMI no 747. {6:8g ~ | $ 8:|:8|| $ DC ~ 32 11 65 32}

1/84a • K • Captain Rock • 169 — Pipes p 28, no 51 Paideen Ruadh. {Cd ~ 8||8:|: ~ 3324 1147}

1/84b • Carolans Receipt — Cf OFNIM p 27; gnp p 61; Holden ISQT 1 p 23; See 4/124a. {Cg ~ 8||16|| = 6x4 ~ 6442 6111}

1/85a • Farewell to Whiskey • 537 — Cf Pipes p 30, no 76; Alburger 109–110 Niel Gow’s farewell to whiskey. {2:4g ~ 2x8:|: ~ 53 16 53 53 (4 bars) rather than 5532 1161 (2 bars)}

1/85b • K • Norah Daly • 170 — Pipes p 28, no 53. {6:8g ~ 2x8||DC ~ 33 22 11 51}

1/85c • K • The Joys of Wedlock • 171 — Pipes p 28, no 55. {6:8g ~ 2x8:|: ~ 11 15 35 72}

1/86a • Paddy from London • 538 — Cf ONMI no 1094 Miss Casey (part 1). {6:8c ~ 2x8:|: ~ 51 54 54 37}

1/86b • K? • An Crúisgín lán • 172 — Marked ‘K’ in index. Cf Surenne SI p 153 at start. {[C]g ~ 10 = 4+$ 4+2|| $ ~ 5132 4215}

1/86c • The Black joke • 539 — Cf OFPC 2 p 92; Clementi’s variations. {6:8g ~ 12||10|| 2x6 +2+2+6 ~ 51 22 33 22}

1/87a • Drunk at Night & dry in the Morning • 540 — Cf OFNIM p 19; OFPC 1 p 59. {6:8g ~ 8||10||8:|:, i.e. 4 = 4||10||4 = 4 tailpiece ~ 35 62 35 61}

1/87b • K • My Heart with love is breaking • 173 — Cf ONMI no 1433 Lord Gordon’s reel. See 1/260b Waterloo. {2:4d ~ 2x8:|: ~ 5353 5354 (tonic d) or perhaps 7575 7576 (tonic b)}

1/88a • The Orange Rogue • 541 — Cf ONDMI no 978 {6:8g ~ 8:|:8||DC 8||DC ~ 17 33 57 33 (tonic e) or 65 11 35 11 (tonic g)}

1/88b • The High cauled Cap • 542 — Cf O’D 1850 p 40. {2:4d ~ 8:|:16||DC ~ 3453 1374}

1/89a • The Alexander jig [T corrected] • 543 — Cf CRÉ 5 no 5 Máirseáil Alasdroim [Alexander’s march]. {6:8c ~ 2x8:|:DC ~ 11 13 11 11}

1/89b • jig • 544 — Cf CRÉ 2 no 62 Fáilte roimh Ó Conaill sa bParlaimint [O’Connell’s welcome to Parliament] (part 1). See 3/1007c O’Connells welcome to Clare. {6:8g ~ 2x8:|: ~ 11 35 33 33}

1/89c • The Third Buffs March • 545 — Cf gnp p 7; Aird 6 pp 72–73, no 177 Dorset-shire march; Roche 2 p 53 Captain Bluett’s march. {Cd ~ 2x8:|: ~ 3153 1531}

1/90a • Waltz — Part 1: cf Kerr’s Merry 1 p 51 Elfin waltz; Alexander’s scrap book new series vol 7 p 42; Howe Omnibus p 35. {3:4g ~ 2x16:|: ~ 513 442 146 666}

1/90b • Arabys Daughter — Cf MS 7348 p 102; Mooney 1, p 542; Howe Musician’s companion 2 p 4; ONMI no 305. {6:8d ~ 2x8|| ~ 33 23}

1/90c • K • To Cashell I’ll go • 174 — An elaborate setting of the jig ‘Tatterjack Walsh’. Cf Ryan p 142. See 4/19d. {6:8d ~ 2x8:|: ~ 31 77 54 53}

1/91a • “The Bold Soger Boy” — Song by Samuel Lover: cf MS 7348 p 127; O’Flanagan HC p 30; Howe NVWM p 97; Lover 1853 p 169 (words only). {Cg ~ 3517 2131}

1/91b • The Blind Mans Bride — Cf MS 7348 p 127; Cowell. {Cc ~ 20|| = 5x4 ~ 5555 1111}

1/91c • Jerrys Rambles — OFNIM p 18. See 1/66a The humours of Bandon. {6:8c ~ 2x10 = 4+4+2:|: ~ 51 27}

[The following tunes from O’Farrell are marked ‘O’F’ by JG in the margin]

1/92a • O’F • Apples in Winter — OFNIM p 22. Cf ONMI no 1110 Gillan’s apples. {6:8d ~ 4x8:|: ~ 13 33}

1/92b • O’F • Planxty Connor — OFNIM p 22. {6:8g ~ 3x8:|: ~ 17 61}

1/93a • O’F • When the Cock crows it is day — OFNIM pp 20–21. See 1/83a Sean bhean críona an dranntáin. {6:8d ~ 4x8:|: ~ 34 11}

1/93b • O’F • Diversion Everywhere — Cf OFNIM p 28 Round the world for sport. See different version at 4/120a. {6:8g ~ 2x8:|: ~ 13 15}

1/94a • O’F • The Lads of Tipperary — OFNIM p 29. See 2/36b The lads of Tipperary, 3/94a Malichi Daly. {6:8d ~ 4x8:|: ~ 16 55}

1/94b • O’F • Yellow Stockings — OFNIM p 29. {9:8g ~ 3x4:|: ~ 111 117}

1/94c • O’F • Humours of Toddy — OFNIM p 35. {6:8g ~ 2x4:|: ~ 75 32}

1/95a • O’F • Stad ero Roguire, Stad, Stad! [roman, gaelic, JG pencil:] (Sighle an da Mhannga) — OFNIM p 36. {6:8a ~ 4x8|| ~ 12 44}

1/95b • O’F • Rothe Murchus’s Rant — Cf OFNIM p 41. See 2/150a The maid in danger. {Cc ~ 3x4:|: 8||DC ~ 2224 7575 (tonic e) or 3335 1616 (tonic d)}

1/96a • O’F • We’ll all take Coach & trip it away — OFNIM p 38. Cf ONMI no 1000 The old grey goose. See 3/88c Humours of Millstreet (part 1). {6:8g ~ 5x8:|: ~ 32 31 32 27}

1/96b • O’F • Johnny O’Shea — OFNIM p 135. {9:8f ~ 2x4:|: ~ 663 666}

1/97a • O’F • O’Farrells welcome to Limerick — OFNIM pp 38–39. {9:8d ~ 6x4:|: ~ 357 654}

1/97b • O’F • The Humours of Ballymanus — OFNIM p 50. Cf OFPC 1 pp 38–39. {9:8d ~ 6x4:|: ~ 555 556}

1/98a • O’F • Cuma liom with variations [all roman] — OFNIM p 42. See 1/182 A bh-fuilleann tú ad chodladh aro Mháire. {9:8d ~ 7x4:|: ~ 533 534}

1/98b • O’F • The Munster piper — OFNIM p 40. {Cd ~ 3x4:|: ~ 1531 2762}

1/99a • O’F • The Silver Mines — OFNIM p 46. {6:8d ~ 5x8:|: ~ 55 55}

1/99b • O’F • Humphy [sic] Clinker — OFNIM p 152. (Hero of a picaresque novel by Tobias Smollett, The expedition of Humphrey Clinker). {2:4d ~ 2x8:|: ~ 3535 1664

1/100a • O’F • The little house under the hill — OFNIM pp 48–49. See 3/40a — 41. Differs from 2/14c. {12:8d ~ 6x4:|: ~ 5555 5544}

1/100b • O’F • Captain O’Cain — OFNIM p 45. See 1/77c The wounded huzzar. {6:8c ~ 4:|:8|| ~ 53 27}

1/101a • K • jig • 175 — Part 2: cf Aird 1 p 68, no 196 Irish lilt (part 2). See 3/130c The top of Cork road (part 2). {6:8d ~ 2x8:|: ~ 13 13 13 22}

1/101b • K • jig (Paddy mc Fadden mhic Phawdeen) [?] • 176 — See 2:4 setting at 3/132c Scotch lilt (part 1). {6:8g ~ 2x8:|: ~ 51 57 47 24}

1/101c • K • brísdín bréide [i corrected in bréide] • 177 — Cf ONMI no 880 The Killeshandra lasses. See 4/77c Bachelor’s walk. {6:8c ~ 2x8:|: ~ 13 53 22 62 (tonic g but final e)}

1/102a • Morgan Rattler — Pipes p 39, no 96. Cf Kinloch 1 p 41 (parts 1 & 3). See 2/172c Jacksons Banner Banogher. {6:8d ~ 2x8:|: ~ 52 31}

1/102b • K • The Sweet Briar (Coigeálín cobharthach) • 178 — Pipes p 31, no 89. {6:8g ~ 2x8|| ~ 16 33 16 52}

1/102c • The Lads of the town • 546 — Pipes p 26, no 35, UCC p [73], no 9. Cf Pigot MS p 814: one of three tunes in ‘Mr Goodman’s setting’. Cf Joyce OIFMS p 42 The banks of Glenoe. Part 2: cf Ryan p 113 Connaught-man’s ramble (part 2). {6:8c [TS corrected] ~ 8:|:8 two cadences || ~ 7377 73 14}

1/103a • Nancy Dawson — Cf Aird 1 p 40, no 112; Edin repos music 3 p 88; Lynch p 34. {6:8g ~ 2x8:|: ~ 11 51 22 27}

1/103b • K • Seaghan Stail • 179 — Pipes p 19, no 12, UCC p [72], no 20. {6:8g ~ 2x8:|: ~ 31 12 31 72}

1/103c • Sagairt na m-buatuisidhe [or tais?] • 547 — Pipes p 28, no 57. Cf Aird 1 p 14, no 124 The parson in his boots; Ryan p 102 The priest in his boots. See 1/34 (near duplicate). {6:8g ~ 2x8:|: ~ 22 27 13 72}

1/104a • Reel • 548 — Cf Pipes p 18, no 2. {2:4 [read C]d ~ 2x8:|: ~ 16 13 16 75 (4 bars)}

1/104b • Polka • 549 — Cf Pipes p 18, no 3 Waltz (2:4 time); CRÉ 3 no 68 Tá boinéad agam [I have a bonnet trimmed with blue]. See 1/162b Russian krakoviak. {2:4g ~ 8:|:8|| ~ 74 53 54 13 (4 bars) rather than 7744 5333 (2 bars)}

1/104c • Waltz • 550 — Cf Pipes p 25, no 29; Hamilton HUT 1 p 70 Beneditta sia la madre. Venetian air. {3:4g ~ 2x8|| ~ 556 313}

1/105a • Leather away with the Wattle O! — Cf O’D 1850 p 192. {2:4d ~ 8||8:|: ~ 1635 1113}

1/105b • Toirdhealbhach láidir — Cf OFPC 2 p 136; O’D 1850 p 248. Although it is obviously from print, Pigot includes it as one of three tunes in ‘Mr Goodman’s setting’ (Pigot MS p 814). {9:8d ~ 3x4:|: ~ 345 346}

1/105c • Humours of Flip • 551 — Pipes p 26, no 31 ARDGROOM. Cf ONMI no 1320 Trim the velvet (part 1). {Cg ~ | $ 2x8|| [no repeat of $] ~ 1343 1347}

1/106a • K • The Banks of the Suir Slow • 180 {3:4g ~ 6||12 = 6+6|| ~ 166 612 651}

1/106b • Bang it up • 552 {Cg ~ 8||4:|: ~ 3131 5327}

1/106c • Peter street Dance • 553 — Cf Pipes p 26, no 37. See 1/215b, 4/48b. {Cg ~ 2x8||DC ~ 1353 1176}

1/107a • K • Paddy Heagerty’s Leather breeches • 181 — Pipes p 29, no 62 Téid Pheadair. {6:8g ~ 8||8:|: ~ 11 52 34 11}

1/107b • The Limerick Waltz • 554 — Pipes p 31, no 84. Part 1: cf Roche 3 p 50, no 151 The barnacle. {3:4c ~ 3x8:|: ~ 555 111}

1/107c • A pantomime jig • 555 — Pipes p 31, no 85 Clowns jig. Cf Aird 1 no 62, p. 22 Albina (parts 3 & 4 reversed). {6:8g ~ 2x4:|: ~ 55 23 55 41}

1/108a • Quadrille • 556 — Pipes p 39, no 100. {6:8g ~ 2x8:|: ~ 55 33 75 25}

1/108b • Waltz • 557 — Pipes p 40, no 102. {3:4g ~ 2x8:|: ~ 533 155}

1/108c • Waltz — Non-traditional. {3:4d ~ 8:|:16 = 8+8||DC ~ 333 135}

1/109a • Paddy O’Carroll — Very common in print in similar settings. Cf Kerr’s collection p 31. {6:8d ~ 2x8:|: ~ 33 33 11 22}

1/109b • Flora McIvor’s Reel — Cf Hodson Highland Quadrilles (JM 5580, last item). {Cg ~ 4:|:4||DC ~ 1366 1542}

1/109c • Waltz • 558 — Pipes p 27, no 45 Waltz (Sley Head); UCC [p 72], no 11 Sleibh Head. {3:4g ~ 2x8|| ~ 136 462}

1/110a • Haste to the Wedding — Cf Aird 1 p 30, no 84 Rural felicity; Kerr’s new violin tutor p 23. See 2/16b. {6:8d ~ 2x8:|: ~ 55 23}

1/110b • Trip to the Cottage — Cf Hime 1809 no 1, p 4. See 3/180a Dubhairt sí go bhfaghain (part 1). {6:8g ~ 2x8:|: ~ 53 42}

1/110c • K • The Bungalow jig • 182 — Cf P-S no 962 (copy? of JG). {6:8g ~ 2x8:|: ~ 33 47 33 41}

1/111a • Quick Step • 559 {6:8g ~ 2x8:|: ~ 11 65 11 32}

1/111b • Quick Step — Non-traditional. {6:8d ~ | $ 8:|:8|| $ DC ~ 11 11 42 72}

1/111c • Indeed then, you sha’nt!! • 560 — Cf Ryan p 155 (parts reversed). {6:8g ~ 2x8:|: ~ 62 43 62 41}

[The items below (from 1/112a down to 1/137b intermittedly) copied from Levey have ‘L’ or ‘L.’ in the left-hand margin in the MS.

1/112a • L • Apples in Winter — Levey 1 no 2. Cf Kerr’s Merry 1 p 34. {2:4c ~ 4:|:8|| ~ 5353 7777 (tonic a?) or 2727 5555 (tonic d)}

1/112b • L • Moll in the Wad — Levey 1 no 5. Cf Holden ISQT 1 p 18. {6:8g ~ 2x8:|: ~ 64 24}

1/112c • L • Strawberry beds — Levey 1 no 7. {2:4g ~ 2x8||DC ~ 5231 3331}

1/113a • L • Trip it up Stairs — Levey 1 no 6. See 2/55b. {6:8d ~ 3x8:|: ~ 13 27}

1/113b • L • The Kinnigad [gal?] Slashers — Cf Levey 1 no 83 (parts 1 & 2); OFPC 3 p 31. {6:8d ~ 3x8:|: ~ 11 55}

1/114a • K • Úr chlann na mná ó’n sliabh • 183 — Words pp 98–99 ‘A Righ dhil na ngrás dfullaing péin agus páis’; Tunes p 11d. {Cg ~ 16|| = 4x4 ~ 1121 5555}

1/114b • K • Hurry the jug • 184 {6:8g ~ 8:|:16:|: ~ 13 52 72 42 (tonic e, final g)}

1/114c • K • Shéamuis a mhaoin • 185 — Words p 92 ‘A Shéamuis a chroidhe, nó ’n truadh leat mar bhím’; Tunes p 112e. {3:4]g ~ 8 = 4x2:|: ~ 111 333}

1/115a • K • Humours of Brandy (Jackson) • 186 {6:8d ~ 4x8:|: ~ 52 22 15 22}

1/115b • K • Lady of the Lake • 187 — Cf Ryan p 143 Billy the barber shaved his father. {6:8g ~ 2x8:|: ~ 31 61 31 35}

1/116a • K • ‘Pass the joram’ or ‘Bunach, a bhuachaillidhe’ • 188 {6:8c ~ 2x8:|: ~ 15 55 15 52}

1/116b • K • ‘Caravat’ jig • 189 — Cf Roche 1 p 42, nos 95 & 96 Donnybrook fair, or The boys from the lough. {6:8g ~ 2x8:|: ~ 12 35 31 26}

1/116c • K • Far away wedding • 190 — Cf Curtin MS no 17. Part 1: cf Aird 1 p 62, no 181 The wrights rant. The stool of repentance. {6:8d ~ 2x8:|: ~ 3535 4636}

1/117a • K • Jackson’s Family • 191 {6:8g ~ 8:|:14:|:8:|:10:|: ~ 3414 3411}

1/117b • K • Round the world for sport • 192 — See 3/80c. {6:8d ~ 2x8:|: ~ 55 33 56 21}

1/118a • K • Tadhg an dá bheisd • 193 — Cf (parts reversed) Rowsome p 137 Brother Gildas (1). {[6:8]d ~ 2x8:|: ~ 55 15 55 74 (tonic e)}

1/118b • K • The green gown • 194 {Cd ~ 10 = 2x2 $ 3x2:| $ ~ 1465 2220}

1/118c • Michl Delany — Cf Weippert NCD 3 no 18 Murphy Delaney. {6:8g ~ 2x8:|: ~ 11 13 11 27}

1/119a • L • Doyle’s Frolic — Levey 1 no 9. {6:8g ~ 2x8:|: ~ 32 51}

1/119b • L • Irish Air — Levey 1 no 12. {6:8d ~ 2x8:|: ~ 55 13}

1/119c • L • jig — Levey 1 no 14. See 4/61a Money in both pockets (parts 1 & 2). {6:8d ~ 2x8:|: ~ 13 55}

1/120a • L • jig — Levey 1 no 15. Cf Aird 5 p 39, no 103 Ligrum cus, Irish; ONWSGM no 105. {6:8g ~ 8:|:8 two cadences || ~ 55 31 55 61}

1/120b • L • Dublin Streets — Levey 1 no 19. {9:8g ~ 4:|:8||DC ~ 355 244}

1/120c • L • The Rambling Pitchfork — Levey 1 no 21. {6:8f ~ 2x8:|: ~ 35 75 (tonic d) or 13 53 (tonic f?)}

1/121a • L • The New “Found out” — Levey 1 no 20. {2:4d ~ | $ 2x8|| $ DC ~ 5335 4616}

1/121b • L • Up stairs in a tent [JG pencil?:] Sally tye my bonnet — Levey 1 no 22. {2:4g ~ 4 two cadences ||8||DC ~ 2276 2231}

1/121c • L • Kitty’s Wishes — Levey 1 no 24. Cf Joyce OIFMS p 381 The star of Munster. {2:4c ~ 2x8:|: ~ 3127 1575}

1/122a • L • Molly Brallaghan — Levey 1 no 26. {2:4g ~ 2x8:|: ~ 4534 2226}

1/122b • Judy Brallaghan — Cf Levey 1 no 111 Blewit’s jig; Power 1811 p 2; ONMI no 1145 Barney Brallaghan. {9:8d ~ 3x4:|: ~ 355 351}

1/122c • L [K?] • The Green fields of Erin • 195 — Marked ‘K’ in index but ‘L’ in margin. Cf Levey 1 no 74. {2:4g ~ 4 two cadences ||8||DC ~ 1353 2274 (tonic a)}

1/123a • L • Will you take a flutter — Levey 1 no 76. Cf Clinton Gems no 192 Will you take a titther. {Cg ~ 4||8 = 4+4||DC ~ 3130 6243}

1/123b • L • Rakes of Irishmen — Levey 1 no 78. Cf Holden CFIA p 30. {6:8g ~ 2x8:|: ~ 11 55 65 22}

1/123c • L • Patricks pot — Levey 1 no 80. Cf Clinton Gems no 151. {6:8c ~ 2x8:|: ~ 11 17}

cois f 1/124a • L • The Beesom — Levey 1 no 81. {9:8d ~ 2x4:|: ~ 354 354}

1/124b • L • The Galway Reel — Levey 1 no 82. {2:4c ~ 2x4|| two cadences both parts ~ 7275 5115 (tonic d)

1/124c • L • Reel — Levey 1 no 85. Cf Kerr’s Merry 1 p 35 The hare’s foot; ONMI no 1296 Jim Kennedy’s favourite. See 3/163b The lowlands of Scotland. {2:4g ~ 4 two cadences :|:8||DC ~ 3357 5751 (tonic e)}

1/125a • L • The Langstern pony [y corrected < e] — Levey 1 no 86. {6:8d ~ 2x8:|: ~ 37 72}

1/125b • L • Marry the piper girls — Levey 1 no 97. {6:8g ~ 2x8:|: ~ 4455 4414 (tonic d) or 11 22 11 51 (tonic g)}

1/125c • L • jig — Levey 1 no 98. Cf ONMI no 1049 Felix the wrestler. {6:8a ~ 2x8:|: ~ 31 51}

1/126a • L • Kissing and Drinking. — Levey 1 no 91. {6:8g ~ 2x4:|: ~ 31 61}

1/126b • L • Jig — Levey 1 no 92. Cf ONMI no 1144 Ellen O’Grady. {9:8d ~ 2x4:|: ~ 556 556}

1/126c • L [?] • The Miners of Wicklow • 561 — Cf Levey 1 no 25. {6:8d ~ | $ 8 two cadences ||16|| $ DC ~ 35 15 62 51}

1/127a • L • Strap [sic] the Razor — Levey 1 no 32. {6:8g ~ |! $ 2x8:|: no 2nd $ ~ 23 27}

1/127b • L • Kitty in the Lane — Levey 1 no 35. {2:4d ~ 4 two cadences :|8|| ~ 1576 4276}

1/127c • L • The Teetotallers Reel — Levey 1 no 41; Kerr’s Merry 1 p 35. {2:4g ~ 2x8:|: ~ 1113 5652}

1/128a • L • Jack in the Green — Levey 1 no 34. {9:8g ~ 2x4:|: ~ 116 227}

1/128b • L • Jig — Levey 1 no 36. Cf ONMI no 1141 Silvermore. {9:8d ~ 2x4:|: ~ 134 132}

1/128c • L • The House in the Corner — Levey 1 no 37. Cf Aird p 25, no 63 The hare in corn: ONMI no 758 The absent minded man. {6:8g ~ 2x8:|: ~ 35 13}

1/129a • L • The Humours of Cork — Levey 1 no 38. Cf OFPC 3 p 9. {6:8g ~ 2x8:|: ~ 51 12}

1/129b • L • Miss Brady — Levey 1 no 42. {2:4g ~ 2x4:|: ~ 1355 7722}

1/129c • L • Saddle the Pony — Levey 1 no 43. Cf Joyce OIFMS p 841 The housemaid (parts reversed); ONMI no 719 East at Glandart (parts reversed). {6:8d ~ 2x8:|: ~ 11 55}

1/129d • L • Who’ll come fight in the Snow [S corrected < sl?] — Levey 1 no 68. Cf Clinton Gems no 197. {9:8d ~ 2x4:|: ~ 133 134}

1/130a • L • Coming thro the Field — Levey 1 no 47; — Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a A reel Down the street, 3/128a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 2x8:|:DC ~ 1313 4245}

1/130b • L • The Beer Drinker — Levey 1 no 46. Cf ONMI no 1108 Paddy go easy. {6:8d ~ 3x8:|: ~ 13 53 13 52}

1/130c • L • The Piper’s maggot — Levey 1 no 50. Cf Holden ISQT 1 p 21; Weippert NCD 2 no 26. {9:8c ~ 2x4:|: ~ 315 316}

1/131a • L • Thady’s Wattle [illegible, pencil?:] ‘—’Ken–dy [?] — Levey 1 no 52. Cf Holden ISQT 1 p 5; Weippert NCD 2 no 9. {Cg ~ 4:|:8||DC ~ 1335 4461}

1/131b • L • Slack the rags — Levey 1 no 53 Stack the rags. {6:8f ~ 8:|:16||DC ~ 41 51}

1/131c • L • Rowdledum — Levey 1 no 57. {9:8d ~ 2x4:|: ~ 117 133}

1/132a • L • The Bag of praties — Levey 1 no 56. Cf Kerr’s Merry 1 p 22. {Cd ~ 2x4:|: ~ 1115 7765}

1/132b • L • Jig — Levey 1 no 57. {6:8g ~ 8 two cadences :|8:|: ~ 52 65}

1/132c • L • Miss Hamiltons reel — Levey 1 no 59. {2:4f ~ 2x8|: ~ 3735 7524}

1/132d • L • The unfortunate cup of Tea (reel) — Levey 1 no 69. Cf Howe 500 Irish melodies p 97. {Cg ~ 2x4:|: ~ 5335 3553}

1/133a • L • The Bunch of Currants — Levey 1 no 60. See 3/189c The brisk young lad (part 1). {6:8g ~ 2x8:|: ~ 33 42}

1/133b • L • Fagan — Levey 1 no 25. Cf Clinton Gems no 140. {6:8f ~ 2x8:|: ~ 16 36}

1/133c • L • Irish Lilt — Levey 1 no 63. Cf Holden ISQT 1 p 3. {6:8g ~ 4:|:8:|: ~ 31 32}

1/134a • L • An Irish Troll — Levey 1 no 66. Cf Holden ISQT 1 p 1 Irish Trott. {6:8c ~ 2x4:|: ~ 24 24}

1/134b • L • Captain Paddy — Levey 1 no 79. Cf Holden CFIA p 29. {Cf ~ 2x4:|: ~ 6311 6322}

1/134c • L • Jig — Levey 1 no 67. {9:8g ~ 2x4:|: ~ 165 627}

1/134d • L • The Humours of Mullin-a-fannia [sic] — Levey no 70. See 4/4d [Jackson’s] Cogue in the morning. {6:8g ~ 2x8:|: ~ 51 32}

1/135a • L • The Whigsborough Hunt — Levey 1 no 71. {9:8d ~ 2x4:|: ~ 351 627}

1/135b • L • Skiver the quilt — Levey 1 no 72. Cf Holden ISQT 1 p 36. {6:8f ~ 2x8:|: ~ 55 44}

1/135c • L • Cork city — Levey 1 no 73. {9:8f ~ 2x4:|: ~ 531 516}

1/136a • L • Conemara jig — Levey 1 no 100. {9:8d ~ 4:|:8||DC ~ 531 627}

1/136b • L • Hornpipe — Levey 1 no 102. Cf ONDMI no 786 Over the moor to Maggie. {Cg ~ 2x8:|: ~ 1133 1642}

1/136c • L • The Merry Harriers — Levey 1 no 103. {6:8]f ~ 8:|:8 two cadences :| ~ 13 11}

1/137a • L • Jig — Levey 1 no 15. Cf Aird 5 p 39, no 103 Ligrum cus, Irish. {6:8d ~ 2x8:|: ~ 55 31}

1/137b • L • The Connoughtman — Levey 1 no 55. {6:8g ~ 2x8:|: ~ 33 76}

1/137c • Welcome Home (Jackson) — Copy of 4/3b. {6:8g ~ 2x8:|: ~ 16 53 16 52}

[The items below (from 1/138a down to 1/156a) copied from Colclough have ‘C’ or ‘C.’ in the left-hand margin in the MS.

1/138a • C • Waltz — Colclough p 14. {3:8g ~ 2x8:|:16:| ~ 333 313}

1/138b • C • La Flora — Colclough p 14. {2:4g ~ 7:|:8:|: ~ 5417 7554}

1/139a • C • Burnet’s Rondo — Colclough p 14. Cf OFPC 3 p 22. {6:8g ~ | $ 8:|:16||8:|:8|| $ DC ~ 51 65}

1/139b • C • A Piper o’er the Meadows straying — Colclough p 14. Cf OFPC 3 p 24. {Cg ~ 2x8:|: ~ 5532 1131}

1/140a • C • Buonaparte’s Waltz — Colclough p 14. {3:8g ~ 3x8:|:16:|: ~ 335 221}

1/140b • C • The Miller of Drone — Colclough p 15. {2:4g ~ 8:|:16 two cadences :| ~ 1653 1613}

1/141a • C • Aldridge’s Hornpipe — Colclough p 15. {Cg ~ 2x8:|: ~ 1113 5412}

1/141b • C • Lord Moira’s Welcome to Scotland — Colclough p 15. Cf OFPC 4 pp 96–97. {Cg ~ 4:|:8||4:|:8|| ~ 1135 4327}

1/142c–143 • C • The Rose Tree, with variations by Colclough — Colclough p 16. See 4/43c. {2:4 d ~ 5x [8:|:8||] parts 2–5 variations –4 ~ 1153 5555}

1/144a • C • The New May Moon — Colclough p 15. {6:8d ~ 2x8:|: (parts 2–5: variations 1–4) ~ 44 21}

1/144b • C • Black Rock — Colclough p 15. See 3/39a. {9:8g ~ 2x4:|: ~ 654 363}

1/144c • C • Miss Forbes’s Farewell — Colclough p 16. Cf OFPC 4 p 133. {2:4g ~ 2x8:|: ~ 3342 3566}

1/145a • C • Lord Cathcart — Colclough p 16. {6:8g ~ 8:|:16|| ~ 55 52}

1/145b • C • The College Hornpipe — Colclough p 17. See 1/55b McNeile’s hornpipe, 4/80a. {Cd ~ 2x8:|: ~ 1115 3113}

1/146 • C • The Highland Fabrick — Colclough p 17. See 4/18b. {6:8g ~ 2x8:|: 4:|: 3x8:|: ~ 55 52}

1/147 • C • Union Pipe Grand March and Quick step Maestoso — Colclough p 17. {C~ 2x8:|: Trio 8:|:8|| [Quick Step:] 2:4g ~ 2x8:|: ~ 1115 3331; Quick Step: 13 55 55 22 (4 bars)}

1/148–49 • C • Dainty Davy with variations — Colclough p 18. {Cg, variation 3: 6 /8, variation 4: 2/2 ~ 2x4:|:; variations 1–2 4x4:|:; giga variation 3: 2x8:|:; variation 4: 4:|:5:|: ~ 5321 1313}

1/149 • C • The Rakes of West Meath — Colclough p 19. Cf OFPC 4 p 81. {9:8d ~ 3x4:|: ~ 532 534}

1/150a • C • Gráine mhaol — Colclough p 18. Cf OFPC 4 p 99 Granah Weale. {6:8f ~ 8:|:9:|: ~ 54 51}

1/150b • C • Colcloughs Hornpipe — Colclough p 19. {2:4g ~ 3x8:|: ~ 3113 5413}

1/151a • C • Old Towler — Colclough p 19. Cf OFPC 3 p 54. {6:8d ~ 8||32|: ~ 16 35}

1/151b • Llewellyn a Welch Air — Cf OFPC 34 p 33; Colclough p 19 (air of the Welsh song ‘The ash grove’). Copy? of 4/77g. {6:8g ~ 4:|:8:|: ~ 13 22}

1/152a • C • Bob and Joan with variations — Colclough p 19. See 14c Bantry bay. {3:4g ~ 3x4:|: 8|| ~ 311 312}

1/152b–153 • C • Gramachree (Grádh mo Chroidhe [best gaelic script]) with variations — Colclough p 20. Cf OFNIM p 46. {Cg ~ 3x8:|: ~ 5561 5215}

1/153 • C • The Munster Rake — Colclough p 20. {9:8g ~ 4:|:8|| ~ 126 124}

1/154–56 • C • Maggie Lawder with Variations — Colclough pp 20–21. Cf Geminiani p 34. {Cd ~ 8x8:|: parts 3–8 = 3 variations ~ 1111 2472}

1/156–57 • C • The Scots came o’er the Borders — Colclough p 21. See 3/101c Charlie over the water. {6:8d ~ 4x8:|: bar 17 ‘var’ ~ 13 11}

1/157 • C • Burn’s [sic] Farewell — Colclough p 21. See 4/78b. {Cc ~ 2x8:|: ~ 31 17 33 43}

1/158a • K • Cailleach an t-súsa (The old) • 196 {6:8g ~ 2x8:|: ~ 24 63 34 14}

1/158b • K • Cailleach an t-súsa (The new) • 197 {6:8c ~ 2x8:|: ~ 11 11 21 73 (tonic e) or 22 22 32 14 (tonic d)}

1/158c • K • The Darkgate Girl • 198 — See 3/78a The darkhaired girl. {Cg ~ 4:|:8||DC ~ 3135 2431}

1/159a • K • Father Murphy’s Quick step • 199 — Cf OFPC 2 no 143 Banks of Inverness; ONWSGM no 61 The Croppies’ march no 2. {2:4c ~ 8:|:16||DC ~ 55 51 32 16 (4 bars) rather than 5555 5512 (2 bars)}

1/159b • The Jolly Young Waterman • 562 — Cf Dibdin. {6:8d ~ 8:|:8|| ~ 53 12 55 12}

1/159c • Steamboat Hor[n]pipe No:2 — Cf Alexander’s scrap book vol 1 p 13; Ryan p 218. {Cg ~ 2x8:|: ~ 1351 3513}

1/160a • Irish washerwoman — Cf Surenne SI p 46; Holden ISQT 1 p 17; Riley 2 p 95. {6:8g ~ 2x8|: ~ 35 35 47 46}

1/160b • Astley’s Hornpipe — Cf Weippert NCD 3 no 20; ONWSGM no 332 (from Wilson’s Companion to the ballroom, 1816); VMP Clare MS JC.035 Asley’s hornpipe. {Cg ~ 2x8:|: ~ 1364 2765}

1/160c • King of the Canibal Islands — Cf Howe Omnibus complete p 158; Kerr’s New violin tutor p 15; Trim Hardy no 78 (other title ‘Vulcan’s cave’). {6:8d ~ 8||16|| ~ 31 15 42 35}

1/161a • I’m Ninety-five — See 1/222a Jean de Paris. {6:8g ~ 8||16|| ~ 33 53}

1/161b • The Highland Fling — Cf Campbell 20 p 2; Gow Coll 1 p 18 Tulloch gorum. {C[corrected] c ~ | $ 4:|:8:|: $ ~ 3542 3535}

1/161c • I was the Boy for bewitching e’m — Cf Crosby Irish p 49. {9:8g ~ 4||7|| ~ 113 132}

1/162a • March from “The Maid of Judah” [‘from’ inserted] — from Rossini’s opera. {2:4c~ 2x8||DC ~ 1131 6550}

1/162b • Russian Krakoviak — Cf Hamilton HUT 2 p 68 (two parts only) The Krakoviak dance [by Bochsa]; Kerr’s Merry 1 p 46 (two parts only); CRÉ 3 no 68 Tá boinéad agam [I have a bonnet trimmed with blue]. See 1/104b Polka. {2:4g ~ 3x8:|:8||DC ~ 74 53 54 13 (4 bars)}

1/163a • The Lass of Richmond Hill — Cf Kerr’s Merry 3 p 42. {2:4d ~ 24|| = 6x4 ~ 5111 2724}

1/163b • There is nothing like pride about me • 563 {9:8g ~ 10|| = 5x2 ~ 131 555}

1/163c • The Calais Packet • 564 — Cf Riley 1 p 59 Hunt the hare; Howe Omnibus complete p 97; Hunting the hare; Hamilton HUT 2 p 49. {6:8d ~ 2x8|| = 4x4 ~ 13 67 13 61}

1/164a • By the Margin of Fair Zurich’s Waters — Cf Hamilton HUT 2 pp 150–51. {3:8g ~ 8:|:13||10|| ~ 333 444}

1/164b • Air from the opera of Robert le Diable — Cf Howe Omnibus p 21. {6:8g ~ 8:|8||8|| ~ 13 36}

1/165a • Huntsman’s Chorus — Cf Hamilton HUT 1 p 99 The Hunter’s chorus from the opera of “Der Freyschutz”; cf Alexander’s scrap book vol 2 p 67. {2:4g ~ 34 = 32+2||12|| ~ 77 42 11 27 (tonic a?, final a)}

1/165b • Britania Hornpipe no. 1 — Non-traditional. {Cg ~ 2x8:|: ~ 5555 5311}

1/166a • Galop — Cf Cameron p 28 Gustavus Galop. {2:4d ~ 3x8:|: 8:|8||8||DC ~ 51 51 53 15 (4 bars) rather than 5115 5115 (2 bars)}

1/166b • Britania Hornpipe No. 2 — Non-traditional. {Ca ~ 2x8:|: ~ 1414 3114}

1/167 • The Downfall of Paris — Cf OFPC 1 pp 22–23; Hamilton HUT 1 p 124. {2:4g ~ 2x16|| 2x8|| DC ~ ~ 1111 1142 (2 bars) or 11 14 22 25 (4 bars)}

1/168a • The Literary Dustman — Cf Hamilton HUT 1 p 143. {6:8g ~ 2x8|| ~ 16 13}

1/168b • Bay of Biscay — Cf Cameron p 12. {2:4d ~ 16!| $, $ bar 12:2 ~ 5113 1167 (2 bars) or 51 16 22 53 (4bars)}

1/168c–169 • Jigg Paltogue (paltóg [gaelic]) — Cf MS 7348 p [40]; DubMMag March 1842, tune no 9. {9:8d ~ 6x4:|: parts 2, 5, 6 have each two cadences ~ 555 556}

1/169 • Brian Borumha’s March — MS 7348 p [39]; cf DubMMag January 1842, tune no 3. {6:8g ~ 3x8!|! ~ 31 31}

1/170a • Irish Molly Oh! — MS 7348 p 34; cf DubMMag Feb 1842, tune no 4. {6:8c ~ 8|!8!| ~ 15 15}

1/170b • O’Connells welcome to Clare — MS 7348 p 40; cf DubMMag April 1842, tune no 13. {6:8c ~ 8|!8!| ~ 55 55 55 32}

1/170c • Wooden Ware — MS 7348 p 41; cf DubMMag June 1842, tune no 20. {2:4d ~ 2x8:|: ~ 55 35 26 22 (4 bars) or 5551 3153 (2 bars)}

1/171a • John Reynolds — Cf DubMMag June 1842, tune no 19. {6:8d ~ 2x12!| ~ 76 34}

1/171b • O’Reilly of Ath Carn — Copy of 4/129b. {Cbflat ~ 9|!12!| = 5+[4x4] ~ 5133 4475}

1/172a • Morgiani in Ireland — Cf Amateurs companion p 43; OFPC 3 p 7; Hime 1810 p 2. {6:8g ~ 3x8|| ~ 51 23}

1/172b • Scotch Melody — Cf SMM 1 p 22, no 22 Highland Laddie, new sett. {6:8d ~ 2x8|| ~ 13 53}

1/172c • One day a Braw Wooer? – In Guy Mannering — Cf SMM 6 pp 538–39; Dick p 180. See 4/84a The Lothian lass. {6:8g ~ 10|| = [4x2]+2 ~ 13 21 31 65}

1/173a • Fourth Dragoons March — Cf Hull p 3; Hamilton HUT 2 p 60. See 4/156a (undotted setting). {Cg ~ 4x8:|:DC, part 3 [& 4?] ‘Bugle solo’ ~ 1113 5114}

1/173b • Corn Riggs slow — Cf Hamilton HUT 2 p 179; Kerr's Merry 1 p 24; Stephano p 4. {Cd ~ 8:|:8|| ~ 1132 7725}

1/174a • Scotch Air — Cf Campbell 20 p 3 Mrs Macintire or Lady Amelia Stewarts reel; Gow Repos 1 p 30; Miss Ann Æmelia Stuart’s strathspey. {Cg ~ 4:|:8:|: ~ 1353 3132}

1/174b • ’Twere vain to tell thee — Cf Alexander’s new scrap book vol 6 p 18; Hamilton HUT 2 p 75. {3:4g ~ 2x8|| ~ 553 136}

1/174c • Croppies lie down — Cf Hime’s pocket book 5 p 8; Lee Croppies. {6:8g ~ 8||6|| = [3x4]+2 ~ 51 22 65 11}

1/175a • Oh Blame not my lyre — Cf Clinton Gems no 29. {6:8g ~ 3x8|| ~ 71 23}

1/175b • The Opera Hat — Cf Hime 1811 p 2. {6:8d ~ 8||16 = 8+8|| ~ 11 55}

1/176a • Roslin Castle — Cf SMM 1 p 9, no 8; Gale’s pocket companion 1 p 4; Edin repos music 1 p 23; Graham 1 pp 16–17. See 4/61c. {Cg ~ 2x8:|: ~ 1554 6423}

1/176b • Kind Robin loes me Andante — Cf Gale’s pocket companion 1 p 24; Hamilton SSS p 68; Graham 1 pp 10–11. {Cc ~ 2x8|| ~ 1113 2265}

1/176c • I loe’d [sic] ne’er a Laddie but ane Lively — Cf Hamilton HUT 2 p 105; Graham 1 pp 130–31; Cameron p 9. See 3/190b. {6:8g ~ | $ 8||8|| $ DC Fine after bar 8 ~ 11 66}

1/177a • The Deuks dang o’er my daddie — Cf Cameron p 14. {6:8g ~ 4:|:8:|: ~ 13 27 1311}

1/177b • Twas in the merry Month of May — Cf Kerr’s Merry 1 p 29. {6:8g ~ 2x8||DC ~ 11 24}

1/177c • Rondo — See 1/205a (bars 1–16). {2:4g ~ 2x8||DC ~ 13 46 13 41 (4 bars) or 1535 4465(2 bars)}

1/178a • The Maid of Barra • 565 {Cg ~ 4:|:8|| ~ 5131 5432}

1/178b • One day while working at the plough — Cf Newland One day. {2:4d ~ 8||12|| ~ 5533 1130}

1/179a • Albert-Galope — Non-traditional. {Cg ~ 2x8:|: ~ 5553 1113}

1/179b • Ap Shenkin — Cf Hamilton HUT 1 p 39; Kerr’s Merry 3 p 29; Lee 1808 p 2; Ryan p 264 The tempest. {6:8g ~ | $ 8:|:8!| $ DC ~ 33 66 55 32}

1/179c • Roy’s Wife — Cf Hime Roy’s wife (setting for the German flute at the foot of the page); OFPC 1 p 35; Gow BNG 2 p 12; Mulhollan SIST p 25; Forde 300 NM 2 p 11; SMM 4 p 352, no 342. part 1: see 3/95a Down the bank. {2:4d ~ 8:|:16|| ~ 5333 3333 (2 bars) or 53 33 53 22 (4 bars)}

1/180a • Oh Nanny wilt thou gang with me — Cf Forde 300 NM 2 p 31. {Cg ~ 24|| ~ 5753 5525}

1/180b • When Historys Muse. Paddy Whack [P corrected] — Cf Moore no 6 1815 song 5. {6:8d ~ 8||8!| ~ 11 64}

1/181a • K • King Charles’s jig (old times). “Seantruis” • 200 — Cf OIFMS pp71–72. {6:8d ~ 2x6:|: = 4x3 ~ 35 65 21 35}

1/181b • K • The Surround (old jig) • 201 {9:8d ~ 2x4:|: ~ 126 352}

1/181c • The Dusty Miller • 566 — Cf Ryan p 130. {9:8g ~ 2x4:|: ~ 343 624}

1/182a • K • bh-fuilleann tú ad chodladh aro Mháire • 202 — Cf JCIT p 7 Cummilum; Holden ISQT 1 p 17 Jigg; ONDMI no 448 Drops of brandy. See 1/98a Cuma liom. {9:8g ~ 2x4:|: ~ 533 534 (tonic d, final e)}

1/182b • K • Kidney dearie • 203 {9:8g ~ 2x4:|: ~ 322 323}

1/182c • K • The Rogue is mad to be at her • 204 — Cf OFPC 3 p 65 The rogue. { 9:8d ~ 2x4:|: ~ 355 727}

1/183a • K • Up in the Garret • 205 {9:8d ~ 2x4:|: ~ 522 526}

1/183b • K • The Butchers March • 206 — See 3/77a. {6:8g ~ 5x4:|: ~ 55 52 55 51}

1/183c • K • Galbally Reel • 207 {2:4d /g ~ 2x8|| ~ 1233 3333 (tonic g) or perhaps 7122 2222 (tonic a}

1/184a • “Farewell but whenever &c” — Cf Glover-Moore pp 266–67. See 1/193b. {Cg ~ 2x8|| = 4x4 ~ 1341 1553}

1/184b • I saw from the beach slow — Cf Glover-Moore pp 321–25. See 4/38c. {6:8d ~ 12|| = 6x2 ~ 11 11 17 13}

1/184c • This life is all chequered — Cf Moore no 4 1812 song 12. {6:8g ~ 4:|:8|| ~ 75 75}

1/185a • McFarlanes lament Andante — Cf Moore no 8 1821 song 11. {3:4c ~ 16|| ~ 115 215}

1/185b • The wedding of Ballyporeen — Cf Hamilton HUT 2 p 125 Ballimona ora. See 3/200c. {6:8f ~ 4:|:8|| ~ 11 21}

1/185c • Count not the Hours — Cf Alexander Flowers p 16; ONMI no 258; Haverty 100 p 2. {6:8g ~ 2x8|| ~ 13 52}

1/186a • K • Hurley Burley • 208 — See 2/49a Temple house. {6:8c ~ 8:|:8 two cadences || ~ 13 54 72 44}

1/186b • Sweet Robin — Cf Cooke Sweet Robin. {9:8g ~ 12|| = 3x4 ~ 525 523}

1/186c • Off she goes — Very common in close printed versions: cf Hughes Gems p 53; Weippert NCD 1 no 4; Campbell 20 no 10; Stephano p 18. {6:8d ~ 2x8:|: ~ 34 51 34 52}

1/187a • The Sixpence — Cf Moore no 3 1810 song 11. See 4/32d. {Cg ~ 4:|8|| = 3x4 ~ 6632 5561}

1/187b • To Ladies eyes around — Cf Moore no 7 1818 song 9, solo setting. {2:4d ~ 3x8|| ~ 5612 3321}

1/187c • The Dear Little Island [MS: Istand?] — Cf Forde 300 NM 1 p 10; Haverty 100 no 288 The dear little island (The rogue’s march). See 3/223b The green little island. {6:8g ~ 8:|:8:| ~ 33 66}

1/188 [Heading] • Six Favourite Scotch Reels

1/188a • no 1. Kinlock of Kinlock — Cf Howe Omnibus p 5; Kerr’s Merry 1 p 32; Campbell 14 p 15 George Kinloch. {6:8d ~ 2x8:|: ~ 35 65}

1/188b • no 2. Sir David Hunter Blair — Cf Kerr’s Merry 1 p 17; Edin Repos Music 1 p 2; Campbell 16 p 2; Hamilton HUT 1 p 103. {2:4d ~ 2x8:|: ~ 15 55 53 53 (4 bars)}

1/188c • no 3. Lady Montgomery Cf Cameron p 12. {2:4d ~ 2x8:|: ~ 11 35 11 72 (4 bars)}

1/189a • no 4. Mrs McLeod — Cf Hime 1814 p 1; Kerr’s collection p 3. Various settings very common in print. See 1/46a & 4/20b. {Cg ~ 2x8|| ~ 1166 3333}

1/189b • no 5. Lady Mary Ramsey — Cf Amateurs companion p 6. {Cg ~ 2x8|| ~ 1153 5355}

1/189c • no 6. I’ll gang nae mair to yon Town — Cf Aird 1 p 13, no 35; OFPC 3 p 64. See 1/53a The Ferry point (part 1), 2/158 Ill gang na mair, 3/153 We’ll gang. {2:4g ~ 2x8:|: ~ 11 31 31 32 (4 bars)}

1/190a • Bridesmaid’s chorus in Der Frieschutz [sic] — Cf Edin Repos Music 2 p 50; Alexander’s scrap book vol 2 p 66; Howe’s 1,000 p 68. {2:4d ~ 8||10|| ~ 1135 1133}

1/190b • The Storm Rondo — Cf Steibelt p 20 ‘Rondo in which is introduced an imitation of a storm’ (JG’s version uses 16 bars, stopping short of the storm breaking); Riley 1 p 91. {6:8d ~ 2x8||DC ~ 34 53}

1/190c • Fairy Galope (Strauss) — Cf Hamilton HUT 2 p 125. {2:4g ~ 2x8:|: ~ 1356 4276}

1/191a • Calder Fair — (the air used for the nursery rhyme ‘Sing a song of sixpence’). Cf Clinton Gems no 41. See 4/47f. {2:4g ~ 2x8|| ~ 1613 5555}

1/191b • The Dear Irish Boy Andante — Cf Alexander Flowers p 55. {6:8bflat ~ 2x8|| part 1 two cadences ~ 32 11 32 11}

1/191c • Banks of the Liffey — Cf Alexander Flowers p 60; Gow Repos 2 p 38. {6:8g ~ 2x8:|: ~ 33 35}

1/192a • The vale of Coloun — Cf gnp p 119; Joyce OIFMS p 346 (from Pigot). {6:8g ~ 2x8:|: ~ 51 25}

1/192b • Kate Kearney — Cf Alexander Flowers p 59. See 4/90d. {6:8c ~ 2x8|| ~ 51 21}

1/192c • Maid Marian (Hornpipe) — Cf Ryan p 219. Cd ~ 2x8:|: ~ {5557 2755}

1/193a • The Skittish Maid — Cf Clinton Gems no 113. {6:8d ~ 8:|16|| ~ 16 16}

1/193b • Farewell but whenever you welcome the hour — Cf Glover/ Moore pp 266–67. See 1/184a. {Cg ~ 2x8|| ~ 1341 1553}

1/194a • Old Virginny — Cf Cameron p 57 Oh carry me back to ole Virginny; Howe Omnibus p 11. {6:8g ~ 8:|:8||DC ~ 53 53}

1/194b • O Come to me when daylight sets — Cf Moore National airs pp 34–37. {6:8g ~ | $ 3x8|| $ DC ~ 64 52}

1/194c • Spanish Country Dance — Non-traditional. {2:4d ~ 8:|8:|: ~ 3535 3111}

1/195a • Jolly Jacks Hornpipe • 567 {Cf ~ 8:|8:|: ~ 1133 1611}

1/195b • The Jockey Hornpipe • 568 — See 1/58b Fountains hornpipe (part 1). {Cf ~ 8:|:8||DC [DC deleted?] ~ 1311 5512}

1/195c • The Indian — Non-traditional. {6:8g ~ 2x8:|: ~ 35 35}

1/196a • The French Reaper • 569 — Part 1: cf the current Kerry tune ‘The Dingle regatta’. See 1/257c Quadrille (near duplicate). {6:8g ~ 2x8||DC ~ 56 35 22 32}

1/196b • Lady Montgomery’s Reel — Cf Edin repos music 2 p 71; Campbell 20 p 2. {Cc ~ 4:|:8|| ~ 1135 1172}

1/196c • Scotch Airs [Air corrected? read Air] in Guy Mannering • 570 — This nameless air (6:8, Allegretto Moderato) occurs in the overture of Henry Bishop’s opera Guy Mannering. Part 1: see perhaps 1/254b, 3/139b Garry Owen. {6:8g ~ 2x8|| ~ 53 36 53 23}

1/197a • A Soldier for me – March by Hook — Non-traditional. {Cg ~ 22|| = 3x4 +5x2 ~ 5566 5313}

1/197b • Waltz by Mozart — Cf Riley 1 p 68. {3:4g ~ 3x8:|: 8||DC ~ 354 633}

1/198a • Brides bells — Cf Riley 2 p 64. {2:4g ~ 2x8:|: ~ 7654 3211}

1/198b • Garland of Love — Cf Hamilton HUT 1 p 29. {6:8d ~ 8||10|| ~ 55 31}

1/198c • Paddy will you now — Cf Howe Omnibus complete p 99 ‘Paddy will you love me’. {2:4g ~ 8||16||DC ~ 1332 6665 (2 bars) or 13 66 77 13(4 bars)}

1/199a • Maid of Lodi Andante — Cf Edin repos music 1 p 50; Hamilton HUT 1 p 51. {6:8g ~ 2x8|| ~ 137 [4] 32 15}

1/199b • Straus’s [sic] favourite Waltz — Non-traditional. {3:4d ~ 16:|:16 two cadences :| ~ 512 316}

1/199c • My Love is but a Lassie yet — Cf OFPC 2 p 114; Hamilton HUT 2 p 138; Stephano p 18. {Cd ~ 2x4:|: ~ 1311 1322}

1/200a • My heart and Lute — Cf Howe Omnibus complete p 118 (Scotch air). {2:4g ~ 2x8||DC ~ 3311 2266 (2 bars) or 31 26 63 22 (4 bars)}

1/200b • “Sich a gittin’ up stairs” — Cf Hamilton HUT 2 p 168; Cameron p 53. {2:4g ~ 8||8|| ~ 3453 3455 (2 bars) or 35 35 64 24 (4 bars)}

1/200c • I love the night – H. Russell playfully – Davidson’s universal melodist vol 1 p 13 ‘Words by G.P. Morris; music by Henry Russell’. {6:8g ~ 8||16|| ~ 33 15}

1/201a • My Ain Kind Dearie o — Cf MS 7348 p 120; SMM 1 p 50; Forde 300 NM 2 p 12; Cameron p 33. See 2/11c The Lee rig. {Cg ~ 2x4|| ~ 3511 2436}

1/201b • Sally in our Alley — Cf Henderson p 14. Copy? of 4/86d. {3:4d ~ 517 417}

1/201c • Erin go bragh. Éire [corrected < ?] go bráth [2nd title in gaelic] — Cf Surenne SI p 8; Aird 6 p 54, no 134 Sa mhuir ni dilis eilin og. {Cd ~ 4:|8|| ~ 1117 6663}

1/202a • Speed the plough • 571 — Cf Hamilton HUT 2 p 172; Weippert NCD 1 no 15. {Cg ~ 2x8|| ~ 1155 5555}

1/202b • My Love is like the Red rose — Cf Hamilton HUT 2 p 177. {2:4d ~ 2x8:|: ~ 1123 1165}

1/202c • Ye Banks and Braes — Cf Dick pp 112–13. {6:8g ~ 2x8|| ~ 12 32 31 52}

1/203a • The Green Bushes — Cf Howe Omnibus complete p 101. {6:8c ~ 8|| ~ 31 51 15 32}

1/203b • Rule Britannia — Cf Forde 300 NM 1 p 1. {Cd ~ 14|| = 7x2 ~ 1115 223(5)}

1/203c • Patricks day — Cf Edin repos music 1 p 39; Ryan p 150. — See 4/36c. {6:8g ~ | $ 8||6|| $ DC ~ 11 55}

1/203d • Lullaby andante — Cf Hamilton HUT 2 p 33; ONMI no 333. See 4/90a. {6:8d ~ 12|| = 3x4 ~ 15 65}

1/204a • Venetian Barcarolle. or “When & Where” — Cf gnp p 155; Hart p 3; Herz p 4. Part 1: cf Lover When & where. {6:8g ~ 2x8|| ~ 33 32}

1/204b • Pray Goody — Cf OFPC 4 p 111. See 4/86e. {Cg ~ 8||4||DC ~ 5542 3115}

1/204c • Portuguese air — Non-traditional. {3:4g ~ 2x8|| ~ 575 653}

1/205a • Rondo • 572 — Bars 1–16: See 1/177c. {2:4g ~ 8||16|| ~ 13 46 13 41 (4 bars) or 1535 4465(2 bars)}

1/205b • Gae to the eye wi’ me — Cf Edin repos music 2 p 119. {9:8g ~ 2x4:|: ~ 553 352}

1/205c • John Anderson my Jo! — Cf SMM 3 p 269, no 260; Dick p 189. See 3/190a. {Cd ~ 16|| = 4x4 ~ 5112 3334}

1/206a • Mary of Castle Cary Andante • 573 — Cf Cameron p 27; Graham 2 pp 94–95 See 3/189a Saw ye my wee thing. {3:4d ~ 16||16|| ~ 511 113}

1/206b • The Birks of Aberfeldy Andante — Cf SMM 2 pp 115–16, no 112; Thomson 5 p 7. {Cd ~ 2x4||DC ~ 1311 1171}

1/206c • Gilderoy — Cf SMM 1 p 67, no 66; Cameron p 27. {Cd ~ 2x8|| = 4x4 ~ 1133 5443}

1/207a • The Mill mill onurse ! andante — Cf OFPC 2 p 157; SMM 3 pp 250–51, no 242. See 1/227a The poor distressed soldier. {Cd ~ 4:|:8:|: ~ 3555 6621}

1/207b • An thou wert my ain thing — Cf Corri 2 p 21; Bremner 30 Scots songs p 13; McGibbon 3 p 83. {Cd ~ 2x8|| ~ 5572 3263}

1/207c • The last time I came over the moor Andante — Cf OFNIM p 53; Aria p 11, McGibbon 3 p 80. {Cd ~ 2x8|| ~ 3211 3276}

1/208a • Nay tell me not Dear — Solo. Cf Moore no 4 1812 song 8. See 4/40b, duet. {6:8d ~ 24|| = 8+8+8 ~ 75 75}

1/208b • Lough Sheeling Andante — Cf Saust p 9; Glover-Moore p 313–15; Surenne SI p 13. {3:4g ~ 16|| = 4x4 ~ 113 753}

1/208c • New Langolee — Cf Glover-Moore pp 331–33; Lynch p 41 Langolee. {6:8g ~ 4:|:8|| ~ 51 44}

1/209a • The Battle of the Nile — Cf Riley 2 p 35. {Cg ~ 26|| = 4x4+2+4+4 ~ 1122 3355}

1/209b • The Bold Dragoon — Cf Edin repos music 1 p 95. {2:4d ~ 24|| = 6x4 ~ 5111 1113 (2 bars) or 51 11 2211 (4 bars)}

1/210a • Mourir pour la patrie Maestoso — Cf Davidson’s instrumental gems p 9. {Cg ~ 18|| ~ 3324 5534}

1/210b • New Jenny Lind polka • 574 — Parts 1–3: cf Cameron p 28 Jenny Lind Polka [by] Wallerstein. Parts 1–2: cf POK 4 no 48 Polka. See notes for 3/134c The Bridal polka. {2:4g parts 1–2, 2:4d parts 3–5 ~ 4x8:|:+8||DC, & DC after part 2, part 3 = part 5 (4 bars). See 3/134c The bridal polka. ~ 34 53 42 31 (tonic g, parts 1–2 only, four bars) rather than 3546 5333 (2 bars). Parts 3–5 have tonic d.}

1/211a • The Danish March — Cf Alexander’s scrap book vol 2 p 8 Danish grand march; Aird 5 p 57, no 152 Lord Lindsay’s march (part 1): ONWSGM no 59 Bonaparte’s grand march. {Cd ~ 2x8:|:16|| ~ 1115 2222}

1/211b • The Girl I left behind me — Cf Smith IM p 74 Connel; Stephano p 17. Part 1: see 2/157a Bóthar ruadh. {2:4g ~ 2x4:|: ~ 63 36 11 53 (4 bars) or 6433 3366 (2 bars)}

1/212a • Royal Charlie • 575 — Cf Weippert NCD 3 no 9; ONMI 1114 Behind the bush in the garden. {6:8d ~ 23|| = 8+7+8 ~ 33 55 35 51}

1/212b • Gin Living worth andante — Cf Hamilton HUT 2 p 50. {Cg ~ 2x8:|: ~ 1142 2253}

1/212c • Lochaber no more — Cf Hamilton HUT 2 p 50; SMM 1 p 96, no 95. See 4/160a, 4/44a Limerick’s lamentation. {3:4g ~ 2x16:|: ~ 333 333}

1/213a • “Comin thro’ the Rye” — Cf Hamilton HUT 2 p 44; Kerr’s Merry 3 p 41; Cameron p 28. {2:4d ~ 5522 5611}

1/213b • The Alexander • 576 — Cf Alday p 2. {6:8g ~ 3x8|| ~ 35 43 12 73}

1/214a • The Caledonian Lass • 577 — Cf Playford Scotch p 2 Madam McKeenys Scotch-measure; Aird 1 p.49 Major Mongomerie’s quickstep; Gow Repos 3 p 3 O’er the muir to Ketty. A Scotch measure; Stewart Airs 1 p 27, no 58; OFPC 2 p 119 My daddy O. See 2/32 O’er the muir to Kettie. {Cd ~ 2x8:|: ~ 1155 5716}

1/214b • Forest of Bondy — Cf Howe Omnibus complete p 164. {2:4g ~ 2x8:|: ~ 5555 5533 (2 bars) or 55 53 46 13 (four bars)}

1/214c • Miss Westrops reel • 578 — Part 1: cf Hamilton HUT 1 p 61 Coll M’Bain’s reel; Ryan p 61; part 2: cf CRÉ 1 no 182 Seán Frank (part 2). {2:4d ~ 8:|:16|| ~ 3515 3151}

1/215a • K • The Bachelors Dream • 209 {6:8g ~ 2x8:|: ~ 37 51}

1/215b • Peter Street Dance — Cf Hime 1809 no 2, p 3. See 1/106c, 4/48b. {Cg ~ 8:|:8||DC ~ 1353 5176}

1/215c • Hornpipe — Cf VMP Carlisle MS Car.20 Miss Gayton’s hornpipe; Wheatstone p 61; Harding All-round p 24; Riley 2 p 40; ONMI no 1577 The sailor’s hornpipe. {Cg ~ 2x8:|: ~ 3115 3115}

1/216a • K • Hornpipe (Croppies March) • 210 {Cg ~ 2x8:|DC ~ 7715 1135}

1/216b • Richers Hornpipe — Cf Edin repos music 1 p 119; Campbell 12 p 7; Alexander’s new scrap book vol 6 p 63 English hornpipe. {Cd ~ 2x8:|: ~ 5513 2254}

1/216c • Astleys Hornpipe — Cf Riley 1 p 44 Astley’s ride. {Cd ~ 2x8:|: ~ 1117 2224}

1/217a • K • Tap the Barrel • 211 — Part 1: cf ONMI no 830 The road to Lurgan (part 2). {6:8g ~ 8:|:8 two cadences :| ~ 32 52}

1/217b • High Road to London — Cf Cameron p 18 High road to Linton; Kerr’s Merry 1 p 7. See 2/57d The primrose girl, 3/133b The Linster highroad. {2:4g ~ 2x8:|: ~ 35 11 66 611 (4 bars) rather than 3556 1115 (2 bars)}

1/217c • Bony in St Helena • 579 — Cf Ryan p 257 Tibbie Inglis’ fancy (part 1). {Cd ~ 2x4:|: ~ 5551 5521}

1/218a • Fashions of the Day • 580 — Cf Yedis Fashions. {6:8g ~ 2x8:|: ~ 17 32}

1/218b • This Love of Mine • 581 {Cd ~ 4:|:4 two cadences || ~ 5554 4475}

1/218c • Miss Braid — Cf Carlin no 276 Miss Baird of Saughtonhall (i). {Cg ~ 4:|:8|| ~ 5553 5655}

1/219a • K • Sally Kelly • 212 {2:4d ~ 2x8:|: ~ 1565 1322}

1/219b • K • The Cauliflower • 213 {6:8d ~ 2x8:|: ~ 1724 24 44}

1/219c • Murphys Dream • 582 — Part 1: cf ONMI no 1202 The bunch of green rushes. Part 2: cf Ryan p 43 The Keel-row or ‘Twin sisters’ (part?1). In the modern playing of ‘Murphy’s Hornpipe’ (a 4-part version of the 2-part tune at 4/59e) the fourth part is also quite similar to ‘The Keel row’. nbsp; {2:4d ~ 8:|:8 two cadences || ~ 75 35 75 32 (4 bars) rather than 7554 3356 (2 bars)}

1/220a • Down the Banks — Near duplicate of 3/95a. See 4/47d New prime of life. {2:4d ~ 3x4:|: ~ 5233 5222}

1/220b • The Prime of Life • 583 — Cf Clarke MS no 24 (p 10 of pdf). see 4/47d the prime of life. {2:4g ~ 2x8:|: ~ 5535 1111}

1/220c • The Tartan plaid • 584 — Cf Aird 5 p 1, no 2 Miss Maule of Panmure’s reel. {2:4g ~ 4 two cadences ||8|| ~ 5742 4742}

1/221a • A Slow March — Non-traditional band music. {Cd ~ 2x8:|: ~ 1112 3334}

1/221b • The Maid of the Mill — Non-traditional. Not the commonly printed air. {Cd ~ 4:|:8:|: ~ 5312 1755}

1/221c • Castle Oliver chase • 585 {2:4f ~ 2x8|| ~ 3451 7777}

1/222a • Jean de Paris • 586 — Two-part versions common in print. The air is the ‘Pastoral dance’ composed by Sir Henry Bishop for his 1814 opera ‘John of Paris’. See 1/161a I’m ninety-five. {6:8g ~ 3x8:|: ~ 33 53}

1/222b • The Bath Waltz — Cf Hamilton HUT 1 p 39 (attributed to ‘Taylor’); Riley 2 p 40; Alexander’s scrap book vol 1 p 21. {3:8g ~ 3x8:|: ~ 1133 5671 (8 bars)}

1/223a • Sicilian Dance — Cf Riley 2 p 38. {6:8g ~ 4x8:|: ~ 13 55}

1/223b • The Poacher — Cf Howe Omnibus complete p 15 Poachers of Lincolnshire. {6:8d ~ | $ 8||8||DC no dal Segno at end but fermata over middle double barline ~ 11 53}

1/224–25 • Lucy Campbell • 587 — Unrelated to 3/29b or to the commonly printed Lucy Campbell. See 4/52d (variant). {2:4d ~ 8x8:|: ~ 5564 5764}

1/225 • The Woodpecker — Cf Howe Omnibus complete p 156; Riley 2 p 25. {2:4d ~ 20||30:| ~ 11 17 32 22 (4 bars)}

1/226a • K • Polly beag óg Slow • 214 — Tunes p 12c. {Cd ~ 2x8:|: ~ 1135 6616}

1/226b • K • Lament for Morty (óg) O Sullivan plaintive • 215 — Tunes p 12d. See Croker Researches pp 176–78 for the story behind this lament. {3:4g ~ 8||8:|: ~ 112 135}

1/226c • K • An Rós geal dubh slow • 216 {3:4g ~ 8||8:|: ~ 113 113}

1/227a • K • The poor distressed Soldier slow • 217 — Cf OFPC 2 p 157 Mill Mill O. See 1/207a. {Cd ~ 8||8|: ~ 3551 6621}

1/227b • K • Reel’s [?] of Bogies • 218 — See 2/152b Barrack Hill, 2/179a My bride is a young thing, 4/83e Mount the baggage. {Cg ~ 4:|:8||DC ~ 5154 5172}

1/227c • Green’s Hornpipe • 588 {Cg ~ 2x8:|: ~ 3134 3334}

1/228a • K • The Black Bird Slow • 219 — See 2/62a. {Cd ~ 4:|:8:|: ~ 6755 1141}

1/228b • K • The Green Pantaloons • 220 — See 3/134b The ladies pantaloons. {Cg ~ 4:|:8||DC ~ 3411 2432}

1/228c • K • Light horse reel • 221 {Cd ~ 4:|:8||DC ~ 5555 5562}

1/229a • K • I wish I never saw you • 222 {Cg ~ 4 two cadences :|8||DC ~ 5311 3536}

1/229b • K • Perriwig Jockey • 223 — Cf Ryan p 101 Pothouge. Part 1: cf OFPC 1 no 30 Humours of Ballymanus (part 1)/ Part 2: cf OFPC 2 no 70 Ride a mile (part 2). {9:8d ~ 2x4:|: ~ 555 556}

1/229c • K • Bóthar ó thuaigh chum Tráighlí • 224 — Cf OFPC 1 p 47 Stir your feet Johnny; ONMI no 1035 The northern road. {6:8d ~ 3x8|| ~ 65 15 (tonic d) or 1737 (tonic & final b))}

1/230a • K • McCarthy’s Quick Step • 225 — Cf Joyce OIFMS pp 62–63 The lady in the boat; Raven p 110 The bugle quick step. {6:8d ~ 2x8:|: ~ 11 11 51 32}

1/230b • K • Cailín deas donn • 226 — Cf OFPC 4 p 75; Holden ISQT 2 p 22 The nurses tune; Holden ISQT 2 p 31 The Killruddery hunt. See 139b The Kildurrery Hunt, or The old man rocking the cradle, 2/138a The nurses tune, 2/106a & 3/7b An sean duine ag luasgadh an chliabháin. {6:8g ~ 2x8:|: ~ 14 34}

1/230c • Larry Grogan — Copy of 4/11b. {6:8g ~ 2x8:|: ~ 33 22}

1/231 • The Buachileen Buidhe [all roman] — Cf OFNIM p 40 The boughlee buee or Gallaway Tom. See 4/56b. {12:8d ~ | $ 6x4:|: no dal segno ~ 3545 3541 (tonic b) or 1323 1326 (tonic d)}

1/232 • Money in both pockets — Copy of 4/61a. {6:8d ~ 5x8:|: 8 two cadences :| ~ 13 55 1354}

1/233 • Mullowney’s jigg — MS 7348 p 3. Close printed source not located but cf Hime 1805 book 1, no 9; Holden ISQT 1 p 19 (parts 1 & 2). Parts 1, 2, 4 & 5: cf OFNIM p 32 and OFPC 1 pp 62–63 (parts 1, 2, 4 & 3). See (independent copy of MS 7348?) 4/96a. {6:8d ~ 6x8:|: ~ 35 55}

1/234a • Duncan McQuinn — Cf MS 7348 p 96. Copy of 4/96b (or independent copy of MS 7348?). {6:8g ~ 4x8:|: ~ 11 11 53 26}

1/234b • Bantry Bay — Copy of 4/13c. {Cg ~ 4:|:8|| ~ 3111 3616}

1/235a • Foggy Dew — Copy of 4/97b. {Cg ~ 8||16|| ~ 1131 6521}

1/235b • The Scholar • 589 — Copy of 4/22c. {Cd ~ 2x8|| ~ 1342 1556}

1/236–37 • K • An Buachaill breoite • 227 — See 4/19c The sick boy. {Cg ~ 8x4:|: ~ 1221 1257}

1/237a • K • Dé do bheatha ad’ shláinte Ui Súilliobháin mhóir slow • 228 — For other versions of this tune (known now as ‘O’Sullivan’s march’) see CRÉ 2, notes on no 12(i) Páinneach na nubh. {6:8g ~ 2x8:|: ~ 12 53}

1/237b • K • Loosen the Belts • 229 — Cf Bremner Scots reels p 55 Port Patrick; ONDMI no 356 Port Patrick. Part 1: cf Ryan p 146 Frazer’s. See 4/5c [Jackson’s] Drum (part 1). {6:8d ~ 2x8:|: ~ 51 42 51 24}

1/237c • K • The Humours of Fermoy • 230 — Part 1: Cf ONMI no 1258 The miller’s maid; the currently common The flags of Dublin. {Cg ~ 2x4:|: ~ 5361 5362}

1/238a • K • Inghean Ui Mhóire Slow • 231 {Cg ~ 8||8:|: ~ 5441 3135}

1/238b • K • Cock up &c &c • 232 {6:8g ~ 2x8:|: ~ 31 11 31 21}

1/238c • Katty Quinn — Copy of 4/98d. {6:8c ~ 2x8:|: ~ 14 54 55 62}

1/239 • What a Beau your Granny was • 590 — Copy of 4/52c with note values corrected at cadences. Two-part versions common in print. {2:4d ~ 6x8:|: ~ 3127 1165 (2 bars) or 32 16 65 42 (4 bars)}

1/240a • The Harmonious Blacksmith —Air and variations based on the composition by Handel from his Suite no 5 in E. Copy? of 4/53a. {Cg ~ 4:|:8||12|| ~ 1125 3425}

1/240b • Flora MacDonald • 591 — Cf Raven p 136 The Maid of Glenconnel. Copy of 4/63c. See 4/65f. {6:8d ~ 2x8:|: ~ 31 55 31 32}

1/241a • The Priest of Lurgan — Nearly identical copy of 4/50a. {6:8d ~ 2x8:|: ~ 14 41 14 47}

1/241b • A Reel • 592 — Copy of 4/23a. {Cd ~ 4|:8||DC ~ 1515 1562}

1/242a • A Reel — Copy of 4/23c. {Cg ~ 8||8||DC ~ 1353 5453}

1/242b • The Limerick Lasses — Copy? of 4/20c. {Cd ~ 3x4:|: ~ 1512 4542}

1/242c • The Woods are cutting Slow — Cf Amateurs companion p 3. {3:4c ~ 4:|:8|| [:: & DC deleted?] ~ 667 416}

1/243a • Hornpipe — • 593 — Near duplicate of 4/150a. See 3/25a Miss Brown’s hornpipe. {Cd ~ 2x8:|: ~ 1551 2752}

1/243b • K • An Samhra cruaig Slow • 233 — Cf ONMI no 27 Rodney’s glory. {Cg ~ 8:|:12!| ~ 3315 3313}

1/243c • The Duchess’ slipper — Copy of 4/121c. {Cg ~ 4:|:8|| ~ 5353 5362}

1/244a • Over the Hill to my Nanny oh! (Hornpipe) • 594 Cf OFPC 2 p 95 My Nanny o; McGibbon p 71; Oswald CPC 5 p 3; ONMI no 516 Buttercups and daisies. {Cg ~ 2x8:|: ~ 5115 3211}

1/244b • Hornpipe — See 3/82b McCarthy’s hornpipe. {Cg ~ 2x8:|: ~ 5115 3211}

1/244c • A Welsh Hornpipe • 595 — Cf ONMI no 1631 The rose of Drishane. See 4/55b Enrico (close variant). {C[corrected] ~ 1313 5653}

1/245a • Hornpipe [JG very pale ink, probably erased:] (Priam’s) • 596 — Cf Joyce OIFMS p 28 Captain John’s hornpipe; ONWSGM no 309 Capt. Corbett’s hornpipe. {Cd ~ 2x8:|: ~ 5412 7215}

1/245b • K? • Diarmuid McGig [all roman] • 234 — Marked ‘K’ in index. {6:8g ~ 10||10:|: = 2x4+4+2, ~ 15 11}

1/245c • K • The Lark in the Morning • 235 — See 1/100a, 3/40a–41 The little house under the hill. {6:8d ~ 2x8:|: ~ 55 55 (tonic d but final e)}

1/246a • Paddy Carey — Cf Howe Omnibus p 51; Joshua Gibbons no 6 (parts 4, 2, 3). See 3/52b Ar phósais fós (bars 1–4). {6:8g ~ 3x8|| ~ 51 31 62 47}

1/246b • The Lass of Gowrie • 597 — Cf Howe Omnibus complete p 111 Loch-Erroch Side; Kerr’s Merry 3 p 42; Kerr’s Merry 4 p 7; Westrop p 14. {2:4d ~ 2x8:|: ~ 35 11 66 22 (4 bars) rather than 3355 1111 (2 bars)}

1/246c • The Dear Irish Boy Slow • 598 — Cf OIFMS p 207. {3:4g ~ 8:|:16:|: ~ 321 254}

1/247a • K • Connolly’s Ale • 236 — Cf ONMI nos 869, 870 Larry O’ Gaff. {6:8g ~ 2x8:|: ~ 13 55}

1/247b • K • Box the Monkey • 237 — Pipes p 39 no 97. Cf Kerr’s Merry 1 p 40 Munster buttermilk; ONMI no 892 Behind the haystack. See 4/81e The geese on the bog. {6:8d ~ 4x8:|: part 2 two cadences without repeat marks ~ 13 13 52 52}

1/248a • K • The Banks of Cloddy Slow • 238 — See 4/43d. {Cd ~ 4:|:12:|: = 4x4 ~ 1111 3455}

1/248b • Signora Ferze’s Hornpipe — Copy of 4/81a. {Cg ~ 4:|:8|| ~ 1326 4465}

1/248c • The Rakes of Kildare — Cf Howe Omnibus complete p 108; Aird 5 p 28, no 69 A jig; B2 p 39 Get up early. See near duplicate 4/79b. {6:8g ~ 2x8:|: ~ 51 25}

1/249a • K • My love she wears a dandy • 239 — Cf Ryan p 30 Five leaved clover; ONMI no 1247; Maguire Hidden Fermanagh p 112 (from Gunn MS c. 1865) Hetty’s wishes; the current session tune ‘The hunter’s purse’. See 2/150b My love is but a lassie yet. {Cd ~ 2x8:|: ~ 7552 4544}

1/249b • K • Plúr na m-ban gan aon lochd!!! Slow • 240 {Cg ~ 8||8:|: ~ 1576 1112}

1/249c • K • Caiptínn na ngéag ngeal sé Silvy slow • 241 {3:4d ~ 12||12|| ~ 343 127}

1/250a • K • Poll Ceárnuit Lively • 242 — P-S no 1129 is a copy. {3:4d ~ 2x14|| = 4x7 ~ 112 761}

1/250b • K • Seaghan Ui Duibhir an ghleanna Slow • 243 — See 4/36b. {3:4d ~ 4||8:|: ~ 675 456}

1/250c • K • Ná [sic] gamhna gealla bána [index likewise: Ná] Lively • 244 — Words pp 108 –09 ‘Siúd mo gamhna ro na gamhna gealla / ní itheann siad fear agus ol [—] siad bainne’. {Cd ~ 2x4:|: = 4x2 ~ 3335 3343}

1/251a • K • An cúl bacallach Fáingeach buidhe [index: bacallach Faingeac buide] Slow • 245 {3:4g ~ 2x5||10 = 2x5|| ~ 771 132}

1/251b • K • An ghamhain gheal [index: gheall] bhán Slow • 246 {3:4g ~ 12||12|| = 4x6 ~ 211 112}

1/251c • K • Rachad-sa ’s Kitty [roman] bhálcaoireachd Slow • 247 — Cf An tAthair Pádruig Breathnach. Sídh-cheól 2 no 16. {6:8d ~ 8||8:|: = 4x4 ~ 17 71 41 11}

1/252a • The Humours of Glyn [Glyn corrected < Glynn] — Cf O’D 1850 p 138; Howe’s 1,000 p 97. Pigot in RIA MS 24.0.1, p 814 describes it as one of three tunes in ‘Mr Goodman’s setting’ but it is probably a copy of O’D. {6:8d ~ 2x8:|: ~ 11 33 11 41}

1/252b • K • Cnocá[i]nín aorach Chill Mhuire Lively • 248 {6:8g ~ 4:|:8|| ~ 5735 32 6[1]}

1/252c • K • Air maidin a nae bhí camadam sgéil? • 249 — Cf P-S no 1116. {6:8g ~ 2x8:|: ~ 51 72 34 37}

1/253a • K • An Síoda ’tá ad’ bhalluit? [index: bhallot] • 250 — Cf O’D 1850 p 222; ONMI no 891 The silken wallet. {6:8g ~ 2x8||DC [this written over flourish?] ~ 36 25 36 43}

1/253b • The Boyne Water — Cf Howe Omnibus complete p 106; gnp p 95. {Cg ~ 2x8|| = 4x4 ~ 5557 4271}

1/253c • K • The Green Flag • 251 — Cf MS 7345 p 140, no 1 of Repeal quadrilles (ornate version). {Cg ~ 2x8|| ~ 5517 6222}

1/254a • K • An Buachaill Caol Dubh Slow [title written very large, carefully] • 252 — Cf Words pp 94–96 Muiris O Céirin cct. ar an Buachaill caol dubh: ‘Tráith dom feinig ar Innse an fhéir ghlais’. JG sought the words for this from Patrick Landers of Ventry in 1848 (see TMP 1 p xii). {Cd ~ 6||12:|: = 6x3 ~ 3555 3432 | 1101}

1/254b • Garryowen — Parts 1 & 2: cf Hamilton HUT 2 p 181; part 3: cf ONDMI no 1001 (part 4). See 3/139b. {6:8g ~ 8:|: 2x8||DC ~ 63 33}

1/254c • K • Is Duine me shiubhal a lán Lively • 253 — P-S no 1132 is a copy. Cf Mitchell & Small PPT no 45 The Munster gimlet (2), parts reversed. {9:8d ~ 2x4|| ~ 511 112}

1/255a • Jack Lattin — Copy of 4/96d. {2:4d ~ 7x8:|: ~ 1351 5331}

1/255b • Paddy’s Evermore — Copy of 4/65e. {2:4d ~ 8|| $ 8!| $ ~ 1113 2754 (2 bars) rather than 11 25 31 11 (4 bars)}

1/256–57 • K • An Maidrín ruadh [index: ruaidh] • 254 — Descriptive parts: 4–10 (23 bars): bailliughadh (4 bars); Adharc (2 bars); An Fiadhguidhe (3 bars); An Fhead (2 bars); An gadhar riain (4 bars); na gadhair ag labhairt (2 bars); Na gadhair air saothar (3 bars); Adharc ag cosaint (3bars). [Conclusion]: see next two items. Cf OFPC 2 pp 145–47, Fitzmaurice 5 pp 1–2. {Cg [An Fhead 9:8? error of notation?] 3x8:|:+23 ~ 1355 6455}

1/257a • K • Caoineadh an Mhadaidh Ruaidh • 254 [conclusion i] {3:4d ~ 12:|: = 6x2, ~ 461 444}

1/257b • K • Fox Hunter’s jig • 254 [conclusion ii] — Pipes p 26, no 33. 1/81c is a duplicate. See 4/154b. {9:8 ~ 3x4 bars ~ 354 352}

1/257c • Quadrille — Near duplicate of 1/196a The French reaper, but last two bars vary: G | FGF GEC# | D--|. {6:8g ~ 8:|:8||DC ~ 56 35}

1/258a • K • An craoibhín aoibhinn [index: chraoibhín aoibhínn] Slow • 255 — Tunes p 10d. {Cd ~ 4:|:8:|: ~ 1371 6165}

1/258b • K • Tá mo ghrádh dá mhealladh uaim • 256 — Cf Petrie AMI pp 42–43 As truagh gan peata an mhaoir agam / I wish the shepherd’s pet were mine. {2:4g /d ~ 2x8||DC ~ 31 35 44 41 (4 bars) rather than 3112 3453 (2 bars)}

1/258c • Go de sin don té sin &c • 599 — Words pp 121–122 ‘Sé deir máthair mo chéile nuair fhéachann sí...’. {6:8d ~ 4:|:8|| ~ 11 76 61 61}

1/259a • K • Jackson’s Cove • 257 — Cf P-S no 318 The groves by Jackson; P-S no 319 The groves: called also The drunken sailor. {Cg ~ 5x8:|: ~ 5113 5127}

1/259b • K • Is fada liom féin go n-déanann tuile don tráig Lively • 258 — P-S no 1128 is a copy. {6:8d ~ 12|| = 4x3 ~ 16 56}

1/260a • K • Cois Taoibh an Chuain Slow • 259 — Words p 99 (fragment) ‘Cois taoibh an cuain ’s me tré’m shuan ’s me go suanmhar sinnte’. P-S no 1133 is a copy. {Cg ~ 16||16:|: ~ 3455 3575}

1/260b • K • Waterloo • 260 — Cf ONMI no 1433 Lord Gordon’s reel (part 1). See 1/87b My heart with love is breaking. {Cd ~ 2x8:|: bars 4–8 = bars 12–16 ~ 5353 5353}

1/261a • K • An Druimin donn díleas Slow [le of díleas corrected] • 261 — Words p 70 “Druimion Donn óg”: ‘Dá dtagach an leanbh a gceart as a gcóir’. JG made note to ask his brother George to get this song from Bryan Sheehan (UCC p [132]). {3:4d ~ 2x16|| = 8x4 ~ 112 122}

1/261b • K • Bean dubh an ghleanna Slow • 262 — Cf PS no 1138. {Cg ~ 4:|:8:|: ~ 1355 6765}

1/262a • K • Crumpe’s Hornpipe • 263 {Cg ~ 2x8:|: ~ 5131 2131}

1/262b • K • Beau Dandy – (old jig) • 264 — Cf Mitchell DMWC no 86 Fraher’s jig (part 1). {6:8d ~ 3x4:|: ~ 54 14 54 14}

1/262c • K • Cuir le faill an cladhaire caille • 265 — Pipes p 39, no 91 Sgaol le háill an claidhre [?] caille. Cf CRÉ 1 no 40 An píopa ar an mbaic [The pipe on the hob] (part 1). {6:8d ~ 8:|:8 two cadences || ~ 15 31 25 55}

1/263a • K • Thugamair féin an samhradh linn Lightly • 266 — Cf Horncastle no 9 May day song; Clinton Gems no 73 (p 37). {6:8g ~ 8|| = 4x2 ~ 11 55}

1/263b • K • The Galway Reel • 267— Cf ONDMI no 471 My Maryanne. {Cd (part 2 c evidently natural throughout) ~ 2x4:|: ~ 7215}

1/263c • K • My Father’s Servant Boy [B corrected?] • 268 {6:8d ~ 8||8:|: ~ 13 25 36 55}

1/263d • K • The three little Drummers • 269 • — Pipes p 18, no 9, UCC p [72], no 12. Cf Final Joyce MSS 2 p 50, tune 112 The shuffling jig; POK 3 no 2 Coffee and tea. See 2/160a The new Custom house jig. {6:8g ~ 2x8:|: ~ 55 22 55 47}

1/264a • K • Bríghid óg Ráith Caolath [JG pencil:] (see p. 3) Lively • 270 • — Tunes p 5b. See 1/3c. {Cd ~ 14|| ~ 5511 3211}

1/264b • K • An Crúisgín lán (Kerry version) Lively • 271 — Tunes p 5c. P-S no 1232 is a copy. {Cg ~ 4! $ 6!| $ = 5x2 ~ 5553 5555}

1/264c • K • Aithrighe Sheaghain de hóradh • 272 — Music not given. Jig below seems unrelated. See O’D Miscellany pp 32–35 (words only), incipit: ‘A Mhic Mhuire na ngras do cuirag chum bais’. By John Hore, blacksmith, Dunaha, Clare, fl 1780. An air in Joyce MS 2 p 11, tune 21.

1/264d • [Untitled jig] • 600 — roughly sketched in pencil. Parts 1 & 2: cf ONMI no 782 All covered with moss; Joyce OIFMS no 68 Roger the weaver. {[6:8 or 12:8g?] ~ 8|| 16|| ~ 4615 4645}

1/265a • K • Caitilín Tirriail (old version) Slow • 273 {3:4g ~ 16||16:|: ~ 556 113}

1/265b • K • Gradh na lánamhan Andante • 274 — Words pp 43–45 ‘An bhean. Mo ghrádh do chúl dobhí búclach bac’lach [?] / Mo ghradh do shiubal dobhí luthmhar acfuinneach’ (chantefable form with ‘udar’ in English). P-S no 1134 is a copy. {Cg ~ 4||4:|: ~ 5611 2276}

1/265c • Kitty of Coleraine — Cf Clinton Gems no 25. See 4/25b. {6:8d ~ 8||8:|: ~ 31 27}

1/266–67 • K • Allisdrum’s March, Battle of Cnoc na ndos, Laments &c – [Introduction +descriptive parts:] An Bailiughadh chum catha Quick [10 bars]; An Cath – buail as mairbh!!! *Presto [6 bars]; Marbh-tuitim Alasdruim [4 bars] • 275 — Describes the defeat and death in 1647 in the battle of Knocknanuss, Co Cork, of Alasdar Mac Colla Ciotaigh. Pipes p 28, no 59. Cf Croker Researches (music between pp 116 and 117) Ollisdrum’s march. See Breathnach 1968. Listen to the piece played on the pipes by Peter Browne (track 5). {6:8g except parts: An Cath Cg, Marbh-tuitim Alasdruim 3:4g ~ 8:|:4:|:8:|:8:|: +10+6 [C]+4 [3:4] ~ 77 74 (tonic g) or perhaps 33 37 (tonic d)?}

1/267a • K • [Allisdrum’s March] An Bhean Mhuimhneach .i. A Mháthair, ag gul Slow [bars 10–11:] uch, uch, uch, on! • 275 (part ii) {Cd ~ 11|| ~ 3332 1552}

1/267b • K • [Allisdrum’s March] An Laighneach .i. a bhanartla, ag gul [bars 10–11:] uch uch, uch on! • 275 (part iii) {Cg ~ 11|| ~ 7777 6542}

1/267c • K • [Allisdrum’s March] An Ultach .i. a bhean, ag caoineadh • 275 (part iv) {Cd ~ 5||5!| ~ 5555 3334}

1/267d • K • [Allisdrum’s March] Cnocan an Teampuill • 275 (part v) — See 1/75b. {6:8g ~ 4:|:8|:8|| part 3, bars 1–2 superscribed ‘3 times’ [i.e. bars 1–6] ~ 75 54}

1/268a • K • Maidin Aoibhinn Aorach Slow • 276 — See 2/86b The morning star. {Cg ~ 16||16|| ~ 1166 5553}

1/268b • The Cooleen Bawn — Cf Holden ISQT 1 p 30; OFPC 3 p 32. Copy? of 4/85d. See 1/11a An súisín bán. {Cg ~ 2x6:|: ~ 3665 1244

VOLUME TWO OF GOODMAN MSS

facsimile

[Some sources for this volume as given by JG at the end of the volume:]

‘This volume contains 500 airs and tunes, almost all of them Irish. I have copied them from various sources.

Those from page 1 to 32. the first 5 airs excepted, are taken from a printed collection lent by Dr Swan.

From 33 to 50 are taken from O’Farrell’s collection [OFPC] vol I

51–58 from a ms lent by Dr Swan

59–62 miscellaneous –

From 63 to144 are taken from Mr Pigot’s collection –

From 144 to 147 miscellaneious [sic]. [148 not mentioned].

Those from 149 to 171 are copied from a ms. lent by O’Daly [NLI MS 3781 indicated here as ‘gnp’, see Slattery 2011],

& from 172 to 181 are taken from a ms. lent by Doogan pipe maker.’

[Breandán Breathnach identified the ‘printed collection lent by Dr. Swan’ as the first volume of Aird’s Selection of Scotch, English, Irish and foreign airs, published in Glasgow about 1782 (Breathnach 1973 p 60.

Goodman stated that he took from the printed book the airs in pp 1–32 of his second volume — except the first five. Eleven tunes in the series are not in Aird 1. The remaining 69 tunes which are from Aird’s first volume have scarcely a note changed and only a handful of changes — usually omissions — made in expression marks.]

2/1a • Na Bailtídhe mhóra — Cf OFPC 4 p 108 Baulthy Oura. {9:8d ~ 4x4:|: ~ 335 337}

2/1b • They may rail at this life Ná bainneann san dó — Cf Moore no 7 1818 song 11; Surenne SI p 72. Se.e 1/79b, 4/29e. {6:8d ~ 2x8:|: ~ 55 55}

2/2a • Cherish the Ladies • 601 — Cf Joyce OIFMS p 150, bars 1–8; ONMI no 730, parts 1, 2 & 4. See 3/81b Wallop the ladies, 4/2a “Thought”. {6:8d ~ 4x8:|: ~ 15 15 64 44}

2/2b • Youghal Harbour • 602 — Cf Mooney 1 p 530; ONMI no 1633. {Cg ~ 2x8:|: ~ 1613 6717}

2/3a • Jemmie the Gom • 603 — Cf ONMI no 807 Happy to meet and sorry to part. {6:8g ~ 2x8:|: ~ 63 21 35 32}

2/3b • [Dr Swan’s book] • The Lads of the Village — Aird 1 p 1, no 3. {2:4g ~ 2x8:|: ~ 11 63 23 77 (4 bars)}

2/3c • [Dr Swan’s book] • I’ll Touzle your Kurchy — Aird 1 p 2, no 4. {6:8g ~ 2x8:|: ~ 13 51}

2/4a • [Dr Swan’s book] • The Ladys plaything — Aird 1 p 2, no 5 The lady’s play thing, or Gen Howe’s march. {6:8g ~ 8:|:12 = 8+4:|: ~ 33 22}

2/4b • [Dr Swan’s book] • The Oyster Wifes rant — Aird 1 p 3, no 6. {Cg ~ 2x4:|: ~ 5551 4472}

2/4c • [Dr Swan’s book] • Quick Step 12th Regt — Aird 1 p 3, no 7 Quick step 17 [sic] regt. {6:8g ~ 2x8:|: ~ 12 37}

2/5a • [Dr Swan’s book] • Quick step of 21 Regt — Aird 1 p 3, no 8. {2:4d ~ 4:|:8:|: ~ 35 65 16 31 (4 bars)}

2/5b • [Dr Swan’s book] • The Moon & Seven stars — Aird 1 p 4, no 9. {6:8d ~ 2x8:|: ~ 15 45 62 37 (4 bars)}

2/5c–6 • [Dr Swan’s book] • The Grand Parade — Aird 1 p 4, no 10. {6:8d ~ 2x8:|: ~ 15 24 32 13 or 15 24 32 13}

2/6a • [Dr Swan’s book] • The Corporal — Aird 1 p 4, no 11. {2:4d ~ 2x8:|: ~ 31 55 22 27 (4 bars)}

2/6b • [Dr Swan’s book] • The Queen of Hearts — Aird 1 p 5, no 2. {2:4g ~ 2x8:|: ~ 5531 4275}

2/6c–7 • [Dr Swan’s book] • Carlen is your Daughter ready — Aird 1 p 9, no 24. {2:4d ~ 8:|:8:|: ~ 15 53 27 24 (4 bars)}

2/7a • [Dr Swan’s book] • The Widow’s Rant — Aird 1 p 10, no 27. {6:8d ~ 2x8:|: ~ 15 65 15 22}

2/7b • [Dr Swan’s book] • Wood Nunrich Fair — Aird 1 p 11, no 31. {6:8g ~ 3x8:|: ~ 35 15}

2/8a • [Dr Swan’s book] • The Bath Medley — Aird 1 p 11, no 29. {6:8g ~ 8:|:8:|: ~ 17 65 65 72}

2/8b • [Dr Swan’s book] • Gentle Ann — Aird 1 p 11, no 30. {2:4d ~ 2x8:|: ~ 11 55 11 54 4 bars)}

2/8c • [Dr Swan’s book] • The Recruiting Officer — Aird 1 p 12, no 33. {6:8d ~ 2x8:|: ~ 12 15}

2/9a • [Dr Swan’s book] • Thro’ the Lang Muir — Aird 1 p 12, no 34. {6:8g ~ 4:|:8:|: ~ 51 17}

2/9b • [Dr Swan’s book] • Quick Step 8th Regt — Aird 1 p 14, no 38. {6:8d ~ 8:|:8:|: ~ 15 55}

2/9c • [Dr Swan’s book] • My wife’s a Wanton Wee thing — Aird 1 p15, no 41. {6:8d ~ 8:|:8:|: ~ 16 15}

2/10a • Jacksons – Maid in the Garret • 604 — See 3/46c. {6:8d ~ 2x8:|: ~ 13 11 13 52}

2/10b • The Humours of Georges street • 605 — See 2/148c (close variant). {6:8g ~ 2x8:|: ~ 52 36}

2/10c • Tatter the Rags • 606 — Cf Moylan JOL no 108 Jimmy Doyle’s (parts reversed). See 2/53a The Bantry jig, 2/162a The baker’s reel (reel version of same tune?) {6:8a ~ 2x8:|: ~ 65 65 42 55}

2/11a • Oh Arranmore, Loved Arranmore — Cf Moore no 10 1834 song 10; Surenne SI p 12. See 2/144b. {2:4g ~ 2x8:|: ~ 13 15 44 77 (4 bars)}

2/11b • [Dr Swan’s book] • The High way to Dublin — Aird 1 p 15, no 43. {6:8d ~ 2x8:|: ~ 74 62}

2/11c • [Dr Swan’s book] • The Lee Rigg — Aird 1 p 16, no 44. See 1/201a My ain kind dearie O, 3/74a The bottles & the glasses come rolling on the table. {2:4g ~ 8:|:16:|: 16 = 8a+8a² ~ 15 11 12 26 (4 bars)}

2/12a • [Dr Swan’s book] • The Millers Rant — Aird 1 p 16, no 46. {6:8g ~ 2x8:|: ~ 35 37}

2/12b • [Dr Swan’s book] • Willie was a wanton wag — Aird 1 p 17, no 49. {2:4d ~ 8::8:: ~ 35 11 35 26 (4 bars)}

2/12c • [Dr Swan’s book] • The Cow behind the Hay Cock — Aird 1 p 18, no 51. {6:8d ~ 2x8:|: ~ 54 27 33 27}

2/13a • [Dr Swan’s book] • The Lads of Dunse — Aird 1 p 19, no 53. See 2/100c Jig (Jackson). {6:8d ~ 2x8:|: ~ 51 16}

2/13b • [Dr Swan’s book] • The East nook of Fife — Aird 1 p 20, no 57. Cf SMM 3 p 286 The ranting dog the daddy o’t. {2:4g ~ 2x8:|: ~ 11 55 22 66 (4 bars, tonic g, final e}

2/13c • [Dr Swan’s book] • Irish Billy — Aird 1 p 21a, no 58. {6:8c ~ 2x8:|: ~ 13 52}

2/14a • [Dr Swan’s book] • The Cream pot — Aird 1 p 25, no 69. {6:8g ~ 8:|:16 = 8+8:|: ~ 13 56 13 52}

2/14b • [Dr Swan’s book] • Bonny Breast Knots — Aird 1 p 25, no 71. {2:4d ~ 2x8:|: ~ 46 35 22 76 (4 bars)}

2/14c • [Dr Swan’s book] • Little House under the Hill — Aird 1 p 27, no 75. Differs from 1/100a, 3/40a–41. {2:4g ~ 2x8:|: ~ 3511 1162}3556 1615 (2 bars) or 35 11 11 62 (4 bars)}

2/15a • [Dr Swan’s book] • Miss Ramsay’s reel [R corrected] — Aird 1 p 27, no 76. {2:4g ~ 2x8:|: ~ 31 31 43 26 (4 bars)}

2/15b • [Dr Swan’s book] • I’d rather have a piece &c — Aird 1, pp 28–29, no 81. {6:8d ~ 4x8:|: ~ 75 77(tonic a) or 16 11 (tonic g)?}

2/16a • [Dr Swan’s book] • Miss Katty Hall [index: Miss Katie hall’s Reel] — Aird 1 p 29, no 83. JG’s tune, like Aird’s, is 6:8 time. {6:8g ~ 2x8:|: ~ 15 55}

2/16b • [Dr Swan’s book] • Rural Felicity — Aird 1 p 30, no 84. See 1/110a Haste to the wedding. {6:8d ~ 2x8:|: ~ 55 23}

2/16c • [Dr Swan’s book] • McDonalds Quick step — Aird 1 p 31, no 87. {2:4d ~ 2x8:|: ~ 22 62 22 11 (4 bars)}

2/17a • [Dr Swan’s book] • The Female Rake — Aird 1 p 31, no 88. {6:8d ~ 2x8:|: ~ 11 43}

2/17b • [Dr Swan’s book] • Quick step 4th Regt — Aird 1 p 131, no 89. {6:8g ~ 2x8:|: ~ 1367}

2/17c • [Dr Swan’s book] • Port Patrick — Aird 1 p 32, no 90. Cf Holden ISQT 1 p 25. {6:8g ~ 2x8:|: ~ 5142}

2/18a • [Dr Swan’s book] • The Highlandman Kissed his Mother — Aird 1 p 32, no 91. {2:4g ~ 2x8:|: ~ 15 55 12 25 (4 bars, tonic g part 1) or 37 77 37 47 (tonic e part 2)}

2/18b • [Dr Swan’s book] • Well done Jock — Aird 1 p 32, no 92. {6:8d ~ 2x8:|: ~ 5437}

2/18c • [Dr Swan’s book] • The Bottom of the punch bowl — Aird 1 p 33, no 93. Cf OFPC 1 p 75. {Cd ~ 2x8:|: ~ 1111 1135}

2/19a • [Dr Swan’s book] • Cupids Recruiting Sergeant — Aird 1 p 34, no 96. {2:4g ~ 8:|:16:|: ~ 52 12 47 52 (4 bars)}

2/19b • [Dr Swan’s book] • Quick step Fusileers — Aird 1 p 35, no 99. {6:8g ~ 8:|:8:|: ~ 71 22}

2/19c • [Dr Swan’s book] • Lady Charlotte’s Fancy — Aird 1 p 37, no 103 Lady Charlote’s delight. {6:8g ~ 8:|:8||DC ~ 15 65}

2/20 • [Dr Swan’s book] • Yankey Doodle — Aird 1 p 36, no 102. {2:4d ~ 10x8:|: ~ 12 12 12 17 (4 bars)}

2/21a • [Dr Swan’s book] • The Ranting Roaring Highlandman — Aird 1 p 39, no 110. {2:4d ~ 2x8:|: part 2 two cadences || ~ 15 35 47 72 (4 bars)}

2/21b • [Dr Swan’s book] • Marionets — Aird 1 p 40, no 114. {6:8g ~ 8:|:8:|: ~ 15 65 43 21}

2/21c • [Dr Swan’s book] • Major Montgomeries Quick step — Aird 1 p 41, no 11. {Cd ~ 2x8:|: ~ 1355 5115 (uncertain owing to metrical errors)}

2/22a • [Dr Swan’s book] • The Royal Glasgow volunteers Farewell — Aird 1 p 41, no 117. {6:8g ~ 8:|:8||DC ~ 11 22}

2/22b • [Dr Swan’s book] • Bab at the Bouster — Aird 1 p 42, no 119. {6:8g ~ 3x8:|: ~ 43 27}

2/22c • [Dr Swan’s book] • The whipman Laddie — Aird 1, p 65, no 189. {6:8d ~ 4:|:4:|: ~ 53 42}

2/23a • [Dr Swan’s book] • Fy let us a’ to the Bridal — Aird 1 p 43, no 123. {9:8g ~ 2x4:|: ~ 115 226}

2/23b • [Dr Swan’s book] • The Long Room of Scarbrough — Aird 1 p 45, no 128. {9:8g ~ 3x4:|: ~ 113 112}

2/23c • [Dr Swan’s book] • The Parson in the suds — Aird 1 p 47, no 134. {2:4g ~ 2x8:|: ~ 15 32 72 42 (4 bars)}

2/24a • [Dr Swan’s book] • My Peggy is a young thing — Aird 1 p 47, no 133. {Cg ~ 2x8:|: ~ 5117 4156}

2/24b • [Dr Swan’s book] • Lesslies March — Aird 1 p 64, no 185. {6:8d ~ 3x8:|: ~ 11 15}

2/25a • [Dr Swan’s book] • Sukey bids me — Aird 1 p 49, no 140. See 3/91c Miss Connell’s reel. {Cg ~ 4:|:8:| = 3x4 ~ 1516 5226}

2/25b • [Dr Swan’s book] • Wilkes’s Wriggle — Aird 1 p 51, no 145. {6:8d ~ 4:|:8:|: ~ 15 42}

2/25c • [Dr Swan’s book] • The Lasses of Dunse — Aird 1 p 55, no 158. {6:8d ~ 8:|:8:| ~ 52 15}

2/26a • [Dr Swan’s book] • Shan[h corrected < e?]truish — Aird 1 p 55, no 159 Shantruish. {Cg ~ 4:|:4:| ~ 1127 3247}

2/26b • [Dr Swan’s book] • The Tailors March — Aird 1 p 60, no 173. {6:8d ~ 2x4:|: two cadences each part ~ 66 42 (tonic a?}

2/26c • [Dr Swan’s book] • The Three sheep skins — Aird 1 p 61, no 178. {Cg ~ 4:|:4:| ~ 1355 4452}

2/27a • [Dr Swan’s book] • The Free Masons March — Aird 1 p 60, no 175. See 3/100a The weaver’s jig (part 1). {6:8g ~ 2x4:: ~ 13 72 13 35}

2/27b • [Dr Swan’s book] • The Rangers Frolic — Aird 1 p 62, no 180. {6:8g ~ 8:|:8:|:8:| ~ 11 34}

2/27c • [Dr Swan’s book] • Lass if I come near you — Aird 1 p 63, no 183. {Cg ~ 4:|:4:| ~ 1327 1315}

2/28a • [Dr Swan’s book] • Come ashore Jolly tar &c — Aird 1 p 66, no 190. {Cg ~ 3x8:|:8:| ~ 3332 7365}

2/28b • [Dr Swan’s book] • Come hap me with thy petticoat — Aird 1 p 65, no 187. {Cg ~ 4:|:8:| ~ 7411 7777 (tonic e) or 5266 5555 (tonic g)}

2/29a • [Dr Swan’s book] • Buttered pease — Aird 1 p 68, no 197. {2:4g ~ 2x8:|: (2nd half of bar 7 repeated in error) ~ 35 46 35 42 (4 bars)}

2/29b • [Dr Swan’s book] • Sae Braley as I was Kissed yestreen — Aird 1 p 69, no 200. {6:8d ~ 2x8:|: ~ 11 51 27 27}

2/29c • Kelso Lasses — Cf Stewart Airs 1 p 21, no 45. 9:8 [corrected from 6:8?] ~ 2x4:|: ~ 133 132}

2/30a • The London Camp — Cf Stewart Airs 1 p 23, no 51. {6:8d ~ 4:|:8:|: ~ 14 32}

2/30b • Whip her & gird her — Cf Stewart Airs 1 pp 24–25, no 53. {6:8g ~ 4x8:|: ~ 11 13 11 24}

2/31a • Kick the Rogue out — Cf Stewart Airs 1 p 27, no 59. {9:8d ~ 2x4:|: ~ 315 316}

2/31b • A trip up stairs — Cf Stewart Airs 1 p 29, no 62. {6:8g ~ 2x8:|: ~ 31 75 32 75}

2/31c • Duchess of Gordons reel — Cf Stewart Airs 1 p 55, no 115; Kerr’s Merry 2 p 17. {Cd ~ 4:|8||DC ~ 5551 5524}

2/32a • The Humours of Dublin — Cf Stewart Airs 1 p 34, no 70; Gow Repos 1 p 36. {6:8c ~ 3x8:|: 8:| ~ 13 52 13 42}

2/32b • O’er the Muir to Kettie — Cf Stewart Airs 1 p 27, no 58. See 1/214a The Caledonian lass. {Cd ~ 8:|:8| ~ 1155 5111}

2/33a • [O’F] • Castletown Hunt — OFPC 1 p 6. {6:8d ~ 4||8:|:4:|:8|| ~ 51 16}

2/33b • [O’F] • Bless Tipperary slow — OFPC 1 p 8. {Cd ~ 4||13|| ~ 5115 4332}

2/34a • [O’F] • A Trip to Killarney — OFPC 1 p 9. {6:8d ~ 3x8:|: 8:| ~ 15 55 15 24}

2/34b • [O’F] • Pay the Reconing [sic] — OFPC 1 p 17. See 1/15a, 4/71a An seanduine. {6:8g ~ 2x8:|: ~ 15 35 15 23}

2/35a • [O’F] • The Happy Mistake — OFPC 1 p 18. {6:8g ~ 8:|:8|| ~ 12 36}

2/35b • [O’F] • The Gemby oh! — OFPC 1 p 19 The Gobbyo. {6:8c ~ 8:|:8:| ~ 31 51 27 47}

2/35c • [O’F] • Dour a ling — OFPC 1 p 24. {6:8d ~ 8:|:8:| ~ 31 31 24 27}

2/36a • [O’F] • The Major — OFPC 1 p 24. See 2/47b Nelly Cusack. {6:8a ~ 4:|:8:|:4:|:4:|: ~ 31 12}

2/36b • [O’F] • The Bucks of Tipperary — OFPC 1 p 25. — See 1/94a, 3/94a Malichi Daly. {6:8d ~ 8:|:8||DC ~ 16 55 11 43}

2/36c • [O’F] • Adieu Adieu thou Faithless world — OFPC 1 p 25. See 4/85e. See also 2/177a, 4/159e The hermit of Killarney. {Ca ~ 4:|:4|| ~ 1151 3325}

2/37a • [O’F] • The Humours of Castlecomber — OFPC 1 p 26. {Cg ~ 4:|:8|| ~ 1353 6277}

2/37b • [O’F] • Helvic Head — OFPC 1 pp 28–29. {6:8g ~ 5x8:|: ~ 12 22 12 11}

2/38a • [O’F] • Byrne’s March — OFPC 1 pp 30–31. Cd ~ 2x16:|: ~ 1157 1154}

2/38b–39 • [O’F] • The Hens Concert — OFPC 1 p 42. {Cd ~ 8:|:12:|: ~ 1155 3355}

2/39 • [O’F] • Griegs pipes — OFPC 1 p 43. {Cd ~ 4x4:|: ~ 5353 5326}

2/40a • [O’F] • The Soup of good drink — OFPC 1 p 33. See 2/120c & 3/19a, Gallagher’s jig, 3/18b An brísdín bréide. {6:8d ~ 2x8:|: ~ 13 57 46 45}

2/40b • [O’F] • The Rakes of Clonmell — OFPC 1 p 48. See 3/135b. {6:8c ~ 3x8:|: ~ 17 51}

2/40c–41 • [O’F] • Fairly shut of her — OFPC 1 p 49. {6:8g ~ 4x8:|: ~ 11 13 11 72}

2/41 • [O’F] • Cosa buidhe árda dearga — OFPC 1 p 52 Cusabue ord. See 3/22a, 4/4e–5 [Jackson’s] Cogue in the evening. {9:8g ~ 3x4:|: 8:| ~ 313 314}

2/42a • [O’F] • The Boyne Hunt — OFPC 1 p 50. {6:8g ~ 8:|:8:| ~ 15 55 65 42}

2/42b • [O’F] • The Humours of Ballinamult. prátaoi dearga as bláthach [Irish corrected by overwriting] — OFPC 1 p 54. {6:8d ~ 3x8:|: ~ 51 52 51 57}

2/42c • [O’F] • Sheelin a ghra will you be mine [all roman] — OFPC 1 p 55 Sheeling O Guira. {6:8c ~ 4:|:8|| ~ 36 75 17 63 tonic c?}

2/43a • [O’F] • The Dublin volunteers — OFPC 1 p 55. Cf Aird 2 p 51, no 137. {Cg ~ 8||4:|: ~ 1512 4531}

2/43b • [O’F] • Fain to follow me — OFPC 1 p 56. {6:8d ~ 8||8||16|| ~ 31 22 31 71}

2/44a • [O’F] • The Good Fellow [pencil JG, small, after:] siobánín [?] seó — OFPC 1 p 60. {9:8f ~ 4x4:|: ~ 113 114}

2/44b–45 • [O’F] • Past one o clock slow — OFPC 1 pp 68–69. {3:4a ~ 8:|:16:|:8:|:16|| ~ 561 113}

2/45a • [O’F] • Jacksons Dream — OFPC 1 p 72. {6:8d ~ 8:|:8|| ~ 11 54 53 22}

2/45b • [O’F] • Coughlan’s March — OFPC 1 p 72. {Cg ~ 2x4:|: ~ 3351 2262}

2/46a • [O’F] • Why should we part so soon — OFPC 1 p 73. {3:4a ~ 13::15 = 6+7+8+7 ~ 165 561 112}

2/46b • [O’F] • Wild oats — OFPC 1 p 79. {6:8a ~ 8:|:8|| ~ 51 14 62 24}

2/46c • [O’F] • Quick step — OFPC 1 p 23. {2:4d ~ 3x8:|: ~ 13 42 31 25 (4 bars)}

2/47a • Smash the windows — Cf Ryan p 115; ONDMI no 386. See 1/36b Teann an síoda. {6:8d ~ 8:|:8:| ~ 13 12 43 24}

2/47b • Nelly Cusack • 607 — Cf OFPC 1 p 24 The Major. See 2/36a The major. {6:8d ~ 3x8:|: ~ 31 12 31 42}

2/47c • Paddy O’Snap — Cf Alexander Flowers p 40; Koehler 3 p 206. {9:8d ~ 2x4:|: ~ 313 427}

2/48a • The Merry Bag piper — 608 Part 1: cf 1/47b Miss Pierce’s Reel. {2:4g ~ 4||8||4|| ~ 1153 2466 (tonic g) or 3375 4611 (tonic e)}

2/48b • I have a wife of my own • 609 — Related versions of this are very common in print. See 3/150c Naebody. {9:8g ~ 4:|8|| ~ 135 165}

2/48c • Miss Nortons jig • 610 {9:8g ~ 4:|:4:|:4:| ~ 136 552}

2/49a • Temple House — Cf Kerr’s Merry 1 p 33. See 1/186a Hurley burley. See 1/134a (reel version of this jig),3/112a The grey goose. {6:8g ~ 8||16|| ~ 13 53 72 42}

2/49b • The Humours of Donnybrook — Cf Yedis Donnybrook. {6:8g ~ 24|| ~ 51 62 53 11}

2/50a • The Unfortunate Rake — Copy of 4/97a. {6:8g ~ 8||8|| ~ 51 24 11 25}

2/50b • The Dawning of the Day [JG:] (?) — Cf Holden ISQT 2 p 19. {Cg ~ 4:|:8:| ~ 5533 6661}

2/50c • Fire in the Mountains — Cf Holden ISQT 2 p 11. {6:8g ~ 8||8|| ~ 51 35 51 24}

2/51a • [Swan MS] • John MacGuire. same as Táiliúir an Mhagaig vol. III p. 121 • 611 — Cf Holden ISQT 2 p 1 John McGuire; OFPC 4 p 100 McGuires lament; ONMI no 442 James my thousand treasures [Séamus mo mhíle stór]. See 3/15c Mártan na glóire, 3/121c Táiliúir an mhagaig. {3:8g ~ 4x5|| ~ 555 531}

2/51b • [Swan MS] • Twice Trick’d [JG pencil after:] Humours of Glyn [n?] — Cf Holden ISQT 2 p 25; Clinton Gems no 133. {6:8d ~ 2x8:|: ~ 65 15 65 26}

2/51c • [Swan MS] • The Soldiers Dance • 612 — Cf Hime Pocket book p 16 Soldier’s dance after the battle; Aird 4 p 17, no 46. See 3/172c Kitty got her clinking (part 2). {Cg ~ 2x4:|:4:| ~ 5151 5132}

2/52a • [Swan MS] • The Cockers of Limerick • 613 {6:8g ~ 8:|:8:| ~ 65 65 53 22 (tonic g, final a)}

2/52b • [Swan MS] • Follow me Lads • 614 — Slip jig incorrectly written as 6:8. Title: slang for curls or ribbons hanging over a girl’s shoulder. Cf Aird 5 p 38, no 99 Hey me Nanny, Irish. {6:8 [9:8] ~ 4:|:4:| ~ 155 152}

2/52c • [Swan MS] • Welcome here again [JG pencil after:] – ? — Cf Thompson’s compleat 3 no 93. See 3/29c. {Cd ~ 2x4:| two cadences each part ~ 1555 1552 ~}

2/53a • [Swan MS] • The Bantry jig • 615 — Cf Moylan JOL no 108 Jimmy Doyle’s slide. See 2/10c Tatter the Rags. {6:8g ~ 8:|:8:| ~ 41 56 41 55}

2/53b • [Swan MS] • The sandy Banks of Rush • 616 — Cf Grier 2 no 149 [p. 32, PDF no 141]. {Cd ~ 8||4:: ~ 5551 5523}

2/53c • [Swan MS] • Lough Erne’s Water • 617 {Cd ~ 4:|:4:| ~ 5313 5551}

2/54a • [Swan MS] • The Humours of Redgap • 618 {Cg ~ 8||8:| ~ 4366 7611}

2/54b • [Swan MS] • When Mary was a young thing • 619 {Cg ~ 8:|:8:| ~ 5113 2772 (tonic g, final a)}

2/54c • [Swan MS] • A Highland Reel. See page 157. vol:III • 620 — Cf Aird 5 p 5, no 12. See 3/157c The humours [of] Bally Connell. {Cd ~ 3x4:|: ~ 1315 5522}

2/55a • [Swan MS] • The Gipsy • 621 {Cg ~ 2x4:|: ~ 5153 5122}

2/55b • [Swan MS] • Trip it up stairs — Cf OFPC 2 p 97. See 1/113a. {6:8g ~ 2x8:|: ~ 35 43 51 51}

2/55c • [Swan MS] • The Basket of oysters • 622 {6:8g ~ 8:|:8:| ~ 73 52 51 25}

2/56a • [Swan MS] • Lady Harriet Hope’s Reel • 623 — Cf Aird 2 p 38, no 104; OFPC 2 p 136. {Cd ~ 4:|:8:| ~ 1564 2272}

2/56b • [Swan MS] • The Humours of Glasses • 624 — Part 2: see 2/155a Think on me (part 1). {Cg ~ 4:|:4:| ~ 5335 4224}

2/56c • [Swan MS] • The Scotch Bonnet • 625 — Cf OFPC 3 p 45 Sweet Molly. See 3/222b A short way to Heaven. {Cg ~ 4:|:8|| ~ 1544 5472}

2/57a • [Swan MS] • The Bucks of Westmeath, or “Humours of the holy stone” vol. III p. 103 • 626 — At the end of item: ‘or’ [?] plus one bar of 6:8 music (unrelated?). See 3/103b (part 1), 1/29c The Humours of Berehaven (part 2). {6:8d ~ 2x8:|: ~ 55 34 34 22}

2/57b • [Swan MS] • Jackey from Dover • 627 {6:8g ~ 8:|:8:| ~ 11 42 35 32}

2/57c • [Swan MS] • Over the Bridge to Peggy • 628 — Part 1: cf Aird 4 p 69, no 183 Can ye sew cushions {Cg ~ 4||4|| ~ 1153 1155}

2/57d • [Swan MS] • The primrose girl • 629 — UCC p [72], no 19. What the devil/dickens ails. Cf ONDMI no 605 Kitty got a clinking coming from the races. See 1/217b High road to London, 3/133b The Linster Highroad. {Cd ~ 4:|:4:|: ~ 3311 6622}

2/58a • [Swan MS] • The Scolding wife [pencil:] see page 152 • 630 — Part 2: cf Aird 6 p 4, no 8 The drunken wives of Lochaber; P-S no 476; ONMI no 1430; Grier 2 no 221 [facs p 47, PDF no 215] Miss Nicoll's favourite; CRÉ 2 no 138 The Clare Reel (Ríl an Chláir). See 2/152a, 3/166c. {Cg ~ 2x4:: ~ 3255 7211}

2/58b • [Swan MS] • The Lads of Ayr • 631 {Cg ~ 4:|:4:| ~ 1151 2216}

2/58c • [Swan MS] • Shake the Feathers • 632 {Cd ~ 2x4:|: ~ 1135 2275}

2/59a • Bona Notte — Cf Alexander’s scrap book vol 5 p 3; Hamilton HUT 1 p 66 Buona notte amata bene. Venetian air. {Cg ~ 8||8|| ~ 1133 6655}

2/59b • Charming Nelly Gray — Cf Hanby. {Cg ~ 2x8|| ~ 5552 3617}

2/59c • My old Kentucky home — Song by Stephen Foster. Cf Kerr’s Merry 2 p 46; Stephano p 23. {Cg ~ 2x8|| ~ 3312 4455}

2/60a • Pretty star of the Night — Cf Waylett Pretty star. {3:4g ~ | $ 20 = 8+8+4||16 = 8+8|| $ ~ 333 323}

2/60b • The Lass of Patty’s Mill • 633 — Cf Kerr’s Caledonian p 30; Riley’s flute 2 p 67. {Cf ~ 32|| = 8x4 ~ 3235 1135}

2/61a • The perfect cure • 634 — Common in print in 6:8 time, and still current in Munster dance-music repertory. {2:4d ~ 2x8:|: ~ 31 75 31 22 (4 bars) rather than 351[1] 7254 (2 bars)}

2/61b • Willie we have missed you — Song by Stephen Foster. {2:4g ~ 8||16 = 8+8|| ~ 52 35 43 22 (4 bars)}

2/61c • Good news from home — Non-traditional song [composed by Patrick Sarsfield Gilmore]. {6:8g ~ 24 = 3x8|| ~ 1533 4235}

2/62a • The Black Bird • 635 — Cf OFPC 2 p 132; Mulhollan SIST p 2. See 1/228a. {Cg ~ 8||8|| ~ 6755 1143}

2/62b • Katty Darling [pencilled after by JG:] “Vaga Luna” (Bellini) — Cf Cameron p 40. {Cd ~ 22 = 16+appendix|| ~ 3427}

2/63a • Lough nagan [read nagar] — Cf Forde 300 NM 2 p 18. {Cg ~ 16|| ~ 1155 1311}

[Here begins the copying from Pigot’s MS collection — as far as 2/119b incl. these had been copied by Pigot from Forde’s MSS (‘ < F’). Pigot’s alternative titles, where useful, are shown here after a slash.]

2/63b • [Pigot] • The Bird alone — Pigot p 705d < F. Cf Joyce OIFMS p 312 ( < F). {Cf ~ 3x4|| ~ 1116 6652}

2/63c • [Pigot] • Trip with the Roving Shooler — Pigot p 705c < F. See 1/67b (different setting). {2:4c ~ 4!|8!| ~ 14 55 61 21 (4 bars)}

2/63d • [Pigot] • Hear me you that’s looking for a wife — Pigot p 705b < F. Cf P-S no 386. {Cg ~ 6||6|| ~ 5576 1556}

2/64a • [Pigot] • He left the poor widows a weeping (war tune) — Pigot p 705a < F. Cf Joyce OIFMS p 325 ( < F). {3:4bflat ~ 12||12|| = 4x(4+2) ~ 333 421}

2/64b • [Pigot] • The Weaver’s Daughter — Pigot p 704f < F. Cf Joyce OIFMS p 301 ( < F). {Cd ~ 2x8|| ~ 1121 7654}

2/64c • [Pigot] • Where is the Key that will open the lock — Pigot p 704c < F. {6:8g ~ 18 = 4x4+2|| ~ 12 77}

2/65a • [Pigot] • I heard a maid in Bedlam making sore complaint — Pigot p 704a < F. Cf Joyce OIFMS p 319–20 ( < F). {Cd ~ 16 = 4x4|| ~ 1165 5521}

2/65b • [Pigot] • Sagartín [sic] grána — Pigot p 703a The little ugly priest / The pretty mild girl < F. {3:4d ~ 12 = 3x4|| ~ 112 175}

2/65c • [Pigot] • David Foy – Remember the pease straw — Pigot p 703b < F. Cf P-S nos 682–83. {2:4g ~ 4||12 = 3x4|| ~ 62 16 31 11 (4 bars)}

2/65d • [Pigot] • He plays on the Flute that will marry me — Pigot p 703d < F. Cf Joyce OIFMS p 305 He that will marry me ( < F). {Cg ~ 8|| ~ 1465 2114}

2/66a • [Pigot] • Some say I’m foolish & some say I’m wise — Pigot p 703c < F. Cf P-S no 793, attrib. to Pigot. {3:4b ~ 8||8!| ~ 113 363 211 665}

2/66b • [Pigot] • Let him drink to his best Beloved — Pigot p 703e < F. {3:4c ~ 8 = 4x2|| ~ 446 221}

2/66c • [Pigot] • Boot him & spur him & send him to me — Pigot p 703f < F. {6:8g ~ 8|| ~ 51 25}

2/66d • [Pigot] • I long to wed Because I love — Pigot p 703g < F. {6:8c ~ 8 = 4+4|| ~ 51 37}

2/66e • [Pigot] • The Big long white cat — Pigot p 703i < F. Cf Joyce OIFMS p 326 ( < F) Peely cuit bán. {6:8g ~ 8 = 4x2|| ~ 11 11 11 22}

2/67a • [Pigot] • Take my life for his she said — Pigot p 703h < F. Cf Joyce OIFMS p 319 ( < F). {Cg ~ 4||12 = 3x4|| ~ 4351 3216}

2/67b • [Pigot] • I’m a widow & a [a corrected < m] maid [pencil JG:] A Dháití is a ghradh gal [?] vol III p 116 — Pigot p 702e < F. Cf Joyce OIFMS p 321 ( < F). {3:4g$ 2x8|| = 4x4 ~ 112 653}

2/67c • [Pigot] • Pretty Polly like a Trooper did ride — Pigot p 702d < F. Cf Joyce OIFMS p 324–25 ( < F). {3:4d ~ 4||12 = 3x4|| ~ 623 155}

2/68a • [Pigot] • At Cloone church gate the Fight began — Pigot p 702f < F. Cf Joyce OIFMS p 324 ( < F). {6:8g ~ 8 = 4x2|| ~ 54 21}

2/68b • [Pigot] • The Fairy troop — Pigot p 702b < F. Cf P-S no 544, atttrib. to Pigot. {Cf ~ 16 = 4x4|| ~ 3332 5552}

2/68c • [Pigot] • The Bag of Sundries — Pigot p 702a < F. Cf Joyce OIFMS p 321 ( < F). {2:4c ~ 2x8|| ~ 3115 5112}

2/68d • [Pigot] • Bold Captain Freney — Pigot p 701b < F; not Joyce OIFMS p 228–29. Cf P-S no 734. {2:4d ~ 12 = 6x2|| ~ 57 65 24 32 (4 bars, tonic d) or 13 21 57 65 (tonic a)}

2/69a • [Pigot] • Bold Val O’Hara — Pigot p 701f < F. Cf Joyce OIFMS p 326 ( < F). {Cd Joyce: 2 Bb ~ 16 = 4x4|| ~ 5576 1217}

2/69b • [Pigot] • The Downhill of life — Pigot p 701c < F. Cf P-S no 557 (6:8 time). {3:4g ~ 7:|:19|| = 4+3 4+3+4+3+5 ~ 116 113}

2/69c • [Pigot] • What shall I do My lover’s going to wed — Pigot p 701a < F. Cf Joyce OIFMS p 326 ( < F). {3:4g ~ 10||10|| = 4x5 ~ 143 212}

2/70a • [Pigot] • It is not day nor morning .i. poc air/ ar buille Vol:III. p 11 smartly [?] — Pigot p 700e < F. Cf Joyce OIFMS p 349 (attrib. to Pigot). {2:4c ~ 57 15 56 62 (4 bars)}

2/70b • [Pigot] • Raging Seas & stormy waves have parted my love & I, The “Lowlands of Holland” Vol III. p121 — Pigot p 700c < F. {Cg ~ 16 = 4x4|| ~ 1765 5563}

2/70c • [Pigot] • The Blessington maid — Pigot p 700b < F. Cf P-S no 539, attrib. to Pigot. {3:4f ~ 12||12|| ~ 511 341}

2/71a • [Pigot] • An Bunnán buidhe — Pigot p 699e < F. Cf Joyce OIFMS pp 314–15 ( < F). {Cd ~ 4!|4||4|| ~ 5543 5376}

2/71b • [Pigot • Buachailín na gruaige donn .i. bean dubh an ghleanna — Pigot p 699c < F. {3:4g ~ 4||8|| ~ 115 116}

2/71c • [Pigot] • Cúl na lúb — Pigot p 698f / ‘curly locks (to a young man) < F’. Cf Joyce OIFMS p 318 ( < F). {Cg ~ 8||8|| = 4x4 ~ 5131 3615}

2/72a • [Pigot] • Is buacailín beag óg me — Pigot p 698e < F. Cf Joyce OIFMS p 321 ( < F) I am a young little boy (‘a song on leaving home’). {2:4g ~ 7||15 = 8+7|| ~ 33 23 61 51 (4 bars)}

2/72b • [Pigot] • Is truagh me a Sagsana — Pigot p 698d < F. Cf P-S no 1178. {2:4g ~ 4||12 = 3x4|| ~ 26 65 51 65 (4 bars, tonic g?) or 15 54 47 54 (tonic & final a)}

2/72c • [Pigot] • The Dwarf of the glens — Pigot p 698b / I love a woman < F. Cf P-S no 542, attrib. to Pigot. {3:4c ~ 16 = 4x4|| ~ 353 111}

2/73a • [Pigot] • Here’s a health to the young man runs most in my mind — Pigot p 698a < F. Cf P-S no 315. {3:4g ~ 8||8|| = 4x4 ~ 512 112}

2/73b • [Pigot] • Civil Mild O’Reilly (sochamhuil) — Pigot p 697f / ’98 song < F. Cf Joyce OIFMS pp 323–24 ( < F) Mild O’Reilly: ‘A song of 1798 was written to this’. {3:4d ~ 8||8|| ~ 111 133}

2/73c • [Pigot] • Máire Deas — Pigot p 697a < F; not P-S no 1163. {Cd ~ 16 = 4x4|| ~ 1131 6153}

2/74a • [Pigot] • Tá cleamhnus dá dhéanamh, or The Banks of the Daisies — Pigot p 696f < F. Cf P-S no 1253. {Cg ~ 8|| ~ 5671 5611}

2/74b • [Pigot] • Well done, cries she, Brave Donnelly — Pigot p 696e < F. Cf P-S no 316. {6:8g ~ 2x8|| ~ 51 15}

2/74c • [Pigot] • I’ll travel to Mount Nebo — Pigot p 696d < F. Cf Joyce OIFMS p 322 ( < F). {Cf /g ~ 16 = 4x4|| ~ 3121 7754}

2/75a • [Pigot] • Bodaig an bhéarla — Pigot p 696a < F. Cf Joyce OIFMS p 386 ( < F). {6:8g ~ 4||8|| ~ 51 46}

2/75b • [Pigot] • I wish I was in Banagher — Pigot p 696b < F. Cf Joyce OIFMS p 303 ( < F). {Cg ~ 4||12 = 3x4|| ~ 1765 5565}

2/75c • [Pigot] • Darling dont refuse me — Pigot p 696c < F. Cf Joyce OIFMS p 324 ( < F). {Cg ~ 16 = 8+8|| ~ 5331 1135}

2/76a • [Pigot] • Lord send the French without delay — Pigot p 695e / (’98 song’) < F. Cf P-S no 313. {Cd ~ 4!|8 = 4+4|| ~ 1176 6535}

2/76b • [Pigot] • Search the World round [JG:] (seoladh na ngamhna?) — Pigot p 695d < F. Cf Joyce OIFMS p 327 ( < F). {2:4g ~ 2x16|| ~ 16 61 52 61 (4 bars)}

2/76c • [Pigot] • A bhean an tighe na suairc é sin? — Pigot p 695e / (’98 song) < F. Cf Petrie AMI pp 54–56 ( < Pigot). {6:8g ~ 10 = 5x2|| ~ 1321 17 65}

2/76d • [Pigot] • Donchadh bán (caoneadh) [sic] — Pigot p 694e / A young woman’s lament for the death of her brother < F. Cf Joyce OIFMS pp 326–27 ( < F). {KS g, no TS or barring ~ 12+12 crotchets ~176653365 &c, by initial notes of note groups, tonic /final g [no c] }

2/77a • [Pigot] • Erin My Country, Oh — Pigot p 695b < F Cf Joyce OIFMS p 304–305 ( < F). {Cd ~ 8||8|| ~ 1356 1242}

2/77b • [Pigot] • The Dolphin so sweet [corrected < seet] in the middle of the deep — Pigot p 694b < F. Cf Joyce OIFMS p 323. {2:4g ~ 8||8|| = 4x4 ~ 15 12 42 35 (4 bars)}

2/77c • [Pigot] • Una a rúin (Lament) [all roman] — Pigot p 694f < F. Cf Joyce OIFMS p 318 ( < F). {KS d, no TS or barring. Two parts (2nd part has ‘uch on on (Caoine)’ written above start) ~ 15+ 12+||14 crotchets ~ 77645645 &c, by initial notes of note groups, final d}

2/78a • [Pigot] • Seaghan Gab — Pigot p 693g < F < Hud. Cf P-S nos 1223, 1224 (but different settings). {3:4f ~ 8||16|| = 6x4 ~ 321 155}

2/78b • [Pigot] • The Maid of sweet Gurtheen — Pigot p 693f < F < Hud. Cf P-S nos 328–29 (but different settings). {Cf, all E’s are flattened ~ 16 = 4x4|| ~ 1135 7765}

2/78c • [Pigot] • Erin’s Lovely Home [+JG pencil:] ?Mary Neil? — Pigot p 693e < F. See 1/78a Mary Neil. {Ce fl ~ 16 = 4x4|| ~ 5553 6536}

2/79a • [Pigot] • Dearbhráthair mo chroidhe — Pigot p 693c < F < Hud; not Joyce OIFMS p 212–13. {3:8f ~ 6||18|| = 4x6 ~ 123 317}

2/79b • [Pigot] • Ól Dán— Pigot p 692f < F < Hud. Cf Joyce OIFMS pp 275–76 ( < F < Hud). {3:4g ~ 4!|8||8|| ~ 165 265}

2/79c • [Pigot] • The time is drawing nigh when we must part — Pigot p 692e < F < Hud. Cf Joyce OIFMS pp 275–76 ( < Pigot), air +4 verses. Joyce had a broadside of it. {Cf ~ 8||8!| ~ 1271 2754}

2/80a • [Pigot] • Biddy I’m not jesting — Pigot p 692c < F < Hud. Cf P-S no 307. {Cc ~ 8||8|| ~ 5132 2353}

2/80b • [Pigot] • Caitlín Nolan [gaelic +roman] — Pigot p 692b < F < Hud. {3:4f ~ 2x8|| = 4x4 ~ 111 642}

2/80c • [Pigot] • The Red haired Man’s wife — Pigot p 692a < F < Hud. {3:4f ~ 10||10|| = 4x5 ~ 232 112}

2/81a • [Pigot] • It was a fair Calm morning — Pigot p 691g < F < Hud. Cf Joyce OIFMS pp 263–64 ( < F). {Cb ~ 8||8|| = 4x4 ~ 3214 7721}

2/81b • [Pigot] • Oro a dtiucfadh tú [at end:] spinning song — Pigot p 691f < F < Hud. Cf Joyce OIFMS p 264 ( < F). {Cc ~ 8|| ‘chorus’ 8|| ~ 1117 6633}

2/81c • [Pigot] • An Seanduine crom [JG:] – (young wife & old man) quick [at start], slow [bar 9] — Pigot p 691e < F < Hud. Cf P-S no 1224. {3:4c ~ | ‘(She)’ 8|| ‘He’ 8|| ~ 757 343 232 121 (all notes, 4 bars)}

2/81d • [Pigot] • The Green Bushes — Pigot p 691b < F < Hud. P-S nos 369–70 are different settings of the tune. {3:4f [3 corrected from < 6?] ~ 8||8|| = 4x4 ~ 112 712}

2/82a • [Pigot] • Song of Una very anceint [sic] from which/w’s [?] Killicrankie — Pigot p 691d < F < Hud. Cf P-S no 550. {Cc ~ 8||8|| = 4x4 ~ 5163 5164}

2/82b • [Pigot] • Séamus O Murchudhadh [Murchadhadh?] (Caoineadh) — Pigot p 690e / The lament of James Murphy < F < Hud. Cf Joyce OIFMS pp 257–58 ( < F). {3:4f ~ 2x8|| = 4x4 ~ 112 555}

2/82c • [Pigot] • Bridget you know what I mean — Pigot p 690a < F < Hud. {3:4f ~ 12||12|| = 8x3 ~ 121 652}

2/83a • [Pigot] • Protection from the Gallows — Pigot p 689d / Dan Read’s gallows song / The Knights Templars < F < Hud. {6:8c ~ 16|| = 4x4 ~ 32 15}

2/83b • [Pigot] • I am a bold Defender (98) — Pigot p 689c < F < Hud. Cf P-S no 434. {6:8c ~ 16|| = 4x4 ~ 17 53}

2/83c • [Pigot] • Sliabh Mór slow — Pigot p 689b < F < Hud. {Cc ~ 8||8|| = 4x4 ~ 5133 3422}

2/84a • [Pigot] • Johnny Gibbons March (‘98) — Pigot p 688d < F < Hud. {6:8c ~ 8:|:8:| ~ 16 35}

2/84b • [Pigot] • get up my Darling & come with me — Pigot p 688c < F < Hud. Cf Joyce OIFMS p 262 ( < F). {Cf ~ 8||8|| = 4x4 ~ 1612 6136}

2/84c • [Pigot] • Coinnleach glas an fhomhair — Pigot p 688b < F < Hud. {Cf ~ 8||8|| = 4x4 ~ 1444 6616}

2/85a • [Pigot] • Bring home the Bride — Pigot p 687e < F < Hud. Cf Joyce OIFMS pp 261–62 ( < F). {Cf ~ 8||8|| = 4:4 ~ 5132 2356}

2/85b • [Pigot] • If my Peggy leave me forever I’ll be a bird alone — Pigot p 687d < F < Hud (differs from Joyce OIFMS p 312 The bird alone, and from P-S nos 611–12). {C[c, flat on B deleted] ~ 8||8!| = 4x4 ~ 7645 7764}

2/85c • [Pigot] • Derry Brien — Pigot p 687c < F < Hud. {Cc ~ 4:|:8|| ~ 1317 6535}

2/86a • [Pigot] • The Foggy morning — Pigot p 686e < F < Hud. Cf Joyce OIFMS p 254 ( < F). {3:4c ~ 8||8|| = 4x4 ~ 323 155}

2/86b • [Pigot] • The Morning star [JG:] same as Maidin Aoibhinn Aorach — Pigot p 685e / or “The song of Jenny Ward” < F < Hud. Cf DOS no 88 Dolly MacDonough; Joyce OIFMS p 262 no 472. ( < F). See 1/268a. {Cg ~ 8:|16|| = 6x4 ~ 1137 6653}

2/86c • [Pigot] • I’d cross the world [corrected <ocean?] over with you Johnny Doyle — Pigot p 685g < F < Hud. Cf P-S no 628 I’d range... {Cc ~ 8|| = 4x2 ~ 3156 5117}

2/87a • [Pigot] • Mo chuid don tsaoghal éoluigh liom Slow — Pigot p 685b / Margaret O’Neil < F < Hud. {6:8c ~ 2x8|| ~ 11 72}

2/87b • [Pigot] • One evening in June – “youth & Bloom” [+JG pencil:] see rough notes — Pigot p 684d < F < Hud. Cf P-S no 828. {Cg ~ 8||8|| ~ 4112 1472}

2/87c • [Pigot] • Móda dheas ní Dúda — Pigot p 684a < F < Hud. Cf P-S no 1351. {Cg ~ 8||8|| ~ 6757 3171}

2/88a • [Pigot] • An Cóta Mór stractha — Pigot p 683f < F < Hud. Cf P-S no 1350. {3:4f ~ 20|| = 4x5 ~ 661 536}

2/88b • [Pigot] • Joy be with you — Pigot p 683c < F < Hud. Cf P-S no 995. {6:8c ~ 8||8|| ~ 35 35 32 15}

2/88c • [Pigot] • The Deserter — Pigot p 682a < F < Hud. {Cg ~ 8||8|| ~ 1565 5133}

2/89a • [Pigot] • Gradh mo chroidhe do shean wig — Pigot p 681b < F < Hud. Cf Joyce OIFMS pp 346–47 ( < P). {C]f ~ 3x8|| ~ 5113 5533}

2/89b • [Pigot] • Scora na wallaige [roman] (drinking/ drinker’s song) — Pigot p 678f < F < Hud. Cf Joyce OIFMS p 377 ( < F). {6:8c ~ 4!|8|| ~ 33 22}

2/89c • [Pigot] • Coulin (The old) — Pigot p 678e < F < Hud. Cf similar setting at P-S no 599. {3:4c ~ 8||8|| ~ 111 351}

2/90a • [Pigot] • The pooca [‘a’ corr < ah: poocah?] — Pigot p 678a < F < Hud. Cf P-S no 1107. {6:8f ~ 8||8|| ~ 53 11}

[End of Hudson].

2/90b • [Pigot] • Buggie faoi Hussie [roman-gaelic-roman] (old jig .i. bogadh faoi shúsa [bracket not closed] — Pigot p 674c < F. Cf Joyce OIFMS p 265 ( < F). {9:8f ~ 3x4:|:4 part 1:‘1st part an octave higher’ ! 4 part 2: ‘2nd part an octave higher’ |: 5x4:|:4:| ~ 113 134}

2/91a • [Pigot] • Sweet Cailín Ruadh [roman-gaelic] — Pigot p 674a < F. Cf Joyce OIFMS p 9 ( < F). {Cd ~ 9|| = 4x2 +1 ~ 4471 5211}

2/91b • [Pigot] • ’S maith duine og — Pigot p 672d < F. Cf P-S no 1233. {Cg ~ 2x8|| ~ 1234 5111}

2/92a • [Pigot] • Is air maidin dom/domh? de Luain — Pigot p 673a < F. Cf P-S no 1165. {Cc ~ 8||8|| ~ 5117 7733}

2/92b • [Pigot] • Jacksons Maid — Pigot p 671a < F. Cf P-S nos 796–97. {6:8g ~ 4:|:8|| ~ 53 47}

2/92c–93 • [Pigot] • The Faery Queen — Pigot p 669a < F. {3:4d ~ 15:|:16:|:16:| bar 2a om. ~ 116 116}

2/93a • [Pigot] • The Separation of soul & body — Pigot p 668a < F. Cf P-S no 671, attrib. to Carolan. Cf Neal 1724 p 16, no 24. {Cf ~ 8||8|| = 4x4 ~ 5111 3217}

2/93b • [Pigot] • The wild geese, or Roving pedlar — Pigot p 668e < F. Cf Neal p 24, no 39 Gye Fiane. {3:4c ~ 16|| = 4x4 ~ 332 261}

2/94a • [Pigot] • Irish air — Pigot p 666a Anon < F. {3:4f ~ 8||8|| = 4x4 ~ 132 155}

2/94b • [Pigot] • Cois abhann [b corrected < m] na Sionainne — Pigot p 664c < F; JG omits bar 5 in copying. Cf Joyce OIFMS p 266 Cois aimhne na leamhna: Beside the river Laune. {3:4f ~ 7||12|| ~ 111 724}

2/94c • [Pigot] • Molly Brallaghan — Pigot p 662d Anon < F. {Cg ~ 8||8|| ~ 4443 2226}

2/95a • [Pigot] • Rúisg a bhean na tóna (Carolan) — Pigot p 664a / The quarrel with the landlady < F. {3:4g ~ 20||20|| 8+8+4 +8+8+4 ~ 113 111}

2/95b • [Pigot] • Jig — Pigot p 660a < F. {6:8f ~ 8:|:8:| ~ 51 32}

2/96a • [Pigot] • Humours of Limerick (Jackson) — Pigot p 657a < F; BBJ no 55. {6:8d ~ 3x8:|: ~ 15 15}

2/96b • [Pigot] • The Sprightly Widow — Pigot p 656e < F. Cf P-S no 590. {6:8g ~ 8:|:8:| ~ 74 62}

2/97a • [Pigot] • Jacksons Lodge — Pigot p 657b < F; BBJ no 1; parts 1–3: cf Jackson JCIT p 1 Cossey’s jigg. See 2/165a Jacksons maids in the morning, 3/120a Humours of Newtown, 3/181a. {6:8g ~ 4x8:|: ~ 43 23}

2/97b • [Pigot] • Paddy O Doody — Pigot p 656a < F. {6:8g ~ 12|| = 2x4 +4 ~ 13 11}

2/98a • [Pigot] • Gille mo Chroidhe — Pigot p 655e < F. {6:8g ~ 8||8|| ~ 47 11}

2/98b • [Pigot] • Leather, or The Shoemakers Fancy — Pigot p 655d < F. See 3/99c Boring the leather. {6:8g ~ 8||8|| ~ 77 44}

2/98c • [Pigot] • Humours of Glenflesk — Pigot p 655c < F. {6:8g ~ 8||8|| ~ 32 31 32 65}

2/99a • [Pigot] • Jig. Wood & married an a’ — Pigot p 655b < F. Cf Hamilton HUT 2 p 167. {9:8g ~ 4||4|| ~ 753 577}

2/99b • [Pigot] • Humours of Tallagh — Pigot p 654c < F. See 3/42b. {6:8c ~ 8:|:8:| ~ 6 [r.5]2 34 54 32}

2/99c • [Pigot] • The Monaghan jig — Pigot p 652e < F. {6:8g ~ 2x8:|:8:| ~ 31 35 31 24}

2/100a • [Pigot] • Ogánaigh óig — Pigot p 649a < F. {3:4d ~ 20|| = 4x5 ~ 153 776}

2/100b • [Pigot] • Irish air. a good version of Dar mo bhasa-sa [a] Sheaghain — Pigot p 649b Anon < F. See 3/7a. {3:4f ~ 8:|:16:| ~ 667 551}

2/100c • [Pigot] • Jig (Jackson) — Pigot p 648e < F. See 2/13a The lads of Dunse. {6:8d ~ 8:|:8:| ~ 5116 6562 or 5116 65 62}

2/101a • [Pigot] • Gregor Mor [roman] — Pigot p 647b < F. {Cg ~ 8:|:8:| part 1 ~ 3226 6111}

2/101b • [Pigot] • Before the first dawn of Day — Pigot p 645f < F. {9:8g ~ 4||4|| = 4x2 ~ 325 232}

2/101c • [Pigot] • Shannon side — Pigot p 638a / James Irwin, or Shannon side < F. Cf Joyce OIFMS p 279 < F. {Cc ~ 16|| = 4x4 ~ 1166 5535}

2/102a • [Pigot] • The sly Wooer — Pigot p 637e < F. Cf Neal 1724 p 12 no 16 Radara meen chusogh. {Cc ~ 8||8| ~ 5117 3443}

2/102b • [Pigot] • The Weavers Daughter of the County Down — Pigot p 637d < F. Cf Joyce OIFMS pp 284–85 < F. {3:4g ~ 4:|:8|| = A [A]BA ~ 411 357}

2/102c • [Pigot] • When first I left old Ireland — Pigot p 637c < F. Cf P-S no 863 (another setting) {Cc ~ 8||8|| = 4x4 ~ 1117 3113}

2/103a • [Pigot] • Siubhail a bhean dubh ó! — Pigot p 636e < F Go home, go home dear cousin. Cf Joyce OIFMS p 283 < F. {6:8g ~ 8||8|| ~ 22 14}

2/103b • [Pigot] • Peggy a rúin! — Pigot p 636b < F. Cf Joyce OIFMS p 295 < F. {6:8g ~ 10|| = 4+4+2? ~ 51 22}

2/103c • [Pigot] • The Killesny Maiden — Pigot p 636a < F. Cf Joyce OIFMS p 284 < F. {3:4c ~ 8||8|| ~ 161 535}

2/104a • [Pigot] • Before I was married — Pigot p 635d < F. {6:8f ~ 8||8|| ~ 16 37}

2/104b • [Pigot] • Take Care of my Cap — Pigot p 635b < F. Cf ONMI no 902 The rakes of Clonmel. {6:8g ~ 8:|:8:| ~ 37 51}

2/104c • [Pigot] • Irish Air — Pigot p 634d < F. {3:4g ~ 10||10:| = 4x5 ~ 161 535}

2/105a • [Pigot] • Irish Air — Pigot p 633e < F. {Cg ~ 8 = 2x4||12 = 3x4|| ~ 1766 5333}

2/105b • [Pigot] • The Milk Maid — Pigot p 633b < F. {3:4c ~ 20|| = 4x5 ~ 161 441}

2/105c • [Pigot] • I lost my love — Pigot p 632b < F. Cf P-S no 460; Cameron p 10. {6:8c ~ 8||8|| = 4x4 ~ 11 33}

2/106a • [Pigot] • An Sean Duine ag luasgadh an chliabháin — Pigot p 632c < F. See 2/139b Kildurrery hunt, 2/138a Nurses tune, 3/7b. {3:4g ~ 8:|:16:|:8:|:16|| = 6x8 ~ 331 445}

2/106b • [Pigot] • Paddy get up — Pigot p 630f < F. {6:8d ~ 8:|:8:| ~ 13 35}

2/107a • [Pigot] • The 3rd of August — Pigot p 630b < F. Cf Joyce OIFMS p 295 < F. {Cg Joyce 4 g ~ 8:|:8:| ~ 3111 3661}

2/107b • [Pigot] • Knock & Come in — Pigot p 626a < F. {6:8g ~ 3x8:|:8:| ~ 33 42}

2/108a • [Pigot] • Take a Kiss & let her alone — Pigot p 626b < F. Cf P-S no 861 ( < Pigot). {6:8c ~ 8:|:8|| ~ 17 51}

2/108b • [Pigot] • Moll Halfpenny also, “Brien the brave” — Pigot p 622b < F. Cf other settings in Joyce pp 68–9, also Neal 1724 p 5 no 7. {Cc ~ 8:|:8:| ~ 3117 3773}

2/108c • [Pigot] • The Red cheeked Lassie — Pigot p 620d < F. {3:4g ~ 8||16|| = 6x4 ~ 553 175}

2/109a • [Pigot] • Paddys slumber — Pigot p 619d < F. {6:8g ~ 8||8|| ~ 35 35}

2/109b • [Pigot] • Magennis from the Co Tyrone. Éamonn Mhágaine [Index: Mhágáine]] — Pigot p 618e < F. {3:4g ~ 16|| = 4x4 ~ 112 555}

2/109c • [Pigot] • Blaris Moor — Pigot p 615b < F ‘another setting’. Cf Joyce OIFMS pp 108–110 (4 airs). {Cg ~ 16|| = 4x4 ~ 3326 1135}

2/110a • [Pigot] • My Help is in God & Rory O’Moore — Pigot p 612b < F. Not P-S nos 740, 974 Rory O’Moore. {3:4g ~ 16|| = 4x4 ~ 113 517}

2/110b • [Pigot] • Kiss in the Kitchen — Pigot p 616c < F. Cf Joyce OIFMS p 294 < F. {3:4d ~ 16||16|| = 4x8 ~ 1113 (4 bars), 53 135 (2 bars)}

2/111a • [Pigot] • Belfast Maids — Pigot p 612c < F. {Cg ~ 16|| = 4x4 ~ 5531 1365}

2/111b • [Pigot] • The Fairy [’s] Lamentation — Pigot p 610a < F. Cf Joyce OIFMS pp 294–95 < F. {Cc ~ 10||11|| = 4+4+2 +4+3+4 ~ 1132 3343}

2/112a • [Pigot] • The Wicked throat that Drained the Barrel — Pigot p 609c < F. {3:4f ~ 16 = 8+8||15|| ~ 333 354}

2/112b • [Pigot] • The Newry Prentice Boy — Pigot p 600d < F. Cf P-S no 364 < P. MacDowell. {6:8d ~ 8:|8|| ~ 34 14}

2/113a • [Pigot] • Glaisín og na g-craobh — Pigot p 598a < F. Cf Joyce OIFMS p 223 The little grey mare of the branches < F. {Cg ~ 10|| = 4+4+2 ~ 4322 2113}

2/113b • [Pigot] • My Honest dear Neighbour I neer Killed your cat — Pigot p 598b < F. Cf P-S no 470. {6:8g ~ 4:|8|| ~ 53 42}

2/113c • [Pigot] • Fallaing a fuair a chiorrbhadh(?) — Pigot p 597b / The cloak that got its combing < F. Cf Joyce OIFMS pp 322–23 < F. {3:4c ~ 15|| = 3x4 +3 ~ 755 112}

2/114a • [Pigot] • Milking time is over — Pigot p 595d < F. Cf P-S no 298 ( < Pigot), set by Forde. {Cg ~ 8||8|| = 4x4 ~ 5132 1651}

2/114b • [Pigot] • The Ballinaneach Rangers — Pigot p 591e < F. {6:8d ~ 4:|:8|| ~ 36 14}

2/114c • [Pigot] • Boheree (Roscommon) — Pigot p 589a < F. Cf Joyce OIFMS pp 299–300 < F. {Cf ~ 16|| = 4x4 ~ 1765 2161}

2/115a • [Pigot] • Bean an Fhir Ruadh — Pigot p 588d < F; not P-S nos 1115, 1140. {3:4g ~ 20|| = 4x5 ~ 557 111}

2/115b • [Pigot] • The Tin Ware Lass — Pigot p 588b < F. {Cf ~ 8||8|| ~ 1356 1215}

2/115c • [Pigot] • My love, what is the reason you can not fancy me — Pigot p 588a < F. Cf PS no 326. {Cg ~ 8||8|| ~ 5121 3357}

2/116a • [Pigot] • The Greenwood Lad — Pigot p 586b < F. Cf Joyce OIFMS p 322 < F. {3:4g ~ 8||8|| ~ 113 534}

2/116b • [Pigot] • Mourne Shore — Pigot p 585b < F. Cf Joyce OIFMS p 295 < F. {Cg ~ 4!|2x4|| ~ 4323 1765}

2/116c • [Pigot] • I have a little Trade — Pigot p 585a < F. Cf P-S no 758. {Cg ~ 4:|4||DC ~ 6361 3611}

2/117a • [Pigot] • An Leanabh amhra — Pigot p 583e / The troublesome (uneasy) child < F. Cf Joyce OIFMS p 297 < F. {Cg ~ 8||8|| = 4x4 ~ 1117 7127}

2/117b • [Pigot] • Múirnín geal mo chroidhe — Pigot p 582d < F. Cf Joyce OIFMS p 302 < F; not P-S no 1104. {Cg ~ 4x4|| ~ 5331 1135}

2/117c • [Pigot] • Many a pleasant hour my love & I did pass — Pigot p 582c < F. Cf Joyce OIFMS p 322 < F. {Cg ~ 4|!4!|4|| ~ 1541 7122}

2/118a • [Pigot] • Ta me corta bhfearr [sic] liom bheith sa mbaille — Pigot p 581b / Now I’m tired & wish I was at home (The prodigal son). Faint pencillings [by Joyce?] show unease with notation. < F. Cf P-S no 1136 Tá mé sáruigh: bheárr liom ’san mbaile (The prodigal son). 3/79b is another setting. {3:4c ~ 4x4|| ~ 665 533}

2/118b • [Pigot] • The Wexford Tragedy — Pigot p 580c < F. Cf Joyce OIFMS p 325 < F. {Cg ~ 8||8|| = 4x4 ~ 3432 4446}

2/118c • [Pigot] • The Red Haired Mans wife — Pigot p 580b < F. Not P-S nos 1115, 1140; not O’D 1850 p 166. {3:4g ~ 20!| = 4x5, $ not ~ 652 113}

2/119a • [Pigot] • An old man he courted me — Pigot p 574b < F. Cf P-S no 527; Joyce OIFMS p 111. {6:8g ~ 4||4!| ~ 52 55}

2/119b • [Pigot] • The young mans dream — Pigot p 571a < F. See 4/24c. {3:4g ~ 4||8|| ~ 135 336}

2/119c • [Pigot] • An Cailín deas ruadh — Pigot p 580a < F. Cf Bunting 1840 p 66, instrumental setting; not P-S nos 1321–25. {3:4f? ~ 20:| = 4x5 ~ 555 445}

[End of Forde].

2/120a • [Pigot] • Rouse the Grouse • 636 — Pigot p 565a < Miss Ellen Phelan, Cork. Cf OFPC 1 p 69 Apples in winter; ONMI no 1110 Gillan’s apples. {6:8d ~ 8:|:8:| ~ 11 15 52 22 (tonic d, final a) or 44 41 15 55 (tonic a}

2/120b • [Pigot] • Caitlín a stór (Carolan) — Pigot p 563a < Miss Ellen Phelan. Cf Joyce OIFMS p 397 ‘noted by Miss Phelan from a piper in Kerry’. See 4/124 Planxty Drury. {3:4g ~ 8:|:16:| ~ 511 557}

2/120c • [Pigot] • Jig [ink:] (Gallagher’s jig) — Pigot p 560b < Miss Griffin. See 2/40a The soup of good drink, 3/18b An brísdín bréide, 3/19a. {6:8d ~ 8:|:8 two cadences || ~ 13 57}

2/121a • [Pigot] • I am a poor stranger that is far from my house [index: home] — Pigot p 558b < Miss Griffin. Cf P-S no 799. {3:4g ~ 16|| = 4x4 ~ 355 265}

2/121b • [Pigot] • The pretty green banks of Cavan — Pigot p 547a < Alexander Flowers. Cf Joyce OIFMS p 358 ( < Pigot). {6:8c ~ 8:|:8:| ~ 51 22}

2/121c • [Pigot] • Paddy Mac Namara’s reel — Pigot p 546b < Alexander Flowers. {Cg ~ 2x4:|:4:| ~ 3211 5747}

2/122a • [Pigot] • An Cóta Caol — Pigot p 41b. Cf Walker 2 no 23. {Cd ~ 16|| = 4x4 ~ 5535 2211}

2/122b • [Pigot] • Scotch air — Pigot’s page not located. Cf ONWSGM no 47 My only Jo and dearie O (from Wilson’s companion to the ballroom). See 2/193b. See 3/193b. {Cf ~ 8||8|| ~ 1131 1555}

2/122c • [Pigot] • Tumble the jug — Pigot p 340b. Cf Joyce OIFMS pp 402–403 < Pigot ‘copied from a MS. lent by Mrs Woodruffe (of Cork?)’. {6:8d ~ 8||8|| ~ 51 55}

2/123a • [Pigot] • Siobhan Mhór, or The eagles whistle • 637 — Pigot p 340c < Mrs Woodruffe? {3:4g ~ 22||20||DC = 21x2 ~ 353 353 (tonic g)}

2/123b • [Pigot] • The Humours of Shannon — Pigot p 375b < OF. Cf OFPC 3 p 69. {6:8g ~ 6:|:12|| = 6x3 ~ 43 45}

2/124a • [Pigot] • The Humours of Ross — Pigot p 376a < OF. Cf OFPC 3 p 71. {6:8g ~ 3x8:|:8:| ~ 33 33 33 22}

2/124b • [Pigot] • The Roving Pedlar — Pigot p 378f < OF. Cf OFPC 4 p 90. {3:4d ~ 20|| = 4x5 ~ 312 661}

2/125a • [Pigot] • Stephney’s [n corrected < e?] Rant — Pigot p 379b < OF. Cf OFPC 4 p 86. {6:8d ~ 2x8:|: ~ 11 21}

2/125b • [Pigot] • McDonnell’s Hornpipe — Pigot p 379c < OF. Cf OFPC 4 p 88. {Cd ~ 2x8:|: 8 two cadences :| ~ 3111 7555}

2/125c • [Pigot] • The Kilworth Reel — Pigot p 378e < OF. Cf OFPC 4 p 98. {Cf ~ 4:|:4:| ~ 1353 7242}

2/126a • [Pigot] • The Basket of oysters — Pigot p 381c < OF. Cf OFPC 4 p 123. {6:8g ~ 3x8:|:8:| ~ 33 42}

2/126b • [Pigot] • The mouth of the jug — Pigot p 382c < OF. Cf OFPC 4 p 127. {6:8d ~ 2x8:|:8:| ~ 55 15}

2/127a • [Pigot] • Biaidh bean oile ’gam — Pigot p 383b < OF. Cf OFPC 4 pp 142–43. {6:8g ~ 3x8:|: 4:|:8:| ~ 15 55 15 52}

2/127b • [Pigot] • Two Mile Bridge — Pigot p 383c < OF. Cf OFPC 4 p 145. {6:8g ~ 2x8:|: 8:| ~ 31 35}

2/128a • [Pigot] • Jig (Peggy Bawn) — Pigot p 402a < OF. Cf OFPC 4/93–94 (Jig part). See 4 p 86. {6:8g ~ 8:|:8|| ~ 13 33}

2/128b • [Pigot] • Tomás a Mómpuis [? index: ó] — Pigot p 403c < OF. Cf OFPC 4 p 130. {6:8f ~ 2x9:|: 8:| ~ 51 14}

2/129a • [Pigot] • Sliabh na m-ban • 638 — Pigot’s page not located. Cf Roche 3 no 186 Youghal harbour. See 3/51a. See also 2/2b Youghal harbour. Cg ~ | $ 6:|:5|| $ ~ 1636 5215}

2/129b • [Pigot] • Bean an Tabhairne — Pigot’s page not located. Cf Joyce OIFMS p 345 ( < Pigot). {3:4c ~ 18:|:18:| = 2x [8+3+7+3] ~ 671 666 (tonic a) or 123 112 (tonic f)}

2/130a • [Pigot] • An bhean dubh ó’n sliabh • 639 — Pigot’s page not located. {6:8c ~ 12:| $, end bar 6: $ ~ 31 62}

2/130b • [Pigot] • Sláinte Righ Philib] — Pigot’s page not located. Cf OFPC 2 p 150; Joyce OIFMS p 12 An gamhuin geal bán. {3:4g ~ 12:|:12:| = 4x6 ~ 511 121}

2/130c • [Pigot] • The Humours of Ballinacourty • 640 — Pigot p 406a < Miss O’Connell. Cf Curtin MS no 59 Bally na Curtie. See 2/163a, 3/20a, 3/177b. {6:8a ~ 8:|:8|| ~ 15 11}

2/131a • [Pigot] • The Humours of Dingle • 641— Pigot p 405e < Miss O’Connell. {6:8a ~ 8||8|| ~ 15 55 (tonic a, final b)}

2/131b • [Pigot] • The Humours of Currageen .i. Humours of Clounties [l corrected < ?] — Pigot p 406b < Miss O’Connell. Cf Joyce OIFMS pp 388–89 ( < Pigot); see 3/23a. {6:8g ~ 8||8|| ~ 52 21}

2/131c • [Pigot] • McCarthys jig • 642 — Pigot p 406c < Miss O’Connell. Cf Ryan p 100 Hop jig; Levey 1 no 100 Connemara; CRÉ 1 no 69 Cuir barra air [Top it off]. {9:8d ~ 4:|:8|| ~ 537 613}

2/132a • [Pigot] • Tadg O Flaherty [roman] • 643 — Pigot p 406d Thady O’F < Miss O’Connell. Cf Aird 3 p 198, no 517 The sailor lassie; Aird 4 p 67, no 177 Miss Margt. Mcgregor’s favourite. {9:8d ~ 4:|:8|| ~ 117 652}

2/132b • [Pigot] • The Beggarmans Trot. Sodar an bhacaigh • 644 — Pigot p 406e < Miss O’Connell. {6:8g ~ 8||8|| ~ 55 42 55 22}

2/132c • [Pigot] • Six Mile Bridge • 645 — Pigot p 407b < Miss O’Connell Cf Roche 1 p 49, no 118 The boys of the town. {6:8g ~ 8:|:8|| ~ 13 11}

2/133a • [Pigot] • Cherry grove jig [JG pencil:] Cootes jig — Pigot p 407c < Miss O’Connell. Cf Joyce OIFMS p 389 ( < Pigot). {6:8c ~ 2x8|| ~ 41 57}

2/133b • [Pigot] • Three half pence a day — Pigot p 409e < Miss O’Connell. Cf OFPC 2 p 121. {6:8f ~ 8:|:8:| ~ 61 33}

2/133c • [Pigot] • Ferreters Frolic [after notation:] down one note • 646 — Pigot p 411d < Miss O’Connell. Part 1 see 2/96b The sprightly widow. {6:8d ~ 8||8:| ~ 42 22 42 51}

2/134a • [Pigot] • Cois Abhann — Pigot p 435c < O’Neil. Cf Joyce OIFMS pp 393–94 ( < Pigot) < O’Neill (a piper) of Tipperary’. {Cg ~ 7||18|| ~ 1212 5564}

2/134b • [Pigot] • It was in the year 1804 • 647 — Pigot p 475a < A.P.’s (old) MS collection. Cf ONMI no 847 The rakes of Kildare. {6:8g ~ 8||8|| ~ 21 27}

2/135a • [Pigot] • Uair beag roimh lá [title crossed out] — Pigot p 128b Uair bheag roimh lá. Cf Aird 1 p 64, no 185 Lesslie’s march. {6:8d ~ 3x8|| ~ 11 15}

2/135b • [Pigot] • Uair beag roim lá [pencil; corrected JG < crossed out] Seamus a Chaca do caill Eire [?] — Pigot p 128c Séumus a chaca a chaill Eire. Cf Surenne SI pp 60–61. {Cf ~ 16|| = 4x4 ~ 6766 4460}

2/136a • [Pigot] • Bryan O Neil. Same as Doctor O’Neil — Pigot p 200c < Holden. {6:8d ~ 8:|:8:| ~ 51 66}

2/136b • [Pigot] • Jacksons Turret — Pigot p 201a < Holden. {2:4d ~ 2x8:|: ~ 1313 1332 (2 bars, quavers)}

2/136c • [Pigot] • The Fingalians Dance — Pigot p 227c < Holden. {Cg ~ 2x8:|: ~ 3113 5151 (tonic g, final d)}

2/137a • [Pigot] • Paddy the Weaver — Pigot p 226b < Holden. {6:8g ~ 8:|:8:| ~ 75 75}

2/137b • [Pigot] • The Black & the Brown — Pigot p 244b < Holden {6:8g ~ 8:|:8:| ~ 31 11}

2/137c • [Pigot] • The Cock in the Heather — Pigot p 247c < Holden. {9:8d ~ 2x4:|: 4:| ~ 717 715}

2/138a • [Pigot] • The Nurses Tune — Pigot p 246a < Holden. 6:4d ~ 4:|:8:|:4:|:8:| ~ 331442 331221 (2 bars all notes)}

2/138b • [Pigot] • I love you above all the rest — Pigot p 247c < Holden. {3:4c ~ 4x5|| ~ 161 442}

2/139a • [Pigot] • Late on a Saturday Night — Pigot p 255a < Holden. {9:8g ~ 4:|:4:| ~ 511 547}

2/139b • [Pigot] • The Kildurrery Hunt, or The old man rocking the cradle — Pigot p 255c < Holden. See 1/230 b Cailíin deas donn, 2/106a & 3/7b, An sean duine ag luasgadh an chliabháin, 2/138a Nurses tune. {3:4 [read 3:8]g ~ 2x8:|: 8|| ~ 331 422}

2/139c • [Pigot] • When I go to the Fair, ‘Nuair théim air an Aonach &c. [’] — Pigot p 257b < Holden. {Cg ~ 4:|:12:|: ~ 4464 2211}

2/140a • [Pigot] • Turlough McDonaghs Lamentation — Pigot p 231 < Holden. {3:4b fl ~ 2x16:|: = 8x4 ~ 342 111}

2/140b • [Pigot] • An Bacach .i. Bocach buidhe na léige — Pigot p 260a < Holden, See 3/9c, 3/57d. {Ca? ~ 4:|:4:| ~ 5261 5622}

2/140c • [Pigot] • Drain [:gaelic: read Duain] by the Bromach Murray — Pigot p 314a < Hardiman MS {Cd ~ 8:|:8:| = 4x4 ~ 1176 1176}

. 2/141a • [Pigot] • Mangaire sugach ro chan. Same as Ur Chlann na Mná ó’n Sliabh • 648 — ‘An Mangaire Súgach’ was the pseudonym of Aindrias Mac Craith (c. 1709–c. 1794) of Co Limerick. Pigot p 318b < Hardiman MS. {2:4g ~ 8|| $ 8:| $ ~ 12 55 11 33 (4 bars) or 1127 5555 (2 bars)}

2/141b • [Pigot] • Cúl na Muice, resembles “Is fada liom féin gan déanann/déanamh tuileadh don tráig [”] — Pigot p 319a < Hardiman MS. Cf P-S no 1184. {6:4g ~ 6:|:6:| = 4x3 ~ 7311}

2/141c • [Pigot] • Gradh mo chroidhe – [“?]Is annamh sud marcac gan cru? fe lar • 649 — Pigot p 319b < Hardiman MS. {3:4d ~ 16|| = 4x4 ~ 155 155}

2/142a • [Pigot] • Inghion Langley ó lios na mbroc — Pigot p 320a < Hardiman MS. Cf Joyce OIFMS p 372 ( < Pigot). {Cd ~ 18:|: 4x4 +2 ~ 4454 1111}

2/142b • [Pigot] • Tá mo chroidhe chomh cíordhubh le h-áirne — Pigot p 321b < Hardiman MS. Cf Joyce OIFMS p 375( < Pigot). {Cg ~ 8|| ~ 3112 7665 [? ill-measured]}

2/142c • [Pigot] • A Fhuise a mhuirin? – um bo [index: A fhuirse a Mhuirn, imbó] — Pigot p&nbnbsp;326a < Hardiman MS. Cf P-S no 1466. {6:8d ~ 8:|: ~ 11 76}

2/142d–143 • [Pigot] • Is gurta thusa [JG small lettering:] (Good morrow to your night cap) — Pigot p 326b < Hardiman MS. Cf P-S no 1246. {Cc [?] ~ 4:|:8:| ~ 1355 7247}

2/143a • [Pigot] • Réalt na Maidne — Pigot p 331a < Hardiman MS. Cf Joyce OIFMS p 372. {3:4g ~ 9||10!| = 4x5 ~ 111 663}

2/143b • [Pigot] • Madra Sheain ui Chulionáin • 650 — Pigot p 333b < Hardiman MS, marked ‘110’. Cf Joyce MS 3 p 188, no 506 Madra Sheain Ui Chuilionain / John O’Cullenan’s dog (supplies a second part). {2:4g ~ 8 = 2x4|| ~ 51 17 53 73 (4 bars)}

2/143c • [Pigot] • Maidin Fomhar .i. An Cailín Péacach • 651 — Pigot p 335b < Hardiman MS, marked ‘117’ {3:4a ~ 8:|:8|| 4+4+3+5 [sic] ~ 543 377}

2/144a • [Pigot] • Inghion an Fhaoit’ ón n-gleann — Pigot’s page not located < Hardiman MS? Cf Joyce OIFMS p 392 ( < Pigot). {Cg ~ 4:|:8|| ~ 5511 4265}

[End of Pigot]

2/144b • Oh! Arranmore, Loved arranmore — Cf Moore no 10 1834 song 10; Surenne SI p 12. See 2/11a. {Cf ~ 4||4|| ~ 1315 4466}

2/144c • The Lass that wears green — Cf Smith IM p 42; Surenne SI pp 28–29; Joyce OIFMS p 95 Una’s new gown. {6:8g ~ 8||8|| ~ 15 74}

2/145a • The Cuckoo — Cf Surenne SI p 49. See 4/99b. {6:8c ~ 8||8|| ~ 13 63}

2/145b • The Humours of Listivain — Cf Aird 3 p 182, no 470; JCIT p 7; Surenne SI pp 52–53; Holden ISQT 1 p 10 — See 1/66a The humours of Bandon. {6:8c ~ 10||10|| ~ 51 27}

2/145c • Derry Down — Cf Surenne SI p 58. {6:8f ~ 12|| = 4+4 +4 ~ 13 11}

2/146a • A little hour before day — Cf Surenne SI p 60 — See 3/59a Uair bheag goirm roimh an lá. {Cf ~ 8||8|| = 4x4 ~ 6766 4465}

2/146b • Andrew Carey — Cf Surenne SI p 67. {9:8d ~ 2x4:|: 4|| ~ 155 114}

2/146c • The Thread bare Coat — Cf Surenne SI p 104. {Cd ~ 8||8|| = 4x4 ~ 5535 2211}

2/147a • It is not in thy power fair maid – The Fair woman — Cf Surenne SI p 65. {6:8d ~ 8||8|| ~ 15 17}

2/147b • Sweet Innisfallen — Cf Surenne SI p 122; Moore no 9 1824 song 1. {Cc ~ 8|| ~ 11 65 11 33}

2/147c • Billy O Rourke is the Buachail [all roman] — Cf Surenne SI p 71; Hibernian muse p 4 Mrs Casey. See 3/224b Mrs Casey. {6:8d ~ 8||16|| ~ 16 55 66 43}

2/148a • An Londubh agus an céirseach — Cf Surenne SI p 108 The blackbird and the hen. {6:8a ~ 2x8|| ~ 32 14}

2/148b • [O’D MS?] • John Doe (an old Irish air) An Realthion leanabach • 652 — Cf gnp p 7b; P-S no 738. See 1/8a (variant). {Cd ~ 8||8!| ~ 1535 7773}

2/148c • [O’D MS?] • The Humours of Georges street — Cf gnp p 9b. See 2/10b (close variant). {6:8c ~ 8:|:8!| ~ 12 16}

2/149a • [O’D MS] • A Bonny Lass to me — gnp p 10 A bonny lass to marry me. Cf OFPC 4 p 109; Aird 2 p 9, no 23; Roche 2 p 20 no 240 The breeches full of stitches. {Cd ~ 4:|:4:|: ~ 4656 1652}

2/149b • [O’D MS] • Why should we quarrell for riches — gnp p 12a. Cf OFPC 4 p 125. {9:8g ~ 4:|:4:| ~ 532 326}

2/149c • [O’D MS] • Drops of Whiskey — gnp p 21a. Cf Weippert NCD 1 no 20 Drops of brandy. {9:8g ~ 4:|:4:| ~ 133 134}

2/150a • [O’D MS] • The Maid in Danger • 653 — gnp p 25b. Cf OFNIM p 41 Rothemurchus’s rant; Bremner Scots reels p 42; Hamilton HUT 1 p 63. See 1/95b Rothe Murchus’s rant. Related to the current session tune ‘The Graf Spee’. {Cc ~ 4:|: 4 two cadences :| ~ 2257 5752}

2/150b • [O’D MS] • My Love is but a Lassie yet (as a Reel) • 654 — gnp p 26a. Cf Ryan p 30 Five leaved clover; ONMI no 1247; Maguire Hidden Fermanagh p 112 Hetty’s wishes; the current session tune ‘The hunter’s purse’. See 1/249a My love she wears a dandy. {Cg ~ | $ 4:|4:| two cadences both parts ~ 7554 4142 (tonic d) or 3117 7475 (tonic a)}

2/150c • [O’D MS] • The Cottage in the grove — gnp p 28b. Cf Joyce OIFMS p 93 [from the same MS?] {Cc ~ 4 two cadences !|8|| ~ 1115 7254}

2/151a • [O’D MS] • O’Shea’s Frolic • 655 — gnp p 30a. Cf Joyce AIM p 43 The bag of meal; ONDMI no 53 Banish misfortune. {6:8d ~ 8:|:8 two cadences !| ~ 37 57 31 34}

2/151b • [O’D MS] • The Tap Room • 656 — gnp p 31a. Cf ONMI no 1425 Drowsy Maggie. {Cd ~ 4:|:8||DC ~ 1575 1574 (tonic e) or perhaps 2616 2615 (tonic d)}

2/151c • [O’D MS] • The Humours of Six-mile Bridge • 657 — gnp p 33b (JG supplying a missing bar) {Cg ~ 4:|:8|| ~ 1357 4747}

2/152a • [O’D MS] • The Scolding Wife — gnp p 33c. Cf P-S no 476. See 2/58a. {Cg ~ 4:|:8|| ~ 1357 4747}

2/152b • [O’D MS] • Barrack Hill [JG pencil:] Reels of Bogies • 658 — gnp p 35c. See 1/227b, 2/179a My bride is a young thing, 4/83e Mount the baggage. {Cc ~ 4:|:4:| ~ 5152 5172}

2/152c • [O’D MS] • Jenny Rock the Cradle • 659 — gnp p 36a. Cf Hall Selection p 15 The Highland reel; Kerr’s Merry 2 p 19 Charles Leslie. Part 1: see 4/96d Jack Lattin. {Cc ~ 4:|:4:| ~ 1353 5353}

2/153a • [O’D MS] • The Rambler to Clare [R corrected < ?] — gnp p 36b. See 3/120c. {6:8d ~ 8:|: 12 = 8+4:| ~ 54 51 43 22}

2/153b • [O’D MS] • Johnny Shooting in the glen — gnp p 37a. See 1/42c & 4/82a Miss Monaghan’s reel, 3/159a The dandy girl, 3/179b The pretty girls of this town. {Cg ~ 8:|:8:| ~ 1335 6661}

2/153c • [O’D MS] • The Back of the change • 660 — gnp p 38a. {Cg ~ 4:|:8|| ~ 6562 6513 (tonic d)}

2/154a • [O’D MS] • The High Road to Cork • 661 — gnp p 40a. See 1/82b The rocky road. {9:8d ~ 4:|:4:| ~ 517 512 (tonic a)}

2/154b • [O’D MS] • Over the Bridge to Judy — gnp p 44a. Cf P-S no 894 A Munster reel (example of JG correcting metrical irregularities in gnp). {Cg ~ 4:|:8|| ~ 1215 1421}

2/154c • [O’D MS] • The Lads of the Village • 662 — gnp p 44b Reel (another example of JG correcting metrical irregularities in gnp). Cf Joyce MS 2 p. 26, tune 58, Reel of the olden time (from Mr John Healy). {Cg ~ 4:|:8:| ~ 4455 6466 (tonic g) or 1122 3133 (tonic C)}

2/155a • [O’D MS] • Think on me — gnp p 44c. Cf CRÉ 4 no 165 Na pantalúin ghorma [Blue pantaloons] (parts reversed) from the mid-19th-century MS of James Madigan, Co Louth; ONMI no 1190 The Bantry lasses (parts reversed). part 1: see 2/56b The humours of glasses (part 2). {Cd ~ 4:|:8|| ~ 5111 7241}

2/155b • [O’D MS] • Down the Broom to Joe • 663 — gnp p 46b. Cf Joyce OIFMS p 35 Down through the broom. {Cg ~ 4:|:4:| ~ 1212 5715}

2/155c • [O’D MS] • The job of Journeywork • 664 — gnp p 47b. Cf Joyce AIM pp 38–39; P-S no 892; Howe’s 1,000 p 20. {Cd ~ 8:|:14!| ~ 1535 7176}

2/156a • [O’D MS] • Colonel Mac Beans reel — gnp p 54a. Cf Cameron p 45; Robert Petrie 2 p 14. {Cg ~ 4:|:8:| ~ 3135 2724}

2/156b • [O’D MS] • Bonny Anne [JG pencil:] Miss Murphy • 665 — gnp p 54b. Cf Aird 3 p 209, no 548 (part 1). See 3/182 Miss Murphy (part 1). {Cc ~ 4:|:8:| ~ 1157 1135}

2/156c • [O’D MS] • The Indian Melody • 666 — gnp p 56b. {Cg ~ 8:|8||DC [‘:’ faint] ~ 5133 3331}

2/157a • [O’D MS] • Bóthar Ruadh • 667 — gnp p 58a. Part 1: see 1/211b The girl I left behind me. {2:4g ~ 4||12|| ~ 65 26 11 11 (4 bars) or 6553 2265 (2 bars)}

2/157b • [O’D MS] • The Drunken guager [JG pencil:] ? pob ruadh [or pol ?] • 668 — gnp p 59c. Cf Ryan p 125 The drunken ganger’s (parts reversed). {9:8g ~ 4:|:4:| ~ 326 324}

2/157c • [O’D MS] • Gilderoy. [JG different pen:] Úna — gnp p 63b. See 1/7b Úna (variant of same air). {Cc ~ 8:|:8:| ~ 1115 1116 (tonic d) or 7774 7775 (tonic a)}

2/158a • [O’D MS] • Barons Court Dance • 669 — gnp p 63. Cf [Ms collection of country dances] p 85 (JM 5425); Browne CDs p 1 (JM 5236); CRÉ 5 no 69 Gan ainm [Untitled]. {6:8d ~ 8:|:8!| ~ 11 22 15 15}

2/158b • [O’D MS] • Ill gang na mair to yon town — gnp p 63c. Cf Aird 1 p 13, no 35; OFPC 3 p 64; Stephano p 6. See 1/53a The Ferry point (part 1), 1/189d, 3/153a. {2:4g ~ 8:|:8 two cadences :| ~ 11 31 31 42 (4 bars)}

2/158c • [O’D MS] • The Freize Knee Breeches [JG pencil:] or Connaught Ranger • 670 — gnp p 64b. Cf ONMI no 1244 The mountain lark; ONDMI no 517 The steam packet. {Cc ~ 4:|:8|| ~ 2127 2124}

2/159a • [O’D MS] • The first of May — gnp p 65a. Cf P-S no 404; Ryan p 74; ONMI no 1708. {Cc ~ 2x8:|: ~ 5131 4465}

2/159b • [O’D MS] • Darling Mary’s Fancy • 671 — gnp p 65 lacking bar 7, supplied by JG from bar 5. {2:4c ~ 4:|:8:| ~ 3152 2221}

2/159c • [O’D MS] • The Humours of Kilkee • 672 — gnp p 66b. Cf Levey 2 p 14 [Jig] untitled; ONMI no 861 The cliffs of Moher. See 4/31c. {6:8g ~ 8:|:8:| ~ 52 57 22 21}

2/160a • [O’D MS] • The new Custom house jig • 673 — gnp p 66c. Cf Ryan p 131 Three little drummers. See 1/263d. {6:8c ~ 8||8:| ~ 55 22 55 57}

2/160b • [O’D MS] • The Gooseberry blossom (reel) — gnp p 67b. Cf P-S no 912. {Cc ~ 4:|:8|| ~ 5135 4242}

2/160c • [O’D MS] • The Queens County Lasses — gnp p 67c. Cf Joyce OIFMS p 49; ONDMI no 837 The banks of the Ilen. See 3/158c The midnight maid. {Cg ~ |$4:|:8:| ~ 3313 1325 (tonic d) or 7757 5762 (tonic g)}

2/161a • [O’D MS] • The Humours of Milltown Malbay — gnp p 68a. Cf Joyce AIM p 87 The blooming meadows (2 parts); P-S no 941 The humours of Milltown. A Clare jig (3 parts). {6:8g ~ 8:|:8:|:8|| ~ 51 33 75 72}

2/161b • [O’D MS] • The Dougarry Boys • 674 — gnp p 68b. See turn of 1/203c St Patrick’s day. {6:8g ~ 8:|:8:| ~ 51 76 51 76 (tonic g) or 73 21 73 21 (tonic e)}

2/161c • [O’D MS] • The House of Glenarkeen — gnp p 68c. Cf Gow Coll 6 p 16; Davidson’s collection p 79. See 4/78a The House of Clonelphin, 3/145c Glanmorgan House. {6:8g ~ 2x8:|: ~ 51 57 47 24}

2/162a • [O’D MS] • The Bakers Reel • 675 — gnp p 69a. Cf ONWSGM no 298 The old maid. See 2/10c Tatter the rags, (jig version of same tune?) {Cc ~ 4:|:4:| ~ 6565 4155}

2/162b • [O’D MS] • Miss Johnsons Reel — gnp p 69b. Cf Ryan p 8. See 1/43b, 3/65a, 4/121b. {2:4c ~ 4:|:8|| ~ 3553 5121}

2/162c • [O’D MS] • The Aberdeen Reel • 676 — gnp p 69c. {Cd ~ 4:|:8|| ~ 1515 1532}

2/163a • [O’D MS] • Ballynacourty jig — gnp p 71b. See 2/130c, 3/20a, 3/177b. {6:8g ~ 8:|:8:| ~ 15 13}

2/163b • [O’D MS] • The Wedding Ring — gnp p 73b • 677 {6:8g ~ 8:|:8:| ~ 15 24 15 74 (tonic a)}

2/163c • [O’D MS] • Cock your pistol Charley — gnp p 73c. See 3/222b A short way to Heaven (parts reversed). {Cg ~ 4:|:4:| ~ 1131 7472}

2/164a • [O’D MS] • The Humours of Castleconnell • 678 — gnp p 74a. {Cc ~ 4:|:4:| ~ 4235 4227}

2/164b • [O’D MS] • The Widow Well Married • 679 — gnp p 74c. Cf Curtin MS (composite version from 4 locations in MS); Roche 2 no 266 The new widow well married. {9:8d ~ 4:|:4:| ~ 643 622?}

2/164c • [O’D MS] • The Bridge of Perth • 680 — gnp p 74b; part 1: cf ONMI no 1241 The Boyne hunt. See 4/90b The Berkshire hunt. {2:4d 8:|:8|| ~ 6313 1362}

2/164d • [O’D MS] • Jacksons Bottle of Claret — gnp p 76a. Cf Hime 1796 no 3; Murphy CIAJ p 22 Jackson’s mistake. {6:8g ~ 8:|:8:| ~ 12 41 43 11}

2/165a • [O’D MS] • Jacksons Maids in the morning — gnp p 77a. Cf Holden ISQT 1 p 12. {6:8c ~ 3x8:|: 8!| ~ 57 22}

2/165b • [O’D MS] • Caseys Jigg (Jackson) — gnp p 78a (gnp reduces bar 1 of printed source to anacrusis: JG supplies a compensatory bar 5a). Cf Jackson JCIT p 1 Cossey’s jig; OFPC 2 p 112; Holden ISQT 1 p 1. {6:8g ~ 2x8:|: 8!| ~ 23 51}

2/166a • [O’D MS] • Jacksons “over the water [”] — gnp p 77b. Cf Jackson JCIT p 6. See 4/131b Jackson’s lake. {6:8d ~ 8:|:8:| ~ 33 44}

2/166b • [O’D MS] • All the way to Galway — gnp p 79b. Cf Aird 2 p 57, no 155 Gallway girls; Howe Omnibus complete p 97; Ryan p 39. {2:4g ~ 8:|:8:| ~ 13 75 64 75 (4 bars)}

2/166c • [O’D MS] • The Garden of daisies [corrected from ‘dasies’?] • 681 — gnp p 85a; Words p 83 ‘Shíos go sráid Chaisil dom, air maidin’s me im aonar / Whack fol de diddle didle ….’ Cf ONMI no 1798 (from Tuohy). The air is related to one used for the song ‘The Palatine’s daughter’. {2:4d ~ 8:|:16:| ~ 5555 3544}

2/167a • [O’D MS] • The primrose Lassy — gnp p 84c. Cf Ryan p 11; ONDMI no 733. {Cg ~ 8:|:8:| ~ 3211 5132}

2/167b • [O’D MS] • Miss Parkins jig • 682 — gnp p 83b. Cf Roche 2 p 26, no 261 The Berwick jockey; OFPC 2 p 140 Go to Berwick Johnny (hornpipe). {9:8c ~ 4:|:4:| ~ 555 555}

2/167c • [O’D MS] • Mrs Parkers Fancy • 683 — gnp p 83c. Cf Kerr’s Merry 2 p 11 Lady Loudon; Ryan p 250 Lady Louden’s strathspey. {Cc ~ 4:|:8:| ~ 5353 5362}

2/168a • [O’D MS] • The Angler • 684 — gnp p 80b. {6:8c ~ 8 two cadences :|8:| ~ 55 65 55 64}

2/168b • [O’D MS] • The Wild Irishman — gnp p 81a. Cf Aird 1 p 50, no 143 Norickykstie or The wild Irishman; Hime 1805 book 1, no 10. {6:8d ~ :|:8:| ~ 13 43 13 72}

2/168c • [O’D MS] • no Surrender — gnp p 90b. Cf Joyce AIM pp 81–83; ONWSGM no 80. {6:8d ~ | $ 8:|:8:| $ DC ~ 16 55 51 34}

2/169a • [O’D MS] • Humours of Purteen — gnp p 70a. Cf Holden ISQT 1 p 4 Humours of Panteen (order of parts: 1, 3, 2). {6:8d ~ 2x8:|: 8:| ~ 14 54 14 52}

2/169b • [O’D MS] • The King God Bless him — gnp pp 55–56. Cf Braham, The king! {6:8d ~ 8 two cadences !|8||8!| ~ 13 46}

2/170a • [O’D MS] • The Banks of Primroses • 685 — gnp p 1d. Cf Joyce OIFMS p 65 The banks of the roses. {Cg ~ 8|| ~ 1133 1135}

2/170b • [O’D MS] • How are you now my maid? — gnp p 22a. Cf Joyce OIFMS p 70 (part 2). {6:8g ~ 8:|:8:| ~ 35 11}

2/170c • [O’D MS] • Carolans Rambles of Cashel — gnp p 78b. Cf Joyce OIFMS pp 118–19. {3:4g ~ 4:|:11|| ~ 352 177}

2/171a • [O’D MS] • “I’m asleep & dont waken me” • 686 — gnp p 3a. The air is related to the next item. In Pigot MS (copies of JG’s tunes) JEP remarks ‘wrongly barred and divided’. {2:4g ~ 8:|:16:| variations 8:|:8: two cadences [1st has extra bar] :| ~ 72 47 54 12 (4 bars) or 7723 4476 (2 bars)}

2/171b • [O’D MS] • The Caravat (Irish song) • 687 — The air is related to the previous item. See PPM 1860 pp 16–21 for Irish words (no air) for this song ‘composed about the year 1810 by James O’Donnell, of Laurencetown, Killfinan, co. of Limerick, for two factions which started in Munster . . . Caravat and Shanavest’. {6:8g ~ 4:|:8:| ~ 74 51}

[End of O’Daly’s MS: Doogan’s MS follows]

2/172a • [Doogan MS] • Sally Magee — Cf OFNIM p 23. See 3/121b. {6:8c ~ 4:|:8:| ~ 14 53}

2/172b • [Doogan MS] • Paddy the piper • 688 {6:8d ~ 8:|:|8:| ~ 11 22 71 26}

2/172c • [Doogan MS] • Jacksons Banner Banogher (?) .i. bonn air bóthar — Cf Jackson JCIT p 8; Holden ISQT 1 p 11 Bouner bouger. See 1/102a Morgan rattler. {6:8d ~ 8:|:8:| ~ 52 31}

2/173a • [Doogan MS] • Jacksons Night Cap — Cf Jackson JCIT p 5; Holden ISQT 1 p 6. See 2/177a, 4/3a. {6:8d ~ 3x8||DC ~ 1763 17 12}

2/173b • [Doogan MS] • Jacksons Frolic — Cf Aird 3 p 191, no 496. {6:8d ~ 8:|:8:| ~ 53 33}

2/173c • [Doogan MS] • The Boy in the Basket — Cf Thompson’s compleat 3 no 48. {9:8g ~ 4:|:4:| ~ 133 132}

2/174a • [Doogan MS] • jig • 689 {6:8d ~ 3x8:|: 8:| ~ 53 13 53 24}

2/174b • [Doogan MS] • Jig [corrected < ?] by Jackson — Cf OFPC 3 pp 14–15 Jacksons jigg; ONWSGM no 162 Jackson’s stranger ( < OFPC). {6:8d ~ 3x8|| ~ 72 72 (tonic e) or 13 13 (tonic d)}

2/175a • [Doogan MS] • Kiss in the Furze • 690 — Cf Tracy CDs 1795 p 4 (lacks JG’s last 4 bars). See 3/154c. {6:8d ~ 8||4:|:4:| ~ 11 34 11 32}

2/175b • [Doogan MS] • Corneal Irbhin [roman, eal perhaps eul] — Cf B2 p 39; Surenne SI (introduction) p v; B2 p 39; DOS no 60. See 3/209b. {Cf ~ 8:|8:| ~ 1565 2424}

2/175c • [Doogan MS] • Petticoat loose • 691 — Cf J. Johnson Choice Collection, 4 p 119 Curtin MS no 80 (6:8). {12:8b ~ 4:|8:| ~ 3232 7777}

2/176a • [Doogan MS] • The little red Lark of the Mountain — Cf P-S no 304. {3:4 (but noted as 6:8)g ~ 8||8|| ~ 11 15 (read as 6:8)}

2/176b • [Doogan MS] • Blind Mary — Cf Surenne SI p 108. {2:4d ~ 8||8|| ~ 11 65 55 23 (4 bars)}

2/176c • [Doogan MS] • Péarla an bhrolaigh bháin — Cf Petrie AMI pp 9–11. {Cf ~ 8||8|| ~ 1611 5223}

2/177a • [Doogan MS] • The Hermit of Killarney — Cf Holden ISQT 1 p 26; OFNIM p 17. See 4/159. See also 2/36c, 4/85e Adieu adieu thou faithless world. {Cg ~ 4:|:4:| ~ 1151 3325}

2/177b • [Doogan MS] • Jacksons Night Cap — Cf OFNIM p 34. See 2/173a, 4/3. {6:8d ~ 3x8|| ~ 17 63 17 62}

2/177c • [Doogan MS] • The Ladies Top Dress [o corrected < ?] • 692 — Cf Ryan p 6 Cameronian (part 1). {Cd ~ 4:|:8:| ~ 5313 4241}

2/178a • [Doogan MS] • Jacksons Morning Brush • (only part 4 only published here as variant to part 2 of 4/1e) • 928 — Parts 1–3: cf Aird 1 p 8, no 22. {6:8d ~ 4x8|| ~ 121561 42}

2/178b • [Doogan MS] • You are welcome home to your Mother • 693 — Cf Joyce OIFMS p 286 The white horse. {6:8d ~ 8:|:8:| ~ 15 55 15 22}

2/179a • [Doogan MS] • My Bride is a young thing • 694 — See 1/227b Reels of bogies, 2/152b Barrack Hill, 4/83e Mount the baggage. Part 1 see 3/136a The pretty girls of Gorey. {Cc ~ 4:|:4:| ~ 5152 5172}

2/179b • [Doogan MS] • Jack in the garret — Cf OFPC 2 p 89. {6:8d ~ 2x8:| 8:| ~ 51 43}

2/179c • [Doogan MS] • Sall’s delight — Cf OFPC 2 p 84. {Cd ~ 4:|8|| ~ 3515 3562}

2/180a • [Doogan MS] • The Telegraph Reel • 695 — Cf ONMI no 1553 Rolling on the rye grass. See 1/39b, 3/108a. {Cd ~ 4:|8|| ~ 3515 4616}

2/180b • [Doogan MS] • The Salamanca Reel • 696 — See 3/65c, 3/140a. {Cd ~ 2x8|| ~ 5353 5131}

2/180c • [Doogan MS] • The long hills of Mourne • 697 — Cf ONDMI no 477 The Mourne mountains. Related to the tune currently known as ‘Tom Ward’s downfall’. See 3/86c Sprightly Peggy (part 1). {Cg ~ | $ 2x8|| DC $ ~ 3116 6227 (tonic g)}

2/181a • [Doogan MS] • Miss Birminghams Hornpipe • 698 — Cf Joyce OIFMS p 111 The gipsy hornpipe; ONMI no 1699 The lakeside road. {Cg ~ 8||8|| ~ 1115 4461}

2/181b • [Doogan MS] • The Gay Lass. An ramharach bhuile — Cf OFPC 2 pp 90–91. {6:8d ~ 3x8:|:8:| ~ 66 62}

2/181c • [Untitled jig] — 2-bar pencil fragment. Same as part of 3/73b The pig under the pot. {6:8d] ~ 2 bars only ~ 11 63

VOLUME THREE OF GOODMAN MSS

facsimile

3/1a • K • “Pé’n Éirinn í” slow • 277 — Tunes p 2a. P-S no 1157 is a copy attributed to Goodman. {Cg ~ 4+4+2 ~ 1135 3217}

3/1b • K • Múirnín na gruaige báine, or Sweet Nellie Bamble Lively • 278 — Tunes p 2b. Cf P-S no 789 Dobbin’s flow’ry vale; Roche 3 no 63 (but 6:8): ONMI no 242 (6:8). {Cg ~ 8|8!| ~ 1112 7276}

3/1c • K • Táim sínte air do Thuamba Andante • 279 — Words p 71 ‘Ogánuig a chúil chraobhuig go de taob dínn air a mbionn tú’; Tunes p 1c. See Amhráin no 17. {3:4d ~ 8|| ~ 555 555}

3/2a • K • An Giolla Gruama • 280 — Words pp 66–68 (perhaps) An figheadóir agus a bhean [title in ink] Giolla gruama [deleted title added in pencil:] ‘Cuirim slán le ceapadh dánta ó nocht go bráth go néagad’. Copy in P-S no 1389 ‘From the Revd. J. Goodman, 30.Oct.63’. {3:4g ~ 8|8:| ~ 117 227}

3/2b • K • William O’Reilly • 281 — Words p 74 (in Irish with English title) ‘Sas [ = ’S agus] duine bocht mise, ’s níl dúil agam a n-ól’. {Cd ~ ?8!|8!| $ to $ in bar 8 of part 1 ~ 4411 3463}

3/2c • K • Briseadh na Bóinne (Sarsfield’s lament) • 282 — Words pp 117–18 ‘Cia h-iad súd thall ar maoilin tsleibh’ muich?’. {Cd ~ 3+2+2+3|| ~ 6555}

3/3a • K • Mo Dhian ghrádh Díleas • 283 — Words p 48 ‘As a dhalta ’s a maoinig tarr taoibh liom oidhche éigin’; Tunes p 2d. {3:4c ~ 8||8:| ~ 112 345}

3/3b • K • Katty Ní Bhriain • 284 — Words pp 48–49 ‘As a Chaitín a stór go dé’n brón sa tímchioll do chroidhe’; also perhaps p 81 An Dall ag iarraighe déirce (fonn Katty ní bhriain) ‘A bhean a tíghe shéimh cuir déirc amach cum an doill’. Cf P-S no 258 The red. The next item 3/3c Bean an fhir ruaidh is a variant. {3:4g ~ 4x5|| ~ 632 1666}

3/3c • K • Bean an fhir ruaidh • 285 — Words pp 50–51 ‘Thugas trí mhí ’s me abpríosún ceangailte chruaig’; Tunes p 2c. The preceding item 3/3b Katty Ní Bhriain is a variant. {3:4g ~ 4x5|| ~ 632 113}

3/4a • K • Giolla dubh ó glóráin • 286 {Cg ~ 8:|10 = 8+2!| ~ 5132 1132}

3/4b • K • An Cailín beag meidhreach [JG pencil after title:] Seems to me the Irish version of “Lough Sheeling” • 287 — Words pp 51–53 ‘A chailín bhig mheidhrig do raghainn leat ag ól’. {3:4c ~ 16 = 4x4 I$ to bar 8 ~ 116 764 (tonic a) or perhaps 664 542 (tonic c) — tonality uncertain}

3/4c • K • Inghion an Mhaoir & i ag Ui Méara • 288 — Words p 74 ‘Lá dhá rabhas-sa a ngleanntán uaigneach / agus inghion an Mhaoir agam-sa ag gluaisiochd’. {Cg ~ 4:|4:| ~ 1532 1532 (part 2 in g, part 1 in a)}

3/5a • K • An Cuaichín óg • 289 — Words p 47 ‘Air maidin a nae ’s me tré’m shuan’; Tunes p 2e. {3:4g ~ 16 = 4x4|| $ to bar 8 ~ 165 112}

3/5b • K • Báibín na gcraobhfholt • 290 — Words pp 543–54 ‘Nuair ghabhaim si an tsráid síos ni fhailltigeann reomham aoineadh’. {3:4d ~ 17 = 4x4 +1|| ~ 111 131}

3/5c • K • Tá grá ’gam duit a Mháire [JG? pencil after title:] transpose to G-minor] 291 — Words p 54 ‘Tá grádh ’gam duit a Mháire le tuille ’s le bliaghn’. {3:4g ~ 16 = 4x4|| ~ 717 527}

3/6a • K • Dómhnall na Gréine (old version) • 292 {6:8g ~ 3x8:| ~ 74 74 42 42}

3/6b • K • Ceó draoigheachta sheól oidhche chum fághain me • 293 — Words pp 55–58 ‘Ceó draoigheachta chseol oidhche chum fághain me’. {3:4c ~ 12 = 6+6||12 = 6+6:| ~ 557 421}

3/7a • K • Dar mo bhasa-sa Sheaghain • 294 — See 2/100b. {3:4d ~ 7!|15 = 8+7|| ~ 124 550}

3/7b • K • An Seanduine ag luasgadh an chliabháin • 295 — See 2/106a, 2/138a Nurses tune, 2/139b The Kildurrery hunt, or The old man rocking the cradle, 1/230b Cailín deas donn. {3:4d ~ 2x8:| [ = 2x4] two cadences both parts ~ 355 355}

3/7c • K • An Áirc ba deise • 296 — Words pp 58–59 ‘Dá má agamsa bheidheadh tabac a hainm ar ttúis do chuirinn a clú tar Venus’. {Cc ~ 2x8 = 4+4|| ~ 1766 5556 (tonic c but final a)}

3/8a • K • Is buachailín deas óg me • 297 {Cd ~ 4x5|| ~ 3456 7131}

3/8b • K • An Brianach óg • 298 — See O’D Reliques pp 117–18 (words only). {3:4g ~ 8||8|| ~ 131 517}

3/8c • K • An Fhinne-bhean mhodhamhuil • 299 — Words pp 59–60 ‘Sí’n fhine bhean mhodhmhuil d’fúig tineas am cheann / agus dfhág sí gan mheamhar gan chéil me’. {Cg ~ 8||8!| ~ 3343 3617}

3/9a • K • An Giolla Ruaidh • 300 {3:4g ~ 8:|15 = 4+4+4+3|| ~ 113 113}

3/9b • K • Dá m-beidheadh heel top faoim bhróga • 301 — Words pp 69–70 ‘Dá mbeidheadh heeltop faoim bhróga agus cóir agam chum siubhail’. {Cg ~ 16 = 8+8!| $ to bar 8 ~ 4256 4426}

3/9c • Bocach buidhe na léige • 699 — JEP p 885 ‘From M. Sullivan’ and positioned among ‘K’ tunes copied from JG. See article in DOS 1922. See 2/140b, 3/57d. {Cd ~ 8 = 4+4!| $ to bar 4 ~ 1115 6455}

3/10a • K • Tally heigh ho the Grinder! • 302 — Words pp 60–61 ‘Cheannuigheas-sa sauspann ’s ciotal ’s búclaoi airgid gréinnig’. Cf Clarke MS no 41 The grinders (p 17 of pdf); Ryan p 101 Terry heigh. {9:8 [g] but staff 1 has 2 sharps ~ 2x4|| ~ 426 425 (tonic d) or 163 162 (tonic g)}

3/10b • K • ‘Do mhálluidhe is do bheiltiona’ • 303 {Cd ~ 4||4|| ‘chorus’ 2|| ~ 3132 4465}

3/10c • K • ‘Chúgad a nall a Mháire’ • 304 {Cg ~ 4:|6:| ~ 3516 1135}

3/11a • K • An Gearaltach óg uasal • 305 — Words pp 61–62 ‘A ghearaltaig óig uasail sé m’uaigneas tré m’aodhaibh thu’. {3:4d ~ 16 = 4x4|| ~ 553 715}

3/11b • K • Baile locha Riach • 306 — Words p 72 ‘Bfhearr liom ná mo chapal ’s dá n-abrainn a shrian’. {Cg ~ 8 = 4+4 or 4x2|| ~ 5533 3575}

3/11c • K • [Baile locha Riach] Another setting of Same • 307 — Words p 72 [?]. {Cc ~ 8 = 4x2|| ~ 5175 1170}

3/11d • K • Poc air buille • 308 — Words p 73 ‘Siubhlas cuanta ’s bailte móra / ó Ghleann ui Ruachta go s[h?]ráid a Mhuillinn’. {Cg ~ 4|| ‘chorus’ 4:| ~ 7721 5721}

3/12a • K • A Réir ’s me go suanmhar • 309 {Cg ~ 8||8|| ~ 1135 6432}

3/12b • K • An bhruingioll mheirbh • 310 {Cc ~ 16 = 4x4|| ~ 1112 3311}

3/12c • K • Is mor [mór] an cúrsaoi bróin dam • 311 — Words pp 62–64 ‘Dá mbeinnsi féin am éinín is me léimrig ó chrann go crann’. {Cg ~ 8||8!| ~ 1134 6676}

3/13a • K • An Draoighneán Donn • 312 — Tunes p 8d. {3:4g ~ 16 = 4x4!| $ to bar 8 ~ 333 765}

3/13b • K • Cuisle mo chroidhe • 313 {6:8g ~ 10 = 5x2!| $ to bar 4 ~ 41 21}

3/13c • K • Tadhg buidhe • 314 {Cg ~ 8 = 4x2|| ~ 5332 1114}

3/13d • K • Caitlín na Guaire • 315 — Words p 47 ‘A Chaitilín na guaire léan agus ruaig ort’. {3:4d ~ 8:|:16|| ~ 571 323}

3/14a • K • Bean an Tabhairne gan aon lochd • 316 — Words p 64 ‘Is duine bocht Eoghan gan comhairle ó aoineadh’. {Cc ~ 10 = 5x2|| ~ 1164 7775}

3/14b • K • Maidin bog Aoibhin • 317 — Words p 65 ‘Maidin bog aoibhin ar buidheachtuint na gréine’. {3:4c ~ 8||8|| ~ 444 665}

3/14c • K • An Cuireata • 318 — Words p 73 ‘Lá dá rabhasa a dtaisdiol na slíghe’. {3:4g ~ 22 = 4x4+6|| ~ 570 655}

3/15a • K • Diarmuid bocach buidhe • 319 — Words pp 68–69 ‘Is fada me gan dout / am Rake air fuaid an domhan’. {3:4c ~ 16 = 4x4 rhapsodic repeats ~ 313 443}

3/15b • K • Peadar na péice im bo!!! • 320 — Part 1: cf ONMI no 1806 Shane O’Neill’s march. {Cg ~ 4||2||4|| ~ 3333 3331}

3/15c • K • Mártan na glóire • 321 — Words pp 70–71. ‘A Mhártan na glóire ní pósadsa a bliaghna tu’. Cf P-S no 1544 Luach na lethphíne. See 2/51a John MacGuire. {6:8g ~ 6||6!| $ to bar 7 = 4x3 [+2x3] ~ 51 62}

3/16a • K • Máirghéad de Róisdig • 322 {3:4c ~ 17 = [3x4+5]||17!| ~ 113 111}

3/16b • K • Duain an Tíncéara • 323 Cf OFPC 3 p 4–5 The white cockade with variations (part 1). {Cc ~ 8 = 4x2|| ~ 3332 3331 (tonic g but final a)}

3/16c • K • Duain an Oirimh • 324 {3:4g ~ 8 = 4x2|| ~ 332 332}

3/17a • Crónán • 700 {3:4 [read 6:8?]g ~ 8 = 4x2|| ~ 342 111 [or 3 2 11 if 6:8 time]}

3/17b • K • An ceannuighe súgach • 325 {6:8g ~ 8||8|| ~ 36 42 (tonic g but final e)}

3/17c • K • Bean an ghleanna • 326 {C]d ~ 4:|:8:| ~ 1353 4653}

3/17d • K • The Roving Bachelor • 327 — Cf Ryan p 18. {Cg ~ 2x4:| bars 4 = 8 ~ 3331 5553}

3/18a • K • Humours of Churchtown • 328 — Part 1: cf ONMI no 890 How are you Kitty?; ONMI no 975 The woodcock. {6:8g ~ 2x8:| ~ 5353 53 42}

3/18b • K • An brísdín bréide • 329 — Cf OFPC 1 p 33 The soup of good drink. See 2/40a The soup of good drink, 2/120c & 3/19a Gallagher’s jig. {6:8d ~ 2x8:| two cadences both parts ~ 13 57 46 65}

3/18c • K • A Tailor I am • 330 {6:8c ~ 2x8:| ~ 33 77 34 13}

3/19a • K • Galaghers jig • 331 — See 2/40a The soup of good drink, 2/120c Gallagher’s jig, 3/18b An brísdín bréide, 3/197c We’l hunt the wren. {6:8d ~ 2x8:|: ~ 31 17 55 34}

3/19b • K • The Flogging Reel • 332 — See 3/62b, 3/131a, 4/79a. {Cg ~ 8||8|| ~ 3135 3135}

3/19c • K • Miss Moore’s fancy • 333 — Cf Howe Omnibus 1 p 162 One horse hornpipe; ONDMI Molly McCarthy. {Cd ~ 8||8|| ~ 3131 3142}

3/20a • K • Ballinacourty jig • 334 — See 2/130c, 2/163a, 3/177b. {6:8g ~ 8:|:8:| ~ 15 11 23 36}

3/20b • K • Betty in the Settlebed • 335 — Cf Joyce OIFMS no 347 Burns’s dream; ONDMI no 362, parts 1 & 2. {6:8g ~ 2x8:|: ~ 34 54 17 17}

3/20c • K • The oak stick • 336 — Part 1: see 3/132b (part 1) {6:8g ~ 2x8:|: ~ 11 66 11 35 (tonic g but final d)}

3/21a • K • The Cuckold old man • 337 — See 4/131c McDonnell’s rant (part 1); P-S no 961 The swaggering jig. {9:8g ~ 4||4|| ~ 311 312 (tonic g) or? 644 645 (tonic d)}

3/21b • K • Nabey [?] dance (old) • 338 {9:8d ~ 3x4:|: ~ 143 553}

3/21c • K • Langfords reel • 339 — Cf Ryan p 10 Lady Gardner’s; ONMI no 1554 The four-hand reel (tune commonly known now as ‘The five-mile chase’). {Cg ~ 2x8|| DC ~ 1353 7575}

3/22a • K • Cosa buidhe árda dearga • 340 — See 2/41, 4/4e–5 [Jackson’s] Cogue in the evening. {9:8d ~ 2x4:|: ~ 314 314}

3/22b • K • Early breakfast • 341 — Cf P-S no 891 Boil the breakfast early. {Cg ~ 2x4:|: ~ 5257 5257 (tonic g) rather than 1513 1513 (tonic d)}

3/22c • J.G. • Humours of Ardgroom • 701 — Probably composed by JG. {6:8g ~ 4x8:|: ~ 31 33 27 22}

3/23a • K • Humours of Clounties • 342 — Cf Mitchell DMWC no 136 An buachaill dreoite. See 2/131b The humours of Carrigeen. {6:8g ~ 2x8:|: ~ 52 21 17 63}

3/23b • K • Nách teann &c • 343 — Cf Hime 1805 Book 2 no 19 Humours of Dundrum. {6:8g ~ 2x8:|: ~ 11 35 11 32}

3/23c • K • I would if I could • 344 {6:8g ~ 8:|:8 two cadences each part|| ~ 75 75 74 74}

3/24a • Maggy Lawder • 702 — Cf Oswald CPC 1 p 30. {Cd ~ 2x16:|: ~ 1113 1113}

3/24b • The man-of-war Hornpipe • 703 — Cf ONMI no 1726 Billy Taylor’s hornpipe (part 1). See 3/96a Constantine hornpipe. {Cg ~ 2x8:|: ~ 1356 5135}

3/25a • Miss Browns Hornpipe • 704 — Cf Fitzgerald MS p 118; Ryan p 177 Rickett’s hornpipe (part 1). See 4/150a Hornpipe. {Cd ~ 2x8:|: ~ 1531 2752}

3/25b • The Repeal Legacy • 705 — Cf ONDMI no 215 Henchy’s delight. See Carolan 2008:25. {6:8g ~ 2x8:|:8 two cadences :| ~ 31 26 27 47}

3/26a • The Wedding Ring • 706 {2:4g ~ 8 two cadences :|16|| DC ~ 11 35 42 33 (4 bars) or 1112 3453 (2 bars)}

3/26b • The Girls danger [r of Girls corrected < l?] • 707 — Cf Ryan p 22 Old maids of Galway; ONMI no 1417. Commonly known now as ‘Johnny when you die’. {2:4g ~ 2x8|| ~ 3265 2132}

3/26c • The Dublin porter • 708 — Pigot MS (tunes copied from JG) p 885 [ascribed to] ‘(Gallagher)’. {Cg ~ 2x8|| ~ 1133 4246}

3/27a • The green fields to America • 709 — Cf Ryan p 31. See 4/64a. {2:4c ~ 2x8|| ~ 4635 2326}

3/27b • The Woods are cutting (Co Louth setting) • 710 {Ce ~ 12 = 2x6|| ~ 3135 7513}

3/27c • The Wheelwright. — Cf B3 p 28. Copy? of 4/151c. {2:4g ~ 8||12|| ~ 13 51 32 62 (4 bars)}

3/28a • Oh Erin my country • 711 {3:4g ~ 32 = 4x8|| ~ 113 434}

3/28b • Delvin House — Cf OFPC 3 p 1. {6:8g ~ 8||16|| ~ 11 15 11 26}

3/29a • The O’Mulloy tune (The old Coulin) • 712 {3:4c ~ 8||8|| = 4x4 ~ 511 351}

3/29b • K • Lucy Campbell (reel) • 345 — unrelated to 1/224a–225 or 4/52d. {Cd ~ 2x4:|: ~ 1513 1562}

3/29c • K • Reel “Welcome here again” • 346 — Cf Thompson’s compleat 3 no 93; Gow Coll 1 p 15 Duncan Davidson; Kerr’s Merry 1 p 17; Aird 5 p 13, no 33 Miss Jean Robertson’s reel. See variant at 2/52c. part 2: see UCC p [74] James (part 1) [probably composed by JG for his son James] {Cd ~ 2x4:|: ~ 1355 1352}

3/29d • Rise Sons of William rise! slow • 713 — Cf Aird 4 p 13, no 34 La belle Catherine. {2:4d ~ 2x8|| DC ~ 12 31 62 75 (4 Bars) or 1121 3117}

3/30a • K • Reel: Tink a tink • 347 — Cf Hamilton HUT 1 p 127; Kerr’s Merry 1 p 29. {Cg ~ 4:|:4 two cadences :| ~ 1515 4276}

3/30b • K • Katty O’Lynch • 348 {6:8d ~ 2x8:|: ~ 35 55}

3/30c • J.G. • Fasdaoim an Mhinisdir • 714 — In left margin: ‘J.G.’; probably composed by J.G. Cf Aird 2 no 190 p 71 The high way to Dublin; ONMI no 712. {6:8c ~ 3x8:|: ~ 63 31 63 27}

3/31a • Johnny Cope — Cf OFPC 3 p 51. See 4/89d. {Cc ~ 4x8:|: ~ 1113 5117}

3/31b • Murrays Fancy — Cf OFPC 3 p 52. {Cc ~ 4:|8|| ~ 5135 7427}

3/32a • There will never be peace till Jamie comes — Cf OFPC 3 p 53. {3:4c ~ 2x16|| = 8x4 ~ 331 227}

3/32b • Capt. Hawkers favourite — Cf OFPC 3 p 47. {2:4g ~ 8:|:8||8||4:|8|| ~ 5311 1313 (2 bars) or 51 11 22 22 (4 bars)}

3/33a • The oil of Barley — Cf OFPC 3 p 62. {6:4c ~ 2x8:|: ~ 511334 317777}

3/33b • Ryans Hornpipe — Cf OFPC 3 p 67. {2:4d ~ 2x8:|: ~ 1127 5317}

3/33c • Jack the Bachelor — Cf OFPC 3 p 67. {2:4c ~ 2x8:|: ~ 1667 1176 (tonic c, final e)}

3/34a • The Flower of the vale — Cf OFPC 3 p 68. {6:8c ~ 2x8|| ~ 51 51 72 47}

3/34b • The Glenmore hunt — Cf OFPC 3 p 69. {Cg ~ 4:|8|| ~ 4265 6221}

3/34c • Humours of Ardmore (Gearáinín buidhe!) — Cf OFPC 3 p 72. {6:8g ~ 2x8:|: ~ 26 66}

3/35 • The white cockade — Cf OFPC 3 pp 4–5. {2:4g ~ 6x8:|: ~ 3332 3331 (tonic g)}

3/36a • The Humours of Cork — Cf OFPC 3 p 9. {6:8g ~ 2x8:|: ~ 51 12}

3/36b • The shepherds Hornpipe — Cf OFPC 3 p 17. {Cg ~ 2x8:|: ~ 1113 5152}

3/36c • The Kildare club — Cf OFPC 3 p 29. {6:8g ~ 2x8+|| [+:half bar] ~ 55 56}

3/37a • The Humours of Newtown — Cf OFPC 3 p 40. {6:8d ~ 4x8:|: ~ 17 16}

3/37b • O’Briens March — Cf OFPC 3 p 43. {6:8g ~ 2x8|| ~ 32 31}

3/38a • Sir Chas. Douglas’ Strathspey — Cf OFPC 3 p 48. {Cd ~ 4:|8||DC ~ 5551 5331}

3/38b • Charming Molly — Cf OFPC 4 p 74. {2:4c ~ 2x8:|: ~ 5111 5522}

3/38c • The Pretty Lass — Cf OFPC 4 p 82. {2:4g ~ 2x8|| ~ 5133 5122 (tonic g, final b)}

3/39a • The Black Rock — Cf OFPC 4 p 83. See 1/144b. {Cg ~ 4:|:8|| ~ 3265 1562}

3/39b • Philip McCue — Cf OFPC 4 p 85. See 1/78b (parts transposed). {9:8g ~ 6x4:|: ~ 134 147}

3/40a–41 The little house under the hill — Pipes p 26, no 32. Cf OFPC 4 pp 113–15. See 1/100a. Differs from 2/14c. {6:8d ~ 11x8:|: ~ 55 55 55 44}

3/41 • The Bench of Rushes — Cf OFPC 4 p 129. {Cc ~ 2x8:|: ~ 3353 1155}

3/42a • Humours of Woodstown — Cf OFPC 4 p 102. {9:8d ~ 2x4:|: ~ 522 526}

3/42b • Humours of Tallow — Cf OFPC 4 p 106. See 2/99b. {6:8c ~ 8||8:| ~ 51 15 54 11}

3/42c • Carolans Cup — Cf OFPC 4 p 134. {6:8d ~ 2x8:|: ~ 53 47}

3/43a • The Executors — Cf OFPC 4 p 107. {Cd ~ 4x4|| ~ 3115 6472}

3/43b • McNeals Fancy — Cf OFPC 4 p 136. {Cg ~ 4x4:|: ~ 7226 1346}

3/44a • Crottys Lament — Cf OFPC 4 p 79. {Cg ~ 4||5|| ~ 3211 3332}

3/44b • Ormonds Lament — Cf OFPC 4 p 112 {Cc ~ 9 = 4+5|| ~ 3311 1355}

3/44c • Hornpipe — Non-traditional. {Cc ~ 2x8|| = 8x2 ~ 3137 1365}

3/44d • The Lasses of Dundee — near duplicate of 4/87c. {2:4g ~ 4 two cadences ||8|| ~ 1353 5453 (tonic g, final abcd)}

3/45a • Dicksey Land • 715 — Composed around 1859 and credited to Ohio-born Daniel Decatur “Dan” Emmett (1814–1904), founder of the first troupe of black-face entertainers, the ‘Virginia Minstrels’. The tune was adopted as an anthem by the Confederate (Southern) army in the American Civil war. Cf Kerr’s new violin tutor p 36 (parts 1 & 2). JG’s third part seems to belong to an unrelated reel: cf ONMI no 1479 Jenny’s wedding (part 2); Ryan p 52 Come to your tay (part 2); Kerr’s Merry 2 p 31. {2:4d ~ 8:|16||‘var’8||‘var’: ~ 1113 5553 (part 3: 1574 1571)}

3/45b • Gentle Annie — Cf Foster song book pp 33–35 {2:4g ~ 2x8|| ~ 1121 3117}

3/46a • The Whistling Thief • 716 — Attributed to Samuel Lover. Cf Kerr’s Merry 3 p 28. {6:8g ~ 2x8|| ~ 53 33}

3/46b • Bugle Quick Step • 717 {6:8c ~ 2x8|| ~ 55 51 23 16}

3/46c • Dublin pipers • The Maid in the garret • 718 — See 2/10a. Cf Gow Coll 2 p 6 The forrest, or the Duchess of Hamilton’s delight; Aird 3 p 155, no 402 Skiver the quilt (parts reversed); Murphy CIAJ p 11 The humours of Burres; the current session tune ‘The legacy’. See 2/10a. {6:8g ~ 2x8:|: ~ 13 11 13 52 (tonic d)}

3/47a • K • An Chéad Céadaoin de Shamhra • 349 — Words p 75 ‘An céad céadaoin de shamhra gan amhras do claoideadhg sinn’. {3:4g ~ 8||8:| ~ 616 511}

3/47b • K • Táim-si am Chodladh (old version) • 350 — Cf Neal 1724 p 12. See 1/8b & 4/27a. {3:4g ~ 8:|:16:| ~ 464 353}

3/47c • K • A Mháire breágh cailce • 351 — Words p 76 ‘A Mháire caile [sic] na gcraobhfholt ngealla / ba bhreaghtha seasamh air aonach’. {6:8c ~ 8||8:| ~ 17 55}

3/48a • K • Humours of Glenath • 352 — Cf Aird 4 p 9, no 22 Mrs Spens Monroe’s jig; CRÉ 4 no 8 Rí na bport [The king of jigs]. {6:8g ~ 2x8:|: ~ 12 33 12 36}

3/48b • K • Nóra an chúil ómair • 353 {3:4c ~ 8||8:| ~ 345 755}

3/48c • K • Na gleannta • 354 {3:4g ~ 8||8:| ~ 752 114}

3/49a • K • Ceapa ui Chuinn • 355 {3:4]g ~ 2x8|| ~ 1613 6176}

3/49b • K • An Mangaire súgach • 356 — Words pp 82 ‘Maidin dom cois sgairte amuich’. {Cg ~ 2x6|| ~ 1355 6355}

3/49c • K • An Gréasuidhe • 357 — Words pp 76–77 ‘Sé tig an tabhairne dfhág go dealbh me’. {Cc ~ 8||8:| ~ 1121 1175}

3/50a • K • Éadmon Breathnach (caoine) • 358 — Words p 77 ‘Éadmon Bhreathnuig a marcaig dhil uaisil groidhe’. {Cd ~ 6||6:| $ to bar 7; ~ 5555 5132}

3/50b • K • Seaghanín Aorach • 359 — Words pp 78–79 ‘Air bhóthar Luimine seadh thárluig an bhás orm’. {Cd ~ 2x8|| ~ 1112 6164}

3/50c • K • Sighle Ní Chonnolláin • 360 — Cf Joyce OIFMS no 587 Little Celia O’Connellan. {Cd ~ 2x8 = 4x4|| ~ 1131 1153}

3/51a • K • Sliabh na m-ban • 361— See PPM2 1860 pp 104–08 (words only). See 2/129a. {Cg ~ 2x12|| = 4x6 ~ 5555 6416}

3/51b • K • Móra air maidin duit a spéir bhean chiuin • 362 {3:4g ~ 8|| = 2x4 ~ 112 116}

3/51c • K • Boatmans song (The rowling diddy oh!) • 363 {6:8g ~ 2x8|| ~ 6612 2236 (tonic d) or 33 56 66 73 (tonic g)}

3/52a • K • McPhersons Lament • 364 {Cg ~ 3x8:|: ~ 1113 2223}

3/52b • K • Ar phósais fós • 365 — See 1/246a Paddy Carey (bars 1–4). {6:8g ~ 8|| bars 1–2 = 7–8 ~ 51 31}

3/52c • K • Pádruig Ui Tuama • 366 — Words p 80 Pádruig Ui Tuatha: ‘Do bhiosa lá a ccilláirne agus tharluig orm an gruagach’. {Cg ~ 2x8|| = 4x4 ~ 4321 6616}

3/53a • K • O’Sullivan’s Frolic (Bímíd ag ól &c) • 367 {6:8g ~ 2x8|| ~ 5177 5125 (part 2: 53 45 53 41)}

3/53b • K • An Róguire dubh • 368 — Cf OFNIM p 40. See related tunes 3/100c Billy O’Rourke, 3/101b Droichead Loch Gearr. {[6:8]g ~ 2x8:|: ~ 76 75}

3/53c • K • Rabhais ag an g-carraig • 369 — See 1/12a. {3:4]d ~ 16 = 4x4!| $ to 3rd beat of bar 8 ~ 555 117}

3/54a • K • An ceann dubh díleas • 370 {3:4d ~ 16 = 4x4||28 = 7x4 ~ 323 431 [or as if 6:8 & 14 bars: 34 51 31 41]}

3/54b • K • An cailín donn deas • 371 {Cd ~ 4||8 = 2x4|| ~ 3216 6661}

3/55a • K • An Figheadóir Aorach • 372 — Words pp 85–86 ‘Is figheadoir aorach me anoll o Mhaghealla / buacaill socair sásda / do chathach spól go cheoil fe anairt’. {Cg ~ 2x8|| = 4x4 ~ 5564 2225}

3/55b • K • Apples in Winter • 373 {6:8d ~ 8:|:8 two cadences ||8!| ~ 57 52 (tonic e) or 61 63 (tonic d)}

3/56a • K • Fountains Hornpipe • 374 {Cd ~ 16||8:| ~ 1132 1115}

3/56b • K • Push her against the hop [p corrected from b? — hop in index] • 375 {6:8c ~ 2x8:|: ~ 11 14 47 74}

3/57a • K • Laddy o Lee • 376 — Words p 75 ‘Tá trowser air jack agus jock [r. frock ?] air a mhnaoi / an leanbh gan baiste as an sagart gan díol’. {6:8d ~ 10|| = 5x2 ~ 37 57 53 47}

3/57b • K • Red Rose top • 377 {Cc ~ 10|| = 5x2 ~ 1135 7773}

3/57c • K • Rolling in the Ryegrass • 378 — Cf ONWSGM no 246 Irish Pat; CRÉ 1 no 133 Pádraic spóirtiúil [Sporting Paddy]. {Cg ~ 4 two cadences :|8||DC ~ 5112 5175}

3/57d • K • Bocach buidhe na Léige • 379 — Words pp 85 ‘Rachadhsa ’nón go Sagsana / mar a bfaghadh me or ’s airgiod’. See 2/150b, 3/9c. {Cd ~ 16|| = 4x4 ~ 1132 1161}

3/58a • K • Is ró bhreagh’n Dúithchig • 380 — Words pp 87 ‘Is ro bhreagha ’n duíthchig ann a mbearainn liom tu / soir cois shrúil na déise’. {3:4g ~ 2x8|| = 4x4 ~ 511 723}

3/58b • K • The croppy boy • 381 — Words p 84 in Irish and English ‘As d’oidhche déardaoin agus me ar a gcrón trath’. {Cg ~ 8|| = 4x2 ~ 2252 1113}

3/58c • K • Reading made easy • 382 {Cd ~ 7 = 2+2+3:|:14 = 4+5+2+3:| ~ 6677 5556}

3/59a • K • Uair bheag goirm roimh an lá • 383 — See 2/146a A little hour before day. {Cc ~ 4:|8:| ~ 6675 4451}

3/59b • K • An Rábaire saoir • 384 — Words pp 90–91 ‘Do ghlacasa mar shlighe chugam imtheacht óm mhuinntir’. Cf P-S no 177 untitled; ONMI no 395 The strolling mason. {Cg ~ 2x8|| = 4x4 ~ 4337 1465}

3/59c • K • Cuimil an m[h?]áilín • 385 — English title ‘Rub the bag’: cf Ryan p 143; ONMI no 1795 (set dance). {6:8g ~ 8:|:10:| ~ 11 77 36 33 (tonic g)}

3/60a • K • Reel • 386 — Cf ONMI no 1485 Good morning to your night cap. CRÉ 4 no 204 tabhair casadh sa luachair di [roll her in the rushes]. {Cc ~ 4:|8|| ~ 5127 3351 (tonic a?)}

3/60b • K • O Sullivans return • 387 {Cc ~ 4:|8|| ~ 1161 3216}

3/60c • K • Domhnall dubh brónach • 388 — Words p 91 (fragment) ‘Tá sgeilín beag nuadh ’gam, le h-insinn dom chomharsain’. {3:4g ~ 14||14|| = 4 times 4+3 ~ 116 165}

3/61a • K • Peg Ghlégeal Ní Mhurchadh • 389 {3:4g ~ 12||12|| = 4x6 ~ 511 242}

3/61b • D.C. • Kiss the maid behind the Barrel • 719 — See 3/84b. {Cg ~ 6x4:|: part 2 mainly in two cadences] ~ 5131 5152}

3/62a • “Good Morrow to you &c”– an old ballad – slow • 720 {Cg ~ 2x8|| = 4x4 ~ 1355 6422}

3/62b • J.S. • The flogging reel • 721 — In left margin: ‘J.S.’. See 3/19b, 3/131a, 4/79a. {Cg ~ 4 two cadences :|4 two cadences ||8|| ~ 3131 3124}

3/62c • Country Dance • 722 — Cf Aird 4 p 29, no 70 Boolonzie (part 1). {Cd ~ 4 two cadences ||4!| ~ 5151 2216}

3/63a • The Chanters tune slow — Cf B3 p 107. {2:4g ~ 2x8|| ~ 15 17 15 75 (4 bars) or 1154 1176 (two bars)}

3/63b • Séid a Bhean bhochd • 723 — Cf P-S no 1121. {6:8d ~ 4 parts: 8:|:8 two cadences :| 8:|:8 two cadences :| ~ 1352 (tonic d) or 46 15 46 14 (tonic a)}

3/64a • Foleys Reel — Cf Hime 1808 p 1. {2:4g ~ 2x8:|: ~ 3535 4275}

3/64b • K • Beig Reel aguinn Dé Domhnuig • 390 {2:4g ~ 2x8:|: ~ 31 27 31 55 (4 bars) or 3313 2275 (2 bars}

3/64c • The Prince of Wales’ polka • 724 {2:4g ~ 2x16|| ~ 55 72 44 13 (four bars) rather than 5151 7222 (2 bars)}

3/65a • Miss Johnston’s Reel — Cf Campbell 21 p 10 Mrs Johnston of Houghton Hall; Kerr’s Merry 1 p 10. See 1/43b, 2/162b, 4/121b. {Cg ~ 4:|8||DC ~ 3553 5131}

3/65b • D.C. • Lady Cork’s Reel • 725 — Cf ONDMI no 511 The new policeman. {Cg no f ~ 4:|:8|| $ [to bar 1] DC ~ 3431 5131}

3/65c • D.C. • A Connaught Reel [JG ? pencil:] Salamanca [?] reel • 726 — See 2/180b, 3/140a. {Cd ~ 2x8:|: ~ 5353 5725}

3/66a • D.C. • A Reel Down the street [Down the street added later] • 727 — Cf ONMI no 1266 Miss Thornton’s reel. See 3/128a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 4 two cadences ||8|| $ to bar 1, DC, 3 llx4,5 bars ~ 1362 3113}

3/66b–67 • The Duke of Yorks March — Cf Aird 4 p 23, no 57; Gentleman’s musical companion 1 p 48; Lee Duke of York’s; Riley 1 p 45. {Cd [part 4 g?] ~ 2x4||12||16|| ~ 1133 5511}

3/67a • The Flying Polka • 728 — Parts 1–2: cf the tune current session tune ‘The girl with the blue dress’; Cf POK 3 no 40 Green cottage second method & no 28 Polka – Green little cottage; CRÉ 3 no 80 Polka Antaine Mhic Lú [Tony Lowe’s polka]; Moylan JOL no 185 Tarrant’s (2) {2:4g ~ 8:|:8||8|| ~ 54 31 27 31 (4 bars) rather than 5542 3111 (2 bars). Last part 15 76 57 31 (4 bars, tonic c)}

3/67b • Polka — Non-traditional. {2:4g ~ 8:|:8||8|| ~ 55 15 76 66 (4 bars)}

3/68a • D.C. • Buonaparte’s Retreat • 729 — Cf ONMI no 1710 Bonaparte’s defeat. {Cc ~ 8||4 two cadences :|12|| ~ 5112 7277}

3/68b • D.C. • Humours of Cromane.i. Seachain do chos air an dtépot • 730 {6:8c ~ 8:|8!| two cadences each:| ~ 17 75 17 44}

3/69a • D.C. • Drowsy Moggy • 731 — Cf Pipes p 19, no 10, Cork p 72. no 15; Ryan no 55 The cup of tea; ONMI nos 1338 & 1339 The merry harriers. {Cg ~ 2 x 4:|:4 two cadences :| ~ 5152 5147 (final g, but tonic a)}

3/69b • D.C. • Reel (Jer Kane) O’Sheas Frolic [Jer Kane small, added later?; F corrected < ?] • 732 — Cf Roche 1 no 164 Miss Campbell; CRÉ 3 no 118 Ríl Shéamuis Uí Ghibhealláin [Jimmy Giblin’s reel]; Treoir 7 (1975) no 5 Mrs Flanagan’s (from accordeonist Mrs D. Flanagan of Ballindine, Co Mayo, a sister of the musicians P.J. Conlon and Mrs Rose Anne Murphy). {[C]d ~ 2x4:|: ~ 3512 4325}

3/70a • D.C. • Molly will you do it? • 733 — Cf ONMI nos 1370, 1371 The ivy leaf. {Cd ~ 4:|8||DC ~ 1525 1547 (final d, but tonic a)}

3/70b • D.C. • Reel • 734 — Cf Ryan p 94 The green groves of Erin; ONMI no 1429. {Cc ~ 4:|8||DC ~ 1252 7242}

3/70c • D.C. • Take her out and air her • 735 — Cf Ryan p 24 The ships are sailing. {Cg ~ 4 two cadences :|8||DC ~ 5157 4242}

3/71a • D.C. • Reel (D.S.) Kitty is gone a milking [ng corrected] • 736 — Cf Ryan p 98 Repeal of the Union; ONMI no 1179. {Cg ~ 4:|8||DC ~ 5255 5272}

3/71b • D.C. • Money Lad • 737 {Cg ~ 4:|8||DC ~ 3131 6522}

3/71c • D.C. • Money in hand • 738 {Cg ~ 4:|8|| ~ 5351 5351}

3/72a • D.C. • The ships are sailing • 739 — Cf Ryan p 6 Cameronian. {Cd ~ 2x8|| ~ 5313 4241}

3/72b • DC? • Reel • 740 — Cf VMP Winder MS JaW.345 Orange & blue; Ryan p 78 Jack Smith’s favorite. {Cg ~ 2x8|| ~ 3151 3511}

3/72c • D.C. • Jig • 741— Cf Tubridy 1 p 35 The battering ram. See 3/184a Mary O’Hara (near duplicate). {6:8c ~ 2x8:| ~ 53 51 53 16 (final e, but tonic g)}

3/73a • D.C. • Humours of Glynn • 742 — bars 29–30 in the MS are pasted over error on a scrap.See ERRATA. {6:8c ~ 4x8:|: ~ 11 36 11 41 (tonic a, final a in all parts)}

3/73b • The pig under the pot • 743 — See 4/155c Paddy Whack. {6:8d ~ 8||8:| ~ 11 63 16 75}

3/74a • K • Airgiod caillighe (the old) • 391 — Part 1: cf Ryan p 116 Strop the razor (part 2). {6:8g ~ [4x8:|:] part 2 bar 5a ( = 5) omitted ~ 51 57 (tonic g)}

3/74b • D.C. • The bottles & the glasses come rolling on the table • 744 — Cf Aird 1 p 16, no 44 The Lea rigg. See 2/11c The Lee rigg. {Cg ~ 2x4:|: ~ 1511 2231}

3/74c • D.C. • Yeomans reel • 745 Cf Aird 3 p 183, no 474 Lochiel’s awa to France, but he’ll come again; ONDMI no 639 On the sly; part 1: the current session tune ‘The Laurel bush/tree’. {Cd ~ 4:|:8|DC ~ 5154 2724}

3/75a • D.C. • Greggs pipes • 746 — Cf ONMI no 1538 The maid in the cherry tree. {Cg ~ 4:|8||DC ~ 5172 5176}

3/75b • D.C. • The Devil among the tailors • 747 {Cc ~ 2x8||DC ~ 5153 5153 (final a, but tonic g)}

3/75c • D.C. • Split the Whisker (The new) • 748 — Part 2: cf Mitchell DMWC nos 36 & 59 Garret Barry’s jig. {6:8d ~ 2x8:|: ~ 32 57 11 37}

3/76a • D.C. • Tell her I am • 749 — Cf Ryan p 109. See 1/36c The humours of Ballymore. See 3/149c Dúiseachd jig by Jackson. {6:8g ~ 2x8:|: ~ 14 14 56 41}

3/76b • D.C. • Jig • 750 {6:8g ~ 2x8:|: ~ 53 21 32 65}

3/76c • D.C. • Fire on the mountains • 751 — Cf Ryan p 106 Billy Patterson’s favourite; Kerr’s Merry 1 p 37 The blackthorn stick. {6:8g ~ 2x8:|: ~ 16 53 55 33}

3/77a • D.C. • Butchers March (as a jig) • 752 — See 1/183b. {6:8g ~ 4x8:|: ~ 76 76 76 51}

3/77b • D.C. • Humours of glasses • 753 — Cf CRÉ 5 no 153 Méaracán an teáilliúra [The tailor’s thimble]. {Cd ~ 4:|:8||DC ~ 5355 4344}

3/78a • D.C. • The Darkhaired girl • 754 — Cf Ryan p 16; ONMI no 1326 The black haired lass. See 1/158c The Darkgate girl. {Cd ~ 4:|8|| ~ 3135 4537}

3/78b • D.C. • The barley grain • 755 — Part 2: cf ONDMI no 779 The heather breeze; CRÉ 3 no 65 Polca Chnoc na bPoll [Knocknaboul polka] (part 2). {Cg~ 4:|8|| ~ 5272 5213}

3/78c • K • Slán & beannachd le buairiomh an tsaoghail • 392 {6:8d ~ 8||8:| ~ 17 45}

3/79a • K • Bonny Bettie • 393 {3:4g ~ 16|| = 4x4 ~ 343 245}

3/79b • K • Táim cortha ó bheith am aonar am luighe • 394 — Words p 100 (fragment) ‘Tráthnóinín deighionach ’s me dul a bhálcaoriochd / do dhearcas an spéirbhean ’na suidhe’. {3:4d ~ 19|| = 4+3 +4+3 +5 ~ 667 655 (tonic d)}

3/79c • Jig • 756 — Cf ONMI no 949 The humors of Trim; DMWC no 42 The rolling wave. {6:8g ~ 2x8:|: ~ 53 13 53 17}

3/80a • K • Humours of Strandroad • 395 {6:8d ~ 2x8:|: ~ 34 34 34 57}

3/80b • K • Thro’ the heath • 396 {6:8d ~ 2x8:|: ~ 51 27 51 27}

3/80c • K • Round the world for sport • 397 — See 1/117b. {6:8g ~ 2x8:|: ~ 55 33 55 21}

3/81a • The Smith’s March • 757 {6:8d ~ 2x8:|: ~ 51 51 51 32}

3/81b • Wallop the Ladies • 758 — See 2/2a Cherish the ladies, 4/2a “Thought”. {6:8d ~ 4x8:|: ~ 15 15 62 63}

3/82a • K • Cailín gan chiall • 398 {6:8c ~ 2x8:|: ~ 31 53 32 54}

3/82b • McCarthys Hornpipe • 759 — Cf Ryan p 171 Blanchard’s; also known as ‘RoxboroughCastle’. See near duplicate 1/244b. {Cg ~ 2x8:|: ~ 1151 4451}

3/82c • D.S. • The Pidgeon on the gate • 760 — Cf Roche 3 no 84 The Galty rangers. {Cg ~ 4:|:8||DC ~ 5321 3231}

3/83 • D.S. • Nóra Críona • 761 — Pipes p 27, no 41 Norah Kiste, UCC p [73], no 6. {6:8c ~ 5x8:|: part 4 two cadences ~ 11 35 11 25 (tonic g)}

3/84a • D.S. • The Showman’s reel • 762 {Cd ~ 2x4:|: ~ 5353 5342}

3/84b • D.S. • Kiss the maid behind the barrel • 763 — See 3/61b. {Cg ~ 4:|8|| ~ 5121 3343}

3/84c • K • Humours of Glencurtha • 399 {6:8d ~ 3x8:|: ~ 15 15 46 46}

3/85a • K • Duke of Yorks troop slow • 400 — Cf Hamilton HUT 1 p 86. {6:8g ~ 3x8:|: ~ 15 31 71 53}

3/85b • K • Touch it up tight • 401 {6:8d ~ 2x4:|: ~ 22 61 22 63}

3/86a • K • Humours of Tralee • 402 — Part 1: Cf ONMI no 1094 Miss Casey (and the current session tune ‘The orphan’ (one of the ‘Larazus’ family of tunes). See 1/86a Paddy from London (part 1). {6:8c ~ 2x8:|: ~ 11 73 54 77}

3/86b • K • Moggy will you do it again • 403 — Part 2 cf Joyce OIFMS no 824 Jig [untitled] (part 1); Fitzmaurice 6 p2 Moggie will you come again (part 1). {6:8d ~ 2x8:|: ~ 23 26 51 15}

3/86c • K • Sprightly Peggy • 404 — Part 1: see 2/180c The long hills of Mourne. {Cd ~ 2x8:|: ~ 3116 6121}

3/87a • K • Is claoite ’n galar an grádh • 405 {6:8g ~ 12!| = 6!+6, $ to bar 7; ~ 35 31}

3/87b • K • Jenny bank the weavers • 406 {Cd ~ 2x4:|: ~ 1324 1343}

3/87c • K • Jockey thro’ the town • 407 — See 3/186b Lanigan’s ball. {6:8d ~ 2x8:|: ~ 13 55 54 54}

3/87d • K • Rock of the quilt • 408 — Cf Robert Petrie 3 p 13 The soldier laddie. {6:8g ~ 2x8:|: ~ 31 62 31 61}

3/88a • K • The new Glenath • 409 — Cf Ryan p 143 The eviction. {6:8g ~ [LS 8:|:8 2 cadences :| ~ 64 62 63 31}

3/88b • K • Kennedys Freisure • 410 — Title refers to Tom Kennedy? {9:8g ~ 2x4:|: ~ 115 153}

3/88c • K • Humours of Millstreet • 411 — Cf ONMI no 1000 The old grey goose (part 1). See 1/96a We’ll all take Coach & trip it away (part 1). {6:8g ~ 2x8:|: ~ 32 31 22 27}

3/89a • K • Slidrem Sandy ? (Tristram Shandy) • 412 {6:8c ~ 2x8:|: ~ 15 65 66 43}

3/89b • K • Jacksons pipes • 413 — BBJ no 29 (this setting). {Cg ~ 4x8:|: ~ 6616 6223}

3/90a • K • Humours of Ballinafad [u of Hu corrected < ?] • 414 — Cf Ryan p 114 The rambler from Clare. {6:8c ~ 2x8:|: ~ 32 77 32 44}

3/90b • K • Lady (of the lake) in the boat • 415 {6:8g ~ 2x8:|: ~ 11 35 15 35}

3/90c • K • My name is bold Kelly • 416 — Cf Joyce OIFMS no 248 (6/8 time); the air used for the song ‘The bold Fenian men’. {3:4g ~ 16!| = 4x4 $ to bar 8 ~ 511 171 :}

3/91a • K • An Crimíneach comm • 417 {6:8d ~ 2x8:|: ~ 14 55 14 51}

3/91b • K • Kerin’s Frolic • 418 — See 1/69b An stáicín eórnadh, especially part 1. {Cg ~ 2x8:|: ~ 6634 2233}

3/91c • K • Miss Connell’s reel • 419 — See 2/25a Sukey bids me. {Cg ~ 4!|8||DC ~ 1516 5323}

3/92a • K • The Banks of the Dee • 420 {3:4g ~ 8:|:16:| ~ 166 511}

3/92b • K • The gipsey (an old country dance) • 421 — Unrelated to 2/55a. {Cg ~ 8:|:4:| ~ 1167 6155}

3/92c • K • Lady Kennedys reel • 422 — Cf Grier 2 no 119 [facs p 26, PDF no 111] The Stafford dance. {Cg ~ 8:|:8|| ~ 3333 1356}

3/93a • K • Shantruis • 423 {Cg ~ 2x8:|: ~ 1566 1106}

3/93b • K • Máire & Brian • 424 — Words p 102 ‘Bliaghain agus lá máireach seadh d’fhágas an baille’. {3:4d ~ 4||4:| ~ 111 321}

3/93c • K • Cos deas a mbróigín • 425 {3:4g ~ 20 = 4x5 !|$ to bar 10 ~ 366 113}

3/94a • K • Malichi Daly • 426 — Cf OFPC 1 p 25 The bucks of Tipperary. See 2/36b, 1/94a. {6:8d ~ 2x8:|: ~ 16 55 11 33}

3/94b • K • Siobháinín Seó • 427 {9:8d ~ 2x4:|: ~ 554 557}

3/94c • K • Caoine Phiaruis Feirteára [sic] • 428 — Words pp 100–101 ‘A Dhia ’tá shuas an truadh leat mise mar táim’. Cf Dánta PF pp 38–39. {Cd ~ 14|| = 3x3+(3+2) ~ 5545 3212}

3/95a • K • Down the Bank • 429 — Cf Aird 5 p2, no 5 Down with the Peebles, Irish. See 1/220a (near duplicate), 1/179c Roy’s wife (part 1). {Cc ~ 3x4:|: ~ 5333 5322 (tonic d, final e)}

3/95b • J.S. • Take me while I’m pleasing • 764 {Cg ~ 4:|:8||DC ~ 5151 5135}

3/95c • JS • The pidgeon on the gate • 765 {Cd ~ 2x8|| ~ 5157 5155}

3/96a • J.S. • Constantine Hornpipe • 766 — Cf ONMI no 1726 Billy Taylor’s hornpipe (part 1). See 3/24b The man-of-war hornpipe (part 1). {Cg ~ 2x8:|: ~ 1356 5135}

3/96b • D.C. • Scotch Mary • 767 {Cg ~ 2x4:|: ~ 5153 1232}

3/96c • D.C. • Brighton Hornpipe • 768 — Cf ONMI no 1691 Ballincollig in the morning; Roche 2 no 227 The dashing white sergeant; CRÉ 3 no 225 Cornphíopa Uí Mhathúna [O’Mahony’s hornpipe]. {Cg ~ 2x8:|: ~ 5211 5213}

3/97a • D.C. • Dowlas [?] Hornpipe • 769 {Cg ~ 2x8:|: ~ 1115 3225}

3/97b • D.C. • Hornpipe • 770 {Cg ~ 2x8:|: ~ 3153 6716}

3/97c • D.C. • Merthyr Hornpipe • 771 — Cf Ryan p 177 Rickett’s hornpipe. {Cd ~ 2x8:|: ~ 1135 6510 (0 = crotchet rest)}

3/98a • D.C. • Swansea Hornpipe • 772 {Cd ~ 2x8:|: ~ 1413 4542}

3/98b • D.C. • Rimmi [Rimini? i no dot] Hornpipe • 773 {Cg ~ 2x8:|: ~ 1513 6310 (0 = crotchet rest)}

3/98c • D.C. • Hornpipe • 774 — Cf ONMI no 1557 The Greencastle hornpipe. See 3/104a The mountain hornpipe. Part 1: see 1/58c Hanley’s hornpipe. {Cg ~ 2x8:|: ~ 3535 1765}

3/99a • K • Cailleach an dilisg • 430 — Part 1: cf Aird 1 p 26, no 74 Duncan’s dance (part 2). See 3/181b. {6:8d ~ 2x8:|: ~ 64 42}

3/99b • K • Humours of Listowel • 431 — Cf Joyce MS 3 p 72, no 459 An cailín donn/ The brown haired girl; Tubridy 1 p 31 The geese in the bog; Ryan p 102 Catholic boys (part 1). {6:8g ~ 2x8:|: ~ 37 37}

3/99c • K • Boring the leather • 432 — Cf ONDMI no 334 When you go home. See 2/98 Leather, or the shoemaker’s fancy. {6:8g ~ 2x8:|: ~ 77 42}

3/100a • K • The weavers jig • 433 — Cf Ryan p 106 Bundle and go (part 1). See 2/27a The free masons march (part 1). {6:8g ~ 2x8:|: ~ 13 72 13 11}

3/100b • K • Follow me down to Carlow • 434 — See 3/182b Miss Murphy’s reel. {6:8c ~ 2x8:|: part 2 two cadences ~ 11 57 13 57}

3/100c • K • Billy O’Rourke • 435. — Cf Ryan p 141. See 3/101b Droichead loch gearr, also (related) 3/53b An rogaire dubh. {6:8d ~ 2x8:|: ~ 76 37}

3/101a • K • Drunken mans Frolic • 436 {6:8g ~ 2x8:|: ~ 7767 4741 (tonic a) or 11 71 51 52 (tonic g)}

3/101b • K • Droichead loch gearr • 437 — See 3/100c Billy O’Rourke, also (related) 3/53b An rogaire dubh. {6:8d ~ 2x8:|: ~ 76 37}

3/101c • K • Charlie over the water • 438 — See 1/156–57 The Scots came o’er the borders. {6:8d ~ 2x8:|: ~ 35 11}

3/102a • K • Lovely Charlie • 439 — Cf ONMI no 1748 The redhaired boy {Cc ~ 2x8:|: ~ 3612 3321 (tonic?c) or perhaps 5134 5543 (tonic?a)}

3/102b • K • Orange & green (minuet) • 440 — See 1/212c Lochaber no more, 4/44a Limerick’s lamentation, 4/160a Lochaber. {3:4g ~ 8:|16|| ~ 334 221}

3/102c • K • Sir Barrys March • 441 — See 4/158b Mooreheads hornpipe (part 1). {Cg ~ 2x8:|: ~ 1115 4222}

3/103a • K • The mountain Ranger • 442 {Cc ~ 2x8|| ~ 1414 7570}

3/103b • K • Humours of holystone • 443 — The Holy Stone is in Dingle. See 2/57a The bucks of Westmeath (part 1), 1/29c The humours of Berehaven (part 2). {6:8d ~ 2x8:|: ~ 55 24 24 22}

3/103c • jig • 775 {6:8d ~ 8:|: 8 two cadences :| ~ 46 444715}

3/104a • The Mountain Hornpipe • 776 — Cf ONMI no 1557 The Greencastle hornpipe. See 3/98c Hornpipe. {Cg ~ 2x8:|: ~ 3535 3765}

3/104b • Silver and gold • 777 — Cf Petrie AMI p 144 The Catholic boy; CRÉ 1 no 9 Cathaoir an phíobaire [The piper’s chair]. {6:8g ~ 2x8:|: ~ 51 34 54 32}

3/104c • Hornpipe • 778 — Cf VMP Watson (GHW 067) Swanton Abbey hornpipe (untitled in MS); SRSJ 3/3. A Templecross hornpipe [played here by Trevor Stewart on the R. L. O’Mealy set of pipes]. {Cd ~ 2x8:|: ~ 3511 3265}

3/105a • The Maid of Aberdeen • 779 — Cf ONWSGM no 268 The Curragh races. {[C]d ~ 2x8:|: ~ 5151 7242}

3/105b • The coughing old man • 780 — Cf OFNIM p 28 Round the world for sport. See different setting at 4/120a Sugradh ann gach uile áit. Diversion every where. {6:8g ~ 2x8:|: ~ 13 15 16 32}

3/105c • O Sullivans Fancy • 781 — Cf Ryan p 126 Vaughan’s favorite; ONMI no 720 Have a drink on me. See 3/131c for note by JG on how to play the repeat of the turn. {6:8g ~ 2x8:|: ~ 36 66}

3/106a • Humours of Glengarriff • 782 — Cf Ryan p 114 The rambler from Clare. {6:8d ~ 2x8:|: ~ 37 57 37 24}

3/106b • The meadow in Bloom [JG pencil:] & [?] Within a mile of Dublin • 783 {Cg ~ 4:|8||DC ~ 2577 2543}

3/106c • My love is in America • 784 — Cf Ryan p 58 Cheese it; ONMI no 1548 Corney is coming. See 1/52b The bride’s to bed. {Cd ~ 4:|8||DC ~ 5113 7424}

3/107a • Reel • 785 — Cf CRÉ 1 no 173 An buachaill sa mbád [The boy in the boat]. {Cd ~ 2x8:|: ~ 5335 4243}

3/107b • Bonny Lads — See near duplicate at 1/53b. {Cd ~ 4:|8||DC ~ 3165 4522}

3/107c • O’Connells welcome to Clare • 786 — Cf ONMI no 862 Charley the prayermaster. See 1/89b Jig. {6:8g ~ 8:|:8||DC ~ 11 35 11 43

3/108a • The Telegraph reel • 787 — Cf ONMI no 1553 Rolling on the rye grass. See 1/39b, 2/180a. {Cd ~ 2x4:|: ~ 5515 4615}

3/108b • The D – – take the Minister • 788 — Cf Ryan p 8 Ally Croaker’s favorite. {Cd ~ 4:|8:| ~ 1466 6675}

3/108c • Mamma’s pet • 789 — Cf ONWSGM no 205 (part 1). See 3/177c (part 1). {Cd ~ 4:|8||DC part 1 two cadences ~ 1765 1352 (tonic c) rather than 7654 7241 (tonic d)?)}

3/109a • Reel Miss Kellys • 790 — Cf ONMI no 1289 McFadden’s handsome daughter (part 1). {Cd ~ 8:|:8||DC ~ 5513 4321}

3/109b • Hornpipe • 791 — (Parts reversed): cf Roche 3 p 63 no 180 Boys of Ballycahill; ONMI no 1623 Tobin’s resource. See also 1/62a Newcastle hornpipe (part 1). {Cd ~ 2x8:|: ~ 3332 1115}

3/109c • jig • 792 — See 1/7a Fagbhamaoid súd mar atá sé. {6:8g ~ 2x8:|: ~ 51 36 36 37}

3/110a • Scotch Mary • 793 — Cf ONMI no 1510; Joyce OIFMS no 835 Irish hornpipe. See 3/182a Reel. {Cd ~ 4:|:8||DC ~ 3135 3777}

3/110b • The Fair Maids of Ireland • 794 {Cd ~ 2x4:|: ~ 5721 2521}

3/110c • The morning star — See 1/51a The steam packet, near duplicate. {Cg ~ 4:|8||DC ~ 3331 3616}

3/111a • The Police jacket (reel) • 795 — Cf Ryan p 47 Paddy on the railroad; ONMI no 1509 The merry blacksmith. See 4/90c The railroad. {Cd ~ 2x8:|: ~ 1163 5132}

3/111b • The blackberry blossom — See 4/79c (variant). {Cd ~ 4:|:8||DC ~ 5331 3331}

3/111c • March (Sir Barry Denny’s) • 796 — Cf Kerr’s Merry 3 no 414 Inverary march; Roche 3 no 201 O’Brien of Arra. See near duplicate at 3/128b March. {Cg ~ 2x8:|: ~ 3331 5556}

3/112a • D.S. • The Grey goose • 797 — Cf ONMI no 755 The templehouse jig (part 1). See 2/49a. Part 1: see 4/84c Dunkeild House. {6:8d ~ 2x8:|: ~ 13 53 72 42}

3/112b • K • Pears for Ladies • 444 {6:8d ~ 5x8:|: ~ 31 11 31 42}

3/113a • Planxty Reilly (Carolan) — Copy (?) of 4/122d–123. {6:8d ~ 12:|:12:|:8:|:8:|: ~ 17 34}

3/113b • J.G. • Jig “Ara go easy!” • 798 — In left margin: ‘J.G.’; probably composed by J.G. The last two bars are written at the end of p 112. {6:8d ~ 4:|:4:| two cadences each part ~ 55 52}

3/114–15 • K • The Drogheda jig • 445 — Cf Pipes p 28, no 56 (different setting) — See 1/74 (part copy). {6:8g ~ 13x8:|: ~ 11 14 11 12}

3/116a • K • A Dháithín a ghrádh ghil • 446 — Words p 110 (fragment) ‘A Dháithin ’sa ghrá ghil aro déin dam ceairt’; another fragment to same air: ‘Bhéarfainn ól fada air bórd duit a ghrá mo chroidhe’ {3:4d ~ 16!| = 4x4 $ to bar 8 (! after beat 2) ~ 713 152}

3/116b • K • Dá mbeidhinnsi air bórd loinge d’ólfainn do shláinte • 447 — See 3/119b Seughan geal uch Ridire. {3:4c ~ 16!| = 4x4 ~ 111 111}

3/116c • K • “When this old hat was new” • 448 {Cg ~ 16!| = 4x4 $ 8 ~ 3335 6653}

3/117a • K • Ag éirge ’mach air maidin dam • 449 {Cd ~ 16:| = 4x4 ~ 5532 1113}

3/117b • K • Mickey Reilly • 450 {3:4g ~ 8||8|| ~ 132 262}

3/117c • K • The Humours of Minard • 451 {6:8g ~ 2x8:|: ~ 35 15}

3/118a • K • Píce an t-súgradh • 452 — See Iris 2:109–111 for mention of a Dingle dancer named thus. {6:8g ~ | $ !8:|8:|:8:| no $ ~ 77 75}

3/118b • K • Cluithche an t-úisín shuairc • 453 {Cd ~ 16!| $ to bar 8 beat 2 ~ 1112 3322}

3/119a • K • Humours of passage • 454 — Cf OFPC 3 p 12. {6:8d ~ 2x8:| ~ 11 22 33 36 (tonic g) or (tonic d? 4455 6662)}

3/119b • K • Seughan [?] geal uch Ridire [probably Seaghan] • 455 — (Seán na gealaidhe: Jack o’ the lantern?). See 3/116b Dá mbeidhinnsi air bórd loinge d’ólfainn do shláinte. {3:4d ~ 16!| $ to bar 8 beat 2 ~ 555 555}

3/119c • K • Móirín Ní Chealla • 456 — Words p 109 ‘ ’S móra duit a Móirín ui Chealla / ó chseólais do chapal chum drúchd’. {6:8d ~ 8||‘chorus’8|| ~ 34 75}

3/120a • K • Humours of Newtown • 457 — Part 1: cf Jackson JCIT p 1 Cossey’s jigg; ONMI no 991 Jimmy O’Brien’s jig; Tubridy 2 p 38 The maid in the meadow. See 3/181a, 2/97a Jackson’s Lodge, 2/165b Caseys jig. {6:8g ~ 2x8:|: ~ 43 23}

3/120b • K • An Air [corrected] • 458 {6:8g ~ 2x8:| = 4x4 ~ 33 42 37 11}

3/120c • K • The Rambler from Clare • 459 — See 2/153a. {6:8g ~ 8:|12:| = 2x4 +(4+4)+4 ~ 54 51}

3/121a • K • The Lowlands of Holland • 460 {Cg ~ 8||8:| = 4x4 ~ 3322 1147}

3/121b • K • Sally Magee • 461 — Cf OFNIM p 23. See 2/172a. 6:8c ~ 8||8:| ~ 14 53 14 56}

3/121c • K • Tailiuir an Mhagaig • 462 — Words p 124 ‘Ó Dhia ro! aindhir nó’n rachfá-sa liomsa ag ól’. See 3/15c. {6:8g ~ 12|| = 3x4 ~ 13 72 (3-bar 6-stress phrases)}

3/121d • K • Rós Fhíonnáin (reel) • 463 {Cg ~ 2x4:| ~ 1122 1135}

3/122 • K • Killicrankie • 464 {Cd ~ 16:|:16:|:8:|:8:| ~ 5553 5153}

3/123a • K • Humours of Ballycairde (baille’n cháirde) • 465 {6:8g ~ 2x8:| ~ 11 66 72 13}

3/123b • K • Johnny’s [corrected < ies?] wedding (reel) • 466 {Cc ~ 4:|8|| part 1 two cadences ~ 3531 2427}

3/123c • K • The Girl that lost her — • 467 {Cg ~ 8:|:8|| ~ 1372 3563}

3/124a • K • Máire Ní Dhaoinléith • 468 — Tunes p 8c. See 1/10a Sibéil Ni Bhriain. {Cg ~ |! $ 4!|8|| no $ ~ 1155 6716}

3/124b • K • Jenny bank the rose • 469 {Cc ~ 4:|8||DC ~ 1577 4477}

3/124c • K • O’Sullivans Favourite • 470 {Cd ~ 2x8:| ~ 1377 1324}

3/125a • K • Bás nó cunncas • 471 {Cg ~ 4:|8||DC ~ 4414 5557}

3/125b • K • Nóra óg • 472 — See 3/83a Nóra Críona, 3/183b Nóra Críona as a jig. {6:8g ~ 4x8:|: ~ 13 43 13 247}

3/126a • K • Jig .i. “Cuir do lámh orm-sa a Mháire” • 473 {6:8g ~ 2x8:| ~ 32 54}

[The next 37 items have ‘G.S.’ in the left-hand margin]

3/126b • G.S. • The star of Munster • 799 {Cg ~ 8:|8|| ~ 3217 1577}

3/126c • G.S. • The Lee flower • 800 {Cg ~ 4!|8||DC ~ 1543 2523}

3/127a • G.S. • The Coursing [overwrites something] reel • 801 — Cf ONDMI no 775 The maid of Feakle (part 1); CRÉ 3 no 192 De ghrá na sean-mheasúlachta [For the sake of old decency] (part 1). {Cg ~ 2x8||DC ~ 5326 2323}

3/127b • G.S. • The Cork Lasses • 802 — Cf Mitchell & Small PPT no 14 The Sword in hand. See 1/42a The Union is welcome to Ireland. {Cd ~ 4!|8||DC ~ 4635 2662}

3/127c • G.S. • Last nights fun • 803 — Cf ONDMI no 452. {9:8? c ~ 4:|:4 two cadences :| ~ 155 154 (tonic d) or 522 521 (tonic g)}

3/128a • G.S. • Down the street • 804 — Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 8:|8|| ~ 1113 4245}

3/128b • G.S. • March • 805 — Cf Kerr’s Merry 3 no 414 Inverary march; Roche 3 no 201 O’Brien of Arra. See near duplicate at 3/111c March (Sir Barry Denny’s) {Cg ~ 2x8:| ~ 3331 5556}

3/128c • G.S. • Bonny Kate • 806 — See 3/142b. {Cd ~ 4 two cadences :|8||DC ~ 5165 1522}

3/129a • G.S. • Money Musk [s written over something] • 807 {Ca ~ | $ 2:|:4 two cadences !| DC $ ~ 5346 5324 (tonic a)}

3/129b • G.S. • Money Musk (another version) • 808 — Cf Robert Petrie 2 p 11; Cameron p 25. {Ca ~ | $ 4:|:4 two cadences !|DC $ ~ 5356 5324 (tonic a)}

3/129c • G.S. • Roast beef from London • 809 — Cf Alexander’s 50 no 14 The Marquis of Huntley’s reel ; ONMI no 1469 The Skibbereen lasses (parts reversed). {Cd ~ 2x4:| ~ 3315 7424}

3/129d • G.S. • Reel • 810 — Cf Hime 1805 book 2, no 23 Ryan’s rant; CRÉ 4 no 136 Siamsaíocht an Rianaigh [Ryan’s rant]. Cg ~ 2x4:|: ~ 3717 3747 (tonic a)}

3/130a • G.S. • The Sandy haired boy • 811 — Cf ONMI no 1354 The strawberry blossom (parts reversed); the current session tune ‘The boys of Ballynahinch’. {Cg ~ 4 two cadences :|8||DC ~ 6114 1477 (part 1, tonic d); 3126 1245 (part 2, tonic a)}

3/130b • G.S. • jig • 812 — Cf Harding’s All-round p 14 The Sylph; VMP Harrison MS RH.100; Ashman p 1 (part 1); ONMI no 812 The girls of Banbridge (parts reversed). See near duplicate 4/48c A French dance. {6:8d ~ 2x8:|: ~ 11 52 34 72}

3/130c • G.S. • The top of Cork road • 813 — Part 2: cf Aird 1 p 68, no 196 Irish lilt (part 2). See 1/101a (part 2). {6:8d ~ 2x8:|: ~ 11 67 12 32}

3/131a • G.S. • The Flogging reel (another set) • 814 — Cf DubMMag Nov 1842, tune no 40 (from Paddy Conneely). See 3/19b, 3/62b, 4/79a. {Cd ~ 4:|:4 two cadences :|8:|DC ~ 3135 3131}

3/131b • G.S. • The maids of Erin • 815 — Cf Surenne DMS pp 10–11 The Marquis of Huntley (parts reversed); Ryan p 258. Part 1: see 3/141b The new post office; 4/21d The highland fling. {Cc ~ 4:|:4!| two cadences both parts ~ 5331 5216}

3/131c • O’Sullivans Fancy • [see 781] — Note (with music) by JG on how to play the repeat of the turn of 3/105c O Sullivans fancy.

3/132a • G.S. • Farewell to the Highlands • 816 — Cf Curtin MS no 5 A Highland quickstep. Part 1: cf Aird 2 p 3, no 7 2nd Turks march; CRÉ 1 no 31 Banríon na luachra [The queen of the rushes]. {2:4g ~ 2x8:|: ~ 3112 4225 (2 bars) or 31 42 31 52 (4 bars)}

3/132b • G.S. • jig • 817 — Part 1: cf Aird 2 p 65, no 177 Oak stick. New way (part 2). See 3/20c The oak stick (part 2); {6:8g ~ 2x8:|: ~ 35 55 24 44}

3/132c • G.S. • Scotch lilt • 818 — Cf Roche 2 no 292 The waves of Torey & no 349 Bag pipe tune; Grier 3 no 117 [facs p 42, PDF no 137] untitled; Grier 5 no 81 [facs p 12, PDF no 68] Quick step. Part 1: See 1/101b jig (Paddy mc Fadden Mhic Phawdeen). {2:4d ~ 2x8:|: ~ 51 57 42 24 (4 bars) rather than 5117 5576 (2 bars)}

3/133a • G.S. • The wash-woman • 819 — Cf Roche 2 p 72, no 187 The Laune rangers; ONMI no 1221 Kitty Losty’s reel. See 3/147a The queen of May. {Cg ~ 4!|8||DC ~ 7717 4224}

3/133b • G.S. • The Linster [?] Highroad — Cf Aird 4 p 3, no 8 The high road to Linton; Cameron p 18; Kerr’s collection p 3. See 1/ 217b High road to London, 2/57d The primrose girl. {Cg ~ 2x4:|: ~ 3611 6611}

3/133c • G.S. • The lowbacked car — Cf Lover Low-backed car. {6:8g ~ 24|| = 6x4 ~ 13 47}

3/134a • G.S. • Temple House • 820 — See 3/112a The grey goose (part 1), 2/49a (jig version of this reel). {Cd ~ 4!|8||DC ~ 1353 7242}

3/134b • G.S. • The Ladies pantaloons • 821 — See 1/228b The green pantaloons. {Cg ~ 4:|:8||DC ~ 3414 2454}

3/134c • G.S. • The Bridal polka • 822 — Cf Jenny Lind’s favorite polka composed by Anton Wallerstein in 1846; Albert Bridal polka; Alexander’s scrap book new series vol 7 p 30 Bridal polka no 1 by D’Albert; Trim Hardy no 76 (parts 1 & 3). CRÉ 5 no 94 Polca na Brídí. It was recorded in 1922 by Chicago piper Tom Ennis as ‘Murphy’s polka’, and is still current in the Irish popular tradition as the ‘Jenny Lind polka’. See 1/210b New Jenny Lind polka. {Cg ~ 2x8:| ~ 73 21 27 25 (4 bars)}

3/135a • G.S. • jig • 823 — Cf Ryan p 118 Prince Charles; ONDMI no 165 Charles Stewart. {6:8d ~ 2x8:|: ~ 11 65 45 72}

3/135b • G.S. • The Rakes of Clonmel • 824 — See 2/40b. {6:8d ~ 2x8:|: ~ 37 51}

3/135c • G.S. • Jig • 825 — Cf ONDMI no 316 The humors of Glynn. {6:8g ~ 2x8:|: ~ 13 31 33 72}

3/136a • G.S. • The pretty girls of Gorey • 826 — Cf Grier 2, part of no 252 [facs p 53, PDF no 248] untitled; Maguire Hidden Fermanagh p 113 The humours of Loughrea. Part 1 see 2/179a My bride is a young thing. {Cd ~ 4!|8|| ~ 5152 5174}

3/136b • G.S. • Reel • 827 — Cf Robert Petrie 2 p 3 Honble Mrs Maule’s Reel; Kerr’s Merry 3 p 12 Sheep shanks; ONMI no 1500 The linen cap. See 1/50c The Kilkenny Hunt. {Cd ~ 4!|8||DC ~ 1531 2462}

3/136c • G.S. • The Summers morning • 828 — Cf OFPC 3 p 67 Jack the batchelor. {2:4[read c]g ~?2x8:| ~?7_5_7_7_ 1142}

3/136d • G.S. • The Tinkers Frolic • 829 — See 1/41c, 4/50b The jolly tinker. {Cd ~ 2x4:|: ~ 5175 5154 (tonic a)}

3/137a • G.S. • Highland Fling • 830 — Cf CRÉ 2 no 121 Gan ainm [untitled, from Tom Barrett]. {2:4c ~ 8:|16 = 2x8|| ~ 15 55 42 42 (4 bars)}

3/137b • G.S. • Victoria Quadrilles No. 1 — Non-traditional. {6:8g ~ | $ 2x8|| $ ~ 35 3535 32}

3/137c • [G.S.] • [Victoria Quadrilles] No. 2. {2:4g ~ 2x8|| ~ 33 11 15 55 (4 bars)}

3/138a • [G.S.] • [Victoria Quadrilles] No: 3. {6:8g ~ 2x8|| ~ 51 51}

3/138b • [G.S.] • [Victoria Quadrilles] No. 4. {2:4d ~ 2x8|| ~ 1115 1313}

3/138c • K • The Pantheon jig • 474 {6:8g ~ 2x8:|: ~ 53 21}

[The next 29 tunes have OD / O’D / O.D written in the left margin]

3/139a • O’D • Kilkenny jig • 831 — Cf ONMI no 724 The maid at the well. See 1/35a The black stripper. {6:8g ~ 2x8:|: part 2 two cadences, of 5 bars out of 8 ~ 15 14 64 36}

3/139b • O’D • Garry Owen — Common in print in 2-part versions. Parts 1 & 2 cf Alexander Flowers p 64; part 3: cf ONDMI no 1001 (part 6). See 1/254b. {6:8g ~ 3x8:|: +8:| ~ 63 33 63 22}

3/140a • O’D • A Connaught Reel • 832 — Cf ONMI no 1433 Lord Gordon? Part 1: cf ONMI no 1119 The bucks of Oranmore. See 2/180b The Salamanca, 3/65c. {Cd ~ 4 two cadences !|8|| ~ 5353 5362}

3/140b • O’D • A Munster Reel • 833 — Cf ONMI no 1456 Jenny’s welcome to Charlie. {Cg ~ 4:|:8||8||8|| ~ 1152 4717}

3/141a • O’D • Reel • 834 — Cf CRÉ 3 no 188 Ríl Uí Ghormain [Gorman’s reel] and no 194 Neil sportúil [Sporting Nell]. {Cg ~ 4 two cadences :|8|| ~ 1413 1753}

3/141b • O’D • The new post office (reel) • 835 — Cf ONMI no 1302 The new mail coach. See 4/21d The highland fling. Part 1: see 3/31b The maids of Erin. {Cd ~ 4:|8|| ~ 5335 3211}

3/141c • O’D • Reel • 836 — Cf CRÉ 2 no 176 Bainis an phíobaire [The piper’s wedding] {Cc ~ 4:|8|| ~ 1665 1531 [1565 1531 if 2nd note corrected to C]}

3/142a • O’D • jig • 837 — Cf Joyce OIFMS p 351 The cat’s bagpipes; Ryan p 122 Jackson’s rolling jig (2 part setting); P-S no 942 Old Clare jig (part 1); ONDMI no 329 Humors of Clare (parts 2 & 3 reversed). {6:8d ~ 3x8:|: +8|| ~ 13 24 13 56}

3/142b • O’D • Bonny Kate • 838 [JG:] (see page 128) — See 3/128c. {Cd ~ 4:|4!|two cadences each part ~ 3565 1522}

3/143a • O’D • Ride a mile • 839 — Not Pipes p 30, no 77 — See 1/82c. {9:8g ~ 4:|8|| ~ 513 511}

3/143b • O’D • Strathspey — Cf Cameron p 38 Lord Seaforth; Hamilton HUT 1 p 146. {Cg ~ 4:|:8|| ~ 7513 4366}

3/143c • O’D • Captain Kellys reel • 840 — Cf Ryan p 12. {Cg ~ 4:|8|| ~ 1211 5326}

3/144a • O’D • Lady Hynes : jig • 841 — perhaps related to 2/151a O’Shea’s frolic. {6:8d ~ 4 parts: 8:|:8 two cadences :|8:|:16|| ~ 17 17 31 31}

3/144b • O’D • The Maiden Fair (reel) • 842 {Cg ~ 4:|8|| ~ 1531 1534}

3/145a • O’D • The Galway harebait (reel) • 843 — Cf CRÉ 1 no 117 An Chearc is a hál [The hen and her clutch]; the current session tune The abbey reel. {Cg ~ 2x8|| ~ 2115 5174 (tonic a)}

3/145b • O’D • Sir Robert Bruce’s Hornpipe • 844 — Cf ONMI no 1790 The Lodge road (part 1). {Cd ~ 2x8:|: ~ 1127 5555}

3/145c • O’D • Glanmorgan House (Jig) • 845 — See 2/161c The House of Glenarkeen, 4/78a The House of Clonelphin (the tune commonly known now as ‘The boys of Tandragee’ or ‘Happy and gay’). {6:8a ~ 2x8:|: ~ 51 57 47 24}

[JG originally numbered pp 146–59 as 145–158, and has corrected the numbers by overwriting.]

3/146a • O’D • The Sporting days of Easter • 846 — Cf CRÉ 2 no 272 Péarla an Achaidh Mhóir [Pride of Ahamore], parts reversed; the modern session tune Famous Ballymote. Part 2: see 4/79f Fanny (part 1). {Cd ~ 4:|:8|| ~ 2525 7724}

3/146b • O’D • A Scotch Country Dance • 847 {2:4f ~ 8:|16|| ~ 13 53 54 54 (4 bars)}

3/146c • O’D • The Munster Lass • 848 — Cf Walker’s Hib Mag, May 1787, p 796; Fitzmaurice 3 p 1. See 4/20e, 3/200b Mulcahy’s favourite. {6:8d ~ 8:|:8 two cadences :| ~ 11 31 11 52}

3/147a • O’D • The Queen of May • 849 — Cf ONMI no 1221 Kitty Losty’s reel. See 3/133a The wash-woman. {Cd ~ 4:|8|| ~ 5715 4224}

3/147b • O’D • Miss Duns Fancy • 850 — Cf ONMI no 1311 The happy days of youth; The O’Connor Don reel (piper Martin Reilly’s original version): see Mitchell & Small 1980 ‘Martin Reilly’; Mitchell 2010 ‘The O’Connor Don reel’— video here . {Cg ~ 4:|8|| ~ 1563 1326}

3/147c • O’D • The Farmers Lass • 851 — Cf Ryan p 53 Boy in the gap. Part 1: see 3/200b Mulcahy’s favourite. {[C]d ~ 4:|8|| ~ 1217 5454}

3/148a • O’D • The Humours of Peppermint • 852 {6:8g ~ 2x8:| part 2 two cadences (2nd unmarked) ~ 11 61 52 36)

3/148b • O’D • Hornpipe • 853 — Cf Raven p 186 Deep waters (part 1); Kerr’s Merry 2 p 28 Lamplighter’s hornpipe; Ryan p 185. {2:4g ~ 2x8:|: ~ 5511 5511}

3/148c • O’D • Maggie tripping on the shore • 854 — Related to the Irish tune ‘Maggie Pickens’. See 4/22b “Whistle owre the lave o’t”. {Cg ~ 4:|8|| ~ 1543 4326}

3/149a • O’D • Lovely Jane [June?] • 855 — Cf OIFMS p 101 ‘Hibernia’s lovely Jane’{Cc ~ 2x4|| ~ 3 1161 4265 (tonic & final g)}

3/149b • O’D • Reel • 856 — Cf OFPC 4 p 82 Caper Fey; Mitchell DMWC no 65 The copperplate. See 3/159b The cup of tea. {Cg ~ 8:|: ~ 1316 1131}

3/149c • O’D • Dúiseachd jig by Jackson • 857 —Cf Ryan p 109 Tell her I am. See 3/76a Tell her I am. {6:8d ~ 3x8:|: ~ 31 61 72 33}

3/150a • Jig • 858 — Cf Ryan p 112 The bridal; ONWSGM no 131 Kennedy’s bridal jig; POK 4 no 15. {6:8g ~ 2x8:|: ~ 13 51 51 27}

3/150b • Lady Clares Quick step • 859 — Cf ‘The Longford collector’, popularized by fiddler Michael Coleman’s famous 1934 recording; CRÉ 1 no 184 Bailitheoir Longphoirt. {Cc ~ 2x8:|: ~ 1135 4635}

3/150c • Naebody • 860 — See 2/48b I have a wife of my own. {9:8d ~ 4:|8:| ~ 135 134}

3/151a • Jig • 861 — Cf ONMI no 1090 Kitty of Oulart. {6:8d ~ 8:|:8:| ~ 53 53 45 22}

3/151b • Frazers Frolic • 862 — Cf ONMI no 1246 Colonel Fraser (parts 1 & 2). See 1/44a Reel. {Cg ~ 4:|8|| ~ 3151 2454}

3/151c • The geese in the bog • 863 — Cf Howe Omnibus complete p 108; P-S no 940. {6:8c ~ 8:|:8:| ~ 13 55 13 56}

3/152a • The Kerry [y overwrites something] Lasses • 864 — Cf ONMI no 1229 The ewe reel. {Cg ~ 4 two cadences :|8|| ~ 5151 7454}

3/152b • The Humours of Ennistimon • 865 {6:8g ~ 3x8:|:8:| ~ 33 42}

3/153a • We’ll gang na mair to yon town — Cf Aird 1 p 13, no 35; OFPC 3 p 64; See 1/53a The Ferry point (part 1), 2/158b. {2:4g ~ 8:|:8:| ~ 11 31 31 32 (4 bars)}

3/153b • Farewell to old Ireland • 866 {2:4g ~ 8:|:8:| ~ 3525 1135 (2 bars) or 32 13 44 75 (4 bars}

3/153c • The rights of an Irishman • 867 — Cf ONMI no 783 The book of rights. {6:8d ~ 8:|:8:| ~ 15 55 15 23}

3/154a • An Taibhse dorcha slow — Cf DubMMag Oct 1842, tune no 34 “Speak low, speak low, the Banshee is crying”. {3:4eflat ~ 16|| = 4x4 ~ 336 554}

3/154b • An t-seanbean sultmhar [sultmhur?] — Cf Hamilton HUT 1 p 30; Alexander Flowers p 74. See 3/221c The jolly old woman, 1/66a The humours of Bandon. {6:8c ~ 8!|!8:| ~ 51 27 61 27}

3/154c • Kiss in the Furze (Jackson) — Cf Tracy CDs 1795 p 4 Kiss in the furs. See 2/175a. {6:8d ~ 4:|:8:| ~ 11 34 11 32}

3/155a • Slow March • 868 — Cf Howe Musician’s companion part 2 1843, p. 15 Scotch March. {Cg ~ 8:|:8:| ~ 5631 5631}

3/155b • Scotch Reel — Cf Ryan p 82 Maginnis’ delight. See 4/88e The shoe makers frolic. {Cg ~ | $ 4 two cadences :|8|| $ ~ 3565 3545}

3/155c • Reel • 869 — Part 1: cf Aird 2 p 13, no 34 A trip to Clumber. For the Ger: flute (part 2). {Cg ~ 4:|8|| $ ~ 5352 1351}

3/156a • Reel (by Waller) • 870 {Cg ~ 4:|8|| ~ 1153 4735}

3/156b • Hornpipe • 871 {Cc ~ 2x8:|:8:| ~ 1132 1667}

3/157a • The French Militia (reel) • 872 {Cd ~ 8:|:8:| ~ 1414 7577}

3/157b • Toss the Feathers • 873 {Cg ~ 4:|:8|| ~ 1555 1522}

3/157c • The Humours [of] Bally Connell — Cf Kerr's Merry 4 p 19. See 2/54c A Highland reel. {Cd ~ 2x4:|:4:| ~ 1315 1522}

3/158a • The Downshire reel • 874 — Cf ONMI no 1215 The bloom of youth. {Cg ~ 4:|8|| ~ 1565 1326}

3/158b • Butter to peas (Reel) • 875 — Cf Aird 1 p 68, no 187; ONMI no 1405 The maid that dare not tell (part 1). See 2/29a Buttered pease. {Cd ~ 4:|8|| ~ 3546 3542}

3/158c • The midnight maid • 876 — Cf ONDMI no 837 The banks of the Ilen. See 2/160c The Queens county lasses. {Cd ~ 4:|8|| ~ 3513 1325 (tonic d?)}

3/159a • The Dandy Girl • 877 — See 1/42c and 4/82a Miss Monaghan’s reel; also 3/179b The pretty girls of this town. {Cd ~ 8:|:8:| ~ 1335 4635}

3/159b • The cup of Tea • 878 — Cf OFPC 4 p 82 Caper Fey; Mitchell DMWC no 65 The copperplate. See 3/149b Reel. {Cd ~ 8:|:8:| ~ 1315 1531 (tonic d?, final e)}

3/159c • The new rigg’d ship • 879 — Common in print but in 6:8 time. {2:4d ~ 8:|:8:| ~ 11 11 25 25 (4 bars)}

3/160a • “Cameron’s got his wife again” — Cf Cameron p 14; Kerr’s Merry 1 p 10. {Cd ~ 4:|8|| ~ 1555 1522}

3/160b • Miss Rae’s reel — Cf Surenne DMS p 143 Rachel Rae; Cameron p 15 (attributed to J. Lowe). {Cd ~ 4:|8|| ~ 1315 1337}

3/160c • The Earl of London’s [read Loudon’s] Strathspey — Cf Aird 3 p 198, no 518. {Cg ~ 4:|8|| ~ 5515 2662}

3/161a • The Fife Hunt — Cf VMP Mittel MS WM.141; Cameron p 59; Kerr’s Merry 1 p 14. {Cd ~ 4:|8|| ~ 3153 2222}

3/161b • The Indian Jugglers — Cf Power CDs no 8, p 4. {6:8g ~ 8:|:8:| ~ 11 51}

3/161c • Dumfries House — Common in early printed collections. Cf Aird 4 p 19; Anderson’s budget p 26; Grier MS 4 no 9 [facs p 3, PDF no 5] The Dumfry house. See 4/81b The Dumfree house (reel, not jig). {6:8g ~ 8:|16||DC ~ 11 51 45 25}

3/162a • The back of the change house — Cf Campbell 8 p 7; Hamilton HUT 1 p 59; Cameron p 55. See 1/39a, 2/153c. {Cd ~ 4:|8|| ~ 5526 5511}

3/162b • Ayrshire Lasses — Cf Gale’s pocket companion 1 p 39; Kerr’s Merry 2 p 11. {Cd ~ 4:|8|| ~ 5322 2316}

3/162c • Long Live [sic] to Balantyre [read Blantyre] (Strathspey) — Gow Repos 1 p 29 Lennox’s love to Blantyre; Kerr’s Merry 3 p 18; Surenne DMS p 2. {Cg ~ 4:|8|| ~ 1131 2366}

3/163a • Hibernia • 880 — Cf Robertson Hibernia; Hamilton HUT 1 p 4. See 4/49b The Hibernian medley. {6:8d ~ 8:|8||DC ~ 31 55 11 22}

3/163b • The Lowlands of Scotland [corrected < Holland?] • 881 — Cf Kerr’s Merry 1 p 35 The hare’s foot; ONMI no 1296 Jim Kennedy’s favourite. See 1/124c Reel. {Cg ~ 8:|8|| ~ 3_3_5_1_ 5_7_5_3_ (tonic e)}

3/163c • Woods Hornpipe — Cf Kerr’s Merry 2 p 39. {Cg ~ 8:|:8|| ~ 1113 5552}

3/164a • Welcome to the Country • 882 {Cg ~ 4:|8|| ~ 7574 5112}

3/164b • Lady Betty Cochran’s Reel — Cf Campbell 11 pp 10–11. {Cd ~ 4:|8|| ~ 3155 4326}

3/164c • Double Kisses — Cf Cameron p 49. {Cd ~ 4:|8|| ~ 1511 1522}

3/165a • Lassie look before ye — Cf Howe Omnibus complete p 114; Kerr’s Merry 1 p 8. {Cd ~ 4:|8|| ~ 1313 2722}

3/165b • Delven House — Cf Gow BNG 2 p 28; Kerr’s Merry 2 p 13. {Cd ~ 4:|8|| ~ 1215 2276}

3/165c • Lady Caroline Bligh’s Reel See p. 66 • 883 — Cf Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a Down the street, 3/128a. {Cg ~ 4:|8|| ~ 1313 4242}

3/166a • Shane’s Castle • 884 — Cf PON MS /2 p 60. {2:4d ~ 8:|:8:| ~ 1313 3416}

3/166b • Fight about the Fire Side — Cf Cameron p 21; Stephano p 6. {Cd ~ 4:|8|| ~ 5322 5353}

3/166c • The Drunken Wives of Lochaber — Cf Aird 6 p 4, no 8. {Cg ~ 4:|:8:|: ~ 5572 1132}

3/167a • The Earl of Dalkeith’s reel • 885 — Cf Aird 1 p 13, no 35 We’ll gang nae mair to yon town, parts 1 & 2. {Cg ~ 4:|8|| ~ 3542 6565}

3/167b • The Swaggering jig • 886 — Cf P-S no 961. {9:8d ~ 4:|:4:| ~ 365 362 (tonic d, final a)}

3/167c • Roll her on the mountain • 887 — Cf Kerr’s Merry 1 p 3 Roll her on the hill. {Cg ~ 4:|:4:| ~ 5153 6661}

3/168a • The Wet Weather • 888 {2:4d ~ 8:|:8:| ~ 12 76 12 34 (4 bars)}

3/168b • The Waterloo Hornpipe • 889 {Cg ~ 8:|:16:| ~ 1115 6446}

3/168c • Jig • 890 — Cf P-S no 400 Miss Goulding – by Carolan. From John O’Daly’s MSS. {6:8g ~ 8:|:16 = 4x4:| ~ 1315 72 74}

3/169a • Hawkes Hornpipe • 891 {Cc ~ 8:|:8:| ~ 3577 7777}

3/169b • Hornpipe • 892 — Cf ONMI no 1574 The boys from Scart; Ryan p 168 Delaware hornpipe. {Cg ~ 8:|:8:| ~ 3333 1151}

3/169c • Earl Dalhouse’s reel — Cf Johnson Scottish fiddle music p 224, from Nathaniel Gow, c. 1800. {Cg ~ 4:|:4:| ~ 1353 2316}

3/170a • Lady Madelina Sinclairs strathspey — Cf Campbell 8 p 18; Gow BNG 2 p 26. {Cg ~ 4:|8|| ~ 5336 5522}

3/170b • Slow March — Non-traditional. {Cg ~ 8:|:8:| ~ 5351 6664}

3/170c • Clean pease straw • 893 — Cf Surenne DMS p 117 Pease strae. {Cd ~ 8:|:8:|DC ~ 1343 2576}

3/171a • Touch her if you dare • 894 — Part 2: Cf VMP Browne MS BF13.037 Allonby Lasses (part 2). {Cg ~ 2x8|| ~ 7737 3713 (tonic e, final e) rather than 5515 1561 (tonic g)}

3/171b • The Scotch Hunt • 895 {Cc ~ 4:|8|| ~ 5134 2454}

3/171c • Slow March — Non-traditional. {Cg ~ 8:|:8:| ~ 3353 1115}

3/172a • Invercauldy Scotts measure — Cf Stewart Airs 2 p 107 Scotts measure. {Cg ~ 8:|:8:| ~ 4253 7453}

3/172b • Touch it if ye dare • 896 — Cf ONDMI no 632 You rogue you dar’n’t meddle me; Moylan JOL no 82 The worn torn petticoat. {Cg ~ 4:|8|| ~ 3125 7247}

3/172c • Kitty got her clinking • 897 — Part 2: cf Hime Pocket book p 16 Soldier’s dance after the battle; Aird 4 p 17, no 46. See 2/51c The soldiers dance. {Cg ~ 4:|:4:| ~ 5553 5562}

3/173a • Hornpipe • 898 — Cf ONMI no 1749 The fancy fair. {Cg ~ 8:|:8:| ~ 3432 1112}

3/173b • McConnells Quick step • 899 {6:8g ~ 16:|:16:| ~ 13 13 11 65}

3/174a • Andrews Farewell to Ireland • 900 {6:8c ~ 8:|:8 two cadences :| ~ 11 64 51 23}

3/174b • No. I • Set of Quadrilles — Non-traditional. {2:4d ~ 3x8||DC $ ~ 31 55 55 53 (4 bars)}

3/174c • No. II [Set of Quadrilles]. {2:4d ~ 8:|:8:| ~ 5555 5117}55 51 66 62 (4 bars) rather than 5555 5117 (2 bars)}

3/175a • No. III [Set of Quadrilles]. {6:8d ~ 8:|:8:| ~ 15 15}

3/175b • No. IV [Set of Quadrilles]. {2:4d ~ 8:|:8:| ~ 13 53 45 65 (4 bars))

3/175c • O.D. • Waltz (The Fitzwilliam) — Non-traditional. {3:4d ~ 8 two cadences :|16 = 2x8|| ~ 111 355}

3/176a • D.C. • My love is in America • 901 — Notes of music are obscured by pencilled notes of music [by P.W. Joyce?]. Cf ONMI no 1347 Jenny picking cockles. {Cg ~ 4 two cadences :|8|| ~ 5155 4277}

3/176b • D.C. • The merry time of Easter • 902 — Cf ONMI no 1193 The merry days of Easter. {Cg ~ 4:|: 4:|two cadences both parts ~ 5153 6522}

3/176c • D.C. • The Pretty Girl [Gir corrected] in danger • 903 — Cf Aird 2 p 37, no 101 Marquis of Huntleys reel; Ryan p 251 Marquis of Huntly’s strathspey; ONMI no 1229 The ewe reel. See 3/152a The Kerry reel. {Cg ~ | $ 4 two cadences :|8||DC ~ 5151 7243}

3/177a • D.C. • Paddy on the road • 904 — Cf ONMI no 1533 Rakish Paddy. {Cg ~ 8:|:8:| ~ 7775 7424}

3/177b • D.C. • Bally-na-courty jig • 905 — See 2/130c, 2/163a, 3/20a. {6:8g ~ | $ ? 2x8:| part 1 two cadences; ~ 15 51 34 36}

3/177c • D.C. • Mamma’s pet • 906 — Cf ONWSGM no 205 (part 1). See 3/108c (part 1). {Cg ~ 4 two cadences :|8||DC ~ 1765 1352 (tonic c)}

3/178a • D.C. • “‘Bundle and go’” • 907 {6:8g ~ 8:|:8:| ~ 53 27 53 51}

3/178b • D.C. • Coffee and Tea • 908 — Cf ONMI no 794 Connie the soldier. {6:8g ~ 8:|:8:| ~ 25 12 11 14}

3/178c • D.C. • [Coffee and Tea] – another version • 909 {6:8d ~ 8:|:8:| ~ 25 57 24 24}

3/179a • K • I’m sorry to leave my country • 475 {Cg ~ 4:|8||DC ~ 5132 4271}

3/179b • K • The pretty girls of this town • 476 — See 1/42c & 4/82a Miss Monaghan’s reel, also 3/159a The dandy girl. {Cd ~ 2x4:| two cadences both parts ~ 1335 5635}

3/179c • K • Pádruig, píobaire slow • 477 {6:8g ~ 8|| = 4x2 ~ 12 11 16 22}

3/179d • K • [Untitled] • 478 {Cg ~ 4:|:4:| ~ 5131 3122}

3/180a • K • Dubhairt sí go bhfaghain • 479 — See 1/110 Trip to the cottage (part 1). {6:8g ~ 8:|:8:| ~ 54 32}

3/180b • K • Pádruig mac gailbhe • 480 — Words pp 112–13 ‘A Phádruig mic Gailbhidhe ’sé mo cheasnaoi ’s m’amhgar’. {3:4g ~ 16!| $ end & bar 8 ~ 532 111}

3/180c • DS • Heilan’s Fling • 910 — Cf CRÉ 1 no 93 Barr an tsléibhe (The mountain top). {Cg ~ | $ 4:|8!| DC $ ~ 3265 3561}

3/181a • DS • Humours of Newtown • 911 — Cf Jackson JCIT p 1 Cossey’s jig. Part 1: cf Roche 1 p 50; ONMI no 991 Jimmy O’Brien’s jig; Moylan JOL no 214; Mullaly pp 51–52 Jackson’s wife to the road; Tubridy 2 p 38 The maid in the meadow. The air commonly used for the song ‘Molly Brannigan’. See 3/120a, 2/97a Jacksons Lodge; 2/165b Caseys Jigg (Jackson) . {6:8d ~ 2x8:|: ~ 43 23}

3/181b • DS • Cailleach an Dilisg • 912 — See 3/99a. {6:8d ~ 2x8:|: ~ 64 42 64 31}

3/181c • K • Neil Gow’s second wife • 481 — Cf Gow Repos 2 p 13 Niel Gow’s wife; ONMI no 1539 The watchmaker. {Cc ~ 4:|8||DC ~ 3127 3135}

3/182a • K • Reel • 482 — Cf ONMI no 1510 Scotch Mary; Joyce OIFMS no 835 Irish hornpipe. See 3/110a Scotch Mary. {Cg ~ 2x8||DC ~ 3535 3577}

3/182b • K • Miss Murphys reel • 483 — Cf CRÉ 1 no 107 An ríl cam [The crooked reel]. See 2/156, Bonny Anne (part 1), 3/100b (jig version) Follow me down to Carlow. {Cc ~ 2x4:|: ~ 1157 1135}

3/182c • Jig. S.G [initials in gaelic] • 913 — Probably composed by JG. {6:8g ~ 2x4:|: ~ 52 34 52 36}

3/182d • K • Domhnall mo ghrádh • 484 — Words p 115 (in English, chorus refrain in Irish) ‘Judy barefooted to the market did walk / herself & her Domhnal together did talk’. {3:4d ~ 16|| ‘chorus’ 4|| ~ 112 445}

3/183a • K • Fiagaidhe an Chúil bháin • 485 {3:4g ~ 2x16|| = 4x8 ~ 661 661}

3/183b • K • Nóra Críona as a jig • 486 — See 3/83a Nóra Críona, 3/125b Nóra óg. {6:8g ~ 2x8:|: ~ 11 32 11 34}

3/184a • D.C. • Mary O’Hara • 914 — Cf Joyce OIFMS p 391 Mary O’Hara; Tubridy 1 p 35 The battering ram. See 3/72c Jig (near duplicate). {6:8g ~ 2x8:|: ~ 53 51 53 36 (final e, but tonic g)}

3/184b • K • An bhean dubh • 487 — Words p 116 ‘Nuair bhím-sí air mo dhíthchioll / agus me díbirt na ngabhar ón ttig / cur fá [chorus:] ‘A bhean dubh, a gheal dubh / ’s a bhean dubh aro ca bhfuil tú?’ (These words with chorus seem appropriate to 3/184b, which has a chorus, rather than to 1/2c.) {3:4g ~ 8|| ‘chorus’ 8 two cadences covering 5 bars :| ~ 355 753}

3/184c • K • Paddy O’Neil • 488 {6:8g ~ 2x8:|: ~ 51 62}

3/185a • K • Taidhreamh a deineag a réir dham • 489 — Words p 119 ‘Taidhreamh a deineag a réir dam / go déanach air mo leaba shuain’. {Cg ~ 16|| = 4+2 4+2 4 ~ 1116 6631}

3/185b • K • jig • 490 — Cf Joyce OIFMS p 116 The shamrock; Ryan p 107 Happy to meet, sorry to part; Roche 1 p 45, no 106 You’ll go a-hunting no more. {6:8g ~ 2x8:|: ~ 53 11 35 62}

3/185c • K • The new married couple • 491 — Part 2: cf Kerr’s collection p 32 The tenpenny bit (part 2). {6:8d ~ 2x8:|: ~ 62 61 62 61 (tonic d?) or (14 13 14 13 tonic b?)}

3/186a • J.G. • jig [JG pencil] • 915— In left margin:.’ J.G.’; probably composed by JG. {6:8d ~ 4x8:|: ~ 46 46 46 25}

3/186b • H • jig. Lanigan’s ball. • 916 — Blotted text in left margin: ‘ [Dr / br?] H’ [Brother Holden?]. — Notes of music are obscured by pencilled notes of music [by P.W. Joyce?]. Cf Kerr’s Merry 2 p 13; Kerr’s collection p 31 Ryan p 134; Aird 3 p 160, no 416 Dribbles of brandy. See 3/87c Jockey thro’ the town. {6:8d ~ 2x8:|: ~ 13 55 72 44}

3/187a • Petrie • A Dhomhnail mo mhaoin — In left margin: ‘Dr Petrie per J O’Daly’. Cf P-S no 1139. {3:4c ~ 8:|:16:| = 6x4 ~ 115 111}

3/187b • K • Strathspey • 492 — See near identical fragment at 4/4a, 4/92a Braes of Aghteryre. {Cd ~ 2x8|| ~ 1135 1315}

3/187c • Braw braw lads — Cf SMM 2 p 3, no 125; Dick p 3. {Cd ~ 2x4|| ~ 3211 5552}

3/188 Scotch airs [Heading referring to the next 27 items] 3/188a • [Scotch airs] • He is over the hills — Cf Hamilton SSS p 184, Graham 2 pp 70–71. {6:8g ~ 8:|8|| ~ 51 36}

3/188b • [Scotch airs] • Mary Morrison Tenderly — Cf Mitchison pp 72–73; Turnbull pp 66–67. {Cd ~ 2x4|| ~ 1153 1142}

3/188c • [Scotch airs] • My boy Tammy Tenderly — Cf Cameron p 17; Turnbull pp 42–43; Forde 300 NM 2 p 13. {Cc ~ 2x4|| ~ 1357 4427}

3/189a • [Scotch airs] • Saw ye my wee thing slow — Cf Hamilton SSS p 34–35; Graham 2 pp 94–95. See 1/206a Mary of Castlecary. {6:8g ~ 2x8|| ~ 51 22}

3/189b • [Scotch airs] • Wae’s me for prince Charlie slow — Cf Hamilton SSS pp 38–39; Graham 1 pp 114–15 Gypsy laddie. {Cg ~ 2x8|| = 4x4 ~ 1144 2255}

3/189c • [Scotch airs] • The Brisk young Lad — Cf Turnbull pp 188–89. See 1/133a The bunch of currants (part 1). {6:8bflat ~ 2x8|| ~ 33 42 31 15}

3/190a • [Scotch airs] • John Anderson my jo — Cf Cameron p 45; Forde 300 NM 2 p 4. See 1/205c. {Cc ~ 16|| = 4x4 ~ 5112 3334}

3/190b • [Scotch airs] • I loe na a laddie but ane — Cf SMM 3 p 276, no 267; Kerr’s Merry 1 p 31 (The air of Thomas Moore’s song ‘Believe me if all those endearing young charms’). See 1/176c, 3/197a. {6:8g ~ 2x8|| ~ 11 66 52 33}

3/190c • [Scotch airs] • What can a young lassie — Cf SMM 4 p 327, no 316; Dick p 176. {6:8d ~ 2x8|| ~ 13 42}

3/191a • [Scotch airs] • Highland Mary — Cf Cameron p 26; Hamilton SSS p 69. {Cbflat ~ 2x8|| ~ 5111}

3/191b • [Scotch airs] • Pibroch of Donail Dhu — Cf Hamilton SSS p 116; Kerr’s Collection p 34. {6:8f ~ 8||4|| ~ 56 53}

3/191c • [Scotch airs] • The Braes aboon Bonaw [a corrected in Bonaw] — Cf Hamilton SSS p 52; Gale’s pocket companion 1 p 13. {2:4d ~ !8||8!|DC ~ 15 55 15 32 (4 bars)}

3/192a • [Scotch airs] • O This is no my ain Lassie — Cf Hamilton SSS p 81; Kerr’s Merry 3 p 41. {Cd ~ 2x4|| ~ 3553 6542}

3/192b • Wilt thou be my dearie — Cf Edin repos music 2 p 129; Hamilton SSS p 97; Forde 300 NM 2 p 21. {2:4g ~ 18|| ~ 16 15 14 32 (4 bars)}

3/192c • Haud awa frae me Donald — Cf Gale’s pocket companion 1 p 33; Cameron p 48. {Cd ~ 8||8!|DC ~ 11 55 11 32 (4 bars)}

3/193a • My heart is sair for somebody — Cf Hamilton SSS p 12. {2:4g ~ 2x8|| ~ 15 22 13 63 (4 bars)}

3/193b • My only Jo my dearie oh — Cf Hamilton SSS pp 94–95; Graham 2 pp 138–39 Thy cheek is o’ the rose’s hue. {Cd ~ 2x8|| ~ 1131 1555}

3/193c • Here awa, there awa — Cf Hamilton SSS p 89; Forde 300 NM 2 p 1; SMM 1 p 58, no 57. {3:4f ~ 2x8|| = 4x4 ~ 775 333}

3/194a • Laddie oh leave me — Cf Hamilton British Minstrel 3 p 65. {3:4c ~ 21|| =4+4+4+5+4 ~ 517 113}

3/194b • Tam glen — Cf Songs of Burns p 13. {3:4g ~ 12|!12!| = 4x6 ~ 311 117}

3/194c • When the kye came hame — Cf Hamilton SSS p 29. {Cc ~ 12|| = 2+2+2+2+2+2 ~ 3115 5771}

3/195a • Argyle is my name — JG repeats in error bars 9 & 10. Cf SMM 6 p 578, no 560; Graham 2 pp 114–15; Forde 300 NM 2 p 24. {6:8g ~ 8||10 = 8+2|| ~ 513 2 33 51}

3/195b • Cam’ ye by Athol? — Cf Hamilton HUT 1 pp 116–17. {6:8d ~ 2x8|| ~ 31 53}

3/195c • Wha wadna fight for Charlie — Cf Hamilton SSS p 157; Kerr’s Merry 2 p 15; Kerr’s collection p 20. {2:4d ~ 2x8|| ~ 1133 1131}11 33 11 31 (4 bars, tonic d?) or 77 22 77 27 (tonic e?)}

3/196a • This is nae my ain house — Cf Orph Caled 2 p 72, no 32. {Cd ~ 2x4|| ~ 3532 1572}

3/196b • The year that’s awa — Cf Graham 3 pp 78–79. {6:8g ~ 12|| ~ 55 11}

3/196c • A scotch lilt • 917 — Part 1: cf Hamilton HUT 2 p 168 Monie musk. See 4/4c reel (2-bar fragment). {Cd ~ 2x4|| ~ 5354 5324}

3/197a • K • thug sí na móide ná geabhach liom • 493 — Related to ONMI no 114 My lodging is on the cold ground (air used for Moore’s song ‘Believe me if all those endearing young charms’). See 1/176c, 3/190b. {6:8g ~ 2x8|| ~ 13 51 52 32}

3/197b • K • Tá mo phass agam am phóca • 494 — Words p 123 ‘Tá mo phass agaim am pócadh ós gach baille dha seoltar me air cuaird’. {3:4d ~ 2x12|| = 4x6 ~ 116 113}

3/197c • K • we’l hunt the wren • 495 — See Croker Researches p 233 on this custom. See 1/266a Allisdrum’s march (first two bars), 3/19a Galagher’s jig (part 1). {6:8c ~ 8|| = 4x2 ~ 31 17}

3/198a • K • Round to the Rebels • 496 {Cg ~ 2x8:|: ~ 5337 5335}

3/198b • K • Catherine Ogie • 497 {Cc ~ 2x8:|: ~ 5112 5572}

3/198c • K • Do bhíos-sa lá breagh gréine • 498 — Cf Words p 120 Lá breagh aorach ‘D [h?]o bhíossa lá breagh aorach [aorach changed to greine by writing above] / cois na habhan dá nglaodhaid siud laoi’. {Cd ~ 16|| = 4x4 ~ 1115 7715}

3/199a • K • Caoine ’n Duine Aosda da chloinn • 499 — Words p 121 ‘Léan ar an mnaoi, thug uaithe ’n ghuidhe / nár órduig an duine aosda beadh taobh le na chloinn’. A version of the song ‘Carraig Aonair’ (about a drowning tragedy off the coast of Cork). See a Ballyvourney text from A.M. Freeman: ‘Luan duv an Áir’, JFSS 6 no 23, 130–32, and a related account in Croker Researches pp 175–76. {3:4g ~ 16|| = 4x4 ~ 342 112}

3/199b • K • Better than worse • 500 — Cf CRÉ 5 no 52 Port an Túir Mhóir [The Toormore jig] (part 1). {6:8g ~ 2x8:|:? ~ 56 56}

3/199c • K • Cáinseóireacht na mná leis an sean duine • 501 {3:4g ~ 2x8|| = 4x4 ~ 234 317}

3/200a • K • The Union Hornpipe • 502 — Cf Tubridy 1 p 25 An tsean-bhean bocht. {Cg ~ 2x8:|: ~ 3365 1116}

3/200b • K • Mulcahy’s favourite • 503 — Part 1: see 3/146c The Munster Lass. {6:8g ~ 2x8|| ~ 13 51(tonic d)}

3/200c • K • The Wedding of Ballyporeen [o in poreen corrected] • 504 — See 1/185b. {6:8g ~ 2x8|| ~ 13 51}

3/201a • K • Doolins reel • 505 — Cf CRÉ 5 no 146 Oifig nua an phoist [The new post office] (part 1) (commonly known as the ‘Scartaglen reel’). {Cd ~ 4:|:8||DC ~ 3211 7424}

3/201b • Lady Sheppard • Irish air from the Petrie collection — In left margin ‘Lady Sheppard ’. Cf Petrie AMI pp 68–69 Scorching is this love. Petrie’s tune was the source of the Church of Ireland hymn ‘Christ is the world’s redeemer’ (tune ‘Moville’). {Cg ~ 2x8|| ~ 1111 3332}

3/201c • Lady Sheppard • Irish air from Petrie’s collection (transposed & slightly altered) • 918 — In left margin ‘Lady Sheppard sept. 66’. This is the tune now famous under the title ‘The Londonderry air’. Cf Petrie AMI p 57 Name unknown, from ‘Miss J. Ross of N.T. Limavady, in the county of Londonderry’. {Cg ~ 2x8|| ~ 3335 2602}

3/202a • Willie brew’d a peck [pock?] o maut — Cf Edin repos music 2 pp 116–17; Graham 2 pp 80–81. {2:4g ~ 2x8:|: ~ 5664 1216}

3/202b • Nancy of the branching tresses — Cf B2 p 45; Clinton Gems no 57. {Cg ~ 2x8|| = 4x4 ~ 1361 5213}

3/202c • The green woods of Triugha — Cf B2 p 42. {3:4g ~ 2x8|| = 4x4 ~ 134 316}

3/203a • The old Triugha — Cf B2 p 67. {3:4g ~ 2x8|| ~ 113 153}

3/203b • Beside a Rath — Cf B2 pp 49–51. {Cg ~ 2x16|| ~ 1667 1101}

3/204a • The rose without rue — Cf B3 p12. See 4/102b. {2:4d ~ 2x8|| ~ 4116 6153}

3/204b • O’Neil’s cavalcade — Cf B2 p 32. {2:4g ~ 20|| ~ 2761 5775}

3/204c • Dermot O’Dowd — Cf B2 p 24; DMMag April 1842, tune no 10. {3:4c ~ 8|!8!| ~ 511 127}

3/205a • Marseillaise Hymn maestoso. {Cg ~ 30|| = 4+4+2+4+4+2+2+4+2+2 ~ 1122 5513}

3/205b • The Standard Bearer — Cf Lindpainter. {Cd ~ 18|| ~ 1133 5133}

3/206a • The charming fair Eily — Cf B2 pp 1–3. {6:8a ~ 16|| = 4x4 ~ 15 65}

3/206b • Mona’s lament — Cf Howe 500 Irish melodies p 223. {3:4d ~ 20|| = 5x4 ~ 511 332}

3/206c • The dawning of the day. see vol. I. page 268 — Cf B2 p 53. {Cg ~ 2x8|| ~ 1165 5532}

3/207a • Killarney Fair • 919 {6:8d ~ 24|| ~ 33 44 53 21}

3/207b • The Limerick jockey • 920 {6:8g ~ 24|| ~ 11 65 1165 Killarney Fair Boston Music Company}

3/208a • That is the road she went — Cf B2 p 40. {6:8g ~ 8|:16:| ~ 17 65}

3/208b • O’Rourke’s Feast slow — Cf Walker 2 no 19; B2 p 8. {6:8g ~ 8||16|| ~ 15 44}

3/209a • Planxty Irwin — Cf B2 p 7. {6:8g ~ 2x8|| ~ 16 53}

3/209b • Colonel Irwin — Cf B2 p 39. See 2/175b. {Cc ~ 2x8:|: ~ 1565 2424}

3/209c • Young Cusac — Cf B2 p 72. {6:8d ~ 2x8|| ~ 11 77 66 75}

3/210a • Planxty Sudley — Cf B2 p 68. See 4/126c. {Cd ~ 32|| ~ 1113 5555}

3/210b • Planxty Thomas McJudge — Cf B2 p 47. See 4/123b. {6:8g ~ 8||16|| ~ 51 13 31 14}

3/211a • Planxty Birmingham — Cf B2 p 70. {6:8g ~ 2x8:|: ~ 11 74}

3/211b • Fanny Power — Cf B2 p 49. See 4/148c. {6:8d ~ 2x8:|: ~ 11 42}

3/211c • Clara Burke — Cf MS 7348 p 185; B3 p 70. {3:4d ~ 16|| ~ 556 111}

3/212a • Young James Plunket — Cf MS 7348 p 173; B3 p 26. {Cg ~ 16|| ~ 1111 6633}

3/212b • Planxty Charles Coote — Cf B3 p 26. See 4/148a. {Cd ~ 2x8:|: ~ 3525 4235}

3/212c • Planxty Burke — Cf B3 p 31. {12:8bflat ~ 3x4|| ~ 1534 7471}

3/213a • Planxty Drury — Cf B1 p 6; Holden OIM no 14. See 4/125a. {6:8d ~ 16||20|| ~ 11 53}

3/213b • Sir Festus Burke — Cf B3 pp 34–35. See 4/147a. {2:4c ~ 26|| ~ 11 31 45 75 (4 bars)}

3/214a • Night closed round — [words by Thomas Moore]. Cf Haverty 300 p 96; Surenne SI p 124; ONMI no 205 Thy fair bosom. {3:4f ~ 16|| = 4x4 ~ 111 265}

3/214b • Thou flower of virgins — Cf B2 p 23. {3:4d ~ 2x8:|: =4x4 ~ 112 355}

3/214c • Try again — Non-traditional. {2:4d ~ 2x8||DC ~ 15 15 46 66 (4 bars)}

3/215a • Sit down under my protection — Cf B3 p 1; MS 7348 p 176. See 4/100c. {3:4g ~ !12!20|| ~ 123 123}

3/215b • The parting cup • 921 {6:8g ~ 8||16|| = 3x8 ~ 13 15 45 22}

3/216a • The Hornless cow — Cf B3 p 29. {6:8g ~ 3x8:|: ~ 57 11}

3/216b • Patricks delight • 922 — Cf Kerr’s Violin Instructor p 30 no 129. {9:8g ~ 12|| = 3x4 ~ 114 512}

3/216c • Mistress O’Grady • 923 {2:4g ~ 2x8||DC ~ 1753 2465}

3/217a • Air an mbaille tá’n cúilfhion — Cf B3 pp 14–15. {3:4g ~ 24|| = 3x8 ~ 511 353}

3/217b • The Humours of Galway • 924 {2:4g ~ 3x8|| ~ 1353 4616}

3/218a • O’Molly [sic] dear • 925 {Cc ~ 8||16|| = 3x8 ~ 1132 1155}

3/218b • Over the lake — Non-traditional. {6:8g ~ 24|| = 6x4 ~ 51 61}

3/219a • Maire na gruaige báine — Cf B3 p 49. {3:4g ~ 2x8:|: = 4x4 ~ 113 111}

3/219b • Tyreragh ? Tír iarrach [?] — Cf B3 p 31; MS 7348 p 182. {6:8g ~ 2x8|| = 4x4 ~ 1652}

3/219c • Rose Connolly — Cf B3 p 14; Surenne SI p 142. {6:8g ~ 16|| = 4x4 ~ 31 56}

3/220 • Lady of the desert (coulin) slow — Cf B3 pp 88–90. {3:4g [see 3:8 in part 4] ~ 8||8||16||3:8 ‘var’ 8:|:8 ~ 112 765}

3/221a • Nora mo mhíle stór — Cf B3 p 24. {3:8g ~ 8|!8:| ~ 445 334}

3/221b • Take my love — Cf B3 p 37 (JG begins by transposing B3 from A up to C, but from bar 2 to the end keeps pitch of original key, so that most of his text needs 3 sharps). {2:4c ~ 16|| = 4x4 ~ 1133 4233}

3/221c • The jolly old woman — Cf Alexander Flowers p 74; Hamilton HUT 1 p 30. — See 3/154b An t-seanbean sultmhar, 1/66a The humours of Bandon. {6:8c ~ 2x8:|: ~ 51 27}

3/222a • K • Seo uileó thoil • 506 {Cg ||8||‘chorus’ 8|| ~ 3576 1116}

3/222b • K • A short way to Heaven • 507 — Cf OFPC 3 p 45 Sweet Molly; CRÉ 1 no 177 Baintreacht na radaireacht [The tap room, etc.]. See 2/56c The Scotch bonnet, 2/163c Cock your pistol, Charley (parts reversed). {Cg ~ 4:|8||DC ~ 5157 5472}

3/222c • K • Hornpipe • 508 {Cg ~ 8:|:8:| ~ {5115 4236}

3/223a • K • Killaloe Hornpipe • 509 — Cf ONMI no 1732 the Widow Cantwell’s; CRÉ 2 Tom Connor’s hornpipe. (currently known also as ‘Cal Callaghan’s’). {Cg ~ 8:|:8:| ~ 5315 2555}

3/223b • K • The Green little Island • 510 — See 1/187c The dear little island. {6:8g ~ 8||8:| ~ 32 66 55 63}

3/223c • K • Caoineadh Shéamuis Mhic Coitir • 511 — Words pp 113–15 ‘Léan ort a Chorcuig / Léan ort agus dochar’. {Cd ~ 6||6|| = 3x2||2x3 ~ 3315 5542 (bar 2 corrected)}

3/224a • Is buachail óg me • 926 {Cg ~6+6||6+6|| ~ 1166 7733}

3/224b • Mrs Casey — Cf Hibernian muse p 4 (‘in Fontainbleau’); Howe Omnibus complete p 106. See 2/147c Billly O’Rourke. {6:8c ~ 8:|16|| ~ 16 55 66 43}

3/225a • Bhannerach Dhon na chri Slow — Cf Hamilton HUT 1 p 74; Dick p 24. {6:8g ~ 4+4||4+4|| ~ 15 53 15 51}

3/225b • Paddy now, wont you be easy — Cf Hamilton HUT 2 p 39. {9:8 but with barline after beat 2, as well as 3, of bar 1] ~ 3x4:| ~ 116 116}

3/225c • The Ladies of Carrick — Cf Hamilton HUT 2 p 112. |$!8:|:8:| two cadences [no dal $] ~ 5556 5566}

3/226a • Carolan’s cap — Cf Hamilton HUT 2 p 141. {2:4d ~ 8||8|| ~ 3313 1522}33 13 15 22 (4 bars, tonic d) or 66 45 41 55 (tonic a?)}

3/226b • Is céasda ’n galar an gradh — Cf B3 p 44. {3:4g ~ 8:|16:| ~ 651 111}

VOLUME FOUR OF GOODMAN MSS

facsimile

4/1 • Jackson’s airs [Heading immediately covering airs numbered I–XXI on pp 4/1–11. All these were evidently copied from NLI MS 7348 (as were very many of the tunes in this volume). We give references to Breandán Breathnach’s list of Jackson tunes (BBJ) Other airs attributed to Jackson are to be found elsewhere in JG’s collection.]

4/1a • I Horse in the Pound — BBJ no 30; MS 7348 p 4. Cf Gow Repos 1, p 36; DOS no 60 Mary O’Neill or Carolan’s favourite jig (parts 1 & 2) [= P-S no 981]. See 2/32 Humours of Dublin, bars 1–16. {6:8 g (or d?) ~ 2x8:|: ~ 13 52 13 42}

4/1b • II Trip to the Garret • 927 — BBJ no 31; MS 7348 p 4. {9:8d ~ 3x4:|: ~ 522 526 tonic d?)}

4/1c • III Maid at the Fair — BBJ nos 18 & 60; MS 7348 p 4. Cf OFPC 1 p 71; OFNIM p 34. {6:8d ~ 3x8:|: ~ 55 22 55 11}

4/1d • IV Morning Brush • 928 — BBJ no 5; MS 7348 p 4. Cf Jackson JCIT p 4; Murphy CIAJ p 5. Printed versions lack JG’s 4th part. See 2/178a (4th part) for a variant of part 2. {6:8d ~ 4x8:|: ~ 12 15 61 42}

4/1e–2 • V Grog • 929 — BBJ no 32; MS 7348 pp 5–6. {6:8d • 4x8:|: • 12 15}

4/2a • VI “Thought” • 930 — BBJ no 33; MS 7348 p 5. Cf Howe 500 Irish melodies ;p 220 Cherish the ladies: Jackson. See 2/2a Cherish the ladies, 3/81b Wallop the ladies. {6:8d ~ 3x8:|: 16|| ~ 15 15 65 44}

4/2b–3 • VII Jigg • 931 — BBJ no 34; MS 7348 p 6. Parts 1, 2, 4: cf OFPC 3 pp14–15 Jackson’s Jigg; OFPC 4 p 177 Jackson’s Stranger. G’s part 4 seems variation of his part 3. (6:8d. {6:8d ~ 4x8:|: ~ 72 72 72 41}

4/3a • VIII Night Cap • 932 — BBJ no 6; MS 7348 p 6. Cf OFNIM p 34; Jackson JCIT p 5; Amateurs companion p 13; Surenne SI p 20 The night dance (Strike the gay harp). {6:8d ~ 3x8:|: ~ 17 63 17 62}

4/3b • IX Welcome home [JG pencil:] ‘done’ — BBJ no 17; MS 7348 p 6. This tune is duplicated as no XVIII on 4/6b. Cf OFPC 1 p 65. See copy at 1/137c. {6:8g ~ 2x8:|: ~ 16 53 16 52}

4/3c–4 • X Snack • 933 — BBJ no 35; MS 7348 p 7. {6:8d ~ 9x8:|: ~ 35 36 35 42}

4/4a • Strathspey • 934 — fragment in pencil, on blank half-line after preceding item but unrelated. See 3/187b Strathspey, 4/92a Braes of Aghteryre. {[Cg or Cd] ~ 3-bar fragment ~ 1135 1315}

4/4b • XI Trip to the Furze • 935 — BBJ no 36 (listed as 9:8 time); MS 7348 p 8. {6:8d[ would be better as 9:8] ~ 4x6:|: ~&55 55 57 55 (tonic a) or 44 44 46 44 (tonic g) [9:8: 555 557 444 446]} NB: the 9:8 correction is not in the edition. See ERRATA.

4/4c • reel • 936 — Pencil, 2 bars only, on blank half-line after preceding but unrelated. See 3/196c A Scotch lilt (first two bars). {Cd ~ 2 bars ~ 5354 5324}

4/4d • XII Cogue in the morning — BBJ no 16; MS 7348 p 8. Cf OFPC 1 p 14. See 1/134d Humours of Mullin-a-fannia. {6:8c ~ 2x8:|: ~ 51 32}

4/4e–5 • XIII Cogue in the evening — BBJ no 37; MS 7348 p 8. Cf OFPC 1 p 52 Cosabue ord. See 2/41 & 3/22a Cosa buidhe arda dearga. {9:8g ~ 4x4:|: ~ 313 314}

4/5a • XIV Favourite or Dream — BBJ no 8; MS 7348 p 9. Cf Holden ISQT 1 p 9. See 1/25a. {6:8d ~ 2x8:|: ~ 11 53 55 22}

4/5b • XV Rowly Powly — BBJ no 21; MS 7348 p 9. Cf OFPC 4 p 101. {6:8d ~ 8:|:16:|: ~ 13 53 24 74}

4/5c • XVI Drum — BBJ no 38; MS 7348 p 9. Cf Citizen vol 4 August 1841, tune no 28; Ryan p 146 Frazer’s. See 1/237b Loosen the belts (part 1). {6:8d ~ 2x8:|: ~ 51 51 (tonic d) or 74 77(tonic/final e)}

4/5d • XVII House Maid • 937 — BBJ no 39; MS 7348 p 10. See 1/25a. {6:8g ~ 4x8:|: ~ 65 65 (tonic d) or 54 54 (tonic e)}

4/6a • The Jenny Lind Polka [top margin, JG pencil:] Down 3 notes — [Mrs G] piano, 2 staves, metrical irregularities. Tune still in regional polka tradition. See facsimile in TMP 2 p 154. {2:4f ~ 32||DC ~ 55 66 77 21 (four bars) or 5355 6466 (2 bars)}

4/6b • XVIII Welcome Home — MS 7348 p 10. Duplicate of 4/3b. {6:8g ~ 2x8:|: ~ 16 53 16 52}

4/7a • The Flirting Polka — piano [Mrs G], 2 staves. {2:4g ~ 8|Fine 8||DC ~ 13 75 24 53 (4 bars) or 1532 7255 (2 bars)}

4/7b • The Annie Polka — piano [Mrs G], 2 staves. Title common in print but none related found. {2:4g ~ 8||Fine 16|| ~ 4415 2415}

4/8a • The German Polka — piano [Mrs G], 2 staves. Cf Murphy German polka. {[2:4]d ~ 8||8:|8|| ~ 5342 3113}

4/8b–9 • The Prince Regent Polka — [Mrs G], piano, 2 staves. {2:4d ~ 2x8:|:7:|DC ~ 5653 4621}

4/9a • “The King’s own” Polka, By Miss Gamble — piano [Mrs G], 2 staves. {2:4f ~ 8:|:8||DC ~ 5535 5444?}

4/9b • Domhnall [roman] – I saw thy Form, in youthful Prime — Duet. MS 7348 p 80. Cf Moore no 4 1812 song 5; Muhollan SIST 48. See 4/160c. {Cd ~ 2x8|| = 4x4 ~ 3315 7535}

4/10a–11 • The Bridal Polka — piano [Mrs G], 2 staves. Cf Albert Bridal polka. {2:4g ~ 7x8|| ~ 3566 5343}

4/11a • XIX The Hunt • 938 — BBJ no 40; MS 7348 p 10. See copy at 4/61 The Bennison Hunt. {6:8d ~ 3x8:|: ~ 13 55}

4/11b • XX Groom .i. Larry Grogan • 939 — BBJ no 41; MS 7348 p 11. Cf Stewart Airs 2 p 97. See copy at 1/230c. {6:8g ~ 2x8:|: ~ 33 22}

4/11c • XXI Bottle of Punch — BBJ no 40; MS 7348 p 11. Cf Holden ISQT 1 p 12 The bottle of claret; Holden ISQT 1 p 35 Bottle of punch. See 1/20b. {6:8d ~ 2x8:|: ~ 15 35}

4/11d • The Rakes of Westmeath • 940 — MS 7348 p 15. Cf Aird 5 p 9, no 23; Cooke 48 Irish CDs 1 no 24. {9:8d ~ 2x4:|: ~ 113 114}

4/12a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4f ~ 8||16|| 1st part ~ 11 77 77 65 (4 bars)}

4/13a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4 d? ~ 2x8||DC ~ 5133 2465}

4/13b • Jacksons Hornpipe • 941 — 1/69a is a copy. {Cd ~ 3x8:|: ~ 1533 2216}

4/13c • Bantry Bay • 942 — Cf OFPC 3 p 2–3 Love & whiskey or Bob & Joan; Riley 1 no 143 Bobbing Joan. The air is now used for the song ‘Courting in the kitchen’). 1/234b is a copy. See 1/152a Bob and Joan. {Cg ~ 4:|:8:|: ~ 3111 3616}

4/14a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4bflat ~ 8||Fine $ 8:| $ DC ~ 5754 3131}

4/14b–17 • La Bella Caterina Brilliant — piano [Mrs G], 2 staves, much polka rhythm. {2:4dflat ~ 8||16|| 5x8|| 4|| ~ 7777 2117}

4/17a • K • Curls [line 1] – Curls on Irish pipe| [line 2] • 512 — For these ‘curls’ cf OFNIM (reproduced in ONIFM Appendix A, pp 329–30). For further ‘curls’ see 4/18b.

4/17b • [Untitled waltz] — piano [Mrs G], 2 staves, non-traditional. {3:4bflat ~ 8|:8:| ~ 166 466}

4/18a • Hornpipe • 943 — Cf Kerr’s Merry 4 p 40. 1/57b is a copy. See 4/59e Murphy’s hornpipe. {Cd ~ 3x8:|: ~ 1515 1325}

4/18b • The Highland Fabric — MS 7348 p 58. Cf Colclough p 17. See 1/146. {6:8c ~ 2x8:|:4:|:3x8:|: ~ 55 52 55 23}

4/18c • The Lads that thresh the Barley • 944 — Cf Grier 2 no 222 The lad that threshes barley [PDF no 216]. See 4/129b O’Reilly of Athcarne. {2:4g ~ 4:|:4 two cadences :|: ~ 5133 4465}

4/19a • Let no body see you – a Reel — MS 7348 p 15. Cf Carlin no 239 Capt Byng by Nath. Gow. 1/53c is a copy. {Cg ~ 4:|:8:|: ~ 7131 2275}

4/19b • The Rocks of Cashel — Cf Hime 1805 book 1, no 13 (JM 5297); Aird 4 p 11, no 29. {Cd ~ 4x4:|: part 3 repeats part 1 ~ 1565 1562}

4/19c • The Sick Boy — See 1/236–37 An buachaill breoite (slight variations in bar 18). {Cg ~ 3x4:|:3x5:|: ~ 1221 1247}

4/19d • Tatter Jack Walsh • 945 — Cf UCC p [72], no 17. {6:8g ~ 2x8:|: ~ 31 77 74 51}

4/20a • Blewits jig • 946 — Different settings very common in print, sometimes with the title Barney/Judy Bralligan / Brallaghan. {9:8d ~ 3x4:|: ~ 355 351}

4/20b • Miss McLeod’s Reel • 947 — Different settings very common in print. Cf Howe Omnibus p 44. See 1/46a, 1/189a. {Cg ~ 2x8:|: ~ 1166 3333 (tonic g, final a)}

4/20c • The Limerick Lasses • 948 — See 1/242b (a copy?). {Cd ~ 3x4:|: ~ 1512 4542}

4/20d • Lord W^m Fitzgeralds Waltz — Cf Power 2 p 2. {3:8g ~ 3x8:|: ~ 556 556 553 113 (4 bars)}

4/20e–21 • The Munster Lass — Cf gnp p 164. See 3/146c (shorter version). {6:8d ~ 6x8:|: ~ 11 21 11 52}

4/21a • Paddy O’Kelly • 949 {6:8d ~ 3x8:|: ~ 53 33}

4/21b • Lisburn Lasses • 950 — Part 2: cf ONDMI no 792 The cup of tea (parts 2 & 3 reversed). See 1/37a. {Cd ~ 4:|:8:|: ~ 1151 1142}

4/21c • Cordon Bleu [footnote by JG, lacking in the source:] The order of the “Cordon bleu” was founded by Louis XVIII, on the birth of the Duke of Bordeaux son of the Duke de Berri AD 1820 JG — Cf gnp p 165; Alday 1818; PON MS /3 (pages unnumbered). {2:4g ~ c3x8:|: ~ 51 35 25 33 (4 bars)}

4/21d • The Highland Fling • 951 — Parts reversed: cf Kerr’s Merry 6 p 51, Kerr’s Merry 7 p 8 The Marquis of Huntly’s highland fling; Koehler 1 p 54 Highland fling. Part 1: cf ONMI no 1389 The flax in bloom. Part 2: cf CRÉ 1 no 140 Ríl Uí Mhuireasa [Morrison’s reel]; Treoir 1970 Ril Ath Threasna. See 3/141b The new post office. Part 1: see 3/31b The maids of Erin. {Cd ~ 4:|:8|| ~ 5335 3232}

4/22a • Ag taisdiol na bláirne — Cf OFPC 2 p 126 Stalk en vauraga. {3:4a ~ 12:|:20|| = 8+4, 8+8+4 ~ 356 111}

4/22b • “Whistle owre the lave o’t” — Cf Gleadhill p 30; Kerr’s Merry 1 p 11. Related to the Irish tune ‘Maggie Pickens’. See 3/148c Maggie tripping on the shore. {Cg ~ 4:|8|| ~ 1633 5146}

4/22c • The Scholar — Cf Levey 1 no 39. See copy at 1/235b. {Cd ~ 4 two cadences ||8:|: ~ 1342 1556}

4/22d • Rambles to Conaught — gnp p 163. Undistinguished. {6:8d ~ 3x8:|: ~ 11 11 12 37}

4/23a • A Reel — See copy (better version) at 1/241b. {Cd ~ 4:|:8:|: ~ 1515 1562}

4/23b • Lady E [Elizabeth] Douglas’s Reel • 952 — MS 7348 p 1. part 2: cf Ryan p 76 Gem of Ireland (part 2). {Cd ~ 4:|:8:|: ~ 1551 2266}

4/23c • A Reel • 953 — Cf Howe’s 1,000 p 162 Lass of Dundee. 1/242a is a copy. See also 3/44d & 4/87c Lasses of Dundee. {Cg ~ 2x8:|: ~ 1353 5453}

4/23d • Willy o’er the Mountains • 954 — Cf Aird 4 p 11, no 29 Rocks of Cashel; Holden ISQT 1 p 8. {Cd ~ 3x4:|: ~ 1565 1562}

4/23e • Lord Mayo • 955 — Cf OFPC 3 p 68; Saust p 7; gnp p 173; Neal CIT p 28. {Cc ~ 4:|:8:|: ~ 1154 5175}

[Here begins a series of solos mixed with two-staff duets from Moore, or a collection including Moore and non-Moore, with double titles, evidently copied or adapted from NLI MS 7348.]

4/24a • Maid of the Valley – go where glory waits thee — Duet. MS 7348 p 60. Cf Moore no 1 1807 song 1, duet; McC 1 p 1; Edin repos mus 2 p 70. {3:4g ~ 4:|:4||DC ~ 125 465}

4/24b • The Brown Maid – oh! Breathe not his name — Duet. MS 7348 p 60. Cf Moore no 1 1807 song 4, duet; McC 1 p 4; Holden OIM no 16. {Cg ~ 8||DC = 4!4!| ~ 6342 2111}

4/24c • The Fox’s Sleep – When He who adores thee — Duet, with JG using the lower line of treble staff of keyboard accompaniment for his lower line. MS 7348 p 61. Cf Moore no 1 1807 song 5, solo; McC 1 p 5; Surenne SI p 9. {Cd ~ 16|| ~ 1175 5611}

4/25a • The Young Man’s Dream – as a Beam o’er the Face of the Waters &c — Duet, with JG using the low part of the treble line for his lower part. MS 7348 p 64. Cf Moore no 1 1807 song 11, 4-part setting; McC 1 p 11; Surenne SI p 141 (treble part). See 2/119b. {3:4d ~ 16|| ~ 355 211}

4/25b • Kitty of Coleraine – When daylight was yet sleeping &c – [“]Paddys Resource” — Duet, with JG using single or top line of keyboard treble for his lower part. MS 7348 p 64. Cf Moore no 3 1810 song 5, solo; Surenne SI p 36. See 1/265c. {6:8d ~ 16|| ~ 15 16}

4/25c • Gradh mo Chroidhe – The Harp that once thro’ Tara’s Halls — Duet, with JG using the 2nd treble for his lower part. MS 7348 p 65. Cf Moore no 1 1807 song 6, 4 parts; McC 1 p 6; Surenne SI p 114. {Cg ~ 8|| ~ 5561 5215}

4/26a • The Coulin – Tho’ the last glimpse of Erin &c — Duet, with JG using the 2nd treble of 4-part setting for his lower part. MS 7348 p 65. Cf Moore no 1 1807 song 9, 4 parts; McC 1 p 16. See 4/56c–57. {3:4g ~ 2x8:|: ~ 112 131}

4/26b • The Summer is coming – Rich & rare were the gems she wore — Duet, with JG using 2nd treble as his lower part. MS 7348 p 66. Cf Moore no 1 1807 song 10, 4 parts; McC 1 p 10. {3:4g ~ 8!|16|| ~ 117 667}

4/26c • Luggelaw – Not more welcome the fairy numbers — Solo. MS 7348 p 65. Cf Moore no 6 1815 song 3, solo; McC 2 p 54; Surenne SI pp 142–43. {3:4g ~ 16|| ~ 246 513}

4/27a • Táimsi am chodla &c – Like the bright lamp that lay on Kildares holy shrine — Duet, with JG’s lower line from 2nd treble and, at solo sections, from the lower line of the keyboard treble staff. (JG replaces the pseudo refrain at the end with ‘D.C.’). MS 7348 p 67; cf Moore no 3 1810 song 1, verse solo, 3-part refrain; McC 1 p 25 Surenne SI p 137. See 1/8b & 3/47b. {3:4g ~ 8||24||DC ~ 453 342}

4/27b • John O Reilly the Active – oh think not my Spirits are always as light — Solo. MS 7348 p 69. Cf Moore no 1 1807 song 8; McC 1 p 8; Surenne SI p 134. {6:8g ~ 24|| ~ 514 7}

4/28a • Thady you gander – Oh! tis sweet to think that where’er we rove — Solo. MS 7348 p 68 (duet). Cf Moore no 3 1810 song 8, solo; McC 1 p 31; Surenne SI pp 14–15. See 1/15b Domhnall na gréine with spirit (the tune known now as ‘The leg of the duck’). {6:8g ~ 24|| ~ 32 32 62 62}

4/28b • Heigh ho my Jacky – Drink to her &c — Solo. MS 7348 p 69. Cf Moore no 3 1810 song 2, solo; McC 1 p 25; Surenne SI p 91. {3:4g ~ 12|| ~ 334 442}

4/28c • Arrah my Dear Eveleen – Silent oh Moyle &c — Solo. MS 7348 p 69. Cf Moore no 2 [1809?] song 9, solo; Surenne SI p 19; Holden ISQT 1 p 21. See 4/74a [untitled]. {Cd ~ 16|| ~ 1177 6753}

4/28d • The Song of Sorrow – weep on, weep on, your hour is past — Solo. MS 7348 p 70. Cf Moore no 4 1812 song 3, solo; McC 1 p 38; Surenne SI p 54. {Cg ~ 16|| ~ 4442 1361}

4/28e • Cruachan na Feine [roman] – Avenging & bright fall the swift swords of Erin — Solo. MS 7348 p 70. Cf Moore no 4 1812 song 9, solo; McC 1 p 44; Surenne SI pp 112–13. {3:4d ~ 8||8|| ~ 113 255}

4/29a • The Yellow Horse – What the bee is to the floweret — Solo. MS 7348 p 71. Cf Moore no 4 1812 song 10, solo; McC 1 p 45; Surenne SI p 125. {2:4g ~ 16||8|| ~ 13 42 13 24 (4 bars, tonic d) or 57 16 57 61 (tonic g, but final d)}

4/29b • Were I a Clerk – you remember [Ellen] our hamlets pride — Solo. MS 7348 p 71. Cf Moore no 5 [1813?] song 11; McC 2 p 50; Surenne SI pp 112–13. The name El-len, omitted by JG, is attributed notes in the music. {6:8g ~ 8||8|| ~ 56 31}

4/29c • Castle Tirowen – Remember thee! yes while there’s life in this heart &c — Solo. MS 7348 p 71. Cf Moore no 7 1818 song 5; McC 2 p 68; gnp p 159; Surenne SI p 59. {3:4d ~ 16|| ~ 113 116}

4/29d • The Lamentation of Aughrim – Forget not the field where they perished — Solo. MS 7348 p 72. Cf Moore no 7 1818 song 10; McC 2 p 73; Surenne SI p 105. {3:4d ~ 12|| ~ 356 111}

4/29e • Ná baineann san dó – They may rail at this Life – or – This Earth is the Planet — Solo. MS 7348 p 72. Cf Moore no 7 1818 song 11; McC 2 p 74; Surenne SI p 72. See 1/79b, 2/1b. {6:8g ~ 16|| ~ 55 55}

4/30a • Cuisle mo chroidhe – Come o’er the sea Maiden with me — Solo. MS 7348 p 72. Cf Moore no 6 1815 song 1; McC 2 p 52; Surenne SI pp 38–39. {6:8d ~ 20|| ~ 33 32}

4/30b • Kitty Tyrrel – oh! Blame not the Bard — Duet. MS 7348 p 73. Cf Moore no 3 1810 song 3, duet; McC 1 p 27; Surenne SI p 56. {6:4g ~ 8||8|| ~ 5116}

4/30c • The Braes of Moran — Cf OFPC 4 p 148. {Cd ~ 2x4:|: ~ 1313 1562}

4/31a • I once had a True Love – Through Grief & through Danger — MS 7348 p 74. Cf Moore no 3 1810 song 9, duet; McC 1 p 32; Surenne SI p 30. {3:8g ~ 30|| = 6x5 ~ 6142 (4 bars)}

4/31b • Banks of Banna – When thro’ Life unblest we Rove — Duet, using 2nd treble for his lower part. MS 7348 p 75. Cf Moore no 3 1810 song 10, 4 parts; McC 1 p 33; Surenne SI pp 18–19. {Cd ~ 16|| ~ 1133 1555}

4/31c • [Untitled jig] [roughly pencilled jig filling blank half line after preceding item] • 956 — A version of the ‘Cliffs of Moher’. See 2/159c. {[6:8d] ~ [8||8||] ~ 51 57 22 22}

4/32a • We brought the Summer with us – come send round the wine &c — Solo. MS 7348 p 75. Cf Moore no 2 [1809?] song 10; McC 1 p 22; Surenne SI p 135. {6:4d ~ 16|| ~ 1555}

4/32b • Gage Fane – ’Tis believed that this harp &c — Duet, with JG using 2nd treble for his lower part. MS 7348 p 76, duet. Cf Moore no 3 1810 song 12, trio; McC 1 p 35; Surenne SI p 147. {3:4g ~ 16|| ~ 323 213}

4/32c • Dermott – Take back the virgin page — Duet. MS 7348 p 76. Cf Moore no 2 [1809?] song 3, duet; McC 1 p 15; Saust p 3; Surenne SI p 4. {3:4d ~ $ 8 $||8 part 2 two cadences (2nd unmarked) !|~ 553 116}

4/32d–33 • The Sixpence – It is not the tear at this moment shed — Duet. MS 7348 p 77, duet. Cf Moore no 3 1810 song 11, duet; McC 1 p 34; Saust p 3; Surenne SI p 4. See 1/187a. {Cg ~ 16|| ~ 6632 5561}

4/33a • The Red Fox – Let Erin remember the days of old — Duet, with JG using 2nd treble for his lower part. MS 7348 p 78. Cf Moore no 2 [1809?] song 8, 3 voices; McC 1 p 20. {Cg ~ 8!|8!| ~ 1133 5543}

4/33b • The old woman – Oh! the days are gone when beauty bright — Duet, with JG using single or top line of treble staff of keyboard as his lower part. MS 7348 p 78, duet. Cf Moore no 4 1812 song 1, solo; cf McC 1 p 36. {6:8g ~ 20|| ~ 32 15}

4/34c–35 • The retreat from St Jean D’Acre — [Mrs G] 2 pages of close copying for piano, 2 staves. Cf Glover Retreat. {2:4c modulating to g without change of key signature ~ 36||8||24||50|| ~ 33 65 54 43 (4 bars)}

4/36a • K • A Mháire ’s a Mhúirnín [note JG:] time wrong – see other book • 513 — Words pp 125–126 ‘A mháire ’s a mhúirnín ’s a lúibín ’na gcraobhfholt’; cf Tunes p 5d (closer to 1/5a).nbsp; {Cd ~ 7||7!|! ~ 1314 5505}

4/36b • Seaghan Ua Dhuibhir an ghleanna — Cf OFNIM p 21. See 1/250b. Seaghan Ua Dhuibhir an ghleanna {3:4c ~ 4:|:8|| ~ 112 631}

4/36c • St Patricks day – Tho’ dark are our Sorrows &c — Duet, with JG using single or top line of treble keyboard for his lower part, which may be intended for an instrument (song is quite jig-like with no vocal traits). MS 7348 p 79. Cf Moore no 4 1812 song 2, solo; McC 1 p 37; Surenne SI pp 44–45. See 1/203c (from a different source). {6:8g ~ 22|| ~ 11 55}

4/36d • Bruach na Cairge báine — Tunes p 10b. Solo. All on one line (squeezed in later?). MS 7348 p 111 An Irish air. Cf O’D 1850 p 280; OFNIM p 36. See 1/17 (exact copy), 4/102e. {6:8c ~ 4:|:8||D [C?] ~ 53 47}

4/37a • Father Quinn – When’eer [sic] I see those Smiling Eyes — Solo. MS 7348 p 80. Cf Moore no 7 1818 song 7; McC 2 p 70; Surenne SI pp 74–75. {Cg ~ 16|| ~ 4632 4261}

4/37b • Open the Door – She is far from the land &c — Duet with JG using tenor part for his lower part. MS 7348 p 81. Cf Moore no 4 1812 song 7, trio; McC 1 p 3; Surenne SI p 82. {6:8d ~ 2x4|| ~ 15 66}

4/37c • The Moreen – The Minstrel Boy to the war is gone — Duet with JG using the second of three parts for his lower part. MS 7348 p 81. Cf Moore no 5 [1813?] song 6, trio; McC 2 p 93; Surenne SI pp 4–5. Cg ~ 2x8|| ~ 1142 3517}

4/37d • An Caoine or Dirge – My gentle Harp once more I waken — Solo. MS 7348 p 91. Cf Moore no 7 1818 song 1; McC 2 p 64; Surenne SI p 29. {3:4g ~ 16|| ~ 116 431}

4/38a • The Rose Tree of Paddys Land – I’d mourn the hopes that Leave me — Duet: in bars 5–8 JG adapts the lower treble keyboard line of the solo version for his duet lower line. For bars 1–4 he uses the second treble part of the 3-part text, which lacks bars 5–8. MS 7348 p 82. Cf Moore no 5 [1813?] song 12, solo/ trio setting; McC 2 p 51; Surenne SI p 33. {Cd ~ 2x4:|: ~ 1555 1232}

4/38b • Sly Patrick – Has Sorrow thy young days shaded — Duet. MS 7348 p 82. Cf Moore no 6 1815 song 2, duet; McC 2 p 53; Surenne SI p 60. {6:8g ~ 2x8|| ~ 32 56}

4/38c • Miss Molly – I saw from the Beach &c — Duet. MS 7348 p 84. Cf Moore no 6 1815 song 10, duet; McC 2 p 61; Surenne SI p 66. See 1/184b. {6:8d ~ 12|| = 6x2 ~ 17 13}

4/39a • K • An Beinsín luachradh • 514 — See 1/18a. Cf Tunes p 10e (closer to 1/18a). {Cd ~ 2x8:|: ~ 3243 1153}

4/39b • Síos as suas liom – Oh! where the slave so lowly &c — Duet, with bars 1–16 of JG’s lower line taken from part 2 of the trio, and bars 17–24 from the treble line (or the lower treble line) of the keyboard. MS 7348p 83. Cf Moore no 6 1815 song 7, trio/ solo; McC 2 p 58. {Cd ~ 24|| = 6x4 bars 17–20 ‘Sym’+21–24 ‘song’ ~ 1113 1155}

4/39c • The Cuckoo’s Nest — MS 7348 p 180. 1/60a is a copy, parts 2 and 3 reversed. {Cg ~ 3x8|| ~ 4213 7445}

4/40a • The little Harvest Rose – In the morning of life &c — Duet. MS 7348 p 84. Cf Moore no 7 1818 song 3, duet. Cf McC 2 p 66. {Cd ~ 16|| = 4x4 ~ 3423 1117}

4/40b • Denis dont be threatening – Nay, tell me not dear, that the goblet drowns — Duet. MS 7348 p 85. Cf Moore no 4 1812 song 8, solo; McC 1 p 43; Holden OIM no 30; Surenne SI pp 24–25. See 1/208a, solo. {6:8d ~ 24|| = 6x4 ~ 75 75}

4/40c • Caoilte glas na trugha • 957 — Cf Mulholland 1 p 25. {3:4d ~ 4||9|: = 4+5+4 ~ 115 315}

4/41a • Molly My dear – At the mid hour of night &c — Duet, with JG using 2nd treble of 4-part setting for his lower part. MS 7348 p 86. Cf Moore no 5 [1813?] song 2, 4 parts; McC 2 p 89; Surenne SI pp 48–49. {3:8g ~ 10||15|| ~ 556 442 331 211 (4 bars)}

4/41b • O Patrick fly from me – When first I met thee &c — Duet. MS 7348 pp 86–88. Cf Moore no 6 1815 song 4, duet; McC 2 p 55; cf Surenne SI pp 32–33. Lower line of duet cf Saust p 3. {2:4g ~ 24|| = 6x4 ~ 3221}

4/41c • Oh Erin my Country tho’ strangers may roam Andante — Cf Howe 500 Irish melodies p 224. {6:8d ~ 12|| ~ 74 15}

4/42a • Yellow Wat on/in [read ‘and’] the Fox – Oh! doubt me not the season is o’er — Duet, with JG’s lower line mainly taken from the lower of the two keyboard parts. MS 7348 p 87. Cf Moore no 5 [1813?] song 10, solo; McC 2 p 49; Surenne SI p 84. {6:8d ~ 24|| = 3x8 ~ 75 76}

4/42b • ’Sa vournin Deelish – Tis gone and for ever, — Duet, with JG using the lower line from second part of trio for his lower part. MS 7348 p 88. Cf Moore no 6 1815 song 9, trio. {Cd KS c> d ~ 8:|:8|| ~ 1117 6663}

4/43a • Norah Kisthee – Wreath the Bowl &c — Duet, with JG using the second part of quartet for his lower part. MS 7348 p 89. Cf Moore no 7 1818 song 6, 4 parts. Cf McC 2 p 69; Holden ISQT 1 p 1. {6:8d ~ 2x8||DC ~ 13 43}

4/43b • Winnowing Sheet – If thou’lt be mine &c — Duet on two staves unbracketed. MS 7348 p 89. Cf Moore no 7 1818 song 8; McC 2 p 71; Surenne SI p 93. {6:8d ~ 10|| = 4+4+2 ~ 51 22}

4/43c • The Dandy O! The young may Moon — Duet, with JG using the treble of quartet for his lower part. MS 7348 p 91. Cf Moore no 5 [1813?] song 5; McC 2 p 92; Surenne SI p 20. See 1/44a. {6:8d ~ 2x8|| = 8x2 ~ 11 65}

4/43d • K • The Banks of Cloddie [JG note:] voce T.K • 515 — See 1/248a. {Cd ~ 4||12:|: = 4x4 ~ 1111 3355}

4/44a • Limericks Lamentation – When cold in the earth — Duet. MS 7348 p 90. Cf Moore no 7 1818 song 4, 4 parts. Cf McC 2 p 67. See 1/212c Lochaber no more, 3/102b Orange and green, 4/160a Lochaber. {3:4g ~ 32|| = 4x8 ~ 333 323}

4/44b • Unknown – Oh! for the swords of former times &c — Duet, with JG’s lower line taken from the second treble of two trebles and one bass. MS 7348 p 93. Cf Moore no 7 1818 song 12, trio; McC 2 p 75; Surenne SI p 100. {Cd ~ 12|| = 6x2 ~ 1324 1327}

4/45a • The dear Black Maid – The Dirge – How oft has the Banshee cried — Duet. MS 7348 p 92. Cf Moore no 2 [1809?] song 5; McC 1 p 17; Surenne SI p 43. {3:4g ~ 24|| = 6x4 ~ 355 551}

4/45b • Groves of Blarney – Tis the last Rose of Summer — Duet. MS 7348 p 93. Cf Moore no 5 [1813?] song 4, 4 parts; McC 2 p 91; Surenne SI p 1. {3:4g ~ 16|| = 4x4 ~ 316 531}

4/45c • Erin my Country – Secundo — Where is the top part of the duet? 4/41c doesn’t match. {6:8d ~ 8:|7:| ~ 35 15}

4/46a • The Brown Thorn – St Senanus & the Lady – oh! haste & leave this Sacred Isle — Solo (bars 1–25, & duet (bars 26–41). MS 7348 p 95. Cf Moore no 2 [1809?] song 1 p 52. solo and trio; McC 1 p 13; Surenne SI p 98. 3:4g ~ solo bars 1–25, duet 26–41 = 10x4 if bars 12–13 [error?] are telescoped ~ 534 156}

4/46b • The Brown Irish Girl – By that Lake whose gloomy shore — Solo. MS 7348 p 70; cf Moore no 4 1812 song 6, solo. Cf McC 1 p 41. {Cg ~ 10|| ~ 6531 6211}

[End of batch of copies from Moore]

4/46c • Lady Caroline Bertie — Cf Holst; Clarke MS no 176 (p 84 of pdf). {2:4d ~ 8:|:8||8|| ~ 5321 7753}

4/47a • The Triumph — Cf Hime 1810 p 4; Kerr’s Collection p 22. {2:4g ~ 3x8:|: ~ 5331 4227 (2 bars), or 53 42 17 53 (4 bars)}

4/47b • The Recovery — Cf Howe Omnibus complete p 157; Weippert NCD 2 no 3. {2:4bflat ~ 8:|:8||8||DC ~ 5151 2222 (2 bars), or 55 22 52 11 (4 bars)}

4/47c • Culvey Lodge — Cf Nath Gow 1812 Calver lodge (parts transposed); Howe’s 1,000 p 71. {Cg ~ 8:|:8|| ~ 1127 5555}

4/47d • New Prime of Life • 958 — Cf Ashman p 25. See 1/220b The prime of life. {2:4f ~ 2x8:|: ~ 53 11 22 53 (4 bars) or 5535 1511 (2 bars)}

4/47e • Voulez Vous Dancer Madamoiselle — Cf Kerr’s Merry 1 p 27; Weippert NCD 2 no 6; VMP Winder MS JaW.169. {6:8c ~ 8:|:8||8||DC ~ 33 21 72 13}

4/47f • Calder Fair — (the air used for the nursery rhyme ‘Sing a song of sixpence): cf Howe Omnibus complete p 114. See 1/191a. {2:4d ~ 2x8:|: ~ 1165 6133 (2 bars)or 16 63 25 35 (4 bars)}

4/48a • Miss Spicers Fancy — Cf Hime 1809 no 3, p 3. {6:8bflat ~ 8:|:8||DC ~ 34 51}

4/48b • Peter street Dance — MS 7348 p 44. Cf Hime 1809 no 2, p 3; Clinton Gems no 189. See 1/106c, 1/215c. {Cbflat [JG end:] or in this key: [bar 1 notated in g] ~ 8:|:16|| ~ 1353 5176}

4/48c • Lady Matilda Bruce • 959 — Cf Gow Repos 4 p 21. {2:4f ~ 2x8:|: ~ 33 17 53 24 (4 bars)}

4/48d • Hyde Park Fair • 960 {Ca ~ 8||8:|: ~ 1355 4245}

4/48e • A French Dance • 961 — Cf Harding’s all-round p 14 The Sylph; VMP Harrison MS RH.100; Ashman p 1 (part 1); ONMI no 812 The girls of Banbridge (parts reversed). See near duplicate 3/133b Jig. {6:8d ~ 2x8:|: ~ 51 52 34 72}

4/49a • A Tyrolese Dance • 962 {2:4f ~ 3x8:|: ~ 5_5_6_4_ 2_5_4_1_ (4 bars)}

4/49b • The Hibernian Medley • 963 — unusual rhythm with crotchet dotted plus quaver, See 3/163a Hibernia. {6:8c ~ 3x8|| ~ 31 55 35 42}

4/49c • Ayrshire Lasses • 964 — Cf Gow Repos 1 p 19 The merry lads of Ayr; Koehler 3 p 236. {Cc ~ 2x4|| ~ 3115 3144}

4/49d • The Wellington Medley — Cf Alday 1815 p 1a (single jig), p 1b (reel). {6:8[c illegible], 24 bars / reel: C[c illegible, no change of time signature noted], 8 bars ~ 8:|8:|:8||2x4|| ~ 51 21}

4/49e • A Favourite Reel • 965 — Cf John Gow Favorite coll p 8d Colonel Small’s strathspey. {Cg ~ {2x4:|: ~ 1111 1122}

4/50a • The Priest of Lurgan • 966 — The title refers to the Revd Edward Sterling (1706–62), rector of Lurgan, Co Cavan. See Donnelly 2000. See nearly identical copy at 1/241a. {6:8d ~ 4x8:|: ~ 14 41 14 47}

4/50b • The Jolly Tinker • 967 — Cf Kerr’s Merry 1 p 34. See 1/41c, 3/136d. {Cd ~ 7x4:|: ~ 5152 5154 (tonic e)}

4/50c • Old Neil Gow — Cf Hime 1809 no 3, p 3; Aird 5 p 1, no 1; Cameron p 46. {Cg ~ 2x4:|: ~ 5163 5166}

4/50d • Fairy Boy — By Samuel Lover. Cf gnp p 141; Lover Fairy boy; Howe Omnibus complete p 98. {3:4g ~ 2x8|| ~ 156 165}

4/50e • Kathleen O’More — Cf gnp p 96; Clinton Gems no 32. {6:8a ~ 8|| ~ 11 22}

4/51a • Gustys Frolick — Cf P-S no 813. {9:8g ~ 9x4:|: part 2 two cadences without repeat mark ~ 553 514 or 553 474 (4 bars)}

4/51b • Lady Perth’s Fancy or Rokeby — Cf Hime 1815 p 1; Goulding & co’s selection of CDs no 34; Power CDs no 1. {6:8c ~ 3x8:|: ~ 13 51 25 13}

4/51c • Miss Corbets Reel — Cf Aird 5 p 8, no 21; parts 1 & 3 of ONMI no 1209 The new demesne, 2nd setting, & of ONDMI no 485 The college groves. {Cd [scarcely legible] ~ 4:|:8:|: ~ 1353 2427}

4/52a • The Tank — Cf Weippert NCD 1 no 24; Hamilton HUT 1 p 11; Kerr’s Merry 1 p 29. {2:4 [c? or g?] ~ 2x8:|: ~ 11 77 25 31 (4 bars)}

4/52b • Miss Ross’s reel — Cf Campbell 8 p 22. {Ca ~ 4:|:8:|: ~ 3231 5272}

4/52c • What a Beau your granny was — See copy at 1/239. Basic tune common in print, but normally in common time. {2:4d ~ 6x8:|: ~ 3127 1165 (2 bars) or 32 16 65 42 (4 bars)}

4/52d–53 • Lucy Campbell • 968— Unrelated to 3/29b or to the commonly printed Lucy Campbell. Cf Joyce MS 3 p 283, tune 846 Lucy Campbell with variations (from Miss Eileen O’Moore’s MS music book). See 1/224–25 (variant). {Cd ~ 8x8:|: ~ 5553 5764}

4/53a • The Harmonious Blacksmith — Version of composition by Handel. Cf gnp p 175. See 1/240a (copy?). {Cg ~ 4:|:8||12|| ~ 1125 3425}

4/53b • The Straw Berry Banks • 969 — Cf Joyce OIFMS no 234 pp 113–14. See copy at 1/37b. See 1/43a Betsy Baker. {Cg ~ 8:|:8||DC ~ 1372 3311}

4/54a • Dunbarton Drums — Cf gnp p 60; Graham 3 pp 68–69; Oswald CPC 2 p 1. {Cg ~ 4x8:|: ~ 3333 1554}

4/54b • The long Strands of America • 970 — Somewhat reminiscent of OFPC 4 p 103 The duke’s retreat {Cg ~ 2x8:|: ~ 4437 3116 (tonic & final b)}

4/54c • Kutus off — Non-traditional. Kutuzov was a Russian general in the Napoleonic wars. {2:4g ~ 8:|:8:DC 8||DC ~ 15 45 35 23 (4 bars)}

4/54d • Kutus off [written small] — Non-traditional. {2:4g ~ 8||16|| ~ 33 17 33 61 (4 bars)}

4/55a • Lady Sutherlands Reel — Cf Aird 4 p 10, no 26 Countess of Sutherland’s reel. {2:4g ~ 4:|:8|| ~ 1565 4322}

4/55b • Enrico — See close variant at 1/244c A Welsh hornpipe. {2:4d ~ 8||8:|: ~ 1313 5653}

4/55c • Síghle Ní Ghuidhreadh — JG’s 7 parts equate to OFPC 1 pp 12–13, parts 1–2, 4–7, & OFNIM pp 24–25, part 7. OF’s part 1 lacks JG’s repeat cadence, in which JG’s bars 13–14 are nearly identical to his part 3, bars 13–14. Is there an older source for both? See part copy in 1/16c. {3:4g ~ 16||16:|:variations 16:|:8:|:8:|:8:|:16:|: ~ 133 244}

4/56a • The Humours of Bandon — defective version. Cf gnp p 166. See 1/66a. {6:8g ~ 10:|:13|| [sic] ~ 51 27}

4/56b • The Boughileen Buidhe — Cf gnp p 169; OFNIM p 40 The boughlee buee or Gallaway Tom. See 1/231. {12:8d ~ 6x4:|: ~ 1323 1326}

4/56c–57 • The Coulin — Parts 1–2: cf Crosby Irish pp 201–202 and Hamilton HUT 2 p 163; part 3: cf O’Hara GMR p 19 ( part 5); part 4: cf Murphy CIAJ p 8 (part 4); parts 5–8: cf OFNIM p 33 (parts 3–6). See 4/26a. {3:4d ~ 8x8:|: parts 3–8 variations ~ 112 151}

4/57a • Gráine Mhaol • 971 — Parts 1–2: cf B3 p 36. {6:8c ~ 4x8:|: ~ 55 51 45 77}

4/57b • The Frost is all over • 972 — Cf Howe Omnibus complete p 99; P-S no 850. See 1/29a. {6:8c ~ 2x8 ~ 12 62 11 62}

4/58a • Paddy O’Rafferty — Cf gnp pp 170–71 (variations differently ordered); Moore no 8 1821, song 5 Drink of this cup. {6:8d ~ 12x8:|: ~ 55 52 55 11}

4/58b • The Cameronian Reel • 973 — Cf Bremner Scots reels p 82 Cameronian’s rant; Aird 1 p 38, no 107; Cooke 1797 p 4; OFPC 3 p 44. {Cd ~ 4:|:7||DC one bar (5th?) of part 2 omitted ~ 3135 3156}

4/59a • Richers Hornpipe • 974 — Cf Hime’s pocket book 2 p 36; Ryan p 102 Huntsman’s hornpipe; ONMI no 1607 Murray’s hornpipe. See 1/55a The stage hornpipe. {2:4g ~ 16:|:8:|: ~ 1117 2511}

4/59b • Duval’s Hornpipe — Cf Hime’s pocket book 4 p 7 Miss Duval’s hornpipe. See copy at 1/57a. {Cg ~ 8:|:12:|: ~ 1134 1134}

4/59c • Blanchards Hornpipe – wrong [part 2 crossed out] • 975 — Part 1: cf Aird 4 p 37, no 92; Curtin MS no 19 Limerick hornpipe; Ryan p 187 Fisher’s; POK 2 no 45 Fisherman’s hornpipe. See 1/54c. Part 2: see 1/56b, 4/60a The Liverpool hornpipe (part 2). {Cg ~ 2x8:|: ~ 1345 3345}

4/59d • Aldrige’s Hornpipe — Cf Colclough p 15. See 1/141a. {Cd ~ 2x8:|: ~ 1113 5412}

4/59e • Murphy’s Hornpipe • 976 — Cf Kerr’s Merry 4 p 40. See 1/55c (copy), 4/18a. {Cd ~ 4 two cadences ||8:|: ~ 1515 2224}

4/60a • The Liverpool Hornpipe — Pipes p 29, no 67. Cf Howe Omnibus p 43. See copy at 1/56b. {2:4d ~ 2x8:|: ~ 3312 4316}

4/60b • Ross’s Hornpipe • 977 — Parts 1 & 2: cf Harding’s all-round p 62 The medal. Parts 3 & 4 seem to be an unrelated reel in the genre of ‘Kiss the maid behind the barrel’. See copy at 1/56c. {2:4d ~ 2x8:|:4x4:|: ~ 1133 6716}

4/60c • The Old Foxhunters Jigg • 978 {6:8g ~ 4:|:21:|: ~ 3212 3211, part 2: 33 33 22 22}

4/60d • The chorus jigg • 979 — Cf Holden ISQT 1 p 24; Murphy CIAJ p 15; Aird 2 p 48, no 131. {6:8d ~ 4x8:|: two cadences in parts 2 (without repeat mark) and part 4 ~ 51 41 51 51}

4/61a • Money in both Pockets • 980 — Two-part versions common in print. Cf OFPC 2 p 152; Gow Coll 3 p 30. 1/232 is a copy. See 1/119c. {6:8d ~ 6x8:|: part 6 two cadences without repeat mark ~ 13 55 13 54}

4/61b • The Bennison Hunt — Same as 4/11a The Hunt [Jackson]. {6:8d ~ 3x8:|: ~ 13 55 12 57}

4/61c • Rossline Castle — Cf Graham 1 pp 16–17. See 1/176a. {Cd ~ 2x8:|: ~ 1554 6423}

4/61d • Tell tale eyes — composition in Scots style, non-traditional. {Cc ~ 4:|:8:|: ~ 1111 1172}

4/61e • Paddys green Island • 981 — Cf Joyce OIFMS p 7, copied from a MS lent by O’D. {6:8bflat ~ 2x8:|: ~ 32 65 53 72}

4/62a • Stop at the Corner • 982 — Cf Gore Highland collections p 112 Miss Leslie of St Andrews reel. {Cd ~ 2x8:|: ~ 1325 6152}

4/62b • The Stop Waltz — [by Signor Spagnoletti]. Cf Duval. {3:8f ~ 3x8:|:5:|: ~ 654 535 424 313 (4 bars)}

4/62c • The Blue l — Cf Flute player’s pocket companion 1 p 106; Ashman p 1. {6:8c? ~ 2x8:|: ~ 55 33 12 33}

4/62d • Old womans Money • 983 — Cf gnp p 30; Ryan p 131 The Limerick Lass. {6:8d ~ 2x8:|: ~ 32 31 32 66}

4/62e–63 • Pretty Girl milking her cow • 984 — Seems to be from print, but no close source found. See 1/14c. {9:8g ~ 9x4:|: ~ 351 341}

4/63a • The actor of all work — Non-traditional. There was a play with that title written in 1817 by George Colman the younger for the actor Charles Mathew. {2:4f ~ 2x8:|: ~ 3311 5533}

4/63b • Whistle & I’ll come to you my Lad • 985 — Cf Harding’s 200 p 50. {6:8d ~ 8:|:16|| ~ 35 35 31 42}

4/63c • Flora Macdonald — Cf Raven p 136 The Maid of Glenconnel. See copy at 1/240b, variant at 4/65f. {6:8g ~ 2x8:|: ~ 31 55 31 32}

4/64a • The Green Fields of America — Cf Ryan p 31. See 3/27a. {2:4a ~ 2x8:|: ~ 4635 2226}

4/64b • Down the Bourne Davy love — Cf Hamilton HUT 2 p 164; Corri 2 p 3; Lawson MS (6th tune from end). {2:4] ~ 21|| =4x4+appendix 5 ~ 3152 3511}

4/64c • [Untitled jig] • 986 — pencil 8-bar fragment, begun on staff 5, continued on staff 12. The first two bars are each marked ‘bis’. {[6:8g] ~ 8-bar fragment ~ 51 51 47 47}

4/64d • Darby Kelly — Cf Whitaker & Dibdin. {6:8g ~ 44:|: = 8+8+20+4+4 ~ 13 13}

4/64e • The Hare in the corn — Cf OFPC 1 p 77. {6:8d ~ 3x8:|: ~ 35 63 43 42}

4/65a • The Tartan Plaid — Cf Amateurs companion p 20. See 4/88e. {Cc ~ 4:|:8:|: ~ 3565 3542}

4/65b • Blue Ribbon — Cf Amateurs companion p 45. {6:8c ~ 2x16:|: ~ 31 53 33 11}

4/65c • For lack of gold he left me O— Cf OFPC 1 p 75; Graham 1 pp 146–47. {2:4c ~ 2x8:|: ~ 1151 6221}

4/65d • Boney over the Alps • 987 — Cf ONMI no 1590 Jerry Daly’s hornpipe, 1st setting; Raven p 171 Napoleon crossing the Alps. See copy at 1/68c. {2:4g ~ 2x8:|: ~ 3212 7772}

4/65e • Paddys Evermore • 988 — Cf ONMI no 262. See copy at 1/255b. {2:4d ~ 8|| $ 8:|: $ ~ 1113 2754 (2 bars) rather than 11 25 31 11 (4 bars)}

4/65f • Mrs McDonald • 989 — variant of 4/63c. See 1/240b. {6:8c ~ 2x8:|: ~ 31 54 33 32}

4/66a–67 • Jeannette and Jeannot. Words by Jeffries Music by Glover — [Mrs G]. Song with piano accompaniment, incipit ‘You are going far away, far away from poor Jeanette’. [by JG:] gothic title ornamented with shamrocks. Cf Glover Jeannette’s song. {2:4g ~ 8|| [words:] 40|| song ends bar 44; 1 verse under staff +2 verses ~ 33 33 33 51 33 (4 bars)}

4/68a–69 • Jeannot’s Song. Words by C Jeffries Music by Ch Glover — [Mrs G]. Song with piano accompaniment, incipit ‘Cheer up, Cheer up My own Jeanette, Tho’ far away I go’. Cf Glover Cheer up. {2:4bflat ~ 13||36|| voice ends bar 45 ~ 5117 2255}

4/70–71 • The Cavalier. Words by Bellamy Music by Glover — [Mrs G]. Song with piano accompaniment, incipit ‘Twas a beautiful night, The stars shone bright, And the moon o’er the waters played’. Cf Glover The Cavalier. {6:8e ~ 8|| [words:] 28|| voice ends bar 24 ~ 33 51}

4/71 • An Seanduine — Cf OFPC 4 p 76 The shan dinna or silly old man. See 1/15a, 2/34b Pay the reconing. {6:8d ~ 4x8:|: = quatrain + refrain ~ 15 13}

4/72–73 • “Siubhail a Rúin” • 990 — [Music & words written by JG]. Voice and piano. Followed by five stanzas in English, incipit ‘I would I were on yonder hill’. Bar one of voice line 4 (p 72) is metrically defective. Cc ~ 4||18|| voice ends bar 20 ~ 3322 1157}

4/73 • The Campbells are Coming • 991 — Cf Aird 1 p 8, no 21; OFPC 1 p 74. {6:8g ~ 8:|:8 two cadences || ~ 15 53 15 32}

4/74a • [Untitled] — [Mrs G?]. Rough unfinished arrangement for voice and piano (no words) of Moore’s ‘Silent O Moyle’. See 4/28c. {Cc ~ 15| fragment, bar 5, voice begins, no words ~ 3322 1275}

4/74b–75 • Quadrille • 992 — JG filled the last line of p 74 with the first ten bars (bar 10 crossed out and rewritten). It is concluded on the top of p 75. {6:8g ~ 2x8:|: ~ 51 51 53 26}

4/75a • The Storm Quadrille — Non-traditional. {6:8d ~ | $ 8:|:8|| $ 8:|: ~ 1122 31 32}

4/75b • Miss Rawdons fancy • 993 — Cf ONMI no 1328 The Dublin lasses. Now commonly known as ‘The boys of Ballysadare’. {Cg ~ 4:|:8|| ~ 5156 5132}

4/75c • Ceann dubh dílís — Cf Mulholland AIA 2 p 70; O’Hara GMR p 5. {3:4f ~ 16:|:33|| sic ~ 557 111}

4/75d • Lady C Bruces favorite — Cf Hamilton HUT 2 p 25 (by Nathaniel Gow); Gow BNG 2 p 12 Lady Charlotte Bruce’s favorite. {6:8g ~ 2x8:|: ~ 334 2 35 72}

4/76a • I’d rather live a single life than marry a donny [?] man • 994 {Cg ~ 8:|:8|| ~ 5313 6711}

4/76b • The Fox asleep • 995 — Cf Amateurs companion p 7. {Cg ~ 2x8|| = 4x4 ~ 1175 5511}

4/76c • An Draoighnéan [sic] donn • 996 {Cd ~ 4||12|| ~ 3113 6711}

4/76d • The green woods of Truigha • 997 {Cg ~ 6:|:12|| = 4x6?? ~ 1113 5536}

4/76e • Truagh • 998 {3:4c ~ 6:|:13||, ~ 767 111}

4/76f • Tulloughorum — Cf Hamilton HUT 1 p 84; Alburger pp 86–87; Stephano p 7. {Cg ~ 4:|:8||DC [?] ~ 3542 3535}

4/77a • Wellington Dance • 999 — Cf Joyce MS 3 p. 287, tune 857 The Wellington reel (From Miss Eileen O’Moore’s MS music book); Ryan p 43 Paddy on the turnpike; ONMI 1555 Cronin’s favorite; ONDMI no 768 The flowers of Limerick; Roche 1 p 56 The mills are grinding. Now generally known as ‘The bunch of keys’. {Cd ~ 8||8:|: ~ 5111 3565}

4/77b • The Waterloo Dance — Cf Joshua Gibbons p 95; Trim Hardy no 49. {2:4d ~ 8:|:8:|: ~ 35 11 21 15 (4 bars)}

4/77c • Bachelors walk — Cf ONMI no 880 The Killeshandra lasses. See 1/101c Brisdín bréide. {6:8g ~ 8:|:8:|: ~ 13 53 22 62}

4/77d • Gregg’s pipes • 1000 — Cf Grier 2 p 45 (part of no 202) [facs p 43, PDF no 196] Greggs pipes; Part 1: cf ONMI no 1199 The bucks of Oranmore, part 1. Part 4: cf ONMI no 1199 The bucks of Oranmore, part 2. {Cd ~ 4x4:|: ~ 1551 1562}

4/77e • The New Honey Moon • 1001 — Cf Hall Selection p 19; Grier 2 no 115 [facs p 25, PDF no 106] untitled. { Cd ~ 4:|:8:|: ~ 5353 6416}

4/77f • The Country Lass • 1002 {Cd ~ 4:|:8:|: ~ 1313 2224}

4/77g • Llewellyn — Air of the Welsh song ‘The ash grove’. Cf OFPC 3 p 33; Colclough 19d. See 1/151b (a copy?). {6:8g ~ 4:|:8:|: ~ 13 22}

4/78a • The House of Clonelphin — Cf Joyce OIFMS pp 95–96 ‘copied from a Munster MS. Lent me by the late John O’Daly’ (perhaps JG used the same source). See 2/161c The house of Glenarkeen, 3/145c Glanmorgan house. {6:8g ~ 2x8:|: ~ 51 57}

4/78b • Burn’s [sic] Farewell • 1003 — Cf Aird 2 p 6, no 17 The peacock; Holden Masonic p 30, no 16; Colclough p 21. See 1/157a. {Cc ~ 2x8:|: ~ 3117 3343}

4/78c • Rose Bradwardine — Cf Hodson Highland quadrilles (2nd tune). {6:8c ~ 8||16||8|| ~ 31 65}

4/78d • A Quick step • 1004 {2:4g ~ 16||16||DC ~ 51 33 66 11 (4 bars)}

4/78e • The Boys of the lough • 1005 {Cd ~ 2x8:|: ~ 5335 1326}

4/79a • The Flogging reel • 1006 — Cf Ryan p 7. See 3/19b, 3/62b, 3/131a. {Cc ~ 2x4:|:8|| ~ 3134 3131}

4/79b • The Rakes of Kildare • 1007 — Cf Howe Omnibus complete p 108; Aird 5 p 28, no 69 A jig; B2 p 39 Get up early. See near duplicate 1/248c. {6:8d ~ 8:|:8 two cadences || ~ 51 55 75 47}

4/79c • The Blackberry blossom • 1008 — Cf Petrie AMI p 12. See 3/111b (variant). {Cg ~ 4:|:8|| ~ 5231 3331}

4/79d • Sheela Magan — Non-traditional. {6:8c ~ 25:|: ~ 32 51}

4/79e • Flora McDonald plaintively —Davidson 150 Scotch songs pp 64–65 (music by M. Kelly, ‘A captive maid pin’d in the tower of Dunmore’). {6:8d ~ 20|| bars 17–20 an addendum ~ 55 52 53 15}

4/79f • Fanny • 1009 — Cf CRÉ 2 no 272 Péarla an Achaidh Mhóir [Pride of Ahamore]. Part 1: see 3/146a The sporting days of Easter (part 2). {Cg ~ 2x4:|: ~ 1315 4622}

4/80a • McNeill’s Hornpipe — Cf Kerr’s Collection p 28 Jacky Tar; Stephano p 27 Jack ashore. See 1/45b The college hornpipe, 1/55b. {Cd ~ 8:|:8|| ~ 1115 3113}

4/80b • Waltz by Mozart — Cf Howe Omnibus p 37 Mozart’s celebrated military waltz; Riley 2 p 74. {3:8bflat ~ 16:|:2x8:|:16:|:2x8:|: ~ 5555}

4/80c • Waltz • 1010 {6:8 [sic] g ~ 8:|:8||DC ~ 55 55}

4/80d • Murray’s Maggot or The Heart of my Kitty [JG pencil:] .i. Kittys rambles to Youghal • 1011 — See 4/131a. {6:8d ~ 8:|:16|| ~ 17 14 37 34}

4/81a • Signora Ferze’s Hornpipe • 1012 — Cf gnp p 172; ONMI no 1800 The hunt; CRÉ 5 no 211 Cornphíopa an tíogar [The tiger hornpipe] (from Denis Murphy). See copy at 1/248b. {Cg ~ 4:|:8|| ~ 1326 4465}

4/81b • The Dumfree House • 1013 — Cf Anderson’s budget p 26. See 3/161c Dumfries house. (6/8). {Cg ~ 4:|:8|| ~ 1132 3675}

4/81c • Roy’s reel • 1014 {Cg ~ 12:|:4:|: ~ 1132 1152}

4/81d • Kitty’s Wedding or The Boys of the Abbey • 1015 — Cf ONDMI no 786 Over the moor to Maggie. {Cg ~ 2x8:|: ~ 1133 1642}

4/81e • The geese on the bog [JG pencil:] or Box the Monkey — See 1/247b (a copy?). {6:8d ~ 4x8:|: ~ 13 13}

4/82a • Miss Monaghans reel • 1016 — See 142c, 2/153b Johnny shooting in the glen, 3/159a The dandy girl; 3/179b The pretty girls of this town. {Cd ~ 8:|:8:|: ~ 1235 6635}

4/82b • Neil Gow – or the Marquess of Huntley’s Strathspey • 1017 — Part 1: cf Gow Repos 1 p 24 The Marquis of Huntlys farewell; Anderson’s budget p1 Marquis of Huntly’s farewell. {Cd ~ 8:|:8 two cadences || ~ 1135 6122}

4/82c • The Pleasant Rocks — Cf Moore no 1 1807 2nd tune, keyboard four hands. JG follows top staff in bars 1–8, staff 3 in bars 17–20, top staff in bars 21–32 (end) omitting all dots. Cf also B1 p 12 Carraige an aoibhnis; Neal 1724 p 19 Clanuff’s delight. {3:4c ~ 24|| = 6x4 ~ 125 665}

4/82d–83 • Irish Jigg • 1018 {8 two cadences ||16||8 two cadences ||16|| ~ 24 62 21 51}

4/83a • The Bloom is on the Rye — Cf Bishop & Fitzball. {Cc ~ 23|| = 4x4 +2+2+3 ~ 3342 7627}

4/83b • Alice Gray — Cf Hodson Alice Gray. {2:4g ~ 16|| ~ 31 26 52 22 (4 bars)}

4/83c • Birks of Invermay — MS 7348 p 109 (JG copied the secondo part from the MS and omitted the air (in error?). {Cd ~ 8:|:8:|: ~ 3335 5544}

4/83d • My nannie o — Cf gnp p 117, Edin repos music 1 p 24. {Cg ~ 2x8:|: ~ 5155 3211}

4/83e • Mount the Baggage [aggag corrected] • 1019 — Cf McGlashan Strathspey reels p 31 The merry maid’s wedding; OFPC 3 p 64 The Haughs of Cromdale. See 1/227b Reels of bogies, 2/152b Barrack Hill, 2/179a My bride is a young thing. {2:4g ~ 2x8:|: ~ 5117 5524 (2 bars) or 51 52 51 72 (4 bars)}

4/84a • The Lothian Lass • 1020 — Cf Cameron p 37; Graham 3 pp 34–35 Last May a braw wooer. See 1/172c One day a braw wooer. {6:8g ~ 3x8:|: ~ 13 21 31 65}

4/84b • Lake of Killarney — Cf Edin repos music 1 pp 86–87; Murphy CIAJ p3; OFPC 1 pp 36–37; BNG 3 p 16. See 4/88d. {6:8d ~ | $ 8:|:‘Sym’ 8:|:So. 8|| $ 8|| $ ~ 32 55}

4/84c • Dunkeild House • 1021 — Cf Hamilton HUT 2 p 116; Koehler 2 p 152. Part 1: see 3/112a The grey goose. {6:8g ~ 8:|:16|| ~ 13 53 42 42}

4/84d • Cuisle mo chroidhe — Cf Mooney 1 pp 32–33. {3:4d ~ 33|| 4-bar parts ~ 112 775}

4/84e–85 • Black eyed Susan — Cf Hamilton HUT 2 p 151 (song by Richard Leveredge). {3:4g ~ 28|| ~ 512 321}

4/85a • The Mac Gregors gathering — Cf Dun VMS, pp 394–98. {6:8c ~ 32|| ~ 11 26 16 15}

4/85b • The Roscommon Ball • 1022 — Part 1: cf part 1 of Moylan JOL no 176 Danny Ab’s (1) (the tune of Scottish origin known as ‘The cock o’ the North’). Part 2: cf Moylan JOL no 167 Going to the well for water (also known as ‘The Scattery Island slide). Part 3: cf the third part of the popular version of ‘Dingle Regatta’; Moylan JOL no 91 The Kilcummin slide (which has also been recorded from Padraig O’Keefe and Denis Murphy).{12:8c ~ 3x4|| ~ 3457 7575}

4/85c • Shannons Flowery Banks — Cf OFPC 1 pp 58–59. {Cg ~ 4:|:8|| ~ 3346 5631}

4/85d • The Cooleen Bawn — Cf OFPC 3 p 32; Holden ISQT 1 p 30. See 1/268b (a copy?). See 1/11a An súisín bán. {Cg ~ 2x6:|: ~ 3665 1244}

4/85e • Adieu Adieu Thou faithless World — Cf OFPC 1 p 25. See 2/36c. {Ca ~ 2x4:|: ~ 1151 3325}

4/86a • An Irish Air • 1023 — Cf OFPC 3 44a The young mans dream; Joyce OIFMS p 340 no 680 Youghal harbour. {3:4g ~ 2x8:|: ~ 113 663}

4/86b • An Páisdín Fionn [Paisdín?] — Cf OFPC 3 p 12; gnp p 134. {6:8g ~ 2x8:|: ~ 17 32 37 75}

4/86c • A man’s a man for a’ that — Cf OFPC 3 p 10; Hamilton HUT 1 p 20; SMM 3 p 300. {Cd ~ 2x4:|: ~ 1162 3155}

4/86d • Sally in our alley — Cf Henderson 1847 p 14. See 1/201b (a copy?). {3:4d ~ 16|| ~ 517 417}

4/86e • Pray Goody — Cf MS 7348 p 56; gnp p184; OFPC 4 p 111. Edin repos music 1 p 41. See 1/204b. {Cg ~ 8||4||DC ~ 5542 3115}

4/86f • Peggy Bawn — Cf MS 7348 p 56; Moore no 10 1834 song 7 Song of Innisfail; OFNIM p 17; Henderson 1847 p 5. {3:4d ~ 2x8|| ~ 137 143}

4/87a • Strathspey • 1024 {Cd ~ 4:|:4 two cadences ||4 two cadences || ~ 5133 1555}

4/87b • The Yellow Haired Laddie — JG omits the first two notes in bar 6 of part 2 in copying. Cf Aird 6 p 45, no 116; OFPC 3 p 36; Edin repos music 1 p 13. {3:4d ~ 2x8|| two cadences each part ~ 356 113}

4/87c • The Lasses of Dundee • 1025 — Cf Howe’s 1,000 p 162. Near duplicate of 3/44d. See also 4/23c Reel. {Cg ~ 4:|4 two cadences || ~ 1353 5453}

4/87d • Away away to the Mountains brow — Cf gnp p 152; Alexander Lee Away away. {6:8g ~ 60||, bar 45 corrected? ~ 33 31}

4/88a • The Rose of Allandale — Cf Nelson & Jefferys; Howe Omnibus complete p 9. {Cd ~ 24|| = 6x4 ~ 3311 2755}

4/88b • The Gipsy King — Comic opera song? Not the one composed by S. Nelson (see 4/88a). {6:8d ~ 28|| = 4+4+2+4+4+2+4+4 ~ 12 11}

4/88c • Let us haste to Kelvin grove — Cf MS 7348 p 49, duet; Thomson 6 n p 30; Kerr’s Merry 3 p 41. {Cd ~ 4:|:6:|: ~ 3216 6221}

4/88d • The Lake of Killarney — Cf Edin repos music 1 p 86; OFPC 1 pp 36–37. See 4/84b. {6:8g ~ | $ 8:|:12|| $ ~ 32 55}

4/88e • The Shoe Makers Frolic — Cf Cameron p 7 Clydeside lasses; Ryan p 86. See 3/155b Scotch reel, also 4/65a The tartan plaid. {Cf ~ 4 two cadences ||8|| ~ 3565 3535}

4/89a • Scotch Air — Cf Edin repos music 3 p 117. {Cd ~ 2x8:|: ~ 1133 2155}

4/89b • If thou wouldst have me sing & play — Cf Moore If thou wouldst. {6:8d ~ 8:|:16|| = 3x8 ~ 35 51}

4/89c • Brides to Bed — See 1/52b, nearly identical. {Cd ~ 4:|:8|| = 3x4 ~ 5113 7347}

4/89d • Johnny Cope — Cf Aird 2 p 19, no 52; OFPC 3 p 51. See 3/31a. {2:4g ~ 4x8:|: ~ 1113 5117}

4/90a • Lullaby — Cf Storace; Riley 2 p 5c. See 1/203d. {6:8d ~ 12|| ~ 56 55}

4/90b • The Berkshire Hunt — Cf Gow 2nd coll p 2 Perth-shire hunt; Surenne DMS p 62. See 2/164c The bridge of Perth. {Cg ~ 2x8|| ~ 6313 1362}

4/90c • The Rail Road • 1026 — Cf Ryan p 47 Paddy on the railroad; ONMI no 1509 The merry blacksmith. See copy at 1/37c. See also 3/111a The police jacket. {Cd ~ 2x8|| ~ 1163 1163}

4/90d • Kate Kearney — Cf Light vol 2 no 5, p 2; OFPC 4 p 132. See 1/192b. {6:8c ~ 2x8:|: ~ 51 21}

4/90e–91 • Chieftains ye are welcome — Non-traditional (operetta?). Flamboyant, alternating solo and chorus. {2:4d ~ C16||16 two cadences :|4|| ~ 1351 6151}

4/91a • Widow Mahoney — Cf Hamilton HUT 2 p 9. {6:8g ~ 20|| ~ 54 32}

4/91b • The Rising of the Lark — Cf Forde 300 NM 1 p 31 Codid yr hedydd; Hamilton HUT 1 p 98. {2:4d ~ 12||12|| = 2x6+3x4 ~ 15 35 46 11 (4 bars)}

4/91c • Tho’ tis all but a dream at the best — Cf Moore National airs p 167. {6:8d ~ 24|| ~ 57 55}

4/92a • The Braes of Aghteryre — Cf Aird 2 p 54, no 146. See 4/4a Strathspey (pencil fragment). {Cd ~ 2x8:|: ~ 1133 1316}

4/92b • Drowsy Moggy • 1027 — Cf ONMI no 1424 Sleepy Maggie. Now popularly known as ‘Jenny’s chickens’. {Cd ~ 2x4:|: ~ 3331 3337}

4/92c Lochiel’s March — Cf Lochiel sheet music (imprint) at JM 4229. {6:8a ~ 6x8:|: ~ 56 53 56 52}

4/92d • Lochiels Quickstep • 1028 {6:8a ~ 8:|:8||DC 11||DC ~ 32 43}

4/92e–93 • The Return of the Admiral — Cf MS 7348 p 77; Clarke MS p 104, no 212 (p 99 of pdf). {Cd ~ 20|| ~ 3515 7533}

4/93a • Come back to me — Non traditional. Cf Lover, Come back to me. {Cd ~ 24|| ~ 1176 5300}

4/93b • Kathleen ma Vourneen — Cf Howe Omnibus complete p 16. {3:4g ~ 5x8|| ~ 332 554}

4/93c • Ned of the Hill — Cf Lover, Ned of the hill. {6:8g ~ 16|| = 4x4 ~ 51 35}

4/93d • Lassie would ye love me — Song by William Holder. Cf MS 7348 p 102; Grieg Minstrelsie 2 pp 226–27. {2:4g ~ 16|| = 4x4 ~ 13 53 25 32 (4 bars)}

4/94a • Sing Sing Music was given — Cf Moore no 9 1824 song 12; Surenne SI p 88. {6:8g ~ 24|| = 3x8 ~ 13 23}

4/94b • Mo Nora a stór • 1029 {3:4d ~ 16|| ~ 132 131}

4/94c • Mind not the day light around is breaking — Non-traditional. Words by Thomas Moore. {3:8g ~ 16: ~ 533 355 (2 bars)}

4/94d • Molly Bawn — Cf Lover Molly Bawn. {3:4d ~ 26|| = 6x4 +2 ~ 536 531}

4/94e–95 • Kenmure’s on and awa — Duet, with instrumenal lower line. Cf Elias Howe HVWM, p 120; Kerr’s Merry 1 p 32; Hamilton HUT 2 p 36 (all solo). {6:8f ~ 8:|:8|| ~ 11 55 11 22}

4/95a • Rondo — Non-traditional. {3:4 [read 3:8]c ~ 16:|:16:|:16|| [divide last bar in 2] ~ 555 427 111 113 (4 bars)}

4/95b • Lough sheelan — Cf Moore no 6 1815 song 8; Holden ISQT 2 p 9. {3:4g ~ 16|| = 4x4 ~ 113 753}

4/95c • Moll Tierney — Cf gnp p 174; Hamilton HUT 1 p 18. {6:8g ~ 2x14||14:|: = 6x7 ~ 14 66}

4/96a • Mullowneys jigg — MS 7348 p 3. See 1/233 (independent copy of MS 7348?). {6:8d ~ 6x8:|: ~ 35 55}

4/96b • The Scotch Chieftain Duncan McQuinn — Little traditional interest. MS 7348 p 21. See 1/234a (a copy?). {6:8g ~ 4x8:|: ~ 11 11 53 26}

4/96c • Which way [w corrected] did she go – Cia an bealach a deachaidh sí — MS 7348 p 21; cf Citizen 3, Jan 1841, tune no 1; P-S nos 1215–16. {3:4g ~ 2x9|| = 2x(4+5) ~ 156 332}

4/96d–97 • Jack Lattin — MS 7348 p 191. Common in print, often with multiple variations, e.g. McGibbon pp 110–111. See copy at 1/255a. Part 1: see 2/152c Jenny rock the cradle. {2:4d ~ 7x8:|: ~ 1351 5331}

4/97a • The Unfortunate Rake — MS 7348 p 190. Cf Holden ISQT 2 p 9; ONMI no 735 Basket of turf (parts reversed). See copy at 2/50a. {6:8g ~ 8||8:|: ~ 51 24 11 25}

4/97b • The Foggy Dew — MS 7348 p 171. Cf Surenne SI p 110. See copy at 1/235a. {Cg ~ 8||16|| = 6x4 ~ 1131 6521}

4/97c • Paddys Resource — MS 7348 p 112. Cf Smith IM 34b Oh! Tell me what sound. {6:8c ~ 16|| ~ 15 16 13 46}

4/97d • The Drummond Lasses — MS 7348 p 112. Cf ONDMI no 673; Riley 1 p 2 Duvil’s hornpipe; CRÉ 4 no 144 Ríl Leaicí [Lackey’s reel], parts reversed. See copy at 1/49b. {Cg ~ 2x4:|: ~ 1353 1372}

4/98a • Sweet Portaferry Plaintive — MS 7348 p 184. Cf B3 p 55. {3:8d ~ 2x16|| ~ 3215 (4 bars)}

4/98b • ’Tis a pity I dont see my love Distinctly — MS 7348 p 184. Cf B3 p 69. {9:8g ~ 4 two cadences ||8|| ~ 326 116}

4/98c • Kitty Nowlan Moderately — MS 7348 p 184. Cf B3 p 71. {3:4d ~ 8:|:8|| ~ 131 655}

4/98d • Katty Quin — MS 7348 p 180. Cf B3 p 66. See copy at 1/238c. {6:8g? ~ 2x8:|: ~ 14 54 55 62}

4/98e • Deirdre’s [1st r corrected] Lament for the Sons of Usneach Moderately quick — MS 7348 p 180. Cf B3 p 1. {3:4g ~ 2x8|| ~ 156 111}

4/98f • Soft mild morning animated — MS 7348 p 181. Cf B3 p 57. {3:4d ~ 16|| ‘chorus’ 16|| ~ 453 342}

4/98g–99 • The Red Man’s wife Tenderly — MS 7348 p 181. Cf B3 p 63. {3:4d ~ 10||10:|: ~ 132 112}

4/99a • Get up early — MS 7348 p 178. Cf B3 p 39. {6:8g ~ 2x8:|: ~ 51 25}

4/99b • My Bonny Cuckoo — MS 7348 p 179. Cf B3 p 96. See 2/145a. {6:8g ~ 12|| = 3x4 ~ 13 63}

4/99c • If I had a court & a castle — MS 7348 p 179. Cf B3 p 99. {2:4c ~ 8:|:12:|: = 5x4 ~ 22 44 42 66 (4 bars)}

4/99d • Charles McHugh – The wild boy — MS 7348 p 183. Cf B3 p 50. {3:4 [read 3:8]d ~ 8||8:|: = 4x4 ~ 5147 (4 bars)}

4/99e • O’Reilly’s Lamentation slow & plaintive — MS 7348 p 179. Cf B3 p 106. {3:4g ~ 12|| = 3x4 ~ 334 717}

4/99f • Sloan’s Lamentation rather slow — MS 7348 p 179. Cf B3 p 87. {2:4g ~ 2x8|| ~ 75 13 51 11 (4 bars)}

4/100a • The Kilkenny tune In marching time — Cf MS 7348 [p 178]; B3 p 108. {Cc ~ 2x8:|: = 4x4 ~ 3211 5113}

4/100b • The Pharroh, or War March — Cf MS 7348 [p 176]; B3 p 105. {6:8g ~ 5x8:|: ~ 41 41}

4/100c • Sit down under my protection Moderately quick — MS 7348 [p 176]. Cf B3 p 1. See 3/215a. {3:4g ~ 12:|:20:|: = 8+4 ~ 123 123}

4/100d • Young Bridget — MS 7348 p 177. Cf B3 p 82. {3:4g ~ 24~ 142 11 [1?] [bar 4 has 4 beats]}

4/101a • The Deaf old Man — MS 7348 p 177. Cf B3 p 78. {3:8d ~ 12||24||~ 435 114 (6 bars)}

4/101b • The Gentle Maiden Very slow — MS 7348 p 177. Cf B3 p 108. {6:8g ~ 2x8:|: ~ 17 56}

4/101c • Is it the Priest you want — MS 7348 p 175 Cf B3 p 86. {6:8g ~ 2x8:|: ~ 6553}

4/101d • Give me your Hand – By Rory dall O’Cahan [all roman] 1603 Moderately quick — Cf MS 7348 p 174; B3 p 46. {6:8g ~ 26|| rhapsodic ~ 6161}

4/101e • Norah my Thousands [sic] treasures Slow — MS 7348 p 173. Cf B3 p 24. See 3/221a Nora mo mhile stór. {3:8d ~ 8||8:|: = 4x2 4x2 ~ 445 334}

4/102a • Did you see the black Rogue — Cf MS 7348 [p 172]; B3 p 4. {6:8a ~ 3x8:|: ~ 12 15}

4/102b • The Rose without Rue — MS 7348 [p 172]. Cf B3 p 12. See 3/204a. {2:4g ~ 8||8|| = 4x4 ~ 5116 6153}

4/102c • The Cunning young Girl plaintive — MS 7348 p 170. Cf B3 p18. {2:4g ~ 14!| ~ 51 11 72 42 (4 bars)}

4/102d • Why should not poor folk — MS 7348 p 171. Cf B3 p 38. {6:8d ~ 3x8|| 33 22}

4/102e • Brink of the White Rocks Slow — Cf B3 p 22. See 4/36d. {6:8g ~ 3x8:|: ~ 51 31}

[End of batch of copyings from B3 (either directly or via NLI MS 7348)

4/103a • The Four leaved Shamrock – by Lover — MS 7348 p 103. Cf Lover Four-leafed shamrock. {Cd ~ 15|| = 8+7 ~ 5451 1155}

4/103b • My Mother dear — MS 7348 p 111. Cf Lover My mother dear! {Cd ~ 20:|: = 5x4 ~ 3511 6654}

4/103c • The Land of the West — MS 7348 p 107 (duet, of which JG takes only the melody, plus 12 bars omitted by JG). Cf Lover Land of the West. {6:8g ~12|| = 3x4 ~ 35 26}

4/103d • [Untitled] — piano [Mrs G]. Three lines, two parts, bracketed, both with chords. First bracket marked ‘5th (i.e. the 5th part of a quadrille). {6:8eflat ~ 8||11||DC ~ 31 15}

4/104a–106 • The Navarino Quadrilles. — piano [Mrs G]. Cf Dunois? (unavailable). {1st 2:4bflat, 2nd 6:8bflat, 3rd to 5th 6:8eflat ~ 1st 8||fine 2x8||DC, 2nd 8|:8:|DC, 3rd 16[bar 8 fine]||8||, 4th 8 fine||16||, 5th 8:|fine 8||DC 3 Times ~ 1st 1151, 2nd & 3rd 1653, 4th 13 53, 5th 33 33}

4/106a–109 • Ethiopian Quadrilles — piano [Mrs G]. Five parts labelled 1 - ; 2 L’été; 3 La Poule; 4 La Trenise; 4 La Finale. {1st 2:4g, 2nd 2:4c, 3rd 6:8g, 4th [{2:4]aflat, 5th 2:4c ~ 1st 8||fine 3x8||DC, 2nd & 4th 8||fine 16||, 3rd 8||fine 3x8|| DC, 5th 16|| ‘1st and 2nd figures’ 16|| $~ 1st: 34 63, 2nd: 13 26, 3rd: 51 76, 4th: 11 33 42 62 (4 bars), 5th: 11 26}

4/110a • The Highland Minstrel boy — MS 7348 p 105; cf Kerr’s Merry 3 no 8. {Cd ~ 12|| = 3x4 ~ 3565 6271}

4/110b • Jessie – by S. Lover — MS 7348 p 96. Cf Lover Sweet Jessie. {6:8g ~ 16| = 4x4 ~ 31 35}

4/110c • The hard Hearted Maiden slow — MS 7348 p 110. Cf Citizen 4, November 1841, tune no 37. Part one lacks a bar. {3:4g ~ 11|12| = 6+5+6+6 ~ 123 517}

4/110d • I can if I choose – The Savage loves &c — MS 7348 p 36. Cf Citizen 4, November 1841, tune no 36. {2:4g ~ 2x8||~ 17 15 63 26 (4 bars)}

4/110e • Is gentle Mary dead? with expression — MS 7348 p 34. Cf Citizen 4, September 1841, tune no 30. {3:4d ~ 2 x 10 = 4 x 5 ~ 653 667}

4/110f • “The death of my friends is what grieves me” Slow — MS 7348 p 32. Cf Citizen 4, October 1841, tune no 32. {2:4g ~ 7|7| = 4+3 4+3 ~ 23 66 32 15 (4 bars)}

4/111a • Ye banks and braes — piano [Mrs G]. Lower line very simple (perhaps her own arrangement). {6:8c ~ 2x8|$ 8|DC ~ 12 32}

4/111b • Maiden wander with me — MS 7348 p 34. Cf Citizen 4, December 1841, tune no 42. {Cg ~ 2x8| ~ 1111 2216}

4/111c • The deceitful Stranger — MS 7348 p 35. Cf Citizen 4, December 1841, tunes nos 40 & 41. {6:8d ~ 2x8|| 51 36}

4/111d • There’s a hole in my breeches — Cf Citizen 4, September 1841, tune no 29. {6:8g ~ 16| = 4x4 ~ 15 32}

4/112a–114 • The Artillery Quadrilles — piano [Mrs G]. At the end of the item elegantly, in the same hand, ‘Crioc’. Cf Gormley Artillery quadrilles (JM 4902). {1st 2:4eflat, 2nd, 4th, 5th 2:4bflat, 3rd 6:8bflat ~ 1) 8:|8||DC, 2–5) 3x8||DC [3,4 & 5 add DC after part 2, 5 adds $ after parts 2–3] ~ 1st 54 55, 2nd 51 55, 3rd 13 51, 4th 31 15, 5th 32 15)

4/114a • John McDermott allegro — MS 7348 p 32. Cf Citizen, vol 4, October 1841, tune no 34. {Cg ~ 4:|:8| ~ 6262 5153}

4/114b • An Bruach grianach .i. The Sunny Rock slow — MS 7348 p 32. Cf Citizen 4, October 1841, tune no 33. {6:8g ~ 2x8|| 16 67}

4/114c • My Heart is Heavy – Ta mo chroidhe trom — MS 7348 p 30. Cf Citizen 4, August 1841, tune no 26. {Cg |2x8|| ~ 5631 6632}

4/114d • She is a lovely girl – Is breagh an Cailín í — MS 7348 p 30. Cf Citizen 4, August 1841, tune no 25. {3:4d ~ 4x6|| ~ 511 312}

4/115 • Rousseau’s Dream — MS 7348 pp 62–3. Cf Cramer. {Cg ~ 68 bars: |$4:|:4||$4:|:8||4:|4||4||4:|4||4||4:|4||4||4:|4||4|| ~ 3311 2231}

4/116a • Prince Alberts March — MS 7348 p 31. Non-traditional {Cd ~ 4x8:|: in bar 19: erroneous barline deleted by JG ~ 5315 3311}

4/116b • The standard of Ireland — MS 7348 p 29. Cf Citizen 4, July 1841, tune no 23 (chorus). {3:4c ~ 5x8|| part 5 ‘chorus’ ~ 135 112}

4/116c • Molly St George – by T.Connellan — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 19. {3:4g ~ 2x16|| = 8x4 ~ 116 564}

4/117a • The Song of the Streams — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 18. {2:4g ~ 2x9|| = 2x(5+4) ~ 57 16 15 32 (4 bars)}

4/117b • The joy of the Maidens — MS 7348 p 28 Cf Citizen 3, June 1841, tune no 20. {6:8d ~ 2x8|| ~ 16 61}

4/117c • Irish Dance — MS 7348 p 29. Cf Cf Citizen 4, July 1841, tune no 24. {6:8d ~ |$ 8:|: Fine 8:|:8|| $ DC ~ 36 55}

4/117d • The Wearing of the Green Rather slow — MS 7348 p 26. Cf Citizen 1, May 1841, tune no 14. {2:4d ~ 16|| ~ 41 35 41 11 (4 bars)}

4/117e • Paddy McRory allegretto — MS 7348 p 26. Cf Citizen 3, May 1841, tune no 15. {6:8d ~ 2x8|| ~ 35 16}

4/117f • The little Field of Barley .i. An goirtín éorna [sic] — MS 7348 p 24. Cf Citizen 3, April 1841, tune no 10. {6:8g ~ 2x8|| ~ 11 65}

4/118–20 Sturm Marsch Galop [shadow effect] — piano, Mrs G. At end, in Mrs G’s hand, ‘Ventry Sep 14th – 1852’. Cf Bilse Sturm marsch. {2:4f (bars 1 to 48), 2:4bflat (bars 49 to 93) ~ 8|: $ 40:|Trio 29 Hur-rah||16||DC ~ 55 51 56 55 (4 bars) [Prologue & beginning]}

4/120 • Sugradh ann [n blotted/ deleted?] gach uile áit. Diversion every where [JG introduces gaelic alphabet & abbreviations] — MS 7348 p 24. Cf Citizen 3, April 1841, tune no 11. — See different setting at 1/93b The coughing old man. {6:8d ~ 2x8|| ~ 1315 15 62}

4/121a • Ivorys Hornpipe&nbnbsp; • 1030 — MS 7348 p 16. See 1/61c The jockeys hornpipe (part 1). Cf Ashman p 44 Trumpet; ONMI nos 1585, 1586 The trumpet hornpipe. {Cg ~ 2x8:|: ~ 1111 3313}

4/121b • Miss Johnsons Reel — MS 7348 p 17. Cf Ryan p 8. See 1/43b, 2/162b, 3/65a. {Cg ~ 4:|:8|| ~ 3553 5132}

4/121c • The Duchess’s slipper — MS 7348 p 17. Cf Aird 4 p 57, no 151; Edin repos music 2 p 58. See copy at 1/243c. {Cg ~ 4:|:8|| ~ 5353 5362}

4/121d • Irish air — MS 7348 p 22 Name unknown. Cf Citizen 3, 1841, tune no 3 For the violin. Name unknown. {6:8c ~ 2x8|| ~ 11 27}

4/121e • Fuaim na dtonn – The sound of the waves Slow — MS 7348 p 22. Cf Citizen 3, Feb 1841, tune no 4. {2:4c ~ 2x8|| ~ 33 55 11 54 (4 bars)}

4/121f • Bhfearr liom bheith marbh. I had rather be dead — MS 7348 p 23. Cf Citizen 3, March 1841, tune no 8. {3:4g ~ 12||12|| = 4x6 ~ 332 116 (or 332 116)}

4/122 • Carolan’s Airs [Heading, underlined. These extend from pp 122a–149a. They are each numbered in the margin, 1. 2. 3, etc.: indicated below as [Car] 1, [Car] 2, etc. before the title]

4/122a • [Car] 1 • Planxty Maguire — Cf gnp p 173; B1 p 35; ONMI no 695. {Cd ~ 8:|:16|| ~ 3151 3556}

4/122b • [Car] 2 • Planxty Peyton • 1031 — Cf gnp p 165; B3 p 97; ONMI no 680. {6:8f ~ 2x12:|: = 3x4 ~ 41 77}

4/122c • [Car] 3 • Bumper Squire Jones — Cf gnp p 172; Dublin University Magazine January 1841. {6:8d ~ 7:|:8:|: ~ 31 34}

4/122d • [Car] 3 • [Bumper Squire Jones] Another setting — Cf OFNIM p 19. {d ~ 7:|:8:|: ~ 3134}

4/122e–123 • [Car] 4 • Planxty Reilly — Cf gnp p 168; DOS no 140 (from JG)). See copy (?) at 3/133a. {6:8c ~ 12:|:12||8:|:8:|: ~ 17 34}

4/123a • [Car] 5 • Planxty O’Rourke — Cf gnp pp 172–73; Lee Carolan 1a Ple raca na Rourkaugh, B2 p 47. See 3/210b (a copy?). {6:8g ~ 12 two cadences ||12!| ~ 15 44}

4/123b • [Car] 6 • Planxty Judge — Cf gnp pp 174–75; B1 p 47; DOS no 67. See 3/210b {6:8g ~ 8:|:8||8|| ~ 71 13 31 14}

4/123c • [Car] 7 • Farewell to Music slow — Cf Walker 2 no 16; OFNIM p 26. {Cf ~ 8:|:13:|: = 4x4+5 ~ 1132 2475}

4/124a • [Car] 8 • Receipt for drinking • 1032 — Cf Walker 2 no 18 (last 16 bars). See 1/84b. {Cg ~ 8:|:32:|: ~ 5342 6111}

4/124b • [Car] 9 • O’Moore’s Fair Daughter • 1033 — Cf Joyce OIFMS p 298 Seabhac na h-Eirne: The hawk of Ballyshannon; DOS no 134. {Cc ~ 16:|:16:|: = 4+6+6 / +4+4+8 ~ 1134 5111}

4/124c • [Car] 10 • Planxty Drury • 1034 — Cf Lee Carolan p 22; DOS no 43. {6:8g ~ 8||8:| ~ 51 44}

4/125a • [Car] 10 • [Planxty Drury] An other setting — Cf Crosby Irish pp 239–44; B1 p 6. See 3/213a. {6:8d ~ 16:|:20!|! = 12+4+12+4+4 ~ 11 53}

4/125b • [Car] 11 • Young Terence McDonough Slow — Cf Surenne SI pp 50–51. {3:4g ~ 16:|:16|| ~ 512 111}

4/125c • [Car] 12 • Im asleep and dont awake me — At end of tune, ‘This air differs considerably from Táimsi am chodla etc as sung by the peasantry or played by pipers. I am of opinion that the other is the original version & that Carolan did not compose but harmonise it. J.G.’ Cf Amateurs companion p 50; Lynch p 67; Surenne SI p 156. {3:4g ~ 8||2x16|| ~ 611 113}

4/126a • [Car] 13 • Connor O’Reilly • 1035 — See 4/228d, 4/228e. {Cg ~ 15:|:16:: = 4+4+7?+4x4 ~ 5133 5117}

4/126b • [Car] 14 • Catherine Ogie • 1036 — Cf Orph Caled 1 p 44, no 22; Hime’s pocket book 1 p 42; Amateurs companion pp 26–27. {Cc ~ 8:|:8:|: ~ 5111 3212}

4/126c • [Car] 15 • Planxty Sudley — Cf B2 p 68. See 3/210a. {Cc ~ 32|| = 4x8 ~ 1113 5557}

4/126e–127 • [Car] 16 • Concerto — Cf OFPC 1 p16 (copying error by JG with added half bar and misplaced barlines). {2:4d ~ 16:|:16|| ~ 1117 5435}

4/127a • [Car] 17 • Port Gordon — Cf OFPC 1 pp 50–51. {Cg ~ 16:|:16|| = 8x4 ~ 1132 2253}

4/127b • [Car] 18 • Devotion — Cf OFPC 1 pp 52–53. {3:4c ~ 8:|:24|| = 4x8 ~ 321 751}

4/127c • [Car] 19 • Grace Nugent • 1037 — Cf B1 p 31. {Cd ~ 8:|:16|| = 6x4 ~ 1135 3151}

4/128a • [Car] 20 • Planxty O’Connor • 1038 — Cf Lee Carolan pp 9–10 Dennis O’Connor (DOS no 122). {6:8d ~ 11:|:18|| ~ 37 35}

4/128b • [Car] 21 • Planxty O’Neill — MS 7348 p 26. Cf Lee Carolan pp 4–5 Mrs O’Neill (DOS no 136). {Cg ~ 13||11|| ~ 5133 6317}

4/128c • [Car] 22 • John Kelly — MS 7348 p 27. Cf Lee Carolan p 1. {6:8c ~ 8:|:8:|: ~ 11 72}

4/128d • [Car] 23 • Conor O’Reilly of Clounish — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 21. See 4/126a. {6:8g ~ 4:|:8|| ~ 51 54}

4/128e–129 • [Car] 24 • Connor [sic] O Reilly — MS 7348 p 33. Cf Citizen 4, September 1841, tune no 31. See 4/126a. {6:8g ~ 4:|:8|| ~ 51 54}

4/129a • [Car] 25 • Rambles to Teague [sic] — MS 7348 p 38. Cf Mullhollan SIST p 38a; DubMMag February 1842, tune no 5. {3:4g ~ 16||16||4||11||14|| ~ 111 334}

4/129b • [Car] 26 • O Reilly of Athcarne — MS 7348 [p 42]. Cf DubMMag May 1842, tune no 16; DOS no 138, from JG. 171b is a copy. See 4/18c The lads that thresh the barley. {Cd ~ 8:|:12:|: ~ 5133 4465}

4/129c • [Car] 27 • John Nugent of Coolamber — MS 7348 p 44. Cf Lee Carolan p 7 (DOS no 107). {6:8g ~ 3x8:|: ~ 61 15}

4/130–31 • The Olga Waltz — Piano, Mrs G, 2 staves. Cf Densari “Olga”. {3:4f ~ 16||16||17(1+16)||1||16|| ~ 511 334}

4/131a • Kittys Rambles to Youghal • 1039 — Cf gnp p 131; Howe Omnibus p 45 Lady’s triumph or Katy’s rambles. See 4/80d. {6:8c ~ 8:|:8:|: ~ 36 13}

4/131b • Jackson’s Lake — Cf Jackson JCIT p 6 Jackson over the water; OFNIM p 35. See 2/166a. {6:8f ~ 9:|:8:|: ~ 77 11}

4/131c • McDonnell’s Rant — Cf OFNIM p 23. See 3/21a The cuckold old man (part 1). {9:8g ~ 4:|:4:|: ~ 311 312}

4/131d • The Waterford Hornpipe — OFNIM p 24. See near copy 1/60b Dwyer’s. {Cg ~ 3x8:|: ~ 3112 7555}

4/132a • [Car] 28 • Planxty Johnson — Solo. MS 7348 p 94, duet. Cf Moore no 3 [1810] tune 3. {d ~ 12||16|| ~ 1153}

4/132b • [Car] 29 • George Reynolds — MS 7348 p 103. Cf Lee Carolan p 8 (DOS no 157). {6:8d ~ 8||8:|: ~ 11 35}

4/132c • [Car] 30 • The O’Connor — MS 7348 p 131. Cf Lee Carolan p 9 (DOS no 115 Maurice O’Connor). {6:8g ~ 8 two cadences ||2x8|| ~ 31 46}

4/132d • [Car] 31 • Air • 1040 — MS 7348 p143. {Cd ~ 16:|:16:|: = 4x8 ~ 3255 6551}

4/133a • [Car] 32 • Planxty McDermott — MS 7348 p 143. Cf Lee Carolan p 5 Mrs McDermot (DOS no 81); Mulholland AIA 1 p 4. {Cg ~ 15||11|| ~ 1556 1556}

4/133b • [Car] 33 • Planxty Crofton — MS 7348 p 144. Cf Lee Carolan p 26 Sir Edward Crofton (DOS no 22). {6:8g ~ 9||6||16|| ~ 11 51}

4/133c • [Car] 34 • Planxty McDermott Roe — MS 7348 p 144. Cf Lee Carolan p 23 Mr Edmond McDermot Roe (DOS no 85). {6:8g ~ 16||12|| ~ 33 11}

4/133d • [Car] 35 • Planxty Daly — MS 7348 p 145. Cf Lee Carolan p 13 James Daly (DOS no 31). {6:8c ~ 8:|:8|| ~ 61 24}

4/134a • [Car] 36 • Planxty Mervyn — MS 7348 p 145. Cf Lee Carolan p 25 Mervyn Spratt Esq. (DOS no 156). {6:8c ~ 12||8||s ~ 16 55}

4/134b • [Car] 37 • Planxty Sterling — MS 7348 p 145. Cf Lee Carolan p 13 Mrs Sterling. {Cc ~ 13||13|| ~ 1172 1514}

4/134c • [Car] 38 • Planxty Burke — MS 7348 p 146. Cf Lee Carolan p 27; Hibernian muse p 63 (DOS no 14). {6:8g ~ 3x8|| ~ 26 45}

4/134d • [Car] 39 • Mr Jas Crofton — MS 7348 p 146. Cf Lee Carolan p 26 (DOS no 23). {Cc ~ 8||16|| ~ 4311 3311}

4/135a • [Car] 40 • Mr Patk Kelly — MS 7348 p 146. Cf Lee Carolan p 22 (DOS no 74). {6:8c ~ 10||8|| ~ 15 42}

4/135b • [Car] 41 • James Betagh — MS 7348 p 147. Cf Lee Carolan p 24 (DOS no 4). {Cc ~ 18||16|| ~ 1542 1357}

4/135c • [Car] 42 • Maurice O’Connor — MS 7348 p 147. Cf Lee Carolan p 22; Hibernian muse p 27 (DOS no 117). {Cc ~ 2x16|| ~ 1111 3333}

4/135d • [Car] 43 • Chas O’Connor — MS 7348 p 149. Cf Lee Carolan p 2; Mulholland AIA 1 p 21 (DOS no 125). {6:8g ~ 8||12|| ~ 11 63}

4/136a • [Car] 44 • Doctor Delany — MS 7348 [p 148]. Cf Lee Carolan pp 23–24; Hibernian muse p 20 (DOS no 32). {Cc ~ 8||10||16|| ~ 4443 3311}

4/136b • [Car] 45 • Lord Louth — MS 7348 p 148. Cf Lee Carolan p 20; Hibernian muse p 20 (DOS no 77). {6:8c ~ 8 two cadences ||15|| ~ 61 73}

4/136c • [Car] 46 • Miss Murphy — MS 7348 p 149. Cf Lee Carolan pp 18–19. {Cc ~ 8||12|| ~ 3525 1575}

4/136d–137 • [Car] 47 • Col. Manus O’Donnell — MS 7348 p 149. Cf Lee Carolan p 19 (DOS no 126). {6:8c ~ 18||16|| ~ 23 11}

4/137a • [Car] 48 • Lady Dillon — MS 7348 p 150. Cf Lee Carolan p 16 Young Lady Dillon. {Cc ~ 8:|:9:|:10|| ~ 16 11 3111}

4/137b • [Car] 49 • Michl O’Connor slow — MS 7348 p 150. Cf Lee Carolan p 16 (DOS no 121). {Cg ~ 12:|:16|| ~ 1134 6427}

4/137c • [Car] 50 • Lord Dillon — MS 7348 p 151. Cf Lee Carolan p 16 (DOS no 34). {Cg ~ 16:|:18|| ~ 1176 5353}

4/137d • [Car] 51 • A Jigg — MS 7348 p 154. Cf Lee Carolan pp 5–6 (DOS no 57 Jig to Captain Higgins). {6:8g ~ 8:|:8|| ~ 31 34}

4/138a • [Car] 52 • Doctor O’Connor — MS 7348 p 151. Cf Lee Carolan p 14 (DOS no 119). {6:8c ~ 16||16|| ~ 11 11 33 33}

4/138b [Car] 53 • Mrs Garvey — MS 7348 p 152. Cf Lee Carolan p 14 (DOS no 49). {3:4c ~ 36|| ~ 135 327}

4/138c • [Car] 54 • Madam Cole — MS 7348 p 152. Cf Lee Carolan p 12. {Cc ~ 16||16|| ~ 3355 6651}

4/138d–139 • [Car] 55 • Mr Nugent — MS 7348 p 153. Cf Lee Carolan p 10 (DOS no 108 Mrs Nugent). {Cg ~ 18||19|| ~ 1534 4275}

4/139a • [Car] 56 • Mrs Crofton — MS 7348 p 153. Cf Lee Carolan pp 8–9. {Cg ~ 16:|:12|| ~ 1264 6454}

4/139b • [Car] 57 • Mrs Costelloe — MS 7348 p 154. Cf Lee Carolan pp 11–12. {Cd ~ 7||15|| ~ 5525 5744}

4/139c • [Car] 58 • Mrs O’Connor — MS 7348 p 154. Cf Lee Carolan p 6. {Cg ~ 12||13 = 8+5|| ~ 1234 5564}

4/139d • [Car] 59 • Counsellor Dillon — MS 7348 p 156. Cf Lee Carolan p 21; DOS no 38. {6:8c ~ 6:|:6|| ~ 21 65}

4/140a • [Car] 60 • Planxty Ward — MS 7348 p 155. Cf Lee Carolan p 6–7 Mr William Ward; DOS no 167. {6:8d ~ 8||16|| ~ 62 35}

4/140b • [Car] 60 • Captn Higgins — MS 7348 p 155. Cf Lee Carolan pp 5–6; DOS no 57. {Cg ~ 8||13|| ~ 1645 3421}

4/140c • [Car] 62 • Mrs Edwards — MS 7348 p 156. Cf Lee Carolan pp 3–4. {Cg ~ 12||12|| ~ 1115 1132}

4/140d • [Car] 63 • Major Shanly — MS 7348 p 156. Cf Lee Carolan p 3. {Cd ~ 8||18|| ~ 5111 7565}

4/141a • [Car] 64 • Mr Moore — MS 7348 p 157. Cf Lee Carolan pp 2–3 John Moore (DOS no 103). {Cc ~ 8||16|| ~ 1641 4617}

4/141b • [Car] 65 • Jigg — MS 7348 p 157. Cf Lee Carolan p 3, after John Moore (DOS, jig part of no 103 John Moore). {6:8c ~ 2x8|| ~ 16 53}

4/141c • [Car] 66 • Honble Thos Burke — MS 7348 p 157. Cf Lee Carolan pp 13–14. {Cg ~ 9 = 8+1||12|| ~ 5177 5557}

4/141d • [Car] 67 • Planxty Power — MS 7348 p 159. Cf Lee Carolan p 8 David Poer Esq. (DOS no 153). {Cg ~ 11|15|| ~ 1115 1324}

4/142a • [Car] 68 • Mr Waller — MS 7348 p 158. Cf Lee Carolan p 2 (DOS no 165). {3:4g ~ 23||23|| ~ 121 122}

4/142b • [Car] 69 • Mrs Trench — MS 7348 [p 158]. Cf Lee Carolan p 7 {6:8c [read key f] ~ | 8:|8|| ~51 42}

4/142c • [Car] 70 • Madam Maxwell — MS 7348 p 159. Cf Lee Carolan p 13. {Cg [read key c?] ~ 8||16|| ~ 5651 3551 4/142d • [Car] 71 • Young O’Connor — MS 7348 p 158. Cf Lee Carolan p 25; Mulholland AIA 1 p 30. {6:8g [read key c] ~ 8:|:8|| ~ 11 21}

4/143a • [Car] 72 • Mrs O Donnell — MS 7348 p 160. Cf Lee Carolan p 15. {Cg ~ 15||15|| ~ 1134 5117}

4/143b • [Car] 73 • Mrs Harwood — MS 7348 p 160. Cf Lee Carolan p 18 (DOS no 54). {6:8c ~ 16||12|| ~ 13 35}

4/143c • [Car] 74 • Mrs O’Connor of Ballinagar — MS 7348 p 161. Cf Lee Carolan p 19b. {Cg ~ 9||12|| = 8+1+8+4 ~ 5112 7435}

4/143d • [Car] 75 • A jigg — MS 7348 p 161. Cf Lee Carolan p 24, after Mr James Betagh (DOS, jig part of no 4 James Betagh). {6:8g ~ 16||16|| ~ 31 24}

4/144a • [Car] 76 • A Jigg — MS 7348 p 162. Cf Lee Carolan p 17, after Young Lady Dillon; DOS, jig part of no 35 Lady Dillon. {6:8c ~ 16|| ~ 55 17}

4/144b • [Car] 77 • Mrs [or Mr?] Garvey — MS 7348 p 162. Cf Lee Carolan p 15 Mrs Garvey (DOS no 50). {Cc ~ 13||20|| ~ 1353 3266}

4/144c • [Car] 78 • Harry McDermott Roe — MS 7348 p 162. Cf Lee Carolan p 15 (DOS no 80). {Cc ~ 8||7|| ~ 5415 3616}

4/144d • [Car] 79 • Carolans Maggot — MS 7348 p 163. Cf Lee Carolan p 21 (DOS no 189). {Cg ~ 4||4||6|| ~ 5611 1116}

4/144e–145 • [Car] 80 • Colonel Irwin — MS 7348 p 163. Cf Lee Carolan p 21 (DOS no 60). {Cc ~ 9 = 8+1||8|| ~ 1565 2724}

4/145a • [Car] 81 • Miss Noble — MS 7348 p 164. Cf Lee Carolan p 23 (DOS no 106). {6:8c ~ 12||11|| = 8+4+8+3 ~ 52 77}

4/145b • [Car] 82 • Elevation — MS 7348 p 164. Cf Lee Carolan p 17 (DOS no 194). {Cg bars (1 to 15) 3:4g (bars 16 to 46) ~ 11||4| [|]31|| ~ 1211 3117}

4/145c • [Car] 83 • The good Bishop of Clogher — MS 7348 p 165. Cf Lee Carolan p 17b (DOS no 89). {6:8c ~ 8:|:15|| ~ 31 15}

4/146a • [Car] 84 • Carolans Frolick — MS 7348 p 163. Cf Lee Carolan p 27. {6:8g ~ 8:|:16:|: ~ 51 13}

4/146b • [Car] 85 • Bryan McGuire — MS 7348 p 166. Cf Lee Carolan p 5 (DOS no 95). {Cg ~ 23|| ~ 5116 175 4}

4/146c • [Car] 86 • Loftus Jones — MS 7348 p 166. Cf Lee Carolan p 11. {Cc [read key f] ~ 17||24 = 3x8|| ~ 1176 5435}

4/146d–147 • [Car] 87 • Lady Blaney • 1041 — MS 7348 p 169. {2:4g ~ 16||24|| ~ 5643 2115 (2 bars) or 54 21 64 35 (4 bars)}

4/147a • [Car] 88 • Sir Festus Burke — MS 7348 p 170. Cf B3 p 34. See 3/213b. {2:4d ~ 26 = 8+18||18|| ~ 11 31 56 42 (4 bars)}

4/147b • [Car] 89 • Planxty Hugh O Donnell — MS 7348 p 175. Cf B3 p 47. {6:8c ~ 16||16!|! ~ 51 72}

4/148a • [Car] 90 • Planxty Coote — MS 7348 p 173. Cf B3 p 26 Planxty Charles Coote. See 3/212b. {Cc ~ 8:|:8:|: ~ 3525 4235}

4/148b • [Car] 91 • Young James Plunket — MS 7348 p 173. Cf B3 p 26. {Cg ~ 16|| ~ 1111 6633}

4/148c • [Car] 92 • Fanny Power — MS 7348 p 174 (duplicates bar 3 and later deletes it: JG retains the duplication). Cf B3 p 49. See 3/211b. {6:8d [read a?] ~ [8]:|:8|| ~ 11 42}

4/148d • [Car] 93 • The Princess Royal — MS 7348 p 182. Cf B3 p35. {2:4]c ~ 8||12:|: ~ 3215 3215}

4/148e • [Car] 94 • Planxty Miss Burke — MS 7348 p 183. Cf B3 p 43. {6:8d ~ 8!|8|| ~ 11 72}

4/148f • [Car] 95 • Emon Dowdall con spirito — MS 7348 p 185. Cf B3 p 77. {Cf ~ 8:|:8:|: ~ 5525 7531}

4/149a • [Car] • Doctor John Hart — MS 7348 p 186. Cf B3 p 23. {3:4a ~ 16||16|| ~ 535 531}

4/149 • [Heading] Ceolta Cearbhalláin go Duige seo — Large script [end of batch of Carolan tunes]

4/149b • West’s Hornpipe — MS 7348 p 2. Cf Kerr’s Caledonian p 25; Cameron p 42. {Cd ~ 8||8|| two cadences each part ~ 1355 1355}

4/149c • Miss Carroll’s Hornpipe — MS 7348 p 2. Cf OFNIM p 51. {Cd ~ 8:|:8:|: ~ 1362 3116}

4/149d • I will neither spin tow nor flax allegro con spirito — MS 7348 p 125. Cf DubMMag July 1842, tune no 23. {9:8g ~ 4:|:4:|: ~ 325 514}

4/149e • The Hurlers March molto vivace — MS 7348 p 125. Cf DubMMag July 1842, tune no 24; P-S no 990. {6:8c ~ 8:|:8|| two cadences each part ~ 67 65}

4/150a • Hornpipe — MS 7348 p 13. Near duplicate of 1/243a. See 3/25a Miss Brown’s hornpipe. {Cd ~ 8:|:8:|: ~ 1551 2752}

4/150b • Grand March in Bluebeard — MS 7348 p 13; cf Shaw For the gentlemen p 16; Hamilton HUT 1 p 98. {Cd ~ 8:|:8||DC ~ 5532 1122}

4/150c • Wraggs Foot March — MS 7348 p 31. {Cd ~ 8:|:8:|: ~ 1155 1135}

4/150d • Sean bhean bhochd [bochd?]— After the first part: ‘The second part to be repeated in chorus Thus’ [all of first part with limited variation. After the second part: ‘This following part addes when played as a Quadrille’. MS 7348 [p 123]. Cf DubMag March 1843, tune no 12. {2:4a ~ 1st part 8||8||; 2nd part 8||8||; 3rd part 16|| ~ 1st part 33 53 21 2 5 (4 bars); 2nd part 33 63 21 25; 3rd part 17 73 17 63}

4/150e • Did you not see him — MS 7348 p 123. Cf DubMag March 1843, tune no 11. {3:4g ~ 8||8:|: ~ 112 445}

4/151a • I will not be deceived again Larghetto agitato — MS 7348 p 125. Cf DubMMag July 1842, tune no 21. {3:4g ~ 24|| = 3x8 ~ 367 224}

4/151b • Maguire’s Lamentation mournfully not slow — MS 7348 p 183. Cf B3 pp 28–29. {3:4d [read g] ~ 8||8!|! ~ 513 312}

4/151c • The Wheelwright Distinctly & briskly — MS 7348 p 183. Cf B3 p 28; Surenne SI pp 136–37. See 3/27c (a copy?). {2:4d ~ 8||12|| = 5x4 ~ 13 53 32 62 (4 bars)}

4/151d • I do not Incline — MS 7348 p 175. Cf B3 p 65; Surenne SI p 30. {6:8g ~ 2x8|| ~ 51 32}

4/151e • Celia Connallon By Tom Connallon 1650 Slow [L marg] — MS 7348 p 185. Cf B3 p 91. {2:4d ~ 8|!8!| ~ 36 34 22 25 (4 bars)}

4/151f • Dandy Jim — By Dan Emmett (the originator of black-face minstrel shows in the USA). MS 7348 p 188. Cf Ethiopian songs 108; Davidson’s universal melodist 1 p 43. {2:4c ~ 16|| = 4x4 ~ 16 35 16 31 (4 bars)}

4/152a • Lucy Neal Andante — MS 7348 p 188. Cf Ethiopian songs 108 pp 2–3. {2:4c ~ 24|| = 4x4 +8 ~ 11 11 11 62 (4 bars)}

4/152b • Lilly Baker — MS 7348 p 188. Cf Ethiopian songs 2nd series pp 1–3. {2:4g ~ 8||8|| ‘chorus’ 8|| ~ 11 33 11 22 (4 bars)}

4/152c • Charmin’ Isabel — MS 7348 p 188. Cf Ethiopian songs 2nd series pp 4–6. {2:4g ~ 8||8 ‘chorus’ || ~ 34 51 32 32 (4 bars)}

4/152d • “Who dat knockin’ at de Door”, — MS 7348 p 189. Cf Ethiopian songs 2nd series pp 6–7. {2:4g ~ 21|| ~ 54 52 54 13 (4 bars)}

4/152e • Cloe’s to be my wife — MS 7348 p 189. Cf Ethiopian songs 2nd series, p 9. {6:8g ~ 12|:4|| ~ 56 53 42 15}

4/152f • Murphy’s Weather eye — MS 7348 p 189. Cf Alexander Flowers p 65. {6:8d ~ 8:|:8|: ~ 32 16}

4/153a • Rory O’More — Piano, Mrs G. Three double staves. Cf Lover Rory O’More; Surenne SI p 149. {6:8 [f] ~ 16+half||DC ~ 52 57}

4/153b • Jim Browne • 1042 — MS 7348 p 189. Minstrel song in the style of ‘Old Zip Coon’ or ‘Turkey in the straw’. Cf Ryan p 44 Old Zip Coon (part 1). See 4/158e. {2:4c ~ 8||8|| ~ 11 55 34 22 (4 bars) or 1113 5551 (2 bars)}

4/153c • Boatman Dance — Has been attributed to Dan Emmett (the originator of black-face minstrel shows in the USA). MS 7348 p 190. Cf Russell Dance boatman. {2:4d ~ 23|| ~ 65 65 65 53 (4 bars)}

4/153d • Ole Rosin de Bow • 1043 — Widely popular folk and minstrel song in USA and elsewhere. MS 7348 p 190. Cf Kerr’s Merry 1 p 29. {6:8g ~ 2x8| ~ 13 35 51 6 6}

4/154a • Sir Roger De Coverly — Piano, Mrs G, two double-staff lines joined by curly brackets. See 1/80c. {9:8g ~ 4:|:4:| ~ 115 227}

4/154b • The Fox-hunters Jig • 1044 — Piano, Mrs G, four double-staff lines joined by straight lines. See 1/257b. {9:8]g ~ 4x4:|:8||DC ~ 334 332}

4/155a • St Clairs Hornpipe • 1045 — MS 7348 p 190. {Cg ~ 8!|!8:|: ~ 1577 6151}

4/155b • The Irishman • 1046 — MS 7348 p 191. {Cd ~ 8||8|| ~ 5553 1115}

4/155c • Paddy Whack — MS 7348 p 192. Parts 1, 4 & 5: cf OFPC 1 pp 26–27 (parts 1, 3 & 4); parts 1–2: cf Edin repos music 3 p 35. See 3/73b The pig under the pot. {6:8g ~ 8||4x8:|: ~ 11 63 16 75}

[End of copying from NLI 7348]

4/155d • The Cossack March — Cf Ganter Cossack’s march. {Cd ~ 16 = 8+$8||Fine 8||$ ~ 1115 2221}

4/156a • The 4th Dragoon Guards March — Cf Hull p 3 Grand slow march; Ashman p 3. See 1/173a (more dotted version) which is closer to JM 4131. {Cg (bars 1–16) d (bars 17–32)? [illegible]~ 4x8:|: ~ 1113 5114}

4/156b • The Grand Scotch March — Cf Howe Omnibus complete p 117, Hamilton HUT 1 p 142. {Cd ~ 4x8:|: ~ 1151 5551}

4/156c–157 • Duke of Wurtemburgh’s March — Non-traditional. {Cd [d major but parts 3–4 b minor] ~ 2x8:|:‘Minore’8:|:8||DC ~ 1113 5553}

4/157a • King of Prussia’s March — Non-traditional. Cf PON MS /5, no 11 Prussias march. {Cd ~ 8:|:12:|: ~ 5554 3332}

4/157b • Duke of Rutlands March — Non-traditional. {Cd ~ 2x8|| both parts two cadences ~ 3127 1113}

4/157c • Duke of Yorks March — Cf Gentleman’s companion p 48. {Cd [key change last part?] ~ 8:|:12:|:Trio 7||8||DC ~ 1133 5515}

4/157d • Irish March of the 45th Regiment • 1047 {6:8d ~ 8:|:8:|: ~ 56 51 56 42}

4/157e • Quick March in The Battle of Prague — Cf Hamilton HUT 1 p 124, attributed to Kotzwarra. {2:4d ~ 8:|:8||DC ~ 53 31 22 11 (4 bars)}

4/158a • Sean bhean críona an dranntáin • 1048 — JG:] ‘not’ [?]. Cf OFNIM p 36 Stad erro rogura stad stad or Stay easy you rogue stay stay; P-S nos 1288–89. See 1/93a When the cock crows it is day. {6:8g ~ 8:|:8:|:14||DC ~ 12 44 12 22}

4/158b • Mooreheads Hornpipe — Cf Hime 1802 no 1. See 3/102c Sir Barry’s march (part 1). {Cd ~ 8:|:8:|: ~ 1115 2224}

4/158c • Sleep on, Sleep on, my Cathaleen Dear — Cf OFPC p 18. {Cg ~ 4:|:8:|: ~ 4442 1361}

4/158d • The Lasses of Irvine — Cf Bremner Scots reels p 36 Irvin Stiple. {Cg ~ 4:|:4 two cadences || ~ 1135 6724}

4/158e • The Tralee Hornpipe • 1049 — Cf Ryan p 44 Old Zip Coon (part 1). See 4/153b Jim Browne. {Cbflat ~ 3x8:|: ~ 1315 5551}

4/159a • Dear Mary • 1050 — Cf Duff Choice selection p 22 [Untitled] Slow. {Cbflat ~ 3x8:|: ~ 1117 5553}

4/159b • Can I believe thee Dear Kitty andante — Non-traditional. {6:8f ~ 8:|:14:|: ~ 15 65}

4/159c • The Highland Watch Slow — Cf OFNIM p 45. {Cg ~ 8:|:16|| ~ 3131 3177}

4/159d • Slow March — Non-traditional. {Cc ~ | $ 8:|:8||DC $ ~ 1122 3153}

4/159e • The Hermit of Killarney — Cf OFNIM p 17; Holden ISQT 1 p 26; Surenne SI p 92. See 2/176c. See also 2/36c, 4/85e Adieu adieu thou faithless world. {Cg ~ 4:|:4|| ~ 1151 3325}

4/160a • Lochaber • 1051 — Cf Crosby Caledonian p 30. See 1/212c Lochaber no more, 3/102b Orange and green, 4/44a Limerick’s lamentation. {3:4g ~ 16||16|| = 8x4| ~ 333 433}

4/160b • The Cottage Quadrille — Non-traditional. {6:8d ~ 8:|:8||DC 8||DC ~ 15 15}

4/160c • Éadmoin a Chnoic Slow — Cf Tunes p 1a (same version with substantial variations); OFNIM p 21; O’D 1850 p 218. Different version from 1/17b. {3:4g ~ 8:|:8|| ~ 132 316}

4/160d • Carolans Dream — Cf MS 7348 p 165; OFNIM p 27. {Cc ~ 8:|:8|| ~ 3217 3273}

4/160e • Domhnall — Solo. Cf Moore no 4 1812 song 5; Mulhollan SIST p 48 Donald. See 4/9b, duet. {Cd ~ 2x8|| ~ 3315 7535}

==============================================================

VERSION HISTORY

of Annotated index of all the tunes in the order of the manuscripts

Version 1.0 as of 10 October 2013 (original)

Version 1.1 as of 19 June 2015

Items updated:

1/90c • 174, 1/243a • 593, 1/264c • 272, 1/266–67 • 275, 2/10c • 606, 2/53a • 615, 2/171b • 687, 3/45a • 715, 3/49a • 355, 4/39c, 4/150a, 4/151f, 4/153c, 4/153d • 1043, 4/158a• 1048

Version 1.2 as of 22 November 2015

Changes made to presentation of Breathnach codes for tunes in 2:4 and 6:8 time:

2:4 tunes now presented—default—as two bars (four stresses per bar **** ****) or else as four bars (two stresses per bar ** ** ** **) with a space separating the bars of code. In doubtful cases both versions are given.

6:8 tunes are now presented as ** ** (two bars) or, if expanded, as ** ** ** ** (four bars).

In many items the codes have been revised or expanded (not listed here individually).

Other items updated:

; 1/26b • 58, 1/31b • 72, 1/34b • 80, 1/36b• 84, 1/39a • 90, 1/50c • 524, 1/58c • 126, 1/61c • 530, 1/62a • 128, 1/64b • 132, 1/67a • 137, 1/70a • 533, 1/102c • 546, 1/116c • 190, 1/126a 1/181c • 566, 1/210b • 574, 1/217b, 1/222a • 586, 1/229b • 223, 1/246c • 598, 1/253a • 250, 1/263d • 269, 1/264c • 272, 1/264d • 600, 1/266–67 • 275, 2/2a • 601, 2/48a • 608, 2/49a, 2/51a, 2/52b • 614, 2/57d • 629, 2/130c• 640, 2/131c • 642, 2/136c, 2/154c • 662, 2/166c • 681, 2/171a • 686, 2/171b • 687, 2/175c • 691, 2/180c • 697, 3/3b • 284, 3/3c • 285, 3/26c • 708, 3/60a • 386, 3/67a • 728, 3/81b • 758, 3/98c • 774, 3/111c • 796, 3/112a • 797, 3/120a • 457, 3/128b • 805, 3/129c • 809, 3/132a • 816, 3/133b, • 827, 3/134c • 822, 3/136b • 827, 3/140a • 832, 3/146c • 848, 3/147b • 850, 3/150a • 858, 3/150b 859, 3/169b • 892, 3/181a • 911, 3/185 b • 490, 3/187b • 492, 3/200b • 503, 4/2a • 930, 4/4b • 935, 4/48e • 961, 4/52d–53 • 968, 4/58b • 973, 4/59a • 974, 4/59c • 975, 4/60b • 977, 4/65e • 988, 477d • 1000, 4/84c • 1021, 4/85b • 1022, 4/153b • 1042, 4/158e • 1049

Version 1.3 as of 27 October 2016

Live links are now provided to the recently available facsimiles of TCD’s Goodman manuscripts, hosted on the ITMA site goodman.itma.ie. Links are also now provided to the facsimile pages containing 70 of the song-texts mentioned in this index.

Items updated:

1/19c • 40, 1/126a, 1/220b • 583, 2/52a • 613, 2/143b • 650, 2/164b • 679, 3/46c • 718, 3/99b • 431, 4/47d • 958

Version 1.4 as of 7 August 2017

Hyperlinks have been updated.

Item updated:

1/44c • 107

Version 1.5 as of 6 April 2019

Hyperlinks no longer open automatically in a new window (to comply with W3C WCAG 2 web accessibility guidelines)

Numerous minor formatting errors have been corrected. <
After 4/102e text corrected to:
‘[End of batch of copyings from B3 (either directly or via NLI MS 7348)]’

Version 1.6 as of 8 May 2020

Items updated:

1/21a • 43, 1/43b • 103, 1/44a • 105, 1/44b • 106, 1/51a • 525, 1/67b • 138, 1/109c • 558, 1/114a • 183, 1/252b, 1/263a • 266, 1/264b • 271, 1/264c • 272, 2/63c, 2/67b, 2/68b, 2/148b • 652, 2/148c, 2/164c • 680, 3/5b • 290, 3/133b, 3/133c, 4/49e • 965, 4/82c, 4/82d–83 • 1018

Version 1.7 as of 10 March 2022

Items updated:

1/8a • 19, 1/9b • 23, 1/23a • 48, 1/25b • 55, 1/28c • 65, 1/30c • 70, 1/32b • 75, 1/34a • 79, 1/39a • 90, 1/40b • 94, 1/43a • 102, 1/52a • 120, 1/54a• 122, 1/61a • 528, 1/61b• 529, 1/63 • 130, 1/73b • 146, 1/78a • 155, 1/78c • 157, 1/82a • 163, 1/83c • 168, 1/89b • 544, 1/89c • 545, 1/118a • 193, 1/182c • 204, 1/196c • 19, 1/211b, 1/214a • 577, 1/237b• 229, 1/237c • 230, 1/239 • 590, 1/244a • 594, 1/251c • 247/strong>, 1/253a• 250, 1/264d

2/2b • 602, 2/32b, 2/51a • 611, 2/53b • 616, 2/56a • 623, 2/58a• 630, 2/78c, 2/86b, 2/129a • 638, 2/152c • 659, 2/154a • 661, 2/155a, 2/157a • 667, 2/164b • 679

3/1b • 278, 3/1c • 279, 3/3b • 284, 3/32 • 285, 3/15c • 321, 3/17d • 327, 3/19c • 333, 3/20b • 335, 3/22b • 343, 3/30c • 714, 3/50c • 360, 3/59b • 384, 3/69a • 731, 3/69b • 732, 3/73a • 742, 3/75a • 746, 3/77b • 753, 3/78b • 755, 3/79b • 394, 3/82c • 790, 3/86b • 403, 3/87d • 408, 3/90c • 416, 3/92c • 422, 3/96c • 768, 3/100c • 435, 3/104c • 778, 3/107c • 786, 3/110a • 793, 3/111c • 796, 3/121c • 462, 3/128b • 805, 3/129c• 809, 3/130b • 812, 3/131b • 815, 3/132c • 818, 3/136a • 826, 3/136c • 828, 3/141a • 834, 3/141b • 835, 3/145a • 843, 3/146a • 846, 3/155a • 868, 3/162a, 3/176b • 902, 3/182a • 482, 3/184a • 914, 3/216b • 278

4/1a, 4/2b • 931, 4/4b • 935, 4/18c • 944, 4/21d • 951, 4/23b • 952, 4/23c • 953, 4/36a • 513, 4/48e • 961, 4/59a • 974, 4/77d • 1000, 4/77e • 1001, 4/79f • 1009, 4/81b • 1013, 4/82b • 1017, 4/86a • 1023

* * * * * * * * * * * * * * *

ERRATA TO THE PUBLISHED EDITION OF TUNES OF THE MUNSTER PIPERS 2

Page 14, no 551 The Humours of Flip: there is an unamended metrical irregularity in bar 5. The first three notes of the bar should be amended thus (crotchet followed by dotted quaver and semiquaver):

Page 49, no 639 Sliabh na m-Ban: the final note of the tune should be Fsharp, not G.

Page 89, no 742 Humours of Glynn: in the last bar of part 2 the last two notes should be semiquaver B, crotchet A. The last note of part 4 should be A. Final A in all parts!

Page 95, no 758 Wallop the Ladies: the last note of part 2 should be D, not C.

Page 97, no 763 ‘Kiss the Maid behind the Barrel’: 3/84b (not 3/84d)

Page 135, no 881 The Lowlands of Scotland: the second-last note of part 1 should be D sharp, not E sharp.
Page 159 no 935 Trip to the Furze (Jackson's Airs XI)is printed in the edition in 6:8 time. It would have been better amended editorially to 9:8 time.

Page 166, no 954 Willy o’er the Mountains: the double repeat bar line at the end of bar 6 should be placed at the end of bar four instead.

Page 172, no 971 Gráine Mhaol: the metrical irregularity (crotchet, quaver, crotchet and two quavers) in bar 4 should be amended thus:

Page 187, no 1033 Burns’ Farewell: 4/78b (not 4/78d

Page 193, no 1018 Irish Jigg: 4/82d–83 (not 4/82e–83)

Page 204, no 1042 Jim Browne: 4/153b (not 4/153a)

Page 204, no 1043 Ole Rosin de Bow: 4/153d (not 4/153c)

Page 207, no 1048 Sean-bhean Críona an Dranntáin: 4/158a (not 4/158)

Page 245: Closing bracket missing in 2nd line of first paragraph

Page 252, in index of titles, Dicksey Land: part 3 is a reel (not part 2 is a reel)

Page 258, missing from index of titles: Irish Dance • jig • 4/117

* * * * * * * * * * * * * * *