James Goodman Irish Music Collection: Annotated index

TUNES OF THE MUNSTER PIPERS: IRISH TRADITIONAL MUSIC FROM THE JAMES GOODMAN MANUSCRIPTS

ANNOTATED INDEX OF ALL FOUR VOLUMES OF THE GOODMAN COLLECTION

IN THE ORDER OF THE MANUSCRIPTS

by Hugh and Lisa Shields

Version 1.2 as of 22 November 2015 (replacing Version 1.1 of 19 June 2015))

for version history & list of changes in this version (and errata to published edition of the book) please see the end of this document

Online supplement to Tunes of the Munster pipers 2: Irish Traditional Music from the James Goodman Manuscripts, ed. Hugh & Lisa Shields, volume 2, Dublin: Irish Traditional Music Archive, 2013, ISBN 978-0-9532704-5-3 (hardback), 978-0-9532704-6-0 (paperback),

PDF version of this file also available here

STRUCTURE OF ENTRIES:

1) Volume and page of JG’s original manuscript

2) Source when attributed by JG

3) Title in italics (bold italics for tunes published in TMP 1 (nos 1–515) or TMP 2 (nos 516–1051), with JG’s expression marks, if any, followed by the TMP number in bold)

4) Editorial references to MS or printed collections, and remarks (introduced by a dash). For abbreviations (ONMI, HUT, gnp, pipes, words, tunes, etc.) see INFORMATION SOURCES AND ABBREVIATIONS in Tunes of the Munster pipers 2:217–237or online here (updated and enhanced version).

5) Cross-references to any duplicate or related items in the collection, prefixed by ‘See’

The next three fields (6 to 8, separated by tildes), which are a codification of the melodies, are enclosed in curly brackets:

6) Time signature and key, e.g. Cf (common time and key F), 2:4g, 9:8c, etc. C stands for cut time.

7) Format: In the format field is the symbol for Segno An exclamation mark stands for four vertical dots instead of the usual repeat mark or (occasionally) for a wrongly or strangely positioned repeat mark (e.g. !8||8!|DC on page 3/191c). In parts having two cadences (4 two cadences :| etc.). JG often omits the expected repeat marks (as in 1/23a, 1/33b, etc). KS = key signature; TS = time signature (used where missing etc.)

8) ‘Breathnach’ code: a system of numerically coding the stressed notes of the first two or more bars of a melody (Breathnach 1982)—it is provided as a rough guide to melodic similarities and should be used with caution, as it is not always clear what the tonic note of the tune is. BB used the numeral 1 for the tonic note (normally the final) and indicated higher and lower octaves by underlining or overlining. These octaves are depicted here by a straight quotation mark and an underline (single or doubled) placed after the numeral thus: 1' 5_ 7__.

N.B. Coding of tunes written in 2:4 time can be problematic: these often include ‘common time’ tunes such as reels and hornpipes, as well as the more obvious polkas. They have been coded here, as seems appropriate, either by default as two bars (four stresses per bar: **** ****) or as four bars (two stresses per bar ** ** ** **) with a space separating the bars of code. In doubtful cases both versions are given.

Fields 1–3 and 6–7 of each entry derive from the MS; 4–5 and 8 are editorial. Goodman’s spelling (with the exception of ‘v’ for the vowel ‘u’) and capitalization have been retained; his contractions have been silently expanded.

VOLUME ONE

1/1a • K • FÁINNE GEAL AN LAE cheerfully • 1 — Pipes p 41, no 131; Tunes p 3a. {Cg ~ 8||8:|: ~ 3332 5575}

1/1b • K • REIDH CHNOC MNÁ DUIBHE with expression • 2 — Tunes p 3b. Cf (words only, ‘by George Roberts’) in O’D 1850 pp 181–83. {3:4g ~ 16|| = 4+4 $ 4+4 $ ~ 432 6_51}

1/1c • K • DÚN UI BHRAOIN slow • 3 — Pipes p 41, no 123; Tunes p 3c. {Cg ~ 8||8:|: = 4x4 ~ 3343 5553}

1/2a • K • Lá le Pádruig [is me adtig an tabhairne — index] slow • 4 — Words pp 96–97 An Maighisdir sgoile agus an Sglamhuidhe: ‘Lá le Pádruig ’s mé suidhe a dtigh an tabhairne’; Pipes p 40, no 109; Tunes p 4d. {Cc ~ 8||8:|:= 4x4 ~ 5_134 5751'}

1/2b • K • Bláith na g-craobh andante • 5 — Words p 92 ‘Si bláith na gcraobh ar dhaith na sméar do chrádhuig mo chroidhe’; Tunes p 3d. P-S no 1131 is a copy of JG. {3:4g ~ 4||12|| = 4+4 $ 4+4 $ ~ 1'1'6 755}

1/2c • K • An bhean dubh vol II [?] 84 Lively • 6 — Tunes p 4b. {6:8g ~ 4||4||4:|: ~ 1'6 1'4 51' 1'3}

1/3a • K • An Rógaire doill Slow • 7 — Pipes p 41, no 122; Tunes p 4c. {3:4c ~ 16|| = 4+4 $ 4+4 $ ~ 554 17_7_}

1/3b • K • An Cailín Ruadh Slow • 8 — Words p 93 ‘Siud ort a cSeaghuin! is ní fhágfam an baille go luan’; Tunes p 4a. {3:4g ~ 20 = 10 $ 10|| $ ~ 555 445}

1/3c • K • An Bhrighid óg See page 264 Slow • 9 — See 1/264a. {Cc ~ 10 = 5 $ 5|| $ ~ 52'1'1' 2'771'}

1/4a • K • An Clár bog déil Slow & plaintive • 10 — Tunes p 1b. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). {3:4d ~ 16 = 8 $ 8|| ‘Symphony’ 16||DC ~ 653 137_}

1/4b • K • Air Éire ní ’neósainn cia h-í [index: néosainn] With Feeling • 11 — Tunes p 5a. P-S no 1237 is a copy. O’D 1850 p 266 is almost identical, probably copied from JG. {3:4g ~ 12||12:|: = 8x4 ~ 511 345}

1/5a • K • A Mháire as a Mhúirnín plaintive • 12 — Words pp 125–26 ‘A mháire’s a mhuirnín ’s a lúibín ’na gcraobhfholt’; Tunes p 5d. P-S no 1127 is a copy (‘from the Revd. J. Goodman, Ardgroven, Castletown Bere, Dec. 3rd 1863’) the next six P-S tunes, nos 1128–34, are also copied from JG. See 4/36a. {3:4d ~ 8||8:| ~ 1'3'7 111}

1/5b • K • AN CORRÁN Lively [AN corrected < RA?] • 13 — Tunes p 5e. {6:8g ~ 14|| = 8+6 ~ 31 11' 42 26}

1/5c • K • CAITILÍN NÍ UALLACHAIN Marked time not too slow – • 14 — Tunes p 4e. {3:4d ~ 8||8:|: ~ 13_5_ 13_5_}

1/6a • K • An garbh cnoicín fhraoich [index: cnocín fraoig] Lively • 15 — Tunes p 6a. P-S no 1385 is a copy. {Cd ~ 8||8:|: ~ 5432 1315_}

1/6b • [An garbh cnoicín fhraoich] An other setting of Same. — Tunes p 6b. A copy of O’D 1850 p 70. {Cc ~ 8||8:|: ~ 5535 7_7_7_1}

1/7a • K • Fagbhamaoid súd mar atá sé playfully • 16 — Tunes p 6c. P-S no 1130 is a copy. See 3/109c. {6:8g ~ 8||8:|: = 4x4 ~ 5_1 35 35 37_}

1/7b • K • Únadh Andante • 17 — Tunes p 6d. See 2/157c Gilderoy. {Cc ~ 8||8:|: ~ 7_7_7_5_ 7_7_7_5_}

1/7c • K • An Cailín donn slow • 18 — Tunes p 6e. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). Cf MS 7348 p 169 The black-haired girl. Tune specification for PPM2 p 2 An buachaill bán. {3:4g ~ 8||8:|: ~ 113 667}

1/8a • K • An Raelthion leanabhach [index: leanabach] With expression • 19 — Tunes p 7a. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). See 2/148 John Doe (variant). {Cd ~ 8||8 = 4 +$ 4|| ~ 5535 1'1'3'2'}

1/8b • K • ‘Táimse am chodladh &c[’] Slow with feeling • 20 — Cf Tunes p 7b (2nd part varies); Neal 1724 p 12 (variant). See 3/47b, 4/27a. {3:4g ~ 16||16:|: = 4x8? ~ 7_12 427}

1/8c • K • An Smachdaoin crón [index: Smachdín] Lively • 21 — Cf Tunes p 7e (last two bars vary). Despite the ‘K’ this might be a copy of O’D 1850 pp 228–29. P-S no 1582 is a copy. {2:4g ~ 9:|:9||DC [read 8+8? last bar on line above] ~ 13 35 13 7_2 (4 bars) rather than 1133 3555 (2 bars)}

1/9a • K • An Páisdín Fionn playfully • 22 — Tunes p 8a. {6:8d ~ 8||8:|: ~ 51' 2'3' 24 55}

1/9b • K • Maidin aoibhin cois taoibh an ghleanna slow • 23 — Tunes p 7d. {Cg ~ 8||8:|: = 4x4 ~ 111'7 5346}

1/9c • K • Air maidin a nae ’s me [index: mé] go moch Lively • 24 {Cg ~ 8||8:|: ~ 7_247 547_1}

1/10a • K • Sibéil Ni Bhriain Slow & distinct vol. iii 124 • 25 — Tunes p 8b. JG made note to ask his brother George to get this song from ‘Andy’ (presumably Tom Kennedy’s brother Andy, also a piper): UCC p [132]). See 3/124a Maire Ní Dhaonléith, same air with variants. P-S no 1570 is a copy. {Cd ~ 8||8:|: ~ 1355 671'1'}

1/10b • K? • Stáca ’n Mhargaidh Moderately Slow • 26 — Marked ‘K’ in index, but probably from O’Farrell. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). Cf OFPC 2 p 126 Stalk en vauraga. {3:4a [3 corrected < 6?] ~ 12||20|| bars 3 to12 = 23 to 32 ~ 35_6_ 111}

1/11a • K • An Súisín Bán [index: Suisín] • 27 — Tunes p 9a. See 1/268b, 4/85d The cooleen bawn. {Cg ~ 6||6|: [ = 4x3] ~ 46_15_ 1342}

1/11b • K • Casadh an t-súgáin Slow • 28 — Tunes p 9b. {Cg ~ 6|| $ 6:|: $ = 4x3 ~ 15_12 3311}

1/11c • K • Éamonn Mhagáine slow & distinct • 29 — Tunes p 9c. {3:4c ~ 16 = 2x4+$ 2x4|| $ ~ 113 557}

1/12a • K • A Rabhais ag an g-Carraig • 30 — See 3/53c. {Cg ~ 13 = 3+3+$ 3+4|| $ ~ 1'1'1'5 3'4'2'1'}

1/12b • K • Seo tho thoil plaintive • 31 {Cg ~ 10 = 4+$ +4+2:| $ ~ 5566 1'1'2'1'}

1/12c • K • Fallaing ui Mhuimhneacháin Lively • 32 — Tunes p 3e. {6:8g ~ 2x4|| ~ 51' 1'2' 3'1' 73}

1/12d • Ceann dubh dileas Slow • 516 — Pigot marked his copy of this as a ‘K’ tune in RIA MS 24.0.1 p 820g. {6:8c ~ 2x4:|: ~ 57 2'3'}

1/13a • K • Bó na leath adhairce Slow & Marked • 33 {6:8g ~ 8:|:8||DC ~ 32 36 32 11}

1/13b • Bán chnoic Éireann o! slow • 517 — Tunes p 9d. Cf Horncastle pp 15–18; O’D 1850 p 44. {Cc ~ 8||8:| = 4x4 ~ 4642 1576}

1/13c • An chnotadh bán Lively — Cf O’D 1850 p 50. {Cg ~ 8||8:| ~ 1127_ 1116'}

1/14a • Móirín ní Chuillionáin — Cf O’D 1850 p 56. { C d ~ 2x4:| ~ 15_5_5_ 1232}

1/14b • Plancam Peirbhig Lively — Cf O’D 1850 p 76 Leir-ruathar Whiggiona, by An Mangaire Súgach. {9:8g ~ 4:|4||DC ~ 411 414}

1/14c • Cailín deas crúidhte na m-bó Slow with expression • 518 — Cf O’D 1850 p 82, An Bhlath Bhruinnioll, ornate setting; O’Hara GMR p 72. See 4/62e–63. {9:8g ~ 2x4:|: ~ 321 321}

1/15a • An Seanduine In marked time — Cf O’D 1850 p 96. See 2/34b Pay the reconing, 4/71. {6:8d ~ 2x8|| ~ 15 13}

1/15b • Domhnall na gréine with spirit — Cf O’D 1850 p 160. See 4/28a. {6:8c ~ 2x8|| ~ 32 31 6_2 6_2}

1/15c • Seaghan buidhe Lively — Cf O’D 1850 p 168. {6:8d ~ 2x8|| ~ 1_5_ 6_5_ 1_5_ 6_1}

1/16a • Buachaillín donn Slow — Tunes p 9e. RIA MS 24.0.1 p 868: note by Pigot at foot of page: ‘Mr Goodman has the commonly printed setting of the paisdin fionnn under the name of the buachaillín donn (p 16) as a slow air)’. Cf Holden ISQT 1 p 31 Pastheen Fuen; Crosby Irish pp 38–39 Cushlamachree. {6:4g ~ 2x8|| ~ 1'1'2'751' 3'3'3'2'2'2'}

1/16b • Tighearna Maigheó Slow with feeling — Tunes p 10a. Cf OFPC 2 p 10a. {Cc ~ 4:|:8:|: = 3x4 = 6x2 ~ 1154 517_5_}

1/16c • Sighle ni Ghuidhreadh Slow — Cf OFPC 1 pp 12–13. Part copy of 4/55c. {3:4g ~ 16||16:|: = 8x4 ~ 133 244 133 443}

1/17a • An Draonán donn plaintive — Cf O’D 1850 p 238. {3:4d ~ 8||8:|: = 4x4 ~ 336 1'1'6}

1/17b • K • Éamonn an Chnoic plaintive • 34 — Different version from 4/160c and Tunes p 1a. JG praises his friend Mick Riordan’s singing of this song (see UCC p [137]). {3:4g ~ 6:|:11:|: = 6+5+6 ~ 123 313}

1/17c • bruach na cairrge báine — Exact copy of 4/36d. {6:8c ~ 4:|:8|| ~ 53 47_}

1/17d • K • Buc Seó – With spirit • 35 — Tunes p 10c (parts reversed). See O’D Miscellany pp 60–62 An buck show (words only). {6:8c ~ 4:|:8|| ~ 7_7_ 7_7_ 36 31}

1/18a • K • Beinsín Luachra [index: Beinsinn] Slow • 36 — Tunes p10e. See 4/39a. {Cd ~ 8||8:|: = 4x4 ~ 3_2_4_3_ 1_1_53}

1/18b • K • Slurs • 37

Here follows a Collection of the Dance Music of Munster, viz. jigs, Reels, & Hornpipes, written down, for the most part from the playing of Thos. Kennedy – ex piper.

N.B. In order to avoid the difficulty of doubling the low notes on the pipes, & to add to the liveliness of the quick tunes, the following hints should be carefully attended to. Nos. 1, 2, & 5 are the curls in most general use, especially no 5 which is introduced in most of the old jigs with great effect. J.G.

[Slurs 1–11 are illustrated here in musical notation. For further ‘curls’ see 4/17a.]

1/19a • K • Airgiod Caillighe • 38 {6:8g ~ 2x8:|: ~ 42 7_5_ (tonic g)}

1/19b • K • Sop air an lochda • 39 — Pipes p 40, no 104. {6:8g ~ 2x8:|: ~ 33 34 (tonic d)}

1/19c • K • Kissing & Drinking • 40 — Pipes p 40, no 108. {6:8g ~ 2x8:|: ~ 45 15}

1/20a • K • The Humours of Jug • 41 Pipes p 40, no 107. {6:8g ~ =4x8:|: ~ 51 55 (tonic d)}

1/20b • K • Jackson’s Bottle of Punch • 42 — Pipes p 40, no 106. See 4/11c. {6:8d ~ 4x8:|: ~ 35 15}

1/21a • K • Down the Hills • 43 — Pipes p 19, no 17. Cf Joyce AIM p 87 The blooming meadows (part 1). {6:8g ~ 4x8:|: ~ 5_1 34}

1/21b • K • Cailleach sa Chúinne or, The Maid in The Parlour • 44 — Pipes p 24, no 19. Nearly identical to OFNIM p 28. {6:8d ~ 4x8:|: ~ 34 34 (tonic g but final d)}

1/22a • K • Bachal an ghrinn or The Rake’s March • 45 — Pipes p 28, no 58. Cf OFPC 1 p 64. {6:8g ~ 2x8:|: ~ 35_ 5_1 (tonic g but final d)}

1/22b • K • buachaillín óg • 46 {6:8g ~ 2x8:|: ~ 5_1 7_7_ (tonic g but final d)}

1/22c • K • Cailín an Chuic • 47 {6:8g ~ 2x8:|: ~31 6_1 31 36_ (tonic g) or 6424 6462 (tonic d)}

1/23a • K • Fan mar a bhfuil tú a chladhaire • 48 {6:8g ~ 2x8 two cadences each part|| ~ 15_ 15_ (tonic d but final c)}

1/23b • K • The Bog of Allen • 49 {6:8g ~ 2x8:|: two cadences part 2 ~ 33 35 (tonic d but final e)}

1/23c • K • The Humours of Ceann Daibhche [roman-gaelic] • 50 {6:8d ~ 8:|:8 two cadences :| ~ (31 35 (tonic d) or 27_24 (tonic e)}

1/24a • K • Máire an Phórtair • 51 — Cf Aird 1 p 50, no 143 Norickystie, or the wild Irishman (parts reversed); CRÉ 1 no 1 Cailleach an túirne [The maid at the spinning wheel] (parts 1 & 2 reversed). {6:8g ~ 2x8:|: ~ 32 5_1 12 7_7_}

1/24b • K • The Dairy Maid’s Wish • 52 {6:8g ~ 8 two cadences :|: 8:|: ~ 7_7_ 5_1 3 5_ 47_}

1/24c • K • Rattle the Cash spank /speak Ma/ha//l [illegible] • 53 — Cf Pipes p 40 no 103? pencil title illegible {6:8g ~ 2x8:|: ~ 11 57 47_ 22}

1/25a • K • The House Maid • 54 — Pipes p 19, no 14, UCC p [73], no 2. Cf ONMI no 719 East of Glandart. See 4/5d. {6:8d ~ 2x8:|: ~ 65 15 65 32}

1/25b • K • Paddy from Cork • 55 — Pipes p 19, no 13, UCC p [73], no 1. {6:8d ~ 2x8:|: ~ 35 51' 34 62}

1/25c • K • The Humours of Cloyne • 56 {6:8g ~ 2x8:|: ~ 43 21 43 22}

1/26a • K • Split the Whisker [l corrected from t?] • 57 {6:8d ~ 2x8:| two cadences each part ~ 73 53 73 54}

1/26b • K • The Farmers Daughter • 58 — Cf ONMI no 296 The peeler and the goat; POK 2 no 16. {6:8g ~ 2x8:|: ~ 32 13 56 67}

1/26c • K • Brosnahin’s Frolic • 59 — Perhaps ‘Broisnihan’, a travelling Kerry dancing master, see Iris 2 pp 115–16. {6:8d ~ 2x4:|: ~ 55 57 55 52}

1/27a • K • My Love is in the House • 60 {6:8g ~ 2x8:|: ~ 5_1 27_ 52 24}

1/27b • K • Peggy the Piper • 61 — Pipes p 41, no 126. {6:8d ~ 2x8:|: ~ 15 55 15 44}

1/27c • K • The New Way to Miltown • 62 — Pipes p 41, no 124. {6:8d ~ 2x8:|: ~ 33 52 33 41}

1/28a • K • Doctor O’Neill • 63 — Cf ONMI no 1106 Barney O’Neill; ONMI no 883 Young Tim Murphy. {6:8g ~ 2x8:|: ~ 51 56 53 32}

1/28b • K • The Petticoat loose • 64 — Pipes p 19, no 15, UCC p [73], no 3. {6:8g ~ 2x8:|: ~ 32 32 5_2 5_1}

1/28c • K • Brandy and Whiskey • 65 — Pipes p 41, no 128. 6:8g ~ 2x8:|: ~ 5_3 42 31 22}

1/29a • K • D’imthig an Sioc. The Frost is all gone • 66 — See 4/57b. {6:8c ~ 2x8:|: ~ 36_ 14 36_ 6_2}

1/29b • The Maids on the Green • 519 — Cf Pipes p 31, no 82. {6:8g ~ 2x8:|: ~ 1'6 35 35 32}

1/29c • K • The Humours of Berehaven • 67— Part 2: see 3/103b Humours of holystone (part 1) {6:8c ~ 2x8:|: ~ 77 74 22 22}

1/30a • K • The Humours of Nedeen .i. Kenmare • 68 {6:8g ~ 2x8:|: ~ 33 1'3 23 22 (tonic g)}

1/30b • K • The Mountain Stage • 69 — Cf Fitzmaurice 2 p 1 Mount the stage. {6:8c ~ 2x8:|: ~ 52 52 52 51}

1/30c • K • An Gearraltach buidhe .i. The Kerry jig • 70 — Pipes p 25, no 22. {6:8c ~ 2x8:|: ~ 6_6_ 6_6_ 51' 53}

1/31a • K • Cailleach do mharbhuidhis me • 71 — Cf Pipes p 39, no 92. {6:8g ~ 2x8:| two cadences each part ~ 7_1 21 22 22}

1/31b • K • The Humours of Purteen • 72 — Pipes p 39, no 99. Part 1: cf Curtin MS no 60 What call have you to me, Ned? {6:8c ~ 2x8:|: ~ 14 54 14 52}

1/31c • K • buachaill ó’n Sliabh • 73 {6:8d ~ 2x8||DC ~ 3_5_ 5_5_ 5_1 3_5_}

1/32a • K • Three and four pence • 74 — Pipes p 39, no 98. {6:8g ~ 3x8:|: ~ 55 42 55 41}

1/32b • K • The Merry Dance • 75 — Pipes p 31, no 86. {6:8g ~ 3x8:|: ~ 66 44 66 51}

1/33a • K • Punch for The Ladies [T corrected] • 76 — Pipes p 40, no 101. {6:8g ~ 2x8:|: ~ 32 31 32 66}

1/33b • K • Fasten the Leg in Her • 77 {6:8g ~ 2x8 two cadences each part|| ~ 33 51' 22 36}

1/33c • K • The Tithes are all down [T of Tithes corrected] • 78 — Pipes p 18, no 8, UCC p [72], no 21. Cf ONMI no 795 Out on the ocean. {6:8c ~ 2x8:|: ~ 53 53 11 32}

1/34a • K • The Five pound jig. Dia Luain ’s dia Máirt • 79 — Pipes p 19, no 18. Cf ONMI no 708 The gold ring (part 1). {6:8g ~ 2x8:|: ~ 41 41 41 47_}

1/34b • K • Skin the Peeler • 80 — Pipes p 26, no 30. {9:8 [corrected from 6:8?] ~ 2x4:|: ~ 331 335}

1/34c • Sagart na m-buataisidhe — See 1/103 (near duplicate). {6:8g ~ 2x8:|: ~ 22 27 13 7_2}

1/35a • K • The Black Stripper • 81 — Pipes p 26, no 34, UCC p [73], no 7. See 3/139a Kilkenny jig. {6:8g ~ 8:|:12:|: ~ 16_ 13 63 36_}

1/35b • K • The House Keeper • 82 — Pipes p 40, no 120. {6:8g ~ 3x8:|: ~ 34 54 33 34}

1/36a • K • Kiss my Wife and Welcome • 83 — Pipes p 39, no 94. {6:8d ~ 2x8:|: ~ 51 52 51 55 (tonic e)}

1/36b • K • Teann an Síoda • 84 — Cf POK 3 no 80 Smash the windows. See 2/47a Smash the windows. {6:8d ~ 2x8:|: ~ 13 1'2' 4_3_ 2_4_}

1/36c • K • The Humours of Ballymore • 85 — Pipes p 25, no 25 [no name]. Ballymore was the Goodman family residence near Dingle. See 3/76a Tell her I am. {6:8g ~ 2x8:|: ~ 1'414 55 62}

1/37a • K • The Lisburn Lasses Reel • 86 — Part 2: cf ONDMI no 792 The cup of tea (part 2). See 4/21b. {Cd ~ 2x8|| ~ 31'51' 31'42}

1/37b • The Strawberry Banks — Copy of 4/53b. {Cg ~ 8:|:8||DC ~ 137_2 331'1'}

1/37c • The Railroad — Copy of 4/90c. {Cd ~ 2x8:|: ~ 1'1'63 1'1'63}

1/38a • K • Reel • 87 — Pipes p 18, no 7. Cf ONMI no 1310 The Fermoy lasses. {Cg ~ 2x8|| ~ 16_36_}

1/38b • K • The Top of the cliff • 88 — Pipes p 30, no 70, Cf Joyce OIFMS pp 33–34 The new-mown meadows. See 1/51b The silver top (parts reversed). {Cg ~ 2x8:|: ~ 25_5_6_ 2326_}

1/38c • K • The Traveller • 89 — Pipes p 25, no 24 Country maid [JG:] ‘see OD book’. Cf ONMI no 1267 The merry sisters. {Cd ~ 4 two cadences |8||DC ~ 5651 5152 (tonic e)}

1/39a • K • Back the change • 90 — Pipes p 18, no 6 (varies). Cf Bremner Scots reels p 93. A version of the tune currently known as ‘The beauty spot’. Cf ‘Colonel Taylor’s reel’, from cylinder recording of piper Barney Delaney (Donnelly 1990, 12–15). See 3/162a. {Cd ~ 4:|:8||DC ~ 5551' 5527}

1/39b • K • Reel (The telegraph) • 91 — Cf ONMI no 1553 Rolling on the ryegrass. See 2/180a, 3/108a. {Cg ~ 4:|8||DC ~ 5515 4615}

1/39c • K • The Green Pidgeon • 92 — Pipes p 18, no 5 (varies). Cf ONMI no 1396 The four courts. {Cg ~ 2x8||DC ~ 7_27_5_ 7_212}

1/40a • K • Raithinneach, a bhean bheag • 93 — Pipes p 19, no 11. {Cg ~ 2x8||DC ~ 15_11 7_4_7_7_}

1/40b • K • The Humours of Fairfield • 94 — Pipes p 25, no 21. {Cg ~ 4:|:8||DC ~ 2417_ 1224}

1/40c • K • Erins Groves • 95 — Pipes p 19, no 16, UCC p [73], no 4. Joyce OIFMS p 361 is a copy. {Cg ~ 4:|:8||DC ~ 1352 11'1'5}

1/41a • K • Lady O’Briens Reel • 96 — Pipes p 25, no 27. Cf Ryan p 33 Honey-moon. {Cg ~ 2x8|| ~ 315_1 331'5 (final a but tonic g)}

1/41b • K • Reel [JG pencil] • 97 — Pipes p 25, no 28. {Cc ~ 4||8||DC ~ 146_1 1421?}

1/41c • K • The Tinkers Frolic • 98 — Pipes p 26, no 36, UCC p [73], no 10. Cf Ryan p 24 The jolly tinker. See 3/136d, 4/50b The jolly tinker. {Cg ~ 2x8||DC ~ 1417 1417 (tonic b)}

1/42a • K • The Union is welcome to Ireland • 99 — Pipes p 26, no 38. Cf Mitchell & Small PPT no 14 The Sword in hand. See 3/127b The Cork lasses. {Cg ~ 2x8||DC ~ 137_2 6_336_}

1/42b • K • Reel 100 — Cf Pipes p 26, no 39. {Cg ~ 4:|:8|| ~ 1313 25_25_}

1/42c • K • Miss Monaghan’s reel • 101 — Pipes p 27, no 44. See 4/82a, 2/153b Johnny shooting in the glen, 3/159a The dandy girl, 3/179b The pretty girls of this town. {Cg ~ 2x8:|: ~ 1335 4635}

1/43a • K • Betsy Baker • 102 — Pipes p 27, no 48, UCC p [72], no 18. Cf Aird 1 p 39, no 111 Push about the jorum. See 4/53b The straw berry banks. {Cg ~ 4:|:8|| ~ 537_2 331'1'}

1/43b • K • Miss Johnson • 103 — Pipes p 31, no 83, parts reversed. Cf Pipes p 27, no 49 Miss McDonald’s reel. See 2/162b, 3/65a, 4/121b. {Cg ~ 2x8|| ~ 3313 15_15_}

1/43c • K • The Wind that shakes the Barley • 104 — Pipes p 28, no 50. {Cg ~ 4:|:8||DC ~ 5_5_5_1 6_6_6_1}

1/44a • K • Reel • 105 — Pipes p 30, no 73 — A member of the ‘Colonel Frazer’ family? Cf DMWC no 33 The West wind. See 3/151b Frazers frolic. {Cg [TS corrected?] ~ 4:|:8|| ~ 3135 4224}

1/44b • K • Reel • 106 — Pipes p 30, no 2. Cf ONMI no 1184 The peeler’s jacket. {Cg ~ 2x8|| ~ 1313 7_243}

1/44c • K • The Ladys cup of tea • 107 — Cf Pipes p 31, no 87 untitled; CRÉ 2 no 281 Laethanta spraoi na Cásca [Sporting days of Easter]. {Cc ~ 4:|:8|| ~ 51'74 5524}

1/45a • The Fairy Dance — Cf Pipes p 31, no 90; Ryan p 8; Joyce OIFMS pp 65–66. {Cg ~ 2x8|| ~ 3333 427_2}

1/45b • K • What the Devil ails you • 108 — Cf Pipes p 39, no 93. {Cg ~ 2x8|| ~ 1122 3133 i.e. 1020 3130 (0 being crotchet rests)}

1/45c • The Devils dream [corrected < The Devils among the Tailors] — Not Pipes p 30, no 78. Cf Lee 1801 [no] 1 The Devil among the taylors; Forde NCDs, set no 2, p 14; Westrop p 19. {Cg ~ 2x8:|: ~ 5757 5764}

1/46a • Miss McLeods reel • 520— See 4/20b, 1/189a. Different settings very common in print. {Cg ~ 2x8|| ~ 11'66 3333 (tonic g, final a)}

1/46b • I’m over young to marry yet • 521 — Pipes p 30, no 79. Cf Kerr 1 p 9. {Cg ~ 4:|:8|| ~ 5133 5132}

1/46c • The Soldier’s joy — Cf ONMI no 1642; Howe Omnibus p 41; Stephano p 3. {Cd ~ 2x8|| ~ 5_1_5_1_ 5_111}

1/47a • Lord McDonalds reel — Cf Aird 4 p 7, no 17; Campbell 8 p 19; Riley 1 p 32. {Cg ~ 4:|:8||DC ~ 5551' 51'2'2}

1/47b • K • Miss Pierce’s reel • 109 — Pipes p 41, no 125. Cf CRÉ 3 no 150 Áine bhóidheach [Bonny Ann] (part 1). {Cd ~ 3x4:|: ~ 3'3'75 71'75}

1/47c • K • The Honeymoon • 110 — Pipes p 41, nos 127 and 130. Cf Kerr 2 p 17 (parts reversed). {Cg ~ 2x8|| ~ 16_6_1 7_6_3_5_}

1/48a • K • Marsáil an Fhiadh .i. The Deers March • 111 — Cf Joyce OIFMS pp 23–24 Miss Redmond’s hornpipe; ONMI no 1593 Kit O’Mahoney’s hornpipe. {Cg ~ 2x8:|: ~ 3322 1141}

1/48b • K • The Kerry Lassie • 112 {Cd ~ 2x8|| ~ 3353 541'5}

1/48c • K • The Quick reel • 113 {Cd ~ 2x8|| barline on end of bar 9 ~ 5552 5112}

1/49a • K? • Ellen Rosenburgh • 114 — Marked ‘K’ in index’. {Cd ~ 2x4:|: ~ 136_2 1542}

1/49b • The Drummond Lasses • 522 — Copy of 4/97d. Cf ONDMI no 673; Riley 1 p 2 Duvil’s hornpipe; CRÉ 4 no 144 Ríl Leaicí [Lackey’s reel], parts reversed. {Cg ~ 2x4:|: ~ 1353 137_2}

1/49c • K • Johnny is gone to France • 115 — Pipes p 41, no 121. {Cg ~ 4:|:8||DC ~ 5453 2454}

1/49d • K • The Basket of Oysters • 116 {Cd ~ 2x8|| ~ 7_5_7_1 7_5_3_1_}

1/50a • K • The Yeomen’s reel • 117 {Cg ~ 4:|:8|| ~ 3154 27_24}

1/50b • The Green Wood Lasses • 523 — Part 2: cf ONMI no 1480 The maid of Athlone (part 2), currently known as ‘The enchanted lady’. {2:4g ~ 4:|:8||DC ~ 6_3_5_1_ 6_3_6_2_}

1/50c • The Kilkenny Hunt • 524 — Cf Robert Petrie 2 p 3 Honble Mrs Maule’s Reel; Kerr 3 p 12 Sheep shanks; ONMI no 1500 The linen cap. See 3/136b Reel. {2:4g ~ 4:|:8||DC ~ 1'535 2462}

1/51a • The Steam Packet • 525 — Cf Pipes p 31, no 81 [JG:] see OD book. See 3/110c The morning star. {2:4g ~ 2x8|| ~ 3331 361'6}

1/51b • K • The Silver Top • 118 — Cf Joyce OIFMS pp 33–34 The new-mown meadows (parts reversed); ONMI no 1367 The threepenny bit. See 1/38b The top of the cliff. {2:4g ~ 2x8:|: ~ 3565 2326_}

1/51c • K • Tare the Calico • 119 — Cf ONMI no 1410 The maids of Mitchellstown. {Cc ~ 4:|:8||DC ~ 1524 5454}

1/52a • K • The Highlanders Kneebuckle • 120 {2:4d ~ 4 two cadences :|8|| ~ 3_5_6_5_ 3_5_2_2_ (tonic d)}

1/52b • K • The Bride’s to Bed • 121 — Cf Ryan p 58 Cheese it; ONMI no 1548 Corney is coming. See 4/89c (nearly identical) 3/106c My love is in America. {Cd ~ 4:|:8|| ~ 5_113 7_3_4_2_}

1/52c • Weel/ Well [?] may the Keel row — Cf gnp p 150; Kerr 1 p 19; Kerr 3 p 12; Forde 300 NM 1 p 28. {Cg ~ 4:|:8|| ~ 3142 3125_}

1/53a • The Ferry Point • 526 — Part 1: See 1/189d I’ll gang nae mair to yon town, 2/158b, 3/153a. {2:4g ~ 2x8|| ~ 1'1'31 3142}

1/53b • The Bonnie Lads of Scotland [B corrected] — Cf Aird 2 p 45, no 122; Aird 4 p 26, no 64, Aird 6 p 28, no 72; Ryan p 30. See near duplicate at 3/107b. {2:4d ~ 4:|:8|| ~ 3165 4522}

1/53c • Let no body see you — Copy of 4/19a. {Cg ~ 4:|:8|| ~ 71'31 22'75}

1/54 Hornpipes [Heading]

1/54a • K • Nelsons Hornpipe • 122 {Cg ~ 2x8:|: ~ 5635 1213}

1/54b • K • Fitzgeralds Hornpipe • 123 — Cf ONMI no 1713 Corney Drew’s hornpipe; Fitzgerald MS p 120; (Perhaps the ‘Gearaltach’ fiddler and dancing master mentioned in Iris 2 p 118). {Cg ~ 2x8:|: ~ 1113 651'5}

1/54c • Blanchards Hornpipe — Cf Aird 4 p 37, no 92; Kerr’s collection p 28 Sailor’s hornpipe. See 4/59c. {Cd ~ 2x8:|: ~ 13_4_5_ 3_3_4_5_}

1/55a • The Stage Hornpipe — Cf Kerr’s collection p 28 Hornpipe. See 4/59a Richers hornpipe. {Cd ~ 2x8:|: ~ 1_117_ 25_11}

1/55b • McNeile’s Hornpipe — Cf Kerr’s collection p 28 Jacky Tar. See 4/80a, 1/145b The college hornpipe. {Cg ~ 2x8:|: ~ 1'115 31'1'3'}

1/55c • Murphys Hornpipe — Copy of 4/59e. See 4/18a and its copy 1/57b. {Cd ~ 4 two cadences ||8:|: ~ 15_15_ 2224}

1/56a • The Pullet (Hornpipe) — Cf Kerr 1 p 35. {Cd ~ 8:|:8||DC ~ 16_6_1 5_5_5_1}

1/56b • The Liverpool Hornpipe — Copy of 4/60a. {Cd ~ 2x8:|: ~ 3_3_12 4316_}

1/56c • Ross’s Hornpipe — Copy of 4/60b. {Cd ~ 2x8:|: ~ 113_3_ 6_7_16_}

1/57a • Duval’s Hornpipe — Copy of 4/59b (part 2 bar 8: notes 1–4 wrongly transcribed, should be CBAG). {Cg ~ 8:|:12:|: ~ 1134 1134}

1/57b • Hornpipe — Copy of 4/18a. {Cd ~ 3x8:|: ~ 15_15_ 1325_}

1/58a • K • The Dublin Hornpipe • 124 — Pipes p 27, no 46, UCC p [73], no 8. — Cf ONMI no 1596 The slipper hornpipe. {Cd ~ 2x8:|: ~ 127_6_ 3_2_1_1 [?]}

1/58b • K • Fountains Hornpipe. Miss Lacey’s • 125 — Pipes p 18, no 4. Cf Amateurs companion p 1 Enrico; Trim Hardy no 13 Jacob or Enrico. See 1/195b The jockey hornpipe (part 1). {Cd ~ 2x8:|: ~ 1311 5_5_3_5_}

1/58c • K • Hanley’s Hornpipe • 126 Part 1: see 3/98c Hornpipe. {Cg ~ 2x8:|: ~ 3535 1'765}

1/59a • K • Hartneys Hornpipe ie O’Lyne’s March • 127 {Cg ~ 8:|:16:|: ~ 5_111 5_112}

1/59b • O’Farrell’s Hornpipe — Cf OFNIM 39. {Cd ~ 3x8:|: ~ 3_112 2_6_6_3_}

1/60a • The Cuckoo’s Nest .i. An Spealadóir • 527 — Copy of 4/39c. {Cg ~ 3x8:|: ~ 421'3' 7445}

1/60b • Dwyers Hornpipe — near copy of 4/131d The Waterford hornpipe. {Cg ~ 3x8:|: ~ 3112 7_5_5_2}

1/61a • Virginia Hornpipe • 528 — Not the same as Pipes p 29, no 65. {Cd ~ 2x8:|: ~ 15_3_5_ 6_6_15_}

1/61b • New York Hornpipe • 529 — Pipes p 29, no 64 {Cd ~ 2x8:|: ~ 1_5_1_5_ 1_5_35_}

1/61c • The Jockeys Hornpipe • 530 — Pipes p 29, no 66. Cf Ryan p 191 Thunder hornpipe; ONMI no 1586 (1st setting). See 4/121a Ivorys hornpipe (part 1). {Cg ~ 2x8:|: ~ 1111 331'3}

1/62a • K • The Newcastle Hornpipe • 128 Cf Ryan p 74 Parry’s hornpipe; Kidson p 25 The Kirkgate hornpipe (2nd version) from a MS c. 1820. Another 1818 MS used by Kidson has the tune as the ‘Newcastle’. {Cg ~ 2x8:|: ~ 6665 4446}

1/62b–63 • K • Sport & Pleasure • 129 {Cc ~ 8:|:8:|:8:|:16||DC ~ 5_134 5232}

1/63 • K • Spenser’s Hornpipe • 130 {Cd ~ 5x8:|: ~ 3237_ 3_115_}

1/64a • K • Charlie is welcome home • 131 Cf ONMI no 1579 The Wicklow hornpipe. {Cg ~ 2x8:|: ~ 6513 5575}

1/64b • K • Dickey Gossip • 132 — Cf Joyce MS 3 p 280, tune 835; Ryan p 190 Jaunting car (part 1). {Cg (part 1), d (part 2) ~ 2x8:|: ~ 1125_ 14_5_1_}

1/64c • K • The Steamboat • 133 — Pipes p 28, no 54. Cf ONMI no 1603 The harvest home (part 1). {Cd ~ 2x8:|: ~ 13_13_ 1316_}

1/65a • K • The Jockey thro’ the Fair • 134 {6:8d ~ 8:|:14:|: ~ 13 55 41 22}

1/65b • The Humours of Bandon (see other side) — See 1/66a. {6:8g ~ 8:|:13:|: ~ 5_1 27_}

1/66a • K • The Humours of Bandon • 135 — See 1/91c Jerry’s rambles, 2/145b The humours of Listivain, 3/154b An t-seanbean sultmhar, 3/221c The jolly old woman. {6:8g ~ 8:|:16:|: ~ 5_1 27_}

1/66b • K • The Humours of Ballinanty • 136 {Cd ~ 8:|:16:|: ~ 1131 215_5_ (tonic d)}

1/67a • K • Tino Tanto • 137 — Bars 1–2: see 1/70a Hornpipe. {Cg ~ 16:|:16|| ~ 5313 5313 (tonic g)}

1/67b • K • The Roving Siuler • 138 — See 2/63c Trip it with the roving shiuler (different setting). {Cg ~ 2x8:|: ~ 1131 1376}

1/68a • The Flowers of Edinburgh • 531 — Common in print. JG’s incipit is unusual. {Cg ~ 2x8:|: ~ 15_11 3542}

1/68b • K • Hornpipe • 139 — Pipes p 25, no 23. {Cg ~ 2x8:|: ~ 1116 5656 (tonic g but finals d)}

1/68c • Bony over the Alps [A corrected < a] — Copy of 4/65d. {Cg ~ 2x8:|: ~ 3212 7_7_7_2}

1/69a • Jackson’s Hornpipe — Copy of 4/13b. {Cd ~ 3x8:|: ~ 15_33 2216_}

1/69b • K? • An Stáicín eórnadh • 140 — Marked ‘K’ in index. Cf O’D 1850 p 250, identical but 2:4 time. See 3/91b Kerin’s frolic, especially part 1. {Cg ~ 2x8:|: ~ 6635 2223}

1/69c • Jack Crumpe • 532 {Cc ~ 2x4:|: ~ 3311 5_15_1}

1/70a • Hornpipe • 533 — Bars 1–2: see 1/67a Tino Tanto. {Cg ~ 2x8:|: ~ 5313 5312}

1/70b • Hornpipe • 534 {Cg ~ 2x8:|: ~ 3376 61'65}

1/70c • K • The Drunken Gauger • 141 — Cf ONMI no 1041 The angry peeler. {6:8g ~ 2x8:|: ~ 31 5_1 32 22}

1/71a • K • Trim the velvet • 142 {6:8g ~ 2x8:|: ~ 32 22 32 11}

1/71b • K • Foxy Mary • 143 {6:8g ~ 8:|:8 two cadences :| ~ 5_6_ 5_6_ 5_6_ 53 (tonic g) or 4_3_ 4_3_ 4_3_ 4_2 (tonic a)}

1/71c • Reel • 535 {[4:4g] ~ 2x4|| two cadences each part|~ 11 6_5_ 5_1 32}

1/72 • K • Chorus jig (Jackson’s) • 144 {6:8d ~ 8:|: 8 two cadences ||5x8:|: ~ 51 54 51 56}

1/73a • K • Green Sleaves • 145 — Pipes p 39, no 95. {6:8g ~ 5x8:|: ~ 73 42 31 41}

1/73b • K • The Turnpike way • 146 {9:8d ~ 2x4:|: ~ 3_6_5_ 3_6_7_}

1/74a • The Drogheda jig — Part copy of 3/114. {6:8g ~ 4x8:|: ~ 11 14 11 12}

1/74b • K • The Yellow wattle • 147 {6:8g ~ 3x8:|: ~ 11 11 11 14}

1/75a • K • Timothy Doyle • 148 {6:8g ~ 3x8:|: ~ 34 14 14 62}

1/75b • K • Cnocán an Teampuill .i. Church hill • 149 — See 1/267d Allisdrum’s march (part v). {6:8g ~ 3x8:|: ~ 7554 7554 (tonic d) rather than 31 17 31 17 (tonic a)}

1/76a • K • Bean an leanna • 150 — Tunes p 11. {3:4g ~ 8||16|| ~ 61'6 544}

1/76b • K • “A réir as mé ag machdnamh air bheartaibh an t-saoghail” [2nd title in pencil:] • B’fhearr leigean dóibh • 151 — Tunes p 11. {3:4d [3 illegible] ~ 16||16|| = 4x8 = 8x4 ~ 352 113}

1/77a • K • Prince Eugene • 152. The last four bars marked ‘2nd time’ are written in the space at the end of 1/76a. {Cg ~ 2x8:|: ~ 16_12 4232}

1/77b • K • Oh [italics] Bhean an tighe • 153 Tunes p 12. {Cg ~ 2x8:|: ~ 3355 5564}

1/77c • K • The Wounded Hussar • 154 — See 1/100b Captain O’Cain. {3:4g ~ 8:|:16 = 2x8:|: ~ 5_11 321}

1/78a • K • Mary Neil • 155 {Cg ~ 16 = 8+$ 8:| $ ~ 651'3 4565

1/78b • K • Pilip an Cheóig • 156 — See 3/39b. {9:8g ~ 2x8|| ~ 227_ 227_ (tonic g)}

1/78c • K • Pol [index: Poll] Ruaidh • 157 — Cf CRÉ 4 no 31 Gan ainm [no name] (from Stephen Grier MS). {9:8c ~ 2x8|| ~ 126_ 124}

1/79a • K • Peggys Dream • 158 — Pipes p 40, no 105. {Cd ~ 4x8:|: ~ 3'2'4'2' 1'553'}

1/79b • This Earth is our Planet — Cf Moore 1818 no 7 song 11 They may rail at this life. See 2/1b, 4/29e. {6:8g ~ 2x8:|: ~ 55 35}

1/80a • K • “Open the Door for three [”] • 159 — Pipes p 27, no 43. Cf Holden CFIA p 23. {9:8g ~ 2x4:|: ~ 132 134}

1/80b • K • Slip jig • 160 — Pipes p 27, no 42. Cf Hamilton HUT 2 p1 Irish jig; ONDMI no 452 Last night’s fun (part 1). {9:8c ~ 4:|:8||DC [dots deleted? after part 2] ~ 5_22 6_21}

1/80c • Sir Roger De Coverly • 536 — Pipes p 29, no 68. Cf Stephano p 12. See 4/154a. {9:8g ~ 4:|:8||DC ~ 115 227_}

1/81a • K • Sir Raymonds Frolic • 161 — Pipes p 31, no 88. Cf ONMI no 1160 Up and down again. {9:8g ~ 4:|:8||DC ~ 16_6_ 16_2}

1/81b • K • Slip jig • 162 — Cf Hamilton HUT 2 p 1 Irish jig (especially part 2); Joyce AIM p 7 Hop jig. {9:8d ~ 4:|:8||DC ~ 531' 61'3'}

1/81c • The Fox Hunters jig — Duplicate of 1/257b. {9:8g ~ 3x4:|: ~ 354 352}

1/82a • K • Spatter the Dew • 163 {9:8g ~ 4:|:4 two cadences :| ~ 331' 335}

1/82b • K • The Rocky Road [R of Rocky corrected?] • 164 — Cf Citizen Nov 1841, tune no 39. 9:8g ~ 2x4:|: ~ 541 5_12}

1/82c • K • Ride a Mile • 165 — Not Pipes p 30, no 77 — See 3/143a. {9:8g ~ 2x4:|: ~ 51'7 1'35}

1/83a • K • Sean bhean críona an dranntáin • 166 — Tunes pp 11c, 12b; for different settings see 4/158 and O’D 1850 p 64. See 1/93a When the cock crows it is day. {6:8g ~ 8 two cadences ||8:|: ~ 36 31 36 44}

1/83b • K • Kiss The Widow • 167 — Pipes p 24, no 20. Cf OFPC 1 pp 62–63 Mullowney’s jigg; ONDMI no 11 Malowney’s wife. {6:8d ~ 2x8:|: ~ 35 55 43 42}

1/83c • K • Nothing in Life can sadden us • 168 — Pipes p 28, no 52. {6:8g ~ | $ 8:|:8|| $ DC ~ 32 11 65 32}

1/84a • K • Captain Rock • 169 — Pipes p 28, no 51 Paideen Ruadh. {Cd ~ 8||8:|: ~ 3324 1147_}

1/84b • Carolans Receipt — Cf OFNIM p 27; gnp p 61; Holden ISQT 1 p 23; See 4/124a. {Cg ~ 8||16|| = 6x4 ~ 6442 6_111'}

1/85a • Farewell to Whiskey • 537 — Cf Pipes p 30, no 76; Alburger 109–110 Niel Gow’s farewell to whiskey. {2:4g ~ 2x8:|: ~ 5_3 16_ 5_3_ 53 (4 bars) rather than 5_5_32 116_1 (2 bars)}

1/85b • K • Norah Daly • 170 — Pipes p 28, no 53. {6:8g ~ 2x8||DC ~ 33 22 11 51'}

1/85c • K • The Joys of Wedlock • 171 — Pipes p 28, no 55. {6:8g ~ 2x8:|: ~ 11 1'5 35 7_2}

1/86a • Paddy from London • 538 — Cf ONMI no 1094 Miss Casey (part 1). {6:8c ~ 2x8:|: ~ 5_1 5_4 54 37_}

1/86b • K? • An Crúisgín lán • 172 — Marked ‘K’ in index. Cf Surenne SI p 153 at start. {[C]g ~ 10 = 4+$ 4+2|| $ ~ 5_132 4215_}

1/86c • The Black joke • 539 — Cf OFPC 2 p 92; Clementi’s variations. {6:8g ~ 12||10|| 2x6 +2+2+6 ~ 5_1 22 33 22}

1/87a • Drunk at Night & dry in the Morning • 540 — Cf OFNIM p 19; OFPC 1 p 59. {6:8g ~ 8||10||8:|:, i.e. 4 = 4||10||4 = 4 tailpiece ~ 35_ 6_2 35_ 6_1}

1/87b • K • My Heart with love is breaking • 173 — Cf ONMI no 1433 Lord Gordon’s reel. See 1/260b Waterloo. {2:4d ~ 2x8:|: ~ 5353 5354 (tonic d) or perhaps 7575 7576 (tonic b)}

1/88a • The Orange Rogue • 541 — Cf ONDMI no 978 {6:8g ~ 8:|:8||DC 8||DC ~ 17_ 3_3_ 57 3'3' (tonic e) or 65 11 35 1'1' (tonic g)}

1/88b • The High cauled Cap • 542 — Cf O’D 1850 p 40. {2:4d ~ 8:|:16||DC ~ 3453' 1'3'74}

1/89a • The Alexander jig [T corrected] • 543 — Cf CRÉ 5 no 5 Máirseáil Alasdroim [Alexander’s march]. {6:8c ~ 2x8:|:DC ~ 11 13 11 11}

1/89b • jig • 544 — Cf CRÉ 2 no 62 Fáilte roimh Ó Conaill sa bParlaimint [O’Connell’s welcome to Parliament] (part 1). {6:8g ~ 2x8:|: ~ 11 35 33 33}

1/89c • The Third Buffs March • 545 — Cf gnp p 7; Aird 6 pp 72–73, no 177 Dorset-shire march. {Cd ~ 2x8:|: ~ 3_1_5_3_ 15_31}

1/90a • Waltz — Part 1: cf Kerr 1 p 51 Elfin waltz; Alexander’s scrap book new series vol 7 p 42; Howe Omnibus p 35. {3:4g ~ 2x16:|: ~ 5_13 442 146 666}

1/90b • Arabys Daughter — Cf MS 7348 p 102; Mooney 1, p 542; Howe Musician’s companion 2 p 4; ONMI no 305. {6:8d ~ 2x8|| ~ 33 23}

1/90c • K • To Cashell I’ll go • 174 — An elaborate setting of the jig ‘Tatterjack Walsh’. Cf Ryan p 142. See 4/19d. {6:8d ~ 2x8:|: ~ 31 7_7_ 5_4_ 53}

1/91a • “The Bold Soger Boy” — Song by Samuel Lover: cf MS 7348 p 127; O’Flanagan HC p 30; Howe NVWM p 97; Lover 1853 p 169 (words only). {Cg ~ 35_17_ 2131}

1/91b • The Blind Mans Bride — Cf MS 7348 p 127; Cowell. {Cc ~ 20|| = 5x4 ~ 5555 1111}

1/91c • Jerrys Rambles — OFNIM p 18. See 1/66a The humours of Bandon. {6:8c ~ 2x10 = 4+4+2:|: ~ 5_1 27_}

[The following tunes from O’Farrell are marked ‘O’F’ by JG in the margin]

1/92a • O’F • Apples in Winter — OFNIM p 22. Cf ONMI no 1110 Gillan’s apples. {6:8d ~ 4x8:|: ~ 1'3 33}

1/92b • O’F • Planxty Connor — OFNIM p 22. {6:8g ~ 3x8:|: ~ 17_ 6_1}

1/93a • O’F • When the Cock crows it is day — OFNIM pp 20–21. See 1/83a Sean bhean críona an dranntáin. {6:8d ~ 4x8:|: ~ 34 11}

1/93b • O’F • Diversion Everywhere — Cf OFNIM p 28 Round the world for sport. See different version at 4/120a. {6:8g ~ 2x8:|: ~ 13 15}

1/94a • O’F • The Lads of Tipperary — OFNIM p 29. See 2/36b The lads of Tipperary, 3/94a Malichi Daly. {6:8d ~ 4x8:|: ~ 16_ 5_5_}

1/94b • O’F • Yellow Stockings — OFNIM p 29. {9:8g ~ 3x4:|: ~ 111 117_}

1/94c • O’F • Humours of Toddy — OFNIM p 35. {6:8g ~ 2x4:|: ~ 7_5_ 32}

1/95a • O’F • Stad ero Roguire, Stad, Stad! [roman, gaelic, JG pencil:] (Sighle an da Mhannga) — OFNIM p 36. {6:8a ~ 4x8|| ~ 12 44}

1/95b • O’F • Rothe Murchus’s Rant — Cf OFNIM p 41. See 2/150a The maid in danger. {Cc ~ 3x4:|: 8||DC ~ 2224 7575 (tonic e) or 3335 1'61'6 (tonic d)}

1/96a • O’F • We’ll all take Coach & trip it away — OFNIM p 38. Cf ONMI no 1000 The old grey goose. See 3/88c Humours of Millstreet (part 1). {6:8g ~ 5x8:|: ~ 32 31 32 27_}

1/96b • O’F • Johnny O’Shea — OFNIM p 135. {9:8f ~ 2x4:|: ~ 663 666}

1/97a • O’F • O’Farrells welcome to Limerick — OFNIM pp 38–39. {9:8d ~ 6x4:|: ~ 357 654}

1/97b • O’F • The Humours of Ballymanus — OFNIM p 50. Cf OFPC 1 pp 38–39. {9:8d ~ 6x4:|: ~ 5_5_5_ 5_5_6_}

1/98a • O’F • Cuma liom with variations [all roman] — OFNIM p 42. See 1/182 A bh-fuilleann tú ad chodladh aro Mháire. {9:8d ~ 7x4:|: ~ 533 534}

1/98b • O’F • The Munster piper — OFNIM p 40. {Cd ~ 3x4:|: ~ 1'531' 2'762}

1/99a • O’F • The Silver Mines — OFNIM p 46. {6:8d ~ 5x8:|: ~ 55 55}

1/99b • O’F • Humphy [sic] Clinker — OFNIM p 152. (Hero of a picaresque novel by Tobias Smollett, The expedition of Humphrey Clinker). {2:4d ~ 2x8:|: ~ 3535 1'664

1/100a • O’F • The little house under the hill — OFNIM pp 48–49. See 3/40a — 41. Differs from 2/14c. {12:8d ~ 6x4:|: ~ 5555 5544}

1/100b • O’F • Captain O’Cain — OFNIM p 45. See 1/77c The wounded huzzar. {6:8c ~ 4:|:8|| ~ 5_3 27_}

1/101a • K • jig • 175 — Part 2: cf Aird 1 p 68, no 196 Irish lilt (part 2). See 3/130c The top of Cork road (part 2). {6:8d ~ 2x8:|: ~ 13_ 1_3_ 1_3_ 2_2}

1/101b • K • jig (Paddy mc Fadden mhic Phawdeen) [?] • 176 — See 2:4 setting at 3/132c Scotch lilt (part 1). {6:8g ~ 2x8:|: ~ 51 57 47_ 24}

1/101c • K • brísdín bréide [i corrected in bréide] • 177 — Cf ONMI no 880 The Killeshandra lasses. See 4/77c Bachelor’s walk. {6:8c ~ 2x8:|: ~ 13 53 22 62 (tonic g but final e)}

1/102a • Morgan Rattler — Pipes p 39, no 96. Cf Kinloch 1 p 41 (parts 1 & 3). See 2/172c Jacksons Banner Banogher. {6:8d ~ 2x8:|: ~ 52 31}

1/102b • K • The Sweet Briar (Coigeálín cobharthach) • 178 — Pipes p 31, no 89. {6:8g ~ 2x8|| ~ 1'6 33 1'6 52}

1/102c • The Lads of the town • 546 — Pipes p 26, no 35, UCC p [73], no 9. Cf Pigot MS p 814: one of three tunes in ‘Mr Goodman’s setting’. Cf Joyce OIFMS p 42 The banks of Glenoe. Part 2: cf Ryan p 113 Connaught-man’s ramble (part 2). {6:8c [TS corrected] ~ 8:|:8 two cadences || ~ 7_37_7_ 7_3 14}

1/103a • Nancy Dawson — Cf Aird 1 p 40, no 112; Edin repos music 3 p 88; Lynch p 34. {6:8g ~ 2x8:|: ~ 11 51 22 27_}

1/103b • K • Seaghan Stail • 179 — Pipes p 19, no 12, UCC p [72], no 20. {6:8g ~ 2x8:|: ~ 31 12 31 7_2}

1/103c • Sagairt na m-buatuisidhe [or tais?] • 547 — Pipes p 28, no 57. Cf Aird 1 p 14, no 124 The parson in his boots; Ryan p 102 The priest in his boots. See 1/34 (near duplicate). {6:8g ~ 2x8:|: ~ 22 27 13 7_2}

1/104a • Reel • 548 — Cf Pipes p 18, no 2. {2:4 [read C]d ~ 2x8:|: ~ 16_ 13 16_ 7_5_ (4 bars)}

1/104b • Polka • 549 — Cf Pipes p 18, no 3 Waltz (2:4 time); CRÉ 3 no 68 Tá boinéad agam [I have a bonnet trimmed with blue]. See 1/162b Russian krakoviak. {2:4g ~ 8:|:8|| ~ 7_4 53 54 13 (4 bars) rather than 7_7_44 5333 (2 bars)}

1/104c • Waltz • 550 — Cf Pipes p 25, no 29; Hamilton HUT 1 p 70 Beneditta sia la madre. Venetian air. {3:4g ~ 2x8|| ~ 556 313}

1/105a • Leather away with the Wattle O! — Cf O’D 1850 p 192. {2:4d ~ 8||8:|: ~ 1'635 1'1'1'3'}

1/105b • Toirdhealbhach láidir — Cf OFPC 2 p 136; O’D 1850 p 248. Although it is obviously from print, Pigot includes it as one of three tunes in ‘Mr Goodman’s setting’ (Pigot MS p 814). {9:8d ~ 3x4:|: ~ 3_4_5_ 3_4_6_}

1/105c • Humours of Flip • 551 — Pipes p 26, no 31 ARDGROOM. Cf ONMI no 1320 Trim the velvet (part 1). {Cg ~ | $ 2x8|| [no repeat of $] ~ 1343 1347_}

1/106a • K • The Banks of the Suir Slow • 180 {3:4g ~ 6||12 = 6+6|| ~ 166 612 6_5_1}

1/106b • Bang it up • 552 {Cg ~ 8||4:|: ~ 3131 5327_}

1/106c • Peter street Dance • 553 — Cf Pipes p 26, no 37. See 1/215b, 4/48b. {Cg ~ 2x8||DC ~ 1353 11'76}

1/107a • K • Paddy Heagerty’s Leather breeches • 181 — Pipes p 29, no 62 Téid Pheadair. {6:8g ~ 8||8:|: ~ 11 52 34 11}

1/107b • The Limerick Waltz • 554 — Pipes p 31, no 84. Part 1: cf Roche 3 p 50, no 151 The barnacle. {3:4c ~ 3x8:|: ~ 5_5_5_ 111}

1/107c • A pantomime jig • 555 — Pipes p 31, no 85 Clowns jig. {6:8g ~ 2x4:|: ~ 55 23 55 41}

1/108a • Quadrille • 556 — Pipes p 39, no 100. {6:8g ~ 2x8:|: ~ 55 33 7_5_ 25_}

1/108b • Waltz • 557 — Pipes p 40, no 102. {3:4g ~ 2x8:|: ~ 533 1'55}

1/108c • Waltz — Non-traditional. {3:4d ~ 8:|:16 = 8+8||DC ~ 333 13_5_}

1/109a • Paddy O’Carroll — Very common in print in similar settings. Cf Kerr’s collection p 31. {6:8d ~ 2x8:|: ~ 33 33 11' 22}

1/109b • Flora McIvor’s Reel — Cf Hodson Highland Quadrilles (JM 5580, last item). {Cg ~ 4:|:4||DC ~ 1_3_6_6_ 1_5_4_2_}

1/109c • Waltz • 558 — Pipes p 27, no 45 Waltz (Sley Head); UCC [p 72], no 12 Sleibh Head. {3:4g ~ 2x8|| ~ 136_ 462}

1/110a • Haste to the Wedding — Cf Aird 1 p 30, no 84 Rural felicity; Kerr’s new violin tutor p 23. See 2/16b. {6:8d ~ 2x8:|: ~ 5_5_ 23}

1/110b • Trip to the Cottage — Cf Hime 1809 no 1, p 4. See 3/180a Dubhairt sí go bhfaghain (part 1). {6:8g ~ 2x8:|: ~ 53 42}

1/110c • K • The Bungalow jig • 182 — Cf P-S no 962 (copy? of JG). {6:8g ~ 2x8:|: ~ 33 47_ 33 41}

1/111a • Quick Step • 559 {6:8g ~ 2x8:|: ~ 1'1' 65 11 32}

1/111b • Quick Step — Non-traditional. {6:8d ~ | $ 8:|:8|| $ DC ~ 11' 1'1' 4'2' 7'2'}

1/111c • Indeed then, you sha’nt!! • 560 — Cf Ryan p 155 (parts reversed). {6:8g ~ 2x8:|: ~ 6_2 43 6_2 41}

[The items below (from 1/112a down to 1/137b intermittedly) copied from Levey have ‘L’ or ‘L.’ in the left-hand margin in the MS.

1/112a • L • Apples in Winter — Levey 1 no 2. Cf Kerr 1 p 34. {2:4c ~ 4:|:8|| ~ 5353 7_7_7_7_ (tonic a?) or 27_27_ 5_5_5_5_ (tonic d)}

1/112b • L • Moll in the Wad — Levey 1 no 5. Cf Holden ISQT 1 p 18. {6:8g ~ 2x8:|: ~ 6_4_ 2_4_}

1/112c • L • Strawberry beds — Levey 1 no 7. {2:4g ~ 2x8||DC ~ 5231 3331'}

1/113a • L • Trip it up Stairs — Levey 1 no 6. See 2/55b. {6:8d ~ 3x8:|: ~ 13 27_}

1/113b • L • The Kinnigad [gal?] Slashers — Cf Levey 1 no 83 (parts 1 & 2); OFPC 3 p 31. {6:8d ~ 3x8:|: ~ 11 5_5_}

1/114a • K • Úr chlann na mná ó’n sliabh • 183 — Words pp 98–99 ‘A Righ dhil na ngrás dfullaing péin agus páis’; Tunes p 11a. {Cg ~ 16|| = 4x4 ~ 1121 5_5_5_5_}

1/114b • K • Hurry the jug • 184 {6:8g ~ 8:|:16:|: ~ 13 52 7_2 42 (tonic e, final g)}

1/114c • K • Shéamuis a mhaoin • 185 — Words pp 92–93 ‘A Shéamuis a chroidhe, nó ’n truadh leat mar bhím’; Tunes p 112e. {3:4]g ~ 8 = 4x2:|: ~ 111 333}

1/115a • K • Humours of Brandy (Jackson) • 186 {6:8d ~ 4x8:|: ~ 52 22 15 22}

1/115b • K • Lady of the Lake • 187 — Cf Ryan p 143 Billy the barber shaved his father. {6:8g ~ 2x8:|: ~ 31 6_1 31 35}

1/116a • K • ‘Pass the joram’ or ‘Bunach, a bhuachaillidhe’ • 188 {6:8c ~ 2x8:|: ~ 15 55 15 52}

1/116b • K • ‘Caravat’ jig • 189 — Cf Roche 1 p 42, nos 95 & 96 Donnybrook fair, or The boys from the lough. {6:8g ~ 2x8:|: ~ 12 35 31 26_}

1/116c • K • Far away wedding • 190 — Cf Curtin MS no 17. Part 1: cf Aird 1 p 62, no 181 The wrights rant. The stool of repentance. {6:8d ~ 2x8:|: ~ 3535 4636}

1/117a • K • Jackson’s Family • 191 {6:8g ~ 8:|:14:|:8:|:10:|: ~ 3414 3411}

1/117b • K • Round the world for sport • 192 — See 3/80c. {6:8d ~ 2x8:|: ~ 55 33 56 21'}

1/118a • K • Tadhg an dá bheisd • 193 {[6:8]d ~ 2x8:|: ~ 55 15 55 7_4 (tonic e)}

1/118b • K • The green gown • 194 {Cd ~ 10 = 2x2 $ 3x2:| $ ~ 1465 2220}

1/118c • Michl Delany — Cf Weippert NCD 3 no 18 Murphy Delaney. {6:8g ~ 2x8:|: ~ 11 13 11 27_}

1/119a • L • Doyle’s Frolic — Levey 1 no 9. {6:8g ~ 2x8:|: ~ 32 51'}

1/119b • L • Irish Air — Levey 1 no 12. {6:8d ~ 2x8:|: ~ 5_5_ 13}

1/119c • L • jig — Levey 1 no 14. See 4/61a Money in both pockets (parts 1 & 2). {6:8d ~ 2x8:|: ~ 13_ 5_5_}

1/120a • L • jig — Levey 1 no 15. Cf Aird 5 p 39, no 103 Ligrum cus, Irish; ONWSGM no 105. {6:8g ~ 8:|:8 two cadences || ~ 55 31 55 61'}

1/120b • L • Dublin Streets — Levey 1 no 19. {9:8g ~ 4:|:8||DC ~ 355 244}

1/120c • L • The Rambling Pitchfork — Levey 1 no 21. {6:8f ~ 2x8:|: ~ 35 75 (tonic d) or 13 53 (tonic f?)}

1/121a • L • The New “Found out” — Levey 1 no 20. {2:4d ~ | $ 2x8|| $ DC ~ 5_3_3_5_ 4_6_16_}

1/121b • L • Up stairs in a tent [JG pencil?:] Sally tye my bonnet — Levey 1 no 22. {2:4g ~ 4 two cadences ||8||DC ~ 2276 2231}

1/121c • L • Kitty’s Wishes — Levey 1 no 24. Cf Joyce OIFMS p 381 The star of Munster. {2:4c ~ 2x8:|: ~ 3127_ 15_7_5_}

1/122a • L • Molly Brallaghan — Levey 1 no 26. {2:4g ~ 2x8:|: ~ 4534 2226_}

1/122b • Judy Brallaghan — Cf Levey 1 no 111 Blewit’s jig; Power 1811 p 2; ONMI no 1145 Barney Brallaghan. {9:8d ~ 3x4:|: ~ 355 351'}

1/122c • L [K?] • The Green fields of Erin • 195 — Marked ‘K’ in index but ‘L’ in margin. Cf Levey 1 no 74. {2:4g ~ 4 two cadences ||8||DC ~ 1353 2274 (tonic a)}

1/123a • L • Will you take a flutter — Levey 1 no 76. Cf Clinton Gems no 192 Will you take a titther. {Cg ~ 4||8 = 4+4||DC ~ 3130 6243}

1/123b • L • Rakes of Irishmen — Levey 1 no 78. Cf Holden CFIA p 30. {6:8g ~ 2x8:|: ~ 11 55 65 22}

1/123c • L • Patricks pot — Levey 1 no 80. Cf Clinton Gems no 151. {6:8c ~ 2x8:|: ~ 11 17_}

cois f 1/124a • L • The Beesom — Levey 1 no 81. {9:8d ~ 2x4:|: ~ 354 354}

1/124b • L • The Galway Reel — Levey 1 no 82. {2:4c ~ 2x4|| two cadences both parts ~ 7_27_5 5_115 (tonic d)

1/124c • L • Reel — Levey 1 no 85. Cf Kerr 1 p 35 The hare’s foot; ONMI no 1296 Jim Kennedy’s favourite. See 3/163b The lowlands of Scotland. {2:4g ~ 4 two cadences :|:8||DC ~ 3_3_5_7__ 5_7_5_1_ (tonic e)}

1/125a • L • The Langstern pony [y corrected < e] — Levey 1 no 86. {6:8d ~ 2x8:|: ~ 37_ 7_2}

1/125b • L • Marry the piper girls — Levey 1 no 97. {6:8g ~ 2x8:|: ~ 4_4_5_5_ 4_4_14 (tonic d) or 1_1_ 2_2_ 1_1_ 5'1' (tonic g)}

1/125c • L • jig — Levey 1 no 98. Cf ONMI no 1049 Felix the wrestler. {6:8a ~ 2x8:|: ~ 31 51}

1/126a • L • Kissing and Drinking. — Levey 1 no 90. {6:8g ~ 2x4:|: ~ 31' 61'}

1/126b • L • Jig — Levey 1 no 92. Cf ONMI no 1144 Ellen O’Grady. {9:8d ~ 2x4:|: ~ 556 556}

1/126c • L [?] • The Miners of Wicklow • 561 — Cf Levey 1 no 25. {6:8d ~ | $ 8 two cadences ||16|| $ DC ~ 35 1'5 62 51}

1/127a • L • Strap [sic] the Razor — Levey 1 no 32. {6:8g ~ |! $ 2x8:|: no 2nd $ ~ 23 27_}

1/127b • L • Kitty in the Lane — Levey 1 no 35. {2:4d ~ 4 two cadences :|8|| ~ 1'576 4276}

1/127c • L • The Teetotallers Reel — Levey 1 no 41; Kerr 1 p 35. {2:4g ~ 2x8:|: ~ 1113 5652}

1/128a • L • Jack in the Green — Levey 1 no 34. {9:8g ~ 2x4:|: ~ 1'1'6 2'2'7}

1/128b • L • Jig — Levey 1 no 36. Cf ONMI no 1141 Silvermore. {9:8d ~ 2x4:|: ~ 134 132}

1/128c • L • The House in the Corner — Levey 1 no 37. Cf Aird p 25, no 63 The hare in corn: ONMIno 758 The absent minded man. {6:8g ~ 2x8:|: ~ 35 1'3}

1/129a • L • The Humours of Cork — Levey 1 no 38. Cf OFPC 3 p 9. {6:8g ~ 2x8:|: ~ 51 12}

1/129b • L • Miss Brady — Levey 1 no 42. {2:4g ~ 2x4:|: ~ 1355 77_22}

1/129c • L • Saddle the Pony — Levey 1 no 43. Cf Joyce OIFMS p 841 The housemaid (parts reversed); ONMI no 719 East at Glandart (parts reversed). {6:8d ~ 2x8:|: ~ 1'1' 55}

1/129d • L • Who’ll come fight in the Snow [S corrected < sl?] — Levey 1 no 68. Cf Clinton Gems no 197. {9:8d ~ 2x4:|: ~ 1'33 1'34}

1/130a • L • Coming thro the Field — Levey 1 no 47; — Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a A reel Down the street, 3/128a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 2x8:|:DC ~ 131'3 4245}

1/130b • L • The Beer Drinker — Levey 1 no 46. Cf ONMI no 1108 Paddy go easy. {6:8d ~ 3x8:|: ~ 13 53 13 52}

1/130c • L • The Piper’s maggot — Levey 1 no 50. Cf Holden ISQT 1 p 21; Weippert NCD 2 no 26. {9:8c ~ 2x4:|: ~ 315 31'6}

1/131a • L • Thady’s Wattle [illegible, pencil?:] ‘—’Ken–dy [?] — Levey 1 no 52. Cf Holden ISQT 1 p 5; Weippert NCD 2 no 9. {Cg ~ 4:|:8||DC ~ 1335 4461'}

1/131b • L • Slack the rags — Levey 1 no 53 Stack the rags. {6:8f ~ 8:|:16||DC ~ 41 5_1}

1/131c • L • Rowdledum — Levey 1 no 57. {9:8d ~ 2x4:|: ~ 11'7 1'3'3'}

1/132a • L • The Bag of praties — Levey 1 no 56. Cf Kerr 1/22. {Cd ~ 2x4:|: ~ 1'1'1'5 7765}

1/132b • L • Jig — Levey 1 no 57. {6:8g ~ 8 two cadences :|8:|: ~ 52 6_5_}

1/132c • L • Miss Hamiltons reel — Levey 1 no 59. {2:4f ~ 2x8|: ~ 3'735 7524}

1/132d • L • The unfortunate cup of Tea (reel) — Levey 1 no 69. Cf Howe 500 p 97. {Cg ~ 2x4:|: ~ 5335 3553}

1/133a • L • The Bunch of Currants — Levey 1 no 60. See 3/189c The brisk young lad (part 1). {6:8g ~ 2x8:|: ~ 33 42}

1/133b • L • Fagan — Levey 1 no 25. Cf Clinton Gems no 140. {6:8f ~ 2x8:|: ~ 1'6 36_}

1/133c • L • Irish Lilt — Levey 1 no 63. Cf Holden ISQT 1 p 3. {6:8g ~ 4:|:8:|: ~ 31 32}

1/134a • L • An Irish Troll — Levey 1 no 66. Cf Holden ISQT 1 p 1 Irish Trott. {6:8c ~ 2x4:|: ~ 24 24}

1/134b • L • Captain Paddy — Levey 1 no 79. Cf Holden CFIA p 29. {Cf ~ 2x4:|: ~ 6311 6322}

1/134c • L • Jig — Levey 1 no 67. {9:8g ~ 2x4:|: ~ 1'65 627_}

1/134d • L • The Humours of Mullin-a-fannia [sic] — Levey no 70. See 4/4d [Jackson’s] Cogue in the morning. {6:8g ~ 2x8:|: ~ 5_1 32}

1/135a • L • The Whigsborough Hunt — Levey 1 no 71. {9:8d ~ 2x4:|: ~ 3_5_1 6_27_}

1/135b • L • Skiver the quilt — Levey 1 no 72. Cf Holden ISQT 1 p 36. {6:8f ~ 2x8:|: ~ 55 44}

1/135c • L • Cork city — Levey 1 no 73. {9:8f ~ 2x4:|: ~ 531 516}

1/136a • L • Conemara jig — Levey 1 no 100. {9:8d ~ 4:|:8||DC ~ 531' 62'7}

1/136b • L • Hornpipe — Levey 1 no 102. Cf ONDMI no 786 Over the moor to Maggie. {Cg ~ 2x8:|: ~ 1133 1'642}

1/136c • L • The Merry Harriers — Levey 1 no 103. {6:8]f ~ 8:|:8 two cadences :| ~ 1'3 1'1'}

1/137a • L • Jig — Levey 1 no 15. Cf Aird 5 p 39, no 103 Ligrum cus, Irish. {6:8d ~ 2x8:|: ~ 55 31}

1/137b • L • The Connoughtman — Levey 1 no 55. {6:8g ~ 2x8:|: ~ 33 76}

1/137c • Welcome Home (Jackson) — Copy of 4/3b. {6:8g ~ 2x8:|: ~ 1'6 53 1'6 52}

[The items below (from 1/138a down to 1/156a) copied from Colclough have ‘C’ or ‘C.’ in the left-hand margin in the MS.

1/138a • C • Waltz — Colclough p 14. {3:8g ~ 2x8:|:16:| ~ 333 31'3}

1/138b • C • La Flora — Colclough p 14. {2:4g ~ 7:|:8:|: ~ 5417 7554}

1/139a • C • Burnet’s Rondo — Colclough p 14. Cf OFPC 3 p 22. {6:8g ~ | $ 8:|:16||8:|:8|| $ DC ~ 51' 65}

1/139b • C • A Piper o’er the Meadows straying — Colclough p 14. Cf OFPC 3 p 24. {Cg ~ 2x8:|: ~ 5532 1131}

1/140a • C • Buonaparte’s Waltz — Colclough p 14. {3:8g ~ 3x8:|:16:|: ~ 335 221}

1/140b • C • The Miller of Drone — Colclough p 15. {2:4g ~ 8:|:16 two cadences :| ~ 16_5_3_ 16_13}

1/141a • C • Aldridge’s Hornpipe — Colclough p 15. {Cg ~ 2x8:|: ~ 1113 5412}

1/141b • C • Lord Moira’s Welcome to Scotland — Colclough p 15. Cf OFPC 4 pp 96–97. {Cg ~ 4:|:8||4:|:8|| ~ 1135 4327_}

1/142c–143 • C • The Rose Tree, with variations by Colclough — Colclough p 16. See 4/43c. {2:4 d ~ 5x [8:|:8||] parts 2–5 variations –4 ~ 115_3_ 5_5_5_5_}

1/144a • C • The New May Moon — Colclough p 15. {6:8d ~ 2x8:|: (parts 2–5: variations 1–4) ~ 44 21}

1/144b • C • Black Rock — Colclough p 15. See 3/39a. {9:8g ~ 2x4:|: ~ 654 363}

1/144c • C • Miss Forbes’s Farewell — Colclough p 16. Cf OFPC 4 p 133. {2:4g ~ 2x8:|: ~ 3342 3566}

1/145a • C • Lord Cathcart — Colclough p 16. {6:8g ~ 8:|:16|| ~ 5_5 52}

1/145b • C • The College Hornpipe — Colclough p 17. See 1/55b McNeile’s hornpipe, 4/80a. {Cd ~ 2x8:|: ~ 11_1_5_ 3_113}

1/146 • C • The Highland Fabrick — Colclough p 17. See 4/18b. {6:8g ~ 2x8:|: 4:|: 3x8:|: ~ 55 52}

1/147 • C • Union Pipe Grand March and Quick step Maestoso — Colclough p 17. {C~ 2x8:|: Trio 8:|:8|| [Quick Step:] 2:4g ~ 2x8:|: ~ 1115_ 3331; Quick Step: 13 55 55 2'2' (4 bars)}

1/148–49 • C • Dainty Davy with variations — Colclough p 18. {Cg, variation 3: 6 /8, variation 4: 2/2 ~ 2x4:|:; variations 1–2 4x4:|:; giga variation 3: 2x8:|:; variation 4: 4:|:5:|: ~ 5_3_2_1_ 1_3_1_3_}

1/149 • C • The Rakes of West Meath — Colclough p 19. Cf OFPC 4 p 81. {9:8d ~ 3x4:|: ~ 532 534}

1/150a • C • Gráine mhaol — Colclough p 18. Cf OFPC 4 p 99 Granah Weale. {6:8f ~ 8:|:9:|: ~ 54 5'1}

1/150b • C • Colcloughs Hornpipe — Colclough p 19. {2:4g ~ 3x8:|: ~ 3113 5413}

1/151a • C • Old Towler — Colclough p 19. Cf OFPC 3 p 54. {6:8d ~ 8||32|: ~ 16_ 3_5_}

1/151b • Llewellyn a Welch Air — Cf OFPC 34 p 33; Colclough p 19 (air of the Welsh song ‘The ash grove’). Copy? of 4/77g. {6:8g ~ 4:|:8:|: ~ 13 22}

1/152a • C • Bob and Joan with variations — Colclough p 19. See 14c Bantry bay. {3:4g ~ 3x4:|: 8|| ~ 311 312}

1/152b–153 • C • Gramachree (Grádh mo Chroidhe [best gaelic script]) with variations — Colclough p 20. Cf OFNIM p 46. {Cg ~ 3x8:|: ~ 5561' 5215}

1/153 • C • The Munster Rake — Colclough p 20. {9:8g ~ 4:|:8|| ~ 126_ 124}

1/154–56 • C • Maggie Lawder with Variations — Colclough pp 20–21. Cf Geminiani p 34. {Cd ~ 8x8:|: parts 3–8 = 3 variations ~ 1111 247_2}

1/156–57 • C • The Scots came o’er the Borders — Colclough p 21. See 3/101c Charlie over the water. {6:8d ~ 4x8:|: bar 17 ‘var’ ~ 13 1_1_}

1/157 • C • Burn’s [sic] Farewell — Colclough p 21. See 4/78b. {Cc ~ 2x8:|: ~ 31 17_ 33 43}

1/158a • K • Cailleach an t-súsa (The old) • 196 {6:8g ~ 2x8:|: ~ 24 6_3 34 14}

1/158b • K • Cailleach an t-súsa (The new) • 197 {6:8c ~ 2x8:|: ~ 11 11 21 7_3 (tonic e) or 22 22 32 14 (tonic d)}

1/158c • K • The Darkgate Girl • 198 — See 3/78a The darkhaired girl. {Cg ~ 4:|:8||DC ~ 3135 2431}

1/159a • K • Father Murphy’s Quick step • 199 — Cf OFPC 2 no 143 Banks of Inverness; ONWSGM no 61 The Croppies’ march no 2. {2:4c ~ 8:|:16||DC ~ 5_5_ 5_1 32 16_ (4 bars) rather than 5_5_5_5_ 5_5_12 (2 bars)}

1/159b • The Jolly Young Waterman • 562 — Cf Dibdin. {6:8d ~ 8:|:8|| ~ 53 12 5_5_ 12}

1/159c • Steamboat Hor[n]pipe No:2 — Cf Alexander’s scrap book vol 1 p 13; Ryan p 218. {Cg ~ 2x8:|: ~ 1'3'51' 3513}

1/160a • Irish washerwoman — Cf Surenne SI p 46; Holden ISQT 1 p 17; Riley 2 p 95. {6:8g ~ 2x8|: ~ 35_ 35 47_ 46}

1/160b • Astley’s Hornpipe — Cf Weippert NCD 3 no 20; ONWSGM no 332 (from Wilson’s Companion to the ballroom, 1816); VMP Clare MS JC.035 Asley’s hornpipe. {Cg ~ 2x8:|: ~ 1364 2'765}

1/160c • King of the Canibal Islands — Cf Howe Omnibus complete p 158; Kerr’s New violin tutor p 15; Trim Hardy no 78 (other title ‘Vulcan’s cave’). {6:8d ~ 8||16|| ~ 31 15_ 4_2_ 3_5_}

1/161a • I’m Ninety-five — See 1/222a Jean de Paris. {6:8g ~ 8||16|| ~ 33 53}

1/161b • The Highland Fling — Cf Campbell 20 p 2; Gow Coll 1 p 18 Tulloch gorum. {C[corrected] c ~ | $ 4:|:8:|: $ ~ 3542 3535}

1/161c • I was the Boy for bewitching e’m — Cf Crosby Irish p 49. {9:8g ~ 4||7|| ~ 113 132}

1/162a • March from “The Maid of Judah” [‘from’ inserted] — from Rossini’s opera. {2:4c~ 2x8||DC ~ 1131 6550}

1/162b • Russian Krakoviak — Cf Hamilton HUT 2 p 68 (two parts only) The Krakoviak dance [by Bochsa]; Kerr 1 p 46 (two parts only); CRÉ 3 no 68 Tá boinéad agam [I have a bonnet trimmed with blue]. See 1/104b Polka. {2:4g ~ 3x8:|:8||DC ~ 7_4 53 54 13 (4 bars)}

1/163a • The Lass of Richmond Hill — Cf Kerr 3 p 42. {2:4d ~ 24|| = 6x4 ~ 5_111 27_24}

1/163b • There is nothing like pride about me • 563 {9:8g ~ 10|| = 5x2 ~ 1'31 555}

1/163c • The Calais Packet • 564 — Cf Riley 1 p 59 Hunt the hare; Howe Omnibus complete p 97; Hunting the hare; Hamilton HUT 2 p 49. {6:8d ~ 2x8|| = 4x4 ~ 13_ 6_7_ 13_ 6_1}

1/164a • By the Margin of Fair Zurich’s Waters — Cf Hamilton HUT 2 pp 150–51. {3:8g ~ 8:|:13||10|| ~ 333 444}

1/164b • Air from the opera of Robert le Diable — Cf Howe Omnibus p 21. {6:8g ~ 8:|8||8|| ~ 1'3 36}

1/165a • Huntsman’s Chorus — Cf Hamilton HUT 1 p 99 The Hunter’s chorus from the opera of “Der Freyschutz”; cf Alexander’s scrap book vol 2 p 67. {2:4g ~ 34 = 32+2||12|| ~ 7_7_ 42 11 27_ (tonic a?, final a)}

1/165b • Britania Hornpipe no. 1 — Non-traditional. {Cg ~ 2x8:|: ~ 5555 53'1'1'}

1/166a • Galop — Cf Cameron p 28 Gustavus Galop. {2:4d ~ 3x8:|: 8:|8||8||DC ~ 5_1 5_1 5_3 15' (4 bars) rather than 5_115_ 5_115_ (2 bars)}

1/166b • Britania Hornpipe No. 2 — Non-traditional. {Ca ~ 2x8:|: ~ 14_14_ 3114}

1/167 • The Downfall of Paris — Cf OFPC 1 pp 22–23; Hamilton HUT 1 p 124. {2:4g ~ 2x16|| 2x8|| DC ~ ~ 1111 1142 (2 bars) or 11 14 22 25 (4 bars)}

1/168a • The Literary Dustman — Cf Hamilton HUT 1 p 143. {6:8g ~ 2x8|| ~ 16_ 13}

1/168b • Bay of Biscay — Cf Cameron p 12. {2:4d ~ 16!| $, $ bar 12:2 ~ 5_113 1167_ (2 bars) or 5_1 16_ 22 5_3_ (4bars)}

1/168c–169 • Jigg Paltogue (paltóg [gaelic]) — Cf MS 7348 p [40]; DubMMag March 1842, tune no 9. {9:8d ~ 6x4:|: parts 2, 5, 6 have each two cadences ~ 5_5_5_ 5_5_6_}

1/169 • Brian Borumha’s March — MS 7348 p [39]; cf DubMMag January 1842, tune no 3. {6:8g ~ 3x8!|! ~ 31 31}

1/170a • Irish Molly Oh! — MS 7348 p 34; cf DubMMag Feb 1842, tune no 4. {6:8c ~ 8|!8!| ~ 15 15}

1/170b • O’Connells welcome to Clare — MS 7348 p 40; cf DubMMag April 1842, tune no 13. {6:8c ~ 8|!8!| ~ 5_5_ 5_5_ 5_5_ 32}

1/170c • Wooden Ware — MS 7348 p 41; cf DubMMag June 1842, tune no 20. {2:4d ~ 2x8:|: ~ 55 35 26 22 (4 bars) or 5551 3153 (2 bars)}

1/171a • John Reynolds — Cf DubMMag June 1842, tune no 19. {6:8d ~ 2x12!| ~ 7_6_ 3_4}

1/171b • O’Reilly of Ath Carn — Copy of 4/129b. {Cbflat ~ 9|!12!| = 5+[4x4] ~ 5_133 4475}

1/172a • Morgiani in Ireland — Cf Amateurs companion p 43; OFPC 3 p 7; Hime 1810 p 2. {6:8g ~ 3x8|| ~ 5_1 23}

1/172b • Scotch Melody — Cf SMM 1 p 22, no 22 Highland Laddie, new sett. {6:8d ~ 2x8|| ~ 13 53'}

1/172c • One day a Braw Wooer? – In Guy Mannering — Cf SMM 6 pp 538–39; Dick p 180. See 4/84a The Lothian lass. {6:8g ~ 10|| = [4x2]+2 ~ 13 21 31 65}

1/173a • Fourth Dragoons March — Cf Hull p 3; Hamilton HUT 2 p 60. See 4/156a (undotted setting). {Cg ~ 4x8:|:DC, part 3 [& 4?] ‘Bugle solo’ ~ 1113 5114}

1/173b • Corn Riggs slow — Cf Hamilton HUT 2 p 179; Kerr 1 p 24; Stephano p 4. {Cd ~ 8:|:8|| ~ 1132 7_7_25_}

1/174a • Scotch Air — Cf Campbell 20 p 3 Mrs Macintire or Lady Amelia Stewarts reel; Gow Repos 1 p 30; Miss Ann Æmelia Stuart’s strathspey. {Cg ~ 4:|:8:|: ~ 1353 3'1'32}

1/174b • ’Twere vain to tell thee — Cf Alexander’s new scrap book vol 6 p 18; Hamilton HUT 2 p 75. {3:4g ~ 2x8|| ~ 553' 1'36}

1/174c • Croppies lie down — Cf Hime’s pocket book 5 p 8; Lee Croppies. {6:8g ~ 8||6|| = [3x4]+2 ~ 51 22 65 1'1}

1/175a • Oh Blame not my lyre — Cf Clinton Gems no 29. {6:8g ~ 3x8|| ~ 71' 23}

1/175b • The Opera Hat — Cf Hime 1811 p 2. {6:8d ~ 8||16 = 8+8|| ~ 11 5_5_}

1/176a • Roslin Castle — Cf SMM 1 p 9, no 8; Gale’s pocket companion 1 p 4; Edin repos music 1 p 23; Graham 1 pp 16–17. See 4/61c. {Cg ~ 2x8:|: ~ 1554 6423}

1/176b • Kind Robin loes me Andante — Cf Gale’s pocket companion 1 p 24; Hamilton SSS p 68; Graham 1 pp 10–11. {Cc ~ 2x8|| ~ 1113 226_5_}

1/176c • I loe’d [sic] ne’er a Laddie but ane Lively — Cf Hamilton HUT 2 p 105; Graham 1 pp 130–31; Cameron p 9. See 3/190b. {6:8g ~ | $ 8||8|| $ DC Fine after bar 8 ~ 11 66}

1/177a • The Deuks dang o’er my daddie — Cf Cameron p 14. {6:8g ~ 4:|:8:|: ~ 1'3 27 1'311}

1/177b • Twas in the merry Month of May — Cf Kerr 1 p 29. {6:8g ~ 2x8||DC ~ 11 24}

1/177c • Rondo — See 1/205a (bars 1–16). {2:4g ~ 2x8||DC ~ 13_ 4_6_ 13 4_1_ (4 bars) or 15_3_5_ 4_4_6_5_(2 bars)}

1/178a • The Maid of Barra • 565 {Cg ~ 4:|:8|| ~ 5_131 5432}

1/178b • One day while working at the plough — Cf Newland One day. {2:4d ~ 8||12|| ~ 5533 1130}

1/179a • Albert-Galope — Non-traditional. {Cg ~ 2x8:|: ~ 5553 1'1'1'3}

1/179b • Ap Shenkin — Cf Hamilton HUT 1 p 39; Kerr 3 p 29; Lee 1808 p 2; Ryan p 264 The tempest. {6:8g ~ | $ 8:|:8!| $ DC ~ 33 66 55 32}

1/179c • Roy’s Wife — Cf Hime Roy’s wife (setting for the German flute at the foot of the page); OFPC 1 p 35; Gow BNG 2 p 12; Mulhollan SIST p 25; Forde 300 NM 2 p 11; SMM 4 p 352, no 342. part 1: see 3/95a Down the bank. {2:4d ~ 8:|:16|| ~ 5333 3333 (2 bars) or 53 33 53 22 (4 bars)}

1/180a • Oh Nanny wilt thou gang with me — Cf Forde 300 NM 2 p 31. {Cg ~ 24|| ~ 5753 5525}

1/180b • When Historys Muse. Paddy Whack [P corrected] — Cf Moore no 6 1815 song 5. {6:8d ~ 8||8!| ~ 11' 64}

1/181a • K • King Charles’s jig (old times). “Seantruis” • 200 — Cf OIFMS pp71–72. {6:8d ~ 2x6:|: = 4x3 ~ 3_5_ 6_5 2_1_ 3_5}

1/181b • K • The Surround (old jig) • 201 {9:8d ~ 2x4:|: ~ 1'2'6 3'5'2'}

1/181c • The Dusty Miller • 566 Cf Ryan p 130. {9:8g ~ 2x4:|: ~ 343 624}

1/182a • K • bh-fuilleann tú ad chodladh aro Mháire • 202 — Cf JCIT p 7 Cummilum; Holden ISQT 1 p 17 Jigg; ONDMI no 448 Drops of brandy. See 1/98a Cuma liom. {9:8g ~ 2x4:|: ~ 533 534 (tonic d, final e)}

1/182b • K • Kidney dearie • 203 {9:8g ~ 2x4:|: ~ 322 323}

1/182c • K • The Rogue is mad to be at her • 204 {9:8d ~ 2x4:|: ~ 355 72'7}

1/183a • K • Up in the Garret • 205 {9:8d ~ 2x4:|: ~ 522 526}

1/183b • K • The Butchers March • 206 — See 3/77a. {6:8g ~ 5x4:|: ~ 55 52 55 51}

1/183c • K • Galbally Reel • 207 {2:4d /g ~ 2x8|| ~ 1233 3333 (tonic g) or perhaps 7_122 2222 (tonic a}

1/184a • “Farewell but whenever &c” — Cf Glover-Moore pp 266–67. See 1/193b. {Cg ~ 2x8|| = 4x4 ~ 1341 1553}

1/184b • I saw from the beach slow — Cf Glover-Moore pp 321–25. See 4/38c. {6:8d ~ 12|| = 6x2 ~ 11 11 17_ 13}

1/184c • This life is all chequered — Cf Moore no 4 1812 song 12. {6:8g ~ 4:|:8|| ~ 75 75}

1/185a • McFarlanes lament Andante — Cf Moore no 8 1821 song 11. {3:4c ~ 16|| ~ 115 215}

1/185b • The wedding of Ballyporeen — Cf Hamilton HUT 2 p 125 Ballimona ora. See 3/200c. {6:8f ~ 4:|:8|| ~ 11' 2'1'}

1/185c • Count not the Hours — Cf Alexander Flowers p 16; ONMI no 258; Haverty 100 p 2. {6:8g ~ 2x8|| ~ 13 52}

1/186a • K • Hurley Burley • 208 — See 2/49a Temple house. {6:8c ~ 8:|:8 two cadences || ~ 13 54 7_2 44}

1/186b • Sweet Robin — Cf Cooke Sweet Robin. {9:8g ~ 12|| = 3x4 ~ 5_2_5_ 5_2_3_}

1/186c • Off she goes — Very common in close printed versions: cf Hughes Gems p 53; Weippert NCD 1 no 4; Campbell 20 no 10; Stephano p 18. {6:8d ~ 2x8:|: ~ 3_4_ 5_1 3_4_ 5_2}

1/187a • The Sixpence — Cf Moore no 3 1810 song 11. See 4/32d. {Cg ~ 4:|8|| = 3x4 ~ 6632 556_1}

1/187b • To Ladies eyes around — Cf Moore no 7 1818 song 9, solo setting. {2:4d ~ 3x8|| ~ 5_6_12 3321}

1/187c • The Dear Little Island [MS: Istand?] — Cf Forde 300 NM 1 p 10. {6:8g ~ 8:|:8:| ~ 33 66}

1/188 [Heading] • Six Favourite Scotch Reels

1/188a • no 1. Kinlock of Kinlock — Cf Howe Omnibus p 5; Kerr 1 p 32; Campbell 14 p 15 George Kinloch. {6:8d ~ 2x8:|: ~ 35_ 6_5_}

1/188b • no 2. Sir David Hunter Blair — Cf Kerr 1 p 17; Edin Repos Music 1 p 2; Campbell 16 p 2; Hamilton HUT 1 p 103. {2:4d ~ 2x8:|: ~ 15_ 5_5_ 5_3 5_3 (4 bars)}

1/188c • no 3. Lady Montgomery Cf Cameron p 12. {2:4d ~ 2x8:|: ~ 11 3_5_ 11 7_2 (4 bars)}

1/189a • no 4. Mrs McLeod — Cf Hime 1814 p 1; Kerr’s collection p 3. Various settings very common in print. See 1/46a & 4/20b. {Cg ~ 2x8|| ~ 11'66 3333}

1/189b • no 5. Lady Mary Ramsey — Cf Amateurs companion p 6. {Cg ~ 2x8|| ~ 1153 5355}

1/189c • no 6. I’ll gang nae mair to yon Town — Cf Aird 1 p 13, no 35; OFPC 3 p 64. See 1/53a The Ferry point (part 1), 2/158 Ill gang na mair, 3/153 We’ll gang. {2:4g ~ 2x8:|: ~ 11' 31 31 32 (4 bars)}

1/190a • Bridesmaid’s chorus in Der Frieschutz [sic] — Cf Edin Repos Music 2 p 50; Alexander’s scrap book vol 2 p 66; Howe’s 1,000 p 68. {2:4d ~ 8||10|| ~ 1135_ 1133}

1/190b • The Storm Rondo — Cf Steibelt p 20 ‘Rondo in which is introduced an imitation of a storm’ (JG’s version uses 16 bars, stopping short of the storm breaking); Riley 1 p 91. {6:8d ~ 2x8||DC ~ 34 53}

1/190c • Fairy Galope (Strauss) — Cf Hamilton HUT 2 p 125. {2:4g ~ 2x8:|: ~ 1356 427_6_}

1/191a • Calder Fair — (the air used for the nursery rhyme ‘Sing a song of sixpence’). Cf Clinton Gems no 41. See 4/47f. {2:4g ~ 2x8|| ~ 16_13_ 5_5_5_5_}

1/191b • The Dear Irish Boy Andante — Cf Alexander Flowers p 55. {6:8bflat ~ 2x8|| part 1 two cadences ~ 32 11 32 11}

1/191c • Banks of the Liffey — Cf Alexander Flowers p 60; Gow Repos 2 p 38. {6:8g ~ 2x8:|: ~ 33 35}

1/192a • The vale of Coloun — Cf gnp p 119; Joyce OIFMS p 346 (from Pigot). {6:8g ~ 2x8:|: ~ 5_1 25}

1/192b • Kate Kearney — Cf Alexander Flowers p 59. See 4/90d. {6:8c ~ 2x8|| ~ 5_1 21}

1/192c • Maid Marian (Hornpipe) — Cf Ryan p 219. Cd ~ 2x8:|: ~ {5_5_5_7_ 27_5_5_}

1/193a • The Skittish Maid — Cf Clinton Gems no 113. {6:8d ~ 8:|16|| ~ 16_ 16_}

1/193b • Farewell but whenever you welcome the hour — Cf Glover/ Moore pp 266–67. See 1/184a. {Cg ~ 2x8|| ~ 1341 1553}

1/194a • Old Virginny — Cf Cameron p 57 Oh carry me back to ole Virginny; Howe Omnibus p 11. {6:8g ~ 8:|:8||DC ~ 53 53}

1/194b • O Come to me when daylight sets — Cf Moore National airs pp 34–37. {6:8g ~ | $ 3x8|| $ DC ~ 64 52}

1/194c • Spanish Country Dance — Non-traditional. {2:4d ~ 8:|8:|: ~ 3535 3111}

1/195a • Jolly Jacks Hornpipe • 567 {Cf ~ 8:|8:|: ~ 1133 16_11}

1/195b • The Jockey Hornpipe • 568 — See 1/58b Fountains hornpipe (part 1). {Cf ~ 8:|:8||DC [DC deleted?] ~ 1311 5_5_1_2_}

1/195c • The Indian — Non-traditional. {6:8g ~ 2x8:|: ~ 35_ 35_}

1/196a • The French Reaper • 569 — Part 1: cf the current Kerry tune ‘The Dingle regatta’. See 1/257c Quadrille (near duplicate). {6:8g ~ 2x8||DC ~ 56 35 22 32}

1/196b • Lady Montgomery’s Reel — Cf Edin repos music 2 p 71; Campbell 20 p 2. {Cc ~ 4:|:8|| ~ 113_5_ 117_2}

1/196c • Scotch Airs [Air corrected? read Air] in Guy Mannering • 570 — Part 1: see 1/254b, 3/139b Garry Owen. {6:8g ~ 2x8|| ~ 53 36 53 23}

1/197a • A Soldier for me – March by Hook — Non-traditional. {Cg ~ 22|| = 3x4 +5x2 ~ 5566 5313}

1/197b • Waltz by Mozart — Cf Riley 1 p 68. {3:4g ~ 3x8:|: 8||DC ~ 3'54 633}

1/198a • Brides bells — Cf Riley 2 p 64. {2:4g ~ 2x8:|: ~ 7654 3211'}

1/198b • Garland of Love — Cf Hamilton HUT 1 p 29. {6:8d ~ 8||10|| ~ 5_5_ 31}

1/198c • Paddy will you now — Cf Howe Omnibus complete p 99 ‘Paddy will you love me’. {2:4g ~ 8||16||DC ~ 13_3_2_ 6__6_6_5_ (2 bars) or 13_ 6__6_ 7__7_ 13_(4 bars)}

1/199a • Maid of Lodi Andante — Cf Edin repos music 1 p 50; Hamilton HUT 1 p 51. {6:8g ~ 2x8|| ~ 137_ [4] 32 15_}

1/199b • Straus’s [sic] favourite Waltz — Non-traditional. {3:4d ~ 16:|:16 two cadences :| ~ 5_12 316}

1/199c • My Love is but a Lassie yet — Cf OFPC 2 p 114; Hamilton HUT 2 p 138; Stephano p 18. {Cd ~ 2x4:|: ~ 1'31'1 1'32'2}

1/200a • My heart and Lute — Cf Howe Omnibus complete p 118 (Scotch air). {2:4g ~ 2x8||DC ~ 331'1' 2'2'66 (2 bars) or 31' 2'6 63 22 (4 bars)}

1/200b • “Sich a gittin’ up stairs” — Cf Hamilton HUT 2 p 168; Cameron p 53. {2:4g ~ 8||8|| ~ 3453 3455 (2 bars) or 35 35 64 24 (4 bars)}

1/200c • I love the night – H. Russell playfully – Davidson’s universal melodist vol 1 p 13 ‘Words by G.P. Morris; music by Henry Russell’. {6:8g ~ 8||16|| ~ 33 1'5}

1/201a • My Ain Kind Dearie o — Cf MS 7348 p 120; SMM 1 p 50; Forde 300 NM 2 p 12; Cameron p 33. See 2/11c The Lee rig. {Cg ~ 2x4|| ~ 35_11 2436}

1/201b • Sally in our Alley — Cf Henderson p 14. Copy? of 4/86d. {3:4d ~ 5_17_ 417_}

1/201c • Erin go bragh. Éire [corrected < ?] go bráth [2nd title in gaelic] — Cf Surenne SI p 8; Aird 6 p 54, no 134 Sa mhuir ni dilis eilin og. {Cd ~ 4:|8|| ~ 1117_ 6_6_6_3_}

1/202a • Speed the plough • 571 — Cf Hamilton HUT 2 p 172; Weippert NCD 1 no 15. {Cg ~ 2x8|| ~ 1155 5555}

1/202b • My Love is like the Red rose — Cf Hamilton HUT 2 p 177. {2:4d ~ 2x8:|: ~ 1123 1'1'65}

1/202c • Ye Banks and Braes — Cf Dick pp 112–13. {6:8g ~ 2x8|| ~ 12 32 31 5_2}

1/203a • The Green Bushes — Cf Howe Omnibus complete p 101. {6:8c ~ 8|| ~ 31 5_1 15 32}

1/203b • Rule Britannia — Cf Forde 300 NM 1 p 1. {Cd ~ 14|| = 7x2 ~ 1115 223(5)}

1/203c • Patricks day — Cf Edin repos music 1 p 39; Ryan p 150. — See 4/36c. {6:8g ~ | $ 8||6|| $ DC ~ 11 55}

1/203d • Lullaby andante — Cf Hamilton HUT 2 p 33; ONMI no 333. See 4/90a. {6:8d ~ 12|| = 3x4 ~ 15 6_5_}

1/204a • Venetian Barcarolle. or “When & Where” — Cf gnp p 155; Hart p 3; Herz p 4. Part 1: cf Lover When & where. {6:8g ~ 2x8|| ~ 33 32}

1/204b • Pray Goody — Cf OFPC 4 p 111. See 4/86e. {Cg ~ 8||4||DC ~ 5542 3115}

1/204c • Portuguese air — Non-traditional. {3:4g ~ 2x8|| ~ 575 653}

1/205a • Rondo • 572 — Bars 1–16: See 1/177c. {2:4g ~ 8||16|| ~ 13_ 4_6_ 13 4_1_ (4 bars) or 15_3_5_ 4_4_6_5_(2 bars)}

1/205b • Gae to the eye wi’ me — Cf Edin repos music 2 p 119. {9:8g ~ 2x4:|: ~ 5_5_3_ 3_5_2}

1/205c • John Anderson my Jo! — Cf SMM 3 p 269, no 260; Dick p 189. See 3/190a. {Cd ~ 16|| = 4x4 ~ 5_112 3334}

1/206a • Mary of Castle Cary Andante • 573 — Cf Cameron p 27; Graham 2 pp 94–95 See 3/189a Saw ye my wee thing. {3:4d ~ 16||16|| ~ 5_11 113}

1/206b • The Birks of Aberfeldy Andante — Cf SMM 2 pp 115–16, no 112; Thomson 5 p 7. {Cd ~ 2x4||DC ~ 131'1' 1'1'71'}

1/206c • Gilderoy — Cf SMM 1 p 67, no 66; Cameron p 27. {Cd ~ 2x8|| = 4x4 ~ 1133 5443}

1/207a • The Mill mill onurse ! andante — Cf OFPC 2 p 157; SMM 3 pp 250–51, no 242. See 1/227a The poor distressed soldier. {Cd ~ 4:|:8:|: ~ 35_5_5_ 6_6_21}

1/207b • An thou wert my ain thing — Cf Corri 2 p 21; Bremner 30 Scots songs p 13; McGibbon 3 p 83. {Cd ~ 2x8|| ~ 5_5_7_2 326_3}

1/207c • The last time I came over the moor Andante — Cf OFNIM p 53; Aria p 11, McGibbon 3 p 80. {Cd ~ 2x8|| ~ 321'1' 3'2'76}

1/208a • Nay tell me not Dear — Solo. Cf Moore no 4 1812 song 8. See 4/40b, duet. {6:8d ~ 24|| = 8+8+8 ~ 7_5_ 7_5_}

1/208b • Lough Sheeling Andante — Cf Saust p 9; Glover-Moore p 313–15; Surenne SI p 13. {3:4g ~ 16|| = 4x4 ~ 1'1'3' 753}

1/208c • New Langolee — Cf Glover-Moore pp 331–33; Lynch p 41 Langolee. {6:8g ~ 4:|:8|| ~ 5_1 44}

1/209a • The Battle of the Nile — Cf Riley 2 p 35. {Cg ~ 26|| = 4x4+2+4+4 ~ 1122 3355}

1/209b • The Bold Dragoon — Cf Edin repos music 1 p 95. {2:4d ~ 24|| = 6x4 ~ 51'1'1' 1'1'1'3' (2 bars) or 51' 1'1' 2'2'1'1' (4 bars)}

1/210a • Mourir pour la patrie Maestoso — Cf Davidson’s instrumental gems p 9. {Cg ~ 18|| ~ 3324 5534}

1/210b • New Jenny Lind polka • 574 — Parts 1–3: cf Cameron p 28 Jenny Lind Polka [by] Wallerstein. Parts 1–2: cf POK 4 no 48 Polka. See notes for 3/134c The Bridal polka. {2:4g parts 1–2, 2:4d parts 3–5 ~ 4x8:|:+8||DC, & DC after part 2, part 3 = part 5 (4 bars). See 3/134c The bridal polka. ~ 3_4 _5_3 4_2 3_1 (tonic g, parts 1–2 only, four bars) rather than 3_5_4_6_ 5_333 (2 bars). Parts 3–5 have tonic d.}

1/211a • The Danish March — Cf Alexander’s scrap book vol 2 p 8 Danish grand march; Aird 5 p 57, no 152 Lord Lindsay’s march (part 1): ONWSGM no 59 Bonaparte’s grand march. {Cd ~ 2x8:|:16|| ~ 1115_ 2222}

1/211b • The Girl I left behind me — Cf Smith IM p 74 Connel; Stephano p 17. {2:4g ~ 2x4:|: ~ 63 36_ 11 53 (4 bars) or 6433 3366_ (2 bars)}

1/212a • Royal Charlie • 575 — Cf Weippert NCD 3 no 9; ONMI 1114 Behind the bush in the garden. {6:8d ~ 23|| = 8+7+8 ~ 33 55 35 51}

1/212b • Gin Living worth andante — Cf Hamilton HUT 2 p 50. {Cg ~ 2x8:|: ~ 1142 2253}

1/212c • Lochaber no more — Cf Hamilton HUT 2 p 50; SMM 1 p 96, no 95. See 4/160a, 4/44a Limerick’s lamentation. {3:4g ~ 2x16:|: ~ 333 333}

1/213a • “Comin thro’ the Rye” — Cf Hamilton HUT 2 p 44; Kerr 3 p 41; Cameron p 28. {2:4d ~ 5_5_22 5_6_11}

1/213b • The Alexander • 576 — Cf Alday p 2. {6:8g ~ 3x8|| ~ 35 43 12 7_3}

1/214a • The Caledonian Lass • 577 {Cd ~ 2x8:|: ~ 1155 571'6}

1/214b • Forest of Bondy — Cf Howe Omnibus complete p 164. {2:4g ~ 2x8:|: ~ 5_5_5_5_ 5_5_3_3_ (2 bars) or 5_5_ 5_3_ 4_6_ 13 (four bars)}

1/214c • Miss Westrops reel • 578 — Part 1: cf HUT 1 p 61 Coll M’Bain’s reel; Ryan p 61; part 2: cf CRÉ 1 no 182 Seán Frank (part 2). {2:4d ~ 8:|:16|| ~ 3515 3151}

1/215a • K • The Bachelors Dream • 209 {6:8g ~ 2x8:|: ~ 37_ 5_1}

1/215b • Peter Street Dance — Cf Hime 1809 no 2, p 3. See 1/106c, 4/48b. {Cg ~ 8:|:8||DC ~ 1353 51'76}

1/215c • Hornpipe — Cf VMP Carlisle MS Car.20 Miss Gayton’s hornpipe; Wheatstone p 61; Harding All-round p 24; Riley 2 p 40; ONMI no 1577 The sailor’s hornpipe. {Cg ~ 2x8:|: ~ 3_115_ 3_115_}

1/216a • K • Hornpipe (Croppies March) • 210 {Cg ~ 2x8:|DC ~ 7_7_15_ 1135}

1/216b • Richers Hornpipe — Cf Edin repos music 1 p 119; Campbell 12 p 7; Alexander’s new scrap book vol 6 p 63 English hornpipe. {Cd ~ 2x8:|: ~ 5513 225_4_}

1/216c • Astleys Hornpipe — Cf Riley 1 p 44 Astley’s ride. {Cd ~ 2x8:|: ~ 1117_ 2224}

1/217a • K • Tap the Barrel • 211 — Part 1: cf ONMI no 830 The road to Lurgan (part 2). {6:8g ~ 8:|:8 two cadences :| ~ 32 5_2}

1/217b • High Road to London — Cf Cameron p 18 High road to Linton; Kerr 1 p 7. See 2/57d The primrose girl, 3/133b The Linster highroad. {2:4g ~ 2x8:|: ~ 35 1'1' 66 61'1' (4 bars) rather than 3556 1'1'1'5 (2 bars)}

1/217c • Bony in St Helena • 579 — Cf Ryan p 257 Tibbie Inglis’ fancy (part 1). {Cd ~ 2x4:|: ~ 5_5_5_1_ 5_5_2_1_}

1/218a • Fashions of the Day • 580 — Cf Yedis Fashions. {6:8g ~ 2x8:|: ~ 17_ 32}

1/218b • This Love of Mine • 581 {Cd ~ 4:|:4 two cadences || ~ 5554 4475}

1/218c • Miss Braid — Cf Carlin no 276 Miss Baird of Saughtonhall (i). {Cg ~ 4:|:8|| ~ 5_5_5_3_ 5_6_5_5_}

1/219a • K • Sally Kelly • 212 {2:4d ~ 2x8:|: ~ 1565 1'3'2'2'}

1/219b • K • The Cauliflower • 213 {6:8d ~ 2x8:|: ~ 17_2_4_ 2_4_ 4_4_}

1/219c • Murphys Dream • 582 — Part 1: cf ONMI no 1202 The bunch of green rushes. Part 2: cf Ryan p 43 The Keel-row or ‘Twin sisters’ (part?1). In the modern playing of ‘Murphy’s Hornpipe’ (a 4-part version of the 2-part tune at 4/59e) the fourth part is also quite similar to ‘The Keel row’. nbsp; {2:4d ~ 8:|:8 two cadences || ~ 7_5_ 3_5_ 7_5_ 32 (4 bars) rather than 7_5_5_4_ 3_3_5_6_ (2 bars)}

1/220a • Down the Banks — Near duplicate of 3/95a. {2:4d ~ 3x4:|: ~ 5233 5222}

1/220b • The Prime of Life • 583 — Cf Clarke MS no 24 (p 10 of pdf). {2:4g ~ 2x8:|: ~ 5535 1'111}

1/220c • The Tartan plaid • 584 — Cf Aird 5 p 1, no 2 Miss Maule of Panmure’s reel. {2:4g ~ 4 two cadences ||8|| ~ 5742 4742}

1/221a • A Slow March — Non-traditional band music. {Cd ~ 2x8:|: ~ 1112 3334}

1/221b • The Maid of the Mill — Non-traditional. Not the commonly printed air. {Cd ~ 4:|:8:|: ~ 5_3_12 17_55}

1/221c • Castle Oliver chase • 585 {2:4f ~ 2x8|| ~ 3_4_5_1 7_7_7_7_}

1/222a • Jean de Paris • 586 — Two-part versions common in print. The air is the ‘Pastoral dance’ composed by Sir Henry Bishop for his 1814 opera ‘John of Paris’. See 1/161a I’m ninety-five. {6:8g ~ 3x8:|: ~ 33 53}

1/222b • The Bath Waltz — Cf Hamilton HUT 1 p 39 (attributed to ‘Taylor’); Riley 2 p 40; Alexander’s scrap book vol 1 p 21. {3:8g ~ 3x8:|: ~ 1133 567_1 (8 bars)}

1/223a • Sicilian Dance — Cf Riley 2 p 38. {6:8g ~ 4x8:|: ~ 13 55}

1/223b • The Poacher — Cf Howe Omnibus complete p 15 Poachers of Lincolnshire. {6:8d ~ | $ 8||8||DC no dal Segno at end but fermata over middle double barline ~ 11 5_3_}

1/224–25 • Lucy Campbell • 587 — Unrelated to 3/29b or to the commonly printed Lucy Campbell. See 4/52d (variant). {2:4d ~ 8x8:|: ~ 5564 5764}

1/225 • The Woodpecker — Cf Howe Omnibus complete p 156; Riley 2 p 25. {2:4d ~ 20||30:| ~ 11 17_ 32 22 (4 bars)}

1/226a • K • Polly beag óg Slow • 214 • — Tunes p 12c. {Cd ~ 2x8:|: ~ 1135 661'6}

1/226b • K • Lament for Morty (óg) O Sullivan plaintive • 215 — Tunes p 12d. See Croker Researches pp 176–78 for the story behind this lament. {3:4g ~ 8||8:|: ~ 1'1'2' 1'35}

1/226c • K • An Rós geal dubh slow • 216 {3:4g ~ 8||8:|: ~ 113 113}

1/227a • K • The poor distressed Soldier slow • 217 — Cf OFPC 2 p 157 Mill Mill O. See 1/207a. {Cd ~ 8||8|: ~ 35_5_1 6_6_21}

1/227b • K • Reel’s [?] of Bogies • 218 — See 2/152b Barrack Hill, 2/179a My bride is a young thing, 4/83e Mount the baggage. {Cg ~ 4:|:8||DC ~ 5154 517_2}

1/227c • Green’s Hornpipe • 588 {Cg ~ 2x8:|: ~ 3134 3334}

1/228a • K • The Black Bird Slow • 219 — See 2/62a. {Cd ~ 4:|:8:|: ~ 6755 1'141}

1/228b • K • The Green Pantaloons • 220 — See 3/134b The ladies pantaloons. {Cg ~ 4:|:8||DC ~ 3411 2432}

1/228c • K • Light horse reel • 221 {Cd ~ 4:|:8||DC ~ 5_5_5_5_ 5_5_6_2_}

1/229a • K • I wish I never saw you • 222 {Cg ~ 4 two cadences :|8||DC ~ 5_3_1_1_ 3_5_3_6_}

1/229b • K • Perriwig Jockey • 223 — Cf Ryan p 101 Pothouge. Part 1: cf OFPC 1 no 30 Humours of Ballymanus (part 1)/ Part 2: cf OFPC 2 no 70 Ride a mile (part 2). {9:8d ~ 2x4:|: ~ 5_5_5_ 5_5_6_}

1/229c • K • Bóthar ó thuaigh chum Tráighlí • 224 — Cf OFPC 1 p 47 Stir your feet Johnny; ONMI no 1035 The northern road. {6:8d ~ 3x8|| ~ 65 15 (tonic d) or 17_37_ (tonic & final b))}

1/230a • K • McCarthy’s Quick Step • 225 — Cf Joyce OIFMS pp 62–63 The lady in the boat; Raven p 110 The bugle quick step. {6:8d ~ 2x8:|: ~ 11 11 51 32}

1/230b • K • Cailín deas donn • 226 — Cf OFPC 4 p 75; Holden ISQT 2 p 22 The nurses tune; Holden ISQT 2 p 31 The Killruddery hunt. See 139b The Kildurrery Hunt, or The old man rocking the cradle, 2/138a The nurses tune, 2/106a & 3/7b An sean duine ag luasgadh an chliabháin. {6:8g ~ 2x8:|: ~ 14 34}

1/230c • Larry Grogan — Copy of 4/11b. {6:8g ~ 2x8:|: ~ 33 22}

1/231 • The Buachileen Buidhe [all roman] — Cf OFNIM p 40 The boughlee buee or Gallaway Tom. See 4/56b. {12:8d ~ | $ 6x4:|: no dal segno ~ 3545 3541 (tonic b) or 1323 1326_ (tonic d)}

1/232 • Money in both pockets — Copy of 4/61a. {6:8d ~ 5x8:|: 8 two cadences :| ~ 13_ 5_5_ 13_5_4}

1/233 • Mullowney’s jigg — MS 7348 p 3. Close printed source not located but cf Hime 1805 book 1, no 9; Holden ISQT 1 p 19 (parts 1 & 2). Parts 1, 2, 4 & 5: cf OFNIM p 32 and OFPC 1 pp 62–63 (parts 1, 2, 4 & 3). See (independent copy of MS 7348?) 4/96a. {6:8d ~ 6x8:|: ~ 35 55}

1/234a • Duncan McQuinn — Cf MS 7348 p 96. Copy of 4/96b (or independent copy of MS 7348?). {6:8g ~ 4x8:|: ~ 1_1_ 1_1 5_3_ 2_6}

1/234b • Bantry Bay — Copy of 4/13c. {Cg ~ 4:|:8|| ~ 3111 361'6}

1/235a • Foggy Dew — Copy of 4/97b. {Cg ~ 8||16|| ~ 1131' 6521}

1/235b • The Scholar • 589 — Copy of 4/22c. {Cd ~ 2x8|| ~ 1342 15_5_6_}

1/236–37 • K • An Buachaill breoite • 227 — See 4/19c The sick boy. {Cg ~ 8x4:|: ~ 1221 1257_}

1/237a • K • Dé do bheatha ad’ shláinte Ui Súilliobháin mhóir slow • 228— for other versions of this tune (known now as ‘O’Sullivan’s march’) see CRÉ 2, notes on no 12(i) Páinneach na nubh. {6:8g ~ 2x8:|: ~ 12 53}

1/237b • K • Loosen the Belts • 229 — Part 1: cf Ryan p 146 Frazer’s; ONMI no 764 Paddy from Portlaw. See 4/5c [Jackson’s] Drum (part 1). {6:8d ~ 2x8:|: ~ 51 42 51 24}

1/237c • K • The Humours of Fermoy • 230 — Part 1: Cf ONMI no 1258 The miller’s maid. {Cg ~ 2x4:|: ~ 5361' 5362}

1/238a • K • Inghean Ui Mhóire Slow • 231 {Cg ~ 8||8:|: ~ 5441 3135}

1/238b • K • Cock up &c &c • 232 {6:8g ~ 2x8:|: ~ 31 11 31 21'}

1/238c • Katty Quinn — Copy of 4/98d. {6:8c ~ 2x8:|: ~ 14 54 55 62}

1/239 • What a Beau your Granny was • 590 — Copy of 4/52c with note values corrected at cadences. {2:4d ~ 6x8:|: ~ 3'1'2'7 1'1'65 (2 bars) or 3'2' 1'6 65 42 (4 bars)}

1/240a • The Harmonious Blacksmith —Air and variations based on the composition by Handel from his Suite no 5 in E. Copy? of 4/53a. {Cg ~ 4:|:8||12|| ~ 1125 3425}

1/240b • Flora MacDonald • 591 — Cf Raven p 136 The Maid of Glenconnel. Copy of 4/63c. See 4/65f. {6:8d ~ 2x8:|: ~ 31 5_5_ 31 32}

1/241a • The Priest of Lurgan — Nearly identical copy of 4/50a. {6:8d ~ 2x8:|: ~ 1'4 41' 1'4 47}

1/241b • A Reel • 592 — Copy of 4/23a. {Cd ~ 4|:8||DC ~ 1515 1'562}

1/242a • A Reel — Copy of 4/23c. {Cg ~ 8||8||DC ~ 1353 5453}

1/242b • The Limerick Lasses — Copy? of 4/20c. {Cd ~ 3x4:|: ~ 1'512 4542}

1/242c • The Woods are cutting Slow — Cf Amateurs companion p 3. {3:4c ~ 4:|:8|| [:: & DC deleted?] ~ 667 416}

1/243a • Hornpipe — • 593 — Near duplicate of 4/150a. See 3/25a Miss Brown’s hornpipe. {Cd ~ 2x8:|: ~ 15_5_1 27_5_2}

1/243b • K • An Samhra cruaig Slow • 233 — Cf ONMI no 27 Rodney’s glory. {Cg ~ 8:|:12!| ~ 3315 3313}

1/243c • The Duchess’ slipper — Copy of 4/121c. {Cg ~ 4:|:8|| ~ 5_353 5_36_2}

1/244a • Over the Hill to my Nanny oh! (Hornpipe) • 594 — Cf OFPC 2 p 95 My Nanny o; McGibbon p 71; Oswald CPC 5 p 3. {Cg ~ 2x8:|: ~ 5115 3211}

1/244b • Hornpipe — See 3/82b McCarthy’s hornpipe. {Cg ~ 2x8:|: ~ 5115 3211}

1/244c • A Welsh Hornpipe • 595 — Cf ONMI no 1631 The rose of Drishane. See 4/55b Enrico (close variant). {C[corrected] ~ 13_13 5653}

1/245a • Hornpipe [JG very pale ink, probably erased:] (Priam’s) • 596 — Cf Joyce OIFMS p 28 Captain John’s hornpipe; ONWSGM no 309 Capt. Corbett’s hornpipe. {Cd ~ 2x8:|: ~ 5412 7_215_}

1/245b • K? • Diarmuid McGig [all roman] • 234 — Marked ‘K’ in index. {6:8g ~ 10||10:|: = 2x4+4+2, ~ 15_ 11}

1/245c • K • The Lark in the Morning • 235 — See 1/100a, 3/40a–41 The little house under the hill. {6:8d ~ 2x8:|: ~ 55 55 (tonic d but final e)}

1/246a • Paddy Carey — Cf Howe Omnibus p 51; Joshua Gibbons no 6 (parts 4, 2, 3). See 3/52b Ar phósais fós (bars 1–4). {6:8g ~ 3x8|| ~ 5_1 31 6_2 47_}

1/246b • The Lass of Gowrie • 597 — Cf Howe Omnibus complete p 111 Loch-Erroch Side; Kerr 3 p 42; Kerr 4 p 7; Westrop p 14. {2:4d ~ 2x8:|: ~ 35 1'1' 66 2'2' (4 bars) rather than 3355 1'1'1'1' (2 bars)}

1/246c • The Dear Irish Boy Slow • 598 Cf OIFMS p 207. {3:4g ~ 8:|:16:|: ~ 321 254}

1/247a • K • Connolly’s Ale • 236 — Cf ONMI nos 869, 870 Larry O’ Gaff. {6:8g ~ 2x8:|: ~ 1'3 55}

1/247b • K • Box the Monkey • 237 — Pipes p 39 no 97. Cf Kerr 1 p 40 Munster buttermilk; ONMI no 892 Behind the haystack. See 4/81e The geese on the bog. {6:8d ~ 4x8:|: part 2 two cadences without repeat marks ~ 1'3' 1'3' 52 52}

1/248a • K • The Banks of Cloddy • 238 • Slow — See 4/43d. {Cd ~ 4:|:12:|: = 4x4 ~ 1'1'1'1' 3455}

1/248b • Signora Ferze’s Hornpipe — Copy of 4/81a. {Cg ~ 4:|:8|| ~ 1_3_2_6_ 4_4_6_5_}

1/248c • The Rakes of Kildare — Cf Howe Omnibus complete p 108; Aird 5 p 28, no 69 A jig; B2 p 39 Get up early. See near duplicate 4/79b. {6:8g ~ 2x8:|: ~ 5_1 25}

1/249a • K • My love she wears a dandy • 239 — Cf Ryan p 30 Five leaved clover; ONMI no 1247; Maguire Hidden Fermanagh p 112 (from Gunn MS c. 1865) Hetty’s wishes; the current session tune ‘The hunter’s purse’. See 2/150b My love is but a lassie yet. {Cd ~ 2x8:|: ~ 7_5_5_2_ 4_5_4_4_}

1/249b • K • Plúr na m-ban gan aon lochd!!! Slow • 240 {Cg ~ 8||8:|: ~ 15_7_6_ 1112}

1/249c • K • Caiptínn na ngéag ngeal sé Silvy slow • 241 {3:4d ~ 12||12|| ~ 343 127_}

1/250a • K • Poll Ceárnuit Lively • 242 — P-S no 1129 is a copy. {3:4d ~ 2x14|| = 4x7 ~ 112 7_6_1}

1/250b • K • Seaghan Ui Duibhir an ghleanna Slow • 243 — See 4/36b. {3:4d ~ 4||8:|: ~ 675 456}

1/250c • K • Ná [sic] gamhna gealla bána [index likewise: Ná] Lively • 244 — Words pp 108–09 ‘Siúd mo gamhna ro na gamhna gealla / ní itheann siad fear agus ol [—] siad bainne’. {Cd ~ 2x4:|: = 4x2 ~ 3335 3343}

1/251a • K • An cúl bacallach Fáingeach buidhe [index: bacallach Faingeac buide] Slow • 245 {3:4g ~ 2x5||10 = 2x5|| ~ 771' 1'3'2}

1/251b • K • An ghamhain gheal [index: gheall] bhán Slow • 246 {3:4g ~ 12||12|| = 4x6 ~ 211 112}

1/251c • K • Rachad-sa ’s Kitty [roman] bhálcaoireachd Slow • 247 {6:8d ~ 8||8:|: = 4x4 ~ 1'7 71' 41 11}

1/252a • The Humours of Glyn [Glyn corrected < Glynn] — Cf O’D 1850 p 138; Howe’s 1,000 p 97. Pigot in RIA MS 24.0.1, p 814 describes it as one of three tunes in ‘Mr Goodman’s setting’ but it is probably a copy of O’D. {6:8d ~ 2x8:|: ~ 11 33 11 4_1}

1/252b • K • Cnocá [i]nín aorach Chill Mhuire Lively • 248 {6:8g ~ 4:|:8|| ~ 5_7_35 32 6_[1]}

1/252c • K • Air maidin a nae bhí camadam sgéil? • 249 — Cf P-S no 1116. {6:8g ~ 2x8:|: ~ 5_1 7_2 34 37_}

1/253a • K • An Síoda ’tá ad’ bhalluit? [index: bhallot] • 250 — Cf O’D 1850 p 222; ONMI no 891 The silken wallet. See 1/264d [Untitled jig], parts 1 and 2. {6:8g ~ 2x8||DC [this written over flourish?] ~ 36_ 25_ 36_ 43}

1/253b • The Boyne Water — Cf Howe Omnibus complete p 106; gnp p 95. {Cg ~ 2x8|| = 4x4 ~ 5_557 427_1}

1/253c • K • The Green Flag • 251 — Cf MS 7345 p 140, no 1 of Repeal quadrilles (ornate version). {Cg ~ 2x8|| ~ 5_5_17_ 6_222}

1/254a • K • An Buachaill Caol Dubh Slow [title written very large, carefully] • 252 — Cf Words pp 94–96 Muiris O Céirin cct. ar an Buachaill caol dubh: ‘Tráith dom feinig ar Innse an fhéir ghlais’. JG sought the words for this from Patrick Landers of Ventry in 1848 (see TMP 1 p xii). {Cd ~ 6||12:|: = 6x3 ~ 3555 3432 | 1101}

1/254b • Garryowen — Parts 1 & 2: cf Hamilton HUT 2 p 181; part 3: cf ONDMI no 1001 (part 4). See 3/139b. {6:8g ~ 8:|: 2x8||DC ~ 63 33}

1/254c • K • Is Duine me shiubhal a lán Lively • 253 — P-S no 1132 is a copy. Cf Mitchell & Small PPT no 45 The Munster gimlet (2), parts reversed. {9:8d ~ 2x4|| ~ 51'1' 1'1'2'}

1/255a • Jack Lattin — Copy of 4/96d. {2:4d ~ 7x8:|: ~ 1351' 5331'}

1/255b • Paddy’s Evermore — Copy of 4/65e. {2:4d ~ 8|| $ 8!| $ ~ 1113 27_5_4_ (2 bars) rather than 11 25_ 3_1 11 (4 bars)}

1/256–57 • K • An Maidrín ruadh [index: ruaidh] • 254 • — Descriptive parts: 4–10 (23 bars): bailliughadh (4 bars); Adharc (2 bars); An Fiadhguidhe (3 bars); An Fhead (2 bars); An gadhar riain (4 bars); na gadhair ag labhairt (2 bars); Na gadhair air saothar (3 bars); Adharc ag cosaint (3bars). [Conclusion]: see next two items. Cf OFPC 2 pp 145–47, Fitzmaurice 5 pp 1–2. {Cg [An Fhead 9:8? error of notation?] 3x8:|:+23 ~ 1355 6455}

1/257a • K • Caoineadh an Mhadaidh Ruaidh • 254 [conclusion i] {3:4d ~ 12:|: = 6x2, ~ 46_1 444}

1/257b • K • Fox Hunter’s jig • 254 [conclusion ii] — Pipes p 26, no 33. 1/81c is a duplicate. See 4/154b. {9:8 ~ 3x4 bars ~ 3_5_4_ 3_5_2_}

1/257c • Quadrille — Near duplicate of 1/196a The French reaper, but last two bars vary: G' | F'G'F' G'E'C# | D'--|. {6:8g ~ 8:|:8||DC ~ 56 35}

1/258a • K • An craoibhín aoibhinn [index: chraoibhín aoibhínn] Slow • 255 — Tunes p 10d. {Cd ~ 4:|:8:|: ~ 137_1 6_16_5_}

1/258b • K • Tá mo ghrádh dá mhealladh uaim • 256 — Cf Petrie AMI pp 42–43 As truagh gan peata an mhaoir agam / I wish the shepherd’s pet were mine. {2:4g /d ~ 2x8||DC ~ 31 35 44 41 (4 bars) rather than 3112 3453 (2 bars)}

1/258c • Go de sin don té sin &c • 599 — Words p 121 ‘Sé deir máthair mo chéile nuair fhéachann sí am dheirg’. {6:8d ~ 4:|:8|| ~ 11 7_6_ 6_1_ 6_1}

1/259a • K • Jackson’s Cove • 257 — Cf P-S no 318 The groves by Jackson; P-S no 319 The groves: called also The drunken sailor. {Cg ~ 5x8:|: ~ 5_113 5127_}

1/259b • K • Is fada liom féin go n-déanann tuile don tráig Lively • 258 — P-S no 1128 is a copy. {6:8d ~ 12|| = 4x3 ~ 16_ 5_6}

1/260a • K • Cois Taoibh an Chuain Slow • 259 — Words p 99 (fragment) ‘Cois taoibh an cuain ’s me tré’m shuan ’s me go suanmhar sinnte’. P-S no 1133 is a copy. {Cg ~ 16||16:|: ~ 3455 3575}

1/260b • K • Waterloo • 260 — Cf ONMI no 1433 Lord Gordon’s reel (part 1). See 1/87b My heart with love is breaking. {Cd ~ 2x8:|: bars 4–8 = bars 12–16 ~ 5_3_5_3_ 5_3_5_3_}

1/261a • K • An Druimin donn díleas Slow [le of díleas corrected] • 261 — Words p 70 “Druimion donn óg”: ‘Dá dtagach an leanbh a gceart as a gcóir’. JG made note to ask his brother George to get this song from Bryan Sheehan (UCC p [132]). {3:4d ~ 2x16|| = 8x4 ~ 112 122}

1/261b • K • Bean dubh an ghleanna Slow • 262 — Cf PS no 1138. {Cg ~ 4:|:8:|: ~ 1355 6765}

1/262a • K • Crumpe’s Hornpipe • 263 {Cg ~ 2x8:|: ~ 5_131 2131}

1/262b • K • Beau Dandy – (old jig) • 264 — Cf Mitchell DMWC no 86 Fraher’s jig (part 1). {6:8d ~ 3x4:|: ~ 54 14 54 14}

1/262c • K • Cuir le faill an cladhaire caille • 265 — Pipes p 39, no 91 Sgaol le háill an claidhre [?] caille. Cf CRÉ 1 no 40 An píopa ar an mbaic [The pipe on the hob] (part 1). {6:8d ~ 8:|:8 two cadences || ~ 1'5 31 25 55}

1/263a • K • Thugamair féin an samhradh linn Lightly • 266 — Cf Horncastle no 9 May day song; Clinton Gems p 73. {6:8g ~ 8|| = 4x2 ~ 11 55}

1/263b • K • The Galway Reel • 267— Cf ONDMI no 471 My Maryanne. {Cd (part 2 c evidently natural throughout) ~ 2x4:|: ~ 72'1'5}

1/263c • K • My Father’s Servant Boy [B corrected?] • 268 {6:8d ~ 8||8:|: ~ 1'3' 2'5 36 55}

1/263d • K • The three little Drummers • 269 • — Pipes p 18, no 9, UCC p [72], no 12. Cf Joyce 2 p 50, tune 112 The shuffling jig; POK 3 no 2 Coffee and tea. See 2/160a The new Custom house jig. {6:8g ~ 2x8:|: ~ 55 22 55 47}

1/264a • K • Bríghid óg Ráith Caolath [JG pencil:] (see p. 3) Lively • 270 • — Tunes p 5b. See 1/3c. {Cd ~ 14|| ~ 551'1' 3'2'1'1'}

1/264b • K • An Crúisgín lán (Kerry version) Lively • 271 — P-S no 1232 is a copy. {Cg ~ 4! $ 6!| $ = 5x2 ~ 5553 5555}

1/264c • K • :] Aithrighe Sheaghain de hóradh • 272 — Music not given. Jig below seems unrelated. See O’D Miscellany pp 32–35 (words only), incipit: ‘A Mhic Mhuire na ngras do cuirag chum bais’. By John Hore, blacksmith, Dunaha, Clare, fl 1780. An air in Joyce MS 2 p 11, tune 21.

1/264d • [Untitled jig] • 600 — roughly sketched in pencil. Parts 1 & 2: see 1/253a An Síoda ’tá ad’ bhalluit. {[6:8 or 12:8g?] ~ 8|| 16|| ~ 46_15_ 46_45}

1/265a • K • Caitilín Tirriail (old version) Slow • 273 {3:4g ~ 16||16:|: ~ 5_5_6_ 113}

1/265b • K • Gradh na lánamhan Andante • 274 — Words pp 43–45 ‘An bhean. Mo ghrádh do chúl dobhí búclaí baclach / Mo ghradh do shiubal dobhí luthmhar acfuinneach’ (chantefable form with ‘udar’ in English). P-S no 1134 is a copy. {Cg ~ 4||4:|: ~ 5_6_11 227_6_}

1/265c • Kitty of Coleraine — Cf Clinton Gems no 25. See 4/25b. {6:8d ~ 8||8:|: ~ 3_1 27_}

1/266–67 • K • Allisdrum’s March, Battle of Cnoc na ndos, Laments &c – [Introduction +descriptive parts:] An Bailiughadh chum catha Quick [10 bars]; An Cath – buail as mairbh!!! *Presto [6 bars]; Marbh-tuitim Alasdruim [4 bars] • 275 — Describes the defeat and death in 1647 in the battle of Knocknanuss, Co Cork, of Alasdar Mac Colla Ciotaigh. Pipes p 28, no 59. Cf Croker Researches (music between pp 116 and 117) Ollisdrum’s march. See Breathnach 1968. Listen to the piece played on the pipes by Peter Browne (track 5). {6:8g except parts: An Cath Cg, Marbh-tuitim Alasdruim 3:4g ~ 8:|:4:|:8:|:8:|: +10+6 [C]+4 [3:4] ~ 7_7 _7_4 (tonic g) or perhaps 33 37 (tonic d)?}

1/267a • K • [Allisdrum’s March] An Bhean Mhuimhneach .i. A Mháthair, ag gul Slow [bars 10–11:] uch, uch, uch, on! • 275 (part ii) {Cd ~ 11|| ~ 3'3'3'2' 1'552}

1/267b • K • [Allisdrum’s March] An Laighneach .i. a bhanartla, ag gul [bars 10–11:] uch uch, uch on! • 275 (part iii) {Cg ~ 11|| ~ 7777 6542}

1/267c • K • [Allisdrum’s March] An Ultach .i. a bhean, ag caoineadh • 275 (part iv) {Cd ~ 5||5!| ~ 5555 3'3'3'4}

1/267d • K • [Allisdrum’s March] Cnocan an Teampuill • 275 (part v) — See 1/75b. {6:8g ~ 4:|:8|:8|| part 3, bars 1–2 superscribed ‘3 times’ [i.e. bars 1–6] ~ 75 54}

1/268a • K • Maidin Aoibhinn Aorach Slow • 276 — See 2/86b The morning star. {Cg ~ 16||16|| ~ 116_6_ 5_5_5_3}

1/268b • The Cooleen Bawn — Cf Holden ISQT 1 p 30; OFPC 3 p 32. Copy? of 4/85d. See 1/11a An súisín bán. {Cg ~ 2x6:|: ~ 36_6_5_ 1244

VOLUME TWO

[Some sources for this volume as given by JG at the end of the volume:]

‘This volume contains 500 airs and tunes, almost all of them Irish. I have copied them from various sources.

Those from page 1 to 32. the first 5 airs excepted, are taken from a printed collection lent by Dr Swan.

From 33 to 50 are taken from O’Farrell’s collection [OFPC] vol I

51–58 from a ms lent by Dr Swan

59–62 miscellaneous –

From 63 to144 are taken from Mr Pigot’s collection –

From 144 to 147 miscellaneious [sic]. [148 not mentioned].

Those from 149 to 171 are copied from a ms. lent by O’Daly [NLI MS 3781 indicated here as ‘gnp’, see Slattery 2011],

& from 172 to 181 are taken from a ms. lent by Doogan pipe maker.’

[Breandán Breathnach identified the ‘printed collection lent by Dr. Swan’ as the first volume of Aird’s Selection of Scotch, English, Irish and foreign airs, published in Glasgow about 1782 (Breathnach 1973 p 60.

Goodman stated that he took from the printed book the airs in pp 1–32 of his second volume — except the first five. Eleven tunes in the series are not in Aird 1. The remaining 69 tunes which are from Aird’s first volume have scarcely a note changed and only a handful of changes — usually omissions — made in expression marks.]

2/1a • Na Bailtídhe mhóra — Cf OFPC 4 p 108 Baulthy Oura. {9:8d ~ 4x4:|: ~ 3_3_5_ 3_3_7_}

2/1b • They may rail at this life Ná bainneann san dó — Cf Moore no 7 1818 song 11; Surenne SI p 72. Se.e 1/79b, 4/29e. {6:8d ~ 2x8:|: ~ 55 55}

2/2a • Cherish the Ladies • 601 — Cf Joyce OIFMS p 150, bars 1–8; ONMI no 730, parts 1, 2 & 4. See 3/81b Wallop the ladies, 4/2a “Thought”. {6:8d ~ 4x8:|: ~ 1'5 15 64 44}

2/2b • Youghal Harbour • 602 — Cf Mooney 1 p 530; ONMI no 861. {Cg ~ 2x8:|: ~ 16_13 671'7}

2/3a • Jemmie the Gom • 603 — Cf ONMI no 807 Happy to meet and sorry to part. {6:8g ~ 2x8:|: ~ 6_3_ 2_1_ 3_5_ 3_2_}

2/3b • [Dr Swan’s book] • The Lads of the Village — Aird 1 p 1, no 3. {2:4g ~ 2x8:|: ~ 11' 63 23 7_7_ (4 bars)}

2/3c • [Dr Swan’s book] • I’ll Touzle your Kurchy — Aird 1 p 2, no 4. {6:8g ~ 2x8:|: ~ 13 51}

2/4a • [Dr Swan’s book] • The Ladys plaything — Aird 1 p 2, no 5 The lady’s play thing, or Gen Howe’s march. {6:8g ~ 8:|:12 = 8+4:|: ~ 33 22}

2/4b • [Dr Swan’s book] • The Oyster Wifes rant — Aird 1 p 3, no 6. {Cg ~ 2x4:|: ~ 5551 447_2}

2/4c • [Dr Swan’s book] • Quick Step 12th Regt — Aird 1 p 3, no 7 Quick step 17 [sic] regt. {6:8g ~ 2x8:|: ~ 12 37_}

2/5a • [Dr Swan’s book] • Quick step of 21 Regt — Aird 1 p 3, no 8. {2:4d ~ 4:|:8:|: ~ 35 65 1'6 31 (4 bars)}

2/5b • [Dr Swan’s book] • The Moon & Seven stars — Aird 1 p 4, no 9. {6:8d ~ 2x8:|: ~ 15_ 4_5_ 6_2 37_ (4 bars)}

2/5c–6 • [Dr Swan’s book] • The Grand Parade — Aird 1 p 4, no 10. {6:8d ~ 2x8:|: ~ 15 24 32 13_ or 1'5' 2'4' 3'2' 1'3}

2/6a • [Dr Swan’s book] • The Corporal — Aird 1 p 4, no 11. {2:4d ~ 2x8:|: ~ 31 55 22 27_ (4 bars)}

2/6b • [Dr Swan’s book] • The Queen of Hearts — Aird 1 p 5, no 2. {2:4g ~ 2x8:|: ~ 5531 427_5_}

2/6c–7 • [Dr Swan’s book] • Carlen is your Daughter ready — Aird 1 p 9, no 24. {2:4d ~ 8:|:8:|: ~ 15 53 27_ 24 (4 bars)}

2/7a • [Dr Swan’s book] • The Widow’s Rant — Aird 1 p 10, no 27. {6:8d ~ 2x8:|: ~ 15 65 15 22}

2/7b • [Dr Swan’s book] • Wood Nunrich Fair — Aird 1 p 11, no 31. {6:8g ~ 3x8:|: ~ 35 1'5}

2/8a • [Dr Swan’s book] • The Bath Medley — Aird 1 p 11, no 29. {6:8g ~ 8:|:8:|: ~ 17 65 65 7_2}

2/8b • [Dr Swan’s book] • Gentle Ann — Aird 1 p 11, no 30. {2:4d ~ 2x8:|: ~ 1_1_ 5_5_ 1_1_ 5_4_ 4 bars)}

2/8c • [Dr Swan’s book] • The Recruiting Officer — Aird 1 p 12, no 33. {6:8d ~ 2x8:|: ~ 12 15_}

2/9a • [Dr Swan’s book] • Thro’ the Lang Muir — Aird 1 p 12, no 34. {6:8g ~ 4:|:8:|: ~ 51_ 1_7}

2/9b • [Dr Swan’s book] • Quick Step 8th Regt — Aird 1 p 14, no 38. {6:8d ~ 8:|:8:|: ~ 1'5 55}

2/9c • [Dr Swan’s book] • My wife’s a Wanton Wee thing — Aird 1 p15, no 41. {6:8d ~ 8:|:8:|: ~ 16_ 15_}

2/10a • Jacksons – Maid in the Garret • 604 — See 3/46c. {6:8d ~ 2x8:|: ~ 13 1'1' 13 52}

2/10b • The Humours of Georges street • 605 — See 2/148c (close variant). {6:8g ~ 2x8:|: ~ 5_2 36_}

2/10c • Tatter the Rags • 606 — Cf Moylan JOL no 108 Jimmy Doyle’s (parts reversed). See 2/53a The Bantry jig, 2/162a The baker’s reel (reel version of same tune?) {6:8a ~ 2x8:|: ~ 65 65 42 55}

2/11a • Oh Arranmore, Loved Arranmore — Cf Moore no 10 1834 song 10; Surenne SI p 12. See 2/144b. {2:4g ~ 2x8:|: ~ 1'3' 1'5 44 77 (4 bars)}

2/11b • [Dr Swan’s book] • The High way to Dublin — Aird 1 p 15, no 43. {6:8d ~ 2x8:|: ~ 74 62}

2/11c • [Dr Swan’s book] • The Lee Rigg — Aird 1 p 16, no 44. See 1/201a My ain kind dearie O, 3/74a The bottles & the glasses come rolling on the table. {2:4g ~ 8:|:16:|: 16 = 8a+8a² ~ 15_ 11 12 26_ (4 bars)}

2/12a • [Dr Swan’s book] • The Millers Rant — Aird 1 p 16, no 46. {6:8g ~ 2x8:|: ~ 35 37_}

2/12b • [Dr Swan’s book] • Willie was a wanton wag — Aird 1 p 17, no 49. {2:4d ~ 8::8:: ~ 35 11 35 2'6 (4 bars)}

2/12c • [Dr Swan’s book] • The Cow behind the Hay Cock — Aird 1 p 18, no 51. {6:8d ~ 2x8:|: ~ 5_4 27_ 33 27_}

2/13a • [Dr Swan’s book] • The Lads of Dunse — Aird 1 p 19, no 53. See 2/100c Jig (Jackson). {6:8d ~ 2x8:|: ~ 51 16}

2/13b • [Dr Swan’s book] • The East nook of Fife — Aird 1 p 20, no 57. Cf SMM 3 p 286 The ranting dog the daddy o’t. {2:4g ~ 2x8:|: ~ 11 55 22 66 (4 bars, tonic g, final e}

2/13c • [Dr Swan’s book] • Irish Billy — Aird 1 p 21a, no 58. {6:8c ~ 2x8:|: ~ 13 52}

2/14a • [Dr Swan’s book] • The Cream pot — Aird 1 p 25, no 69. {6:8g ~ 8:|:16 = 8+8:|: ~ 13 56 13 52}

2/14b • [Dr Swan’s book] • Bonny Breast Knots — Aird 1 p 25, no 71. {2:4d ~ 2x8:|: ~ 46 35 22' 76 (4 bars)}

2/14c • [Dr Swan’s book] • Little House under the Hill — Aird 1 p 27, no 75. Differs from 1/100a, 3/40a–41. {2:4g ~ 2x8:|: ~ 351'1' 1'1'62}3556 1'61'5 (2 bars) or 35 1'1' 1'1' 62 (4 bars)}

2/15a • [Dr Swan’s book] • Miss Ramsay’s reel [R corrected] — Aird 1 p 27, no 76. {2:4g ~ 2x8:|: ~ 3'1' 31 43 26_ (4 bars)}

2/15b • [Dr Swan’s book] • I’d rather have a piece &c — Aird 1, pp 28–29, no 81. {6:8d ~ 4x8:|: ~ 75 77_(tonic a) or 1'6 11' (tonic g)?}

2/16a • [Dr Swan’s book] • Miss Katty Hall [index: Miss Katie hall’s Reel] — Aird 1 p 29, no 83. JG’s tune, like Aird’s, is 6:8 time. {6:8g ~ 2x8:|: ~ 15_ 5_5_}

2/16b • [Dr Swan’s book] • Rural Felicity — Aird 1 p 30, no 84. See 1/110a Haste to the wedding. {6:8d ~ 2x8:|: ~ 5_5_ 23}

2/16c • [Dr Swan’s book] • McDonalds Quick step — Aird 1 p 31, no 87. {2:4d ~ 2x8:|: ~ 22 62 22 1'1 (4 bars)}

2/17a • [Dr Swan’s book] • The Female Rake — Aird 1 p 31, no 88. {6:8d ~ 2x8:|: ~ 11 4_3_}

2/17b • [Dr Swan’s book] • Quick step 4th Regt — Aird 1 p 131, no 89. {6:8g ~ 2x8:|: ~ 1'367_}

2/17c • [Dr Swan’s book] • Port Patrick — Aird 1 p 32, no 90. Cf Holden ISQT 1 p 25. {6:8g ~ 2x8:|: ~ 5142}

2/18a • [Dr Swan’s book] • The Highlandman Kissed his Mother — Aird 1 p 32, no 91. {2:4g ~ 2x8:|: ~ 15 55 12 25_ (4 bars, tonic g part 1) or 37 77 37 47_ (tonic e part 2)}

2/18b • [Dr Swan’s book] • Well done Jock — Aird 1 p 32, no 92. {6:8d ~ 2x8:|: ~ 5437_}

2/18c • [Dr Swan’s book] • The Bottom of the punch bowl — Aird 1 p 33, no 93. Cf OFPC 1 p 75. {Cd ~ 2x8:|: ~ 111'1' 1'135}

2/19a • [Dr Swan’s book] • Cupids Recruiting Sergeant — Aird 1 p 34, no 96. {2:4g ~ 8:|:16:|: ~ 52 12 47_ 5_2 (4 bars)}

2/19b • [Dr Swan’s book] • Quick step Fusileers — Aird 1 p 35, no 99. {6:8g ~ 8:|:8:|: ~ 71' 2'2}

2/19c • [Dr Swan’s book] • Lady Charlotte’s Fancy — Aird 1 p 37, no 103 Lady Charlote’s delight. {6:8g ~ 8:|:8||DC ~ 15 65}

2/20 • [Dr Swan’s book] • Yankey Doodle — Aird 1 p 36, no 102. {2:4d ~ 10x8:|: ~ 12 12 12 17_ (4 bars)}

2/21a • [Dr Swan’s book] • The Ranting Roaring Highlandman — Aird 1 p 39, no 110. {2:4d ~ 2x8:|: part 2 two cadences || ~ 15 35 47_ 72 (4 bars)}

2/21b • [Dr Swan’s book] • Marionets — Aird 1 p 40, no 114. {6:8g ~ 8:|:8:|: ~ 15 65 43 21}

2/21c • [Dr Swan’s book] • Major Montgomeries Quick step — Aird 1 p 41, no 11. {Cd ~ 2x8:|: ~ 1355 5115 (uncertain owing to metrical errors)}

2/22a • [Dr Swan’s book] • The Royal Glasgow volunteers Farewell — Aird 1 p 41, no 117. {6:8g ~ 8:|:8||DC ~ 11 22}

2/22b • [Dr Swan’s book] • Bab at the Bouster — Aird 1 p 42, no 119. {6:8g ~ 3x8:|: ~ 43 27_}

2/22c • [Dr Swan’s book] • The whipman Laddie — Aird 1, p 65, no 189. {6:8d ~ 4:|:4:|: ~ 53 42}

2/23a • [Dr Swan’s book] • Fy let us a’ to the Bridal — Aird 1 p 43, no 123. {9:8g ~ 2x4:|: ~ 115 226}

2/23b • [Dr Swan’s book] • The Long Room of Scarbrough — Aird 1 p 45, no 128. {9:8g ~ 3x4:|: ~ 113 112}

2/23c • [Dr Swan’s book] • The Parson in the suds — Aird 1 p 47, no 134. {2:4g ~ 2x8:|: ~ 1'5 32 7_2 42 (4 bars)}

2/24a • [Dr Swan’s book] • My Peggy is a young thing — Aird 1 p 47, no 133. {Cg ~ 2x8:|: ~ 5_117 415_6_}

2/24b • [Dr Swan’s book] • Lesslies March — Aird 1 p 64, no 185. {6:8d ~ 3x8:|: ~ 11 15_}

2/25a • [Dr Swan’s book] • Sukey bids me — Aird 1 p 49, no 140. See 3/91c Miss Connell’s reel. {Cg ~ 4:|:8:| = 3x4 ~ 15_16 5226_}

2/25b • [Dr Swan’s book] • Wilkes’s Wriggle — Aird 1 p 51, no 145. {6:8d ~ 4:|:8:|: ~ 15_ 42}

2/25c • [Dr Swan’s book] • The Lasses of Dunse — Aird 1 p 55, no 158. {6:8d ~ 8:|:8:| ~ 52 15_}

2/26a • [Dr Swan’s book] • Shan[h corrected < e?]truish — Aird 1 p 55, no 159 Shantruish. {Cg ~ 4:|:4:| ~ 1127_ 3247_}

2/26b • [Dr Swan’s book] • The Tailors March — Aird 1 p 60, no 173. {6:8d ~ 2x4:|: two cadences each part ~ 6_6 42 (tonic a?}

2/26c • [Dr Swan’s book] • The Three sheep skins — Aird 1 p 61, no 178. {Cg ~ 4:|:4:| ~ 1355 4452}

2/27a • [Dr Swan’s book] • The Free Masons March — Aird 1 p 60, no 175. See 3/100a The weaver’s jig (part 1). {6:8g ~ 2x4:: ~ 13 7_2 13 35}

2/27b • [Dr Swan’s book] • The Rangers Frolic — Aird 1 p 62, no 180. {6:8g ~ 8:|:8:|:8:| ~ 11 34}

2/27c • [Dr Swan’s book] • Lass if I come near you — Aird 1 p 63, no 183. {Cg ~ 4:|:4:| ~ 1327 131'5}

2/28a • [Dr Swan’s book] • Come ashore Jolly tar &c — Aird 1 p 66, no 190. {Cg ~ 3x8:|:8:| ~ 333'2' 7365}

2/28b • [Dr Swan’s book] • Come hap me with thy petticoat — Aird 1 p 65, no 187. {Cg ~ 4:|:8:| ~ 7411 7777 (tonic e) or 526_6_ 5555 (tonic g)}

2/29a • [Dr Swan’s book] • Buttered pease — Aird 1 p 68, no 197. {2:4g ~ 2x8:|: (2nd half of bar 7 repeated in error) ~ 35 46 35 42 (4 bars)}

2/29b • [Dr Swan’s book] • Sae Braley as I was Kissed yestreen — Aird 1 p 69, no 200. {6:8d ~ 2x8:|: ~ 11 51 27_ 27_}

2/29c • Kelso Lasses — Cf Stewart Airs 1 p 21, no 45. 9:8 [corrected from 6:8?] ~ 2x4:|: ~ 1'33 1'32}

2/30a • The London Camp — Cf Stewart Airs 1 p 23, no 51. {6:8d ~ 4:|:8:|: ~ 14 32}

2/30b • Whip her & gird her — Cf Stewart Airs 1 pp 24–25, no 53. {6:8g ~ 4x8:|: ~ 11 13 11 24}

2/31a • Kick the Rogue out — Cf Stewart Airs 1 p 27, no 59. {9:8d ~ 2x4:|: ~ 315 316}

2/31b • A trip up stairs — Cf Stewart Airs 1 p 29, no 62. {6:8g ~ 2x8:|: ~ 31 75 32 7_5_}

2/31c • Duchess of Gordons reel — Cf Stewart Airs 1 p 55, no 115; Kerr 2 p 17. {Cd ~ 4:|8||DC ~ 5551' 5524}

2/32a • The Humours of Dublin — Cf Stewart Airs 1 p 34, no 70; Gow Repos 1 p 36. {6:8c ~ 3x8:|: 8:| ~ 1'3 52 1'3 42}

2/32b • O’er the Muir to Kettie — Cf Stewart Airs 1 p 27, no 58. {Cd ~ 8:|:8| ~ 1155 51'1'1'}

2/33a • [O’F] • Castletown Hunt — OFPC 1 p 6. {6:8d ~ 4||8:|:4:|:8|| ~ 5_1 16_}

2/33b • [O’F] • Bless Tipperary slow — OFPC 1 p 8. {Cd ~ 4||13|| ~ 5115_ 4332}

2/34a • [O’F] • A Trip to Killarney — OFPC 1 p 9. {6:8d ~ 3x8:|: 8:| ~ 1'5' 5'5' 1'5' 2'4'}

2/34b • [O’F] • Pay the Reconing [sic] — OFPC 1 p 17. See 1/15a, 4/71a An seanduine. {6:8g ~ 2x8:|: ~ 15 35 15 23}

2/35a • [O’F] • The Happy Mistake — OFPC 1 p 18. {6:8g ~ 8:|:8|| ~ 12 36}

2/35b • [O’F] • The Gemby oh! — OFPC 1 p 19 The Gobbyo. {6:8c ~ 8:|:8:| ~ 31 5_1 27_ 47_}

2/35c • [O’F] • Dour a ling — OFPC 1 p 24. {6:8d ~ 8:|:8:| ~ 31 31 24 27_}

2/36a • [O’F] • The Major — OFPC 1 p 24. See 2/47b Nelly Cusack. {6:8a ~ 4:|:8:|:4:|:4:|: ~ 31 12}

2/36b • [O’F] • The Bucks of Tipperary — OFPC 1 p 25. — See 1/94a, 3/94a Malichi Daly. {6:8d ~ 8:|:8||DC ~ 16_ 5_5_ 11 43}

2/36c • [O’F] • Adieu Adieu thou Faithless world — OFPC 1 p 25. See 4/85e. See also 2/177a, 4/159e The hermit of Killarney. {Ca ~ 4:|:4|| ~ 115_1 3325}

2/37a • [O’F] • The Humours of Castlecomber — OFPC 1 p 26. {Cg ~ 4:|:8|| ~ 1353 6_27_7_}

2/37b • [O’F] • Helvic Head — OFPC 1 pp 28–29. {6:8g ~ 5x8:|: ~ 12 22 12 11}

2/38a • [O’F] • Byrne’s March — OFPC 1 pp 30–31. Cd ~ 2x16:|: ~ 115_7_ 115_4_}

2/38b–39 • [O’F] • The Hens Concert — OFPC 1 p 42. {Cd ~ 8:|:12:|: ~ 115_5_ 3_3_5_5_}

2/39 • [O’F] • Griegs pipes — OFPC 1 p 43. {Cd ~ 4x4:|: ~ 5'3'5'3' 5'3'2'6}

2/40a • [O’F] • The Soup of good drink — OFPC 1 p 33. See 2/120c & 3/19a, Gallagher’s jig, 3/18b An brísdín bréide. {6:8d ~ 2x8:|: ~ 13 57 46 45}

2/40b • [O’F] • The Rakes of Clonmell — OFPC 1 p 48. See 3/135b. {6:8c ~ 3x8:|: ~ 17_ 5_1}

2/40c–41 • [O’F] • Fairly shut of her — OFPC 1 p 49. {6:8g ~ 4x8:|: ~ 11 13 11 7_2}

2/41 • [O’F] • Cosa buidhe árda dearga — OFPC 1 p 52 Cusabue ord. See 3/22a, 4/4e–5 [Jackson’s] Cogue in the evening. {9:8g ~ 3x4:|: 8:| ~ 313 314}

2/42a • [O’F] • The Boyne Hunt — OFPC 1 p 50. {6:8g ~ 8:|:8:| ~ 15 55 65 42}

2/42b • [O’F] • The Humours of Ballinamult. prátaoi dearga as bláthach [Irish corrected by overwriting] — OFPC 1 p 54. {6:8d ~ 3x8:|: ~ 51 52 51 57}

2/42c • [O’F] • Sheelin a ghra will you be mine [all roman] — OFPC 1 p 55 Sheeling O Guira. {6:8c ~ 4:|:8|| ~ 36 75 1'7 63 tonic c?}

2/43a • [O’F] • The Dublin volunteers — OFPC 1 p 55. Cf Aird 2 p 51, no 137. {Cg ~ 8||4:|: ~ 151'2' 4531}

2/43b • [O’F] • Fain to follow me — OFPC 1 p 56. {6:8d ~ 8||8||16|| ~ 3_1 22_ 3_1 7_1}

2/44a • [O’F] • The Good Fellow [pencil JG, small, after:] siobánín [?] seó — OFPC 1 p 60. {9:8f ~ 4x4:|: ~ 113 114}

2/44b–45 • [O’F] • Past one o clock slow — OFPC 1 pp 68–69. {3:4a ~ 8:|:16:|:8:|:16|| ~ 5_6_1 113}

2/45a • [O’F] • Jacksons Dream — OFPC 1 p 72. {6:8d ~ 8:|:8|| ~ 11 54 53 22}

2/45b • [O’F] • Coughlan’s March — OFPC 1 p 72. {Cg ~ 2x4:|: ~ 3351 2262}

2/46a • [O’F] • Why should we part so soon — OFPC 1 p 73. {3:4a ~ 13::15 = 6+7+8+7 ~ 16_5_ 5_6_1 112}

2/46b • [O’F] • Wild oats — OFPC 1 p 79. {6:8a ~ 8:|:8|| ~ 51 14 62 24}

2/46c • [O’F] • Quick step — OFPC 1 p 23. {2:4d ~ 3x8:|: ~ 13 42 31 25_ (4 bars)}

2/47a • Smash the windows — Cf Ryan p 115; ONDMI no 386. See 1/36b Teann an síoda. {6:8d ~ 8:|:8:| ~ 1_3_ 12 4_3_ 2_4_}

2/47b • Nelly Cusack • 607 — Cf OFPC 1 p 24 The Major. See 2/36a The major. {6:8d ~ 3x8:|: ~ 31 12 31 42}

2/47c • Paddy O’Snap — Cf Alexander Flowers p 40; Koehler 3 p 206. {9:8d ~ 2x4:|: ~ 313 427_}

2/48a • The Merry Bag piper — 608 Part 1: cf 1/47b Miss Pierce’s Reel. {2:4g ~ 4||8||4|| ~ 1'1'53 2466 (tonic g) or 337_5_ 4_6_11 (tonic e)}

2/48b • I have a wife of my own • 609 — Related versions of this are very common in print. See 3/150c Naebody. {9:8g ~ 4:|8|| ~ 135 165}

2/48c • Miss Nortons jig • 610 {9:8g ~ 4:|:4:|:4:| ~ 136 552}

2/49a • Temple House — Cf Kerr 1 p 33. See 1/186a Hurley burley. See 1/134a (reel version of this jig),3/112a The grey goose. {6:8g ~ 8||16|| ~ 13 53 7_2 42}

2/49b • The Humours of Donnybrook — Cf Yedis Donnybrook. {6:8g ~ 24|| ~ 5_1 6_2 53 11}

2/50a • The Unfortunate Rake — Copy of 4/97a. {6:8g ~ 8||8|| ~ 51' 2'4 11' 2'5}

2/50b • The Dawning of the Day [JG:] (?) — Cf Holden ISQT 2 p 19. {Cg ~ 4:|:8:| ~ 5533 66_6_1}

2/50c • Fire in the Mountains — Cf Holden ISQT 2 p 11. {6:8g ~ 8||8|| ~ 51 35 51 24}

2/51a • [Swan MS] • John MacGuire. same as Táiliúir an Mhagaig vol. III p. 121 • 611 — Cf the air commonly used for the song ‘Siobhán Ní Dhuibhir’. See 3/15c Mártan na glóire, 3/121c. {3:8g ~ 4x5|| ~ 555 531'}

2/51b • [Swan MS] • Twice Trick’d [JG pencil after:] Humours of Glyn [n?] — Cf Holden ISQT 2 p 25; Clinton Gems no 133. {6:8d ~ 2x8:|: ~ 65 15 65 26}

2/51c • [Swan MS] • The Soldiers Dance • 612 — Cf Hime Pocket book p 16 Soldier’s dance after the battle; Aird 4 p 17, no 46. See 3/172c Kitty got her clinking (part 2). {Cg ~ 2x4:|:4:| ~ 5_15_1_ 5_13_2_}

2/52a • [Swan MS] • The Cockers of Limerick • 613 {6:8g ~ 8:|:8:| ~ 65 65 53 22 or 43 22}

2/52b • [Swan MS] • Follow me Lads • 614 — Slip jig incorrectly written as 6:8. Title: slang for curls or ribbons hanging over a girl’s shoulder. Cf Aird 5 p 38, no 99 Hey me Nanny, Irish. {6:8 [9:8] ~ 4:|:4:| ~ 1'55 1'52}

2/52c • [Swan MS] • Welcome here again [JG pencil after:] – ? — Cf Thompson’s compleat 3 no 93. See 3/29c. {Cd ~ 2x4:| two cadences each part ~ 1_5_5_5_ 1_5_5_2_ ~}

2/53a • [Swan MS] • The Bantry jig • 615 — Cf Moylan JOL no 108 Jimmy Doyle’s slide. See 2/10c Tatter the Rags. {6:8g ~ 8:|:8:| ~ 41 56 41 55}

2/53b • [Swan MS] • The sandy Banks of Rush • 616 {Cd ~ 8||4:: ~ 5551 5523}

2/53c • [Swan MS] • Lough Erne’s Water • 617 {Cd ~ 4:|:4:| ~ 5_3_1_3_ 5_5_5_1}

2/54a • [Swan MS] • The Humours of Redgap • 618 {Cg ~ 8||8:| ~ 4366 761_1_}

2/54b • [Swan MS] • When Mary was a young thing • 619 {Cg ~ 8:|:8:| ~ 5_113 27_7_2 (tonic g, final a)}

2/54c • [Swan MS] • A Highland Reel. See page 157. vol:III • 620 — Cf Aird 5 p 5, no 12. See 3/157c The humours [of] Bally Connell. {Cd ~ 3x4:|: ~ 1315_ 5_5_2_2_}

2/55a • [Swan MS] • The Gipsy • 621 {Cg ~ 2x4:|: ~ 51'53 51'22}

2/55b • [Swan MS] • Trip it up stairs — Cf OFPC 2 p 97. See 1/113a. {6:8g ~ 2x8:|: ~ 35 43 51 51}

2/55c • [Swan MS] • The Basket of oysters • 622 {6:8g ~ 8:|:8:| ~ 7_3 52 51 25_}

2/56a • [Swan MS] • Lady Harriet Hope’s Reel • 623 — Cf Aird 2 p 38, no 104. {Cd ~ 4:|:8:| ~ 1564 22'72'}

2/56b • [Swan MS] • The Humours of Glasses • 624 — Part 2: see 2/155a Think on me (part 1). {Cg ~ 4:|:4:| ~ 5335 4224}

2/56c • [Swan MS] • The Scotch Bonnet • 625 — Cf OFPC 3 p 45 Sweet Molly. See 3/222b A short way to Heaven. {Cg ~ 4:|:8|| ~ 1544 547_2}

2/57a • [Swan MS] • The Bucks of Westmeath, or “Humours of the holy stone” vol. III p. 103 • 626 — At the end of item: ‘or’ [?] plus one bar of 6:8 music (unrelated?). See 3/103b (part 1), 1/29c The Humours of Berehaven (part 2). {6:8d ~ 2x8:|: ~ 55 34 34 22}

2/57b • [Swan MS] • Jackey from Dover • 627 {6:8g ~ 8:|:8:| ~ 1'1 42 35 32}

2/57c • [Swan MS] • Over the Bridge to Peggy • 628 — Part 1: cf Aird 4 p 69, no 183 Can ye sew cushions {Cg ~ 4||4|| ~ 1_15_3_ 1_15_5_}

2/57d • [Swan MS] • The primrose girl • 629 — UCC p [72], no 19. What the devil/dickens ails. Cf ONDMI no 605 Kitty got a clinking coming from the races. See 1/217b High road to London, 3/133b The Linster Highroad. {Cd ~ 4:|:4:|: ~ 331'1' 662'2'}

2/58a • [Swan MS] • The Scolding wife [pencil:] see page 152 • 630 — Cf P-S no 476; ONMI no 1430. See 2/152a. {Cg ~ 2x4:: ~ 325_5_ 7_211}

2/58b • [Swan MS] • The Lads of Ayr • 631 {Cg ~ 4:|:4:| ~ 1151 2216_}

2/58c • [Swan MS] • Shake the Feathers • 632 {Cd ~ 2x4:|: ~ 1'1'3'5' 2'2'75}

2/59a • Bona Notte — Cf Alexander’s scrap book vol 5 p 3; Hamilton HUT 1 p 66 Buona notte amata bene. Venetian air. {Cg ~ 8||8|| ~ 1133 6655}

2/59b • Charming Nelly Gray — Cf Hanby. {Cg ~ 2x8|| ~ 5552 361'7}

2/59c • My old Kentucky home — Song by Stephen Foster. Cf Kerr 2 p 46; Stephano p 23. {Cg ~ 2x8|| ~ 3312 4455}

2/60a • Pretty star of the Night — Cf Waylett Pretty star. {3:4g ~ | $ 20 = 8+8+4||16 = 8+8|| $ ~ 333 323}

2/60b • The Lass of Patty’s Mill • 633 — Cf Kerr’s Caledonian p 30; Riley’s flute 2 p 67. {Cf ~ 32|| = 8x4 ~ 3_2_3_5_ 1135_}

2/61a • The perfect cure • 634 — Common in print in 6:8 time, and still current in Munster dance-music repertory. {2:4d ~ 2x8:|: ~ 31 75 31 22 (4 bars) rather than 351[1] 7254 (2 bars)}

2/61b • Willie we have missed you — Song by Stephen Foster. {2:4g ~ 8||16 = 8+8|| ~ 52 35_ 43 22 (4 bars)}

2/61c • Good news from home — Non-traditional song [composed by Patrick Sarsfield Gilmore]. {6:8g ~ 24 = 3x8|| ~ 1'533 4235}

2/62a • The Black Bird • 635 — Cf OFPC 2 p 132; Mulhollan SIST p 2. See 1/228a. {Cg ~ 8||8|| ~ 6755 1'1'43}

2/62b • Katty Darling [pencilled after by JG:] “Vaga Luna” (Bellini) — Cf Cameron p 40. {Cd ~ 22 = 16+appendix|| ~ 3427_}

2/63a • Lough nagan [read nagar] — Cf Forde 300 NM 2 p 18. {Cg ~ 16|| ~ 1_1_5_5_ 1311}

[Here begins the copying from Pigot’s MS collection — as far as 2/119b incl. these had been copied by Pigot from Forde’s MSS (‘ < F’). Pigot’s alternative titles, where useful, are shown here after a slash.]

2/63b • [Pigot] • The Bird alone — Pigot p 705d < F. Cf Joyce OIFMS p 312 ( < F). {Cf ~ 3x4|| ~ 1'1'1'6 6652}

2/63c • [Pigot] • Trip with the Roving Shooler — Pigot p 705c < F. See 1/67b. {2:4c ~ 4!|8!| ~ 14 55 61 21 (4 bars)}

2/63d • [Pigot] • Hear me you that’s looking for a wife — Pigot p 705b < F. Cf P-S no 386. {Cg ~ 6||6|| ~ 5576 1'556}

2/64a • [Pigot] • He left the poor widows a weeping (war tune) — Pigot p 705a < F. Cf Joyce OIFMS p 325 ( < F). {3:4bflat ~ 12||12|| = 4x(4+2) ~ 333 421}

2/64b • [Pigot] • The Weaver’s Daughter — Pigot p 704f < F. Cf Joyce OIFMS p 301 ( < F). {Cd ~ 2x8|| ~ 1'1'2'1' 7654}

2/64c • [Pigot] • Where is the Key that will open the lock — Pigot p 704c < F. {6:8g ~ 18 = 4x4+2|| ~ 12 7_7_}

2/65a • [Pigot] • I heard a maid in Bedlam making sore complaint — Pigot p 704a < F. Cf Joyce OIFMS p 319–20 ( < F). {Cd ~ 16 = 4x4|| ~ 1'1'65 5521}

2/65b • [Pigot] • Sagartín [sic] grána — Pigot p 703a The little ugly priest / The pretty mild girl < F. {3:4d ~ 12 = 3x4|| ~ 1'1'2' 1'75}

2/65c • [Pigot] • David Foy – Remember the pease straw — Pigot p 703b < F. Cf P-S nos 682–83. {2:4g ~ 4||12 = 3x4|| ~ 62' 1'6 31 1_1 (4 bars)}

2/65d • [Pigot] • He plays on the Flute that will marry me — Pigot p 703d < F. Cf Joyce OIFMS p 305 He that will marry me ( < F). {Cg ~ 8|| ~ 1465 2114}

2/66a • [Pigot] • Some say I’m foolish & some say I’m wise — Pigot p 703c < F. Cf P-S no 793, attrib. to Pigot. {3:4b ~ 8||8!| ~ 113 363 211 665}

2/66b • [Pigot] • Let him drink to his best Beloved — Pigot p 703e < F. {3:4c ~ 8 = 4x2|| ~ 446_ 221}

2/66c • [Pigot] • Boot him & spur him & send him to me — Pigot p 703f < F. {6:8g ~ 8|| ~ 5_1 25}

2/66d • [Pigot] • I long to wed Because I love — Pigot p 703g < F. {6:8c ~ 8 = 4+4|| ~ 5_1 37_}

2/66e • [Pigot] • The Big long white cat — Pigot p 703i < F. Cf Joyce OIFMS p 326 ( < F) Peely cuit bán. {6:8g ~ 8 = 4x2|| ~ 11 11 11' 22}

2/67a • [Pigot] • Take my life for his she said — Pigot p 703h < F. Cf Joyce OIFMS p 319 ( < F). {Cg ~ 4||12 = 3x4|| ~ 4351 3216_}

2/67b • [Pigot] • I’m a widow & a [a corrected < m] maid [pencil JG:] A Dháití is a ghradh gal [?] vol III p 116 A Dháithín ghrá ghil — Pigot p 702e < F. Cf Joyce OIFMS p 321 ( < F). {3:4g$ 2x8|| = 4x4 ~ 1'1'2 653}

2/67c • [Pigot] • Pretty Polly like a Trooper did ride — Pigot p 702d < F. Cf Joyce OIFMS p 324–25 ( < F). {3:4d ~ 4||12 = 3x4|| ~ 62'3' 1'55}

2/68a • [Pigot] • At Cloone church gate the Fight began — Pigot p 702f < F. Cf Joyce OIFMS p 324 ( < F). {6:8g ~ 8 = 4x2|| ~ 54 21}

2/68b • [Pigot] • The Fairy troop — Pigot p 702b < F. Cf P-S no 544, atttib. to Pigot. {Cf ~ 16 = 4x4|| ~ 3332 5552}

2/68c • [Pigot] • The Bag of Sundries — Pigot p 702a < F. Cf Joyce OIFMS p 321 ( < F). {2:4c ~ 2x8|| ~ 3115_ 5_112}

2/68d • [Pigot] • Bold Captain Freney — Pigot p 701b < F; not Joyce OIFMS p 228–29. Cf P-S no 734. {2:4d ~ 12 = 6x2|| ~ 5_7_ 6_5_ 24 32 (4 bars, tonic d) or 13 21 57 65 (tonic a)}

2/69a • [Pigot] • Bold Val O’Hara — Pigot p 701f < F. Cf Joyce OIFMS p 326 ( < F). {Cd Joyce: 2 Bb ~ 16 = 4x4|| ~ 5576 1'2'1'7}

2/69b • [Pigot] • The Downhill of life — Pigot p 701c < F. Cf P-S no 557 (6:8 time). {3:4g ~ 7:|:19|| = 4+3 4+3+4+3+5 ~ 1'16_ 113}

2/69c • [Pigot] • What shall I do My lover’s going to wed — Pigot p 701a < F. Cf Joyce OIFMS p 326 ( < F). {3:4g ~ 10||10|| = 4x5 ~ 143 212}

2/70a • [Pigot] • It is not day nor morning .i. poc air/ ar buille Vol:III. p 11 smartly [?] — Pigot p 700e < F. Cf Joyce OIFMS p 349 (attrib. to Pigot). {2:4c ~ 57 1'5 56 62' (4 bars)}

2/70b • [Pigot] • Raging Seas & stormy waves have parted my love & I, The “Lowlands of Holland” Vol III. p121 — Pigot p 700c < F. {Cg ~ 16 = 4x4|| ~ 17_6_5_ 5563}

2/70c • [Pigot] • The Blessington maid — Pigot p 700b < F. Cf P-S no 539, attrib. to Pigot. {3:4f ~ 12||12|| ~ 5_11 341}

2/71a • [Pigot] • An Bunnán buidhe — Pigot p 699e < F. Cf Joyce OIFMS pp 314–15 ( < F). {Cd ~ 4!|4||4|| ~ 5543 5376}

2/71b • [Pigot • Buachailín na gruaige donn .i. bean dubh an ghleanna — Pigot p 699c < F. {3:4g ~ 4||8|| ~ 115 1'1'6}

2/71c • [Pigot] • Cúl na lúb — Pigot p 698f / ‘curly locks (to a young man) < F’. Cf Joyce OIFMS p 318 ( < F). {Cg ~ 8||8|| = 4x4 ~ 5_131 361'5}

2/72a • [Pigot] • Is buacailín beag óg me — Pigot p 698e < F. Cf Joyce OIFMS p 321 ( < F) I am a young little boy (‘a song on leaving home’). {2:4g ~ 7||15 = 8+7|| ~ 33 23 61 5_1 (4 bars)}

2/72b • [Pigot] • Is truagh me a Sagsana — Pigot p 698d < F. Cf P-S no 1178. {2:4g ~ 4||12 = 3x4|| ~ 26 65 51' 65 (4 bars, tonic g?) or 15 54 47 54 (tonic & final a)}

2/72c • [Pigot] • The Dwarf of the glens — Pigot p 698b / I love a woman < F. Cf P-S no 542, attrib. to Pigot. {3:4c ~ 16 = 4x4|| ~ 353 111}

2/73a • [Pigot] • Here’s a health to the young man runs most in my mind — Pigot p 698a < F. Cf P-S no 315. {3:4g ~ 8||8|| = 4x4 ~ 51'2' 1'12}

2/73b • [Pigot] • Civil Mild O’Reilly (sochamhuil) — Pigot p 697f / ’98 song < F. Cf Joyce OIFMS pp 323–24 ( < F) Mild O’Reilly: ‘A song of 1798 was written to this’. {3:4d ~ 8||8|| ~ 1'1'1' 1'3'3'}

2/73c • [Pigot] • Máire Deas — Pigot p 697a < F; not P-S no 1163. {Cd ~ 16 = 4x4|| ~ 11'3'1' 61'53}

2/74a • [Pigot] • Tá cleamhnus dá dhéanamh, or The Banks of the Daisies — Pigot p 696f < F. Cf P-S no 1253. {Cg ~ 8|| ~ 5671' 561'1'}

2/74b • [Pigot] • Well done, cries she, Brave Donnelly — Pigot p 696e < F. Cf P-S no 316. {6:8g ~ 2x8|| ~ 51' 1'5}

2/74c • [Pigot] • I’ll travel to Mount Nebo — Pigot p 696d < F. Cf Joyce OIFMS p 322 ( < F). {Cf /g ~ 16 = 4x4|| ~ 3'1'2'1' 7754}

2/75a • [Pigot] • Bodaig an bhéarla — Pigot p 696a < F. Cf Joyce OIFMS p 386 ( < F). {6:8g ~ 4||8|| ~ 5_1 46_}

2/75b • [Pigot] • I wish I was in Banagher — Pigot p 696b < F. Cf Joyce OIFMS p 303 ( < F). {Cg ~ 4||12 = 3x4|| ~ 1'765 5565}

2/75c • [Pigot] • Darling dont refuse me — Pigot p 696c < F. Cf Joyce OIFMS p 324 ( < F). {Cg ~ 16 = 8+8|| ~ 5331 1135}

2/76a • [Pigot] • Lord send the French without delay — Pigot p 695e / (’98 song’) < F. Cf P-S no 313. {Cd ~ 4!|8 = 4+4|| ~ 1'1'76 6535}

2/76b • [Pigot] • Search the World round [JG:] (seoladh na ngamhna?) — Pigot p 695d < F. Cf Joyce OIFMS p 327 ( < F). {2:4g ~ 2x16|| ~ 1'6 61' 52 6_1 (4 bars)}

2/76c • [Pigot] • A bhean an tighe na suairc é sin? — Pigot p 695e / (’98 song) < F. Cf Petrie AMI pp 54–56 ( < Pigot). {6:8g ~ 10 = 5x2|| ~ 1321 1'7 65}

2/76d • [Pigot] • Donchadh bán (caoneadh) [sic] — Pigot p 694e / A young woman’s lament for the death of her brother < F. Cf Joyce OIFMS pp 326–27 ( < F). {KS g, no TS or barring ~ code ?}

2/77a • [Pigot] • Erin My Country, Oh — Pigot p 695b < F Cf Joyce OIFMS p 304–305 ( < F). {Cd ~ 8||8|| ~ 1356 1'2'4'2'}

2/77b • [Pigot] • The Dolphin so sweet [corrected < seet] in the middle of the deep — Pigot p 694b < F. Cf Joyce OIFMS p 323. {2:4g ~ 8||8|| = 4x4 ~ 15_ 12 42 35 (4 bars)}

2/77c • [Pigot] • Una a rúin (Lament) [all roman] — Pigot p 694f < F. Cf Joyce OIFMS p 318 ( < F). {KS d, no TS or barring. Two parts (2nd part has ‘uch on on (Caoine)’ written above start) ~ code ?}

2/78a • [Pigot] • Seaghan Gab — Pigot p 693g < F < Hud. Cf P-S nos 1223, 1224 (but different settings). {3:4f ~ 8||16|| = 6x4 ~ 321 155}

2/78b • [Pigot] • The Maid of sweet Gurtheen — Pigot p 693f < F < Hud. Cf P-S nos 328–29 (but different settings). {Cf, all E’s are flattened ~ 16 = 4x4|| ~ 1135 7765}

2/78c • [Pigot] • Erin’s Lovely Home [+JG pencil:] ?Mary Neil? — Pigot p 693e < F. {Ce fl ~ 16 = 4x4|| ~ 5553 6536}

2/79a • [Pigot] • Dearbhráthair mo chroidhe — Pigot p 693c < F < Hud; not Joyce OIFMS p 212–13. {3:8f ~ 6||18|| = 4x6 ~ 123 31'7}

2/79b • [Pigot] • Ól Dán— Pigot p 692f < F < Hud. Cf Joyce OIFMS pp 275–76 ( < F < Hud). {3:4g ~ 4!|8||8|| ~ 165 26_5_}

2/79c • [Pigot] • The time is drawing nigh when we must part — Pigot p 692e < F < Hud. Cf Joyce OIFMS pp 275–76 ( < Pigot), air +4 verses. Joyce had a broadside of it. {Cf ~ 8||8!| ~ 127_1 2754}

2/80a • [Pigot] • Biddy I’m not jesting — Pigot p 692c < F < Hud. Cf P-S no 307. {Cc ~ 8||8|| ~ 5_132 2353}

2/80b • [Pigot] • Caitlín Nolan [gaelic +roman] — Pigot p 692b < F < Hud. {3:4f ~ 2x8|| = 4x4 ~ 1'11' 642}

2/80c • [Pigot] • The Red haired Man’s wife — Pigot p 692a < F < Hud. {3:4f ~ 10||10|| = 4x5 ~ 2'3'2' 1'1'2'}

2/81a • [Pigot] • It was a fair Calm morning — Pigot p 691g < F < Hud. Cf Joyce OIFMS pp 263–64 ( < F). {Cb ~ 8||8|| = 4x4 ~ 3214 772'1'}

2/81b • [Pigot] • Oro a dtiucfadh tú [at end:] spinning song — Pigot p 691f < F < Hud. Cf Joyce OIFMS p 264 ( < F). {Cc ~ 8|| ‘chorus’ 8|| ~ 1'1'1'7 6633}

2/81c • [Pigot] • An Seanduine crom [JG:] – (young wife & old man) quick [at start], slow [bar 9] — Pigot p 691e < F < Hud. Cf P-S no 1224. {3:4c ~ | ‘(She)’ 8|| ‘He’ 8|| ~ 757 3'4'3' 2'3'2' 1'2'1' (all notes, 4 bars)}

2/81d • [Pigot] • The Green Bushes — Pigot p 691b < F < Hud. P-S nos 369–70 are different settings of the tune. {3:4f [3 corrected from < 6?] ~ 8||8|| = 4x4 ~ 112 7_12}

2/82a • [Pigot] • Song of Una very anceint [sic] from which/w’s [?] Killicrankie — Pigot p 691d < F < Hud. Cf P-S no 550. {Cc ~ 8||8|| = 4x4 ~ 51'63 51'64}

2/82b • [Pigot] • Séamus O Murchudhadh [Murchadhadh?] (Caoineadh) — Pigot p 690e / The lament of James Murphy < F < Hud. Cf Joyce OIFMS pp 257–58 ( < F). {3:4f ~ 2x8|| = 4x4 ~ 112 555}

2/82c • [Pigot] • Bridget you know what I mean — Pigot p 690a < F < Hud. {3:4f ~ 12||12|| = 8x3 ~ 1'2'1' 652}

2/83a • [Pigot] • Protection from the Gallows — Pigot p 689d / Dan Read’s gallows song / The Knights Templars < F < Hud. {6:8c ~ 16|| = 4x4 ~ 32 15_}

2/83b • [Pigot] • I am a bold Defender (98) — Pigot p 689c < F < Hud. Cf P-S no 434. {6:8c ~ 16|| = 4x4 ~ 1'7 53}

2/83c • [Pigot] • Sliabh Mór slow — Pigot p 689b < F < Hud. {Cc ~ 8||8|| = 4x4 ~ 5_133 3422}

2/84a • [Pigot] • Johnny Gibbons March (‘98) — Pigot p 688d < F < Hud. {6:8c ~ 8:|:8:| ~ 16_ 3_5_}

2/84b • [Pigot] • get up my Darling & come with me — Pigot p 688c < F < Hud. Cf Joyce OIFMS p 262 ( < F). {Cf ~ 8||8|| = 4x4 ~ 16_12 6_136}

2/84c • [Pigot] • Coinnleach glas an fhomhair — Pigot p 688b < F < Hud. {Cf ~ 8||8|| = 4x4 ~ 1444 661'6}

2/85a • [Pigot] • Bring home the Bride — Pigot p 687e < F < Hud. Cf Joyce OIFMS pp 261–62 ( < F). {Cf ~ 8||8|| = 4:4 ~ 5_132 2356}

2/85b • [Pigot] • If my Peggy leave me forever I’ll be a bird alone — Pigot p 687d < F < Hud (differs from Joyce OIFMS p 312 The bird alone, and from P-S nos 611–12). {C[c, flat on B deleted] ~ 8||8!| = 4x4 ~ 7645 7764}

2/85c • [Pigot] • Derry Brien — Pigot p 687c < F < Hud. {Cc ~ 4:|:8|| ~ 1317_ 6_5_3_5_}

2/86a • [Pigot] • The Foggy morning — Pigot p 686e < F < Hud. Cf Joyce OIFMS p 254 ( < F). {3:4c ~ 8||8|| = 4x4 ~ 3'2'3' 1'55}

2/86b • [Pigot] • The Morning star [JG:] same as Maidin Aoibhinn Aorach — Pigot p 685e / or “The song of Jenny Ward” < F < Hud. Cf Joyce OIFMS p 262 ( < F). See 1/268a. {Cg ~ 8:|16|| = 6x4 ~ 1137_ 6_6_5_3}

2/86c • [Pigot] • I’d cross the world [corrected <ocean?] over with you Johnny Doyle — Pigot p 685g < F < Hud. Cf P-S no 628 I’d range... {Cc ~ 8|| = 4x2 ~ 315_6_ 5_117_}

2/87a • [Pigot] • Mo chuid don tsaoghal éoluigh liom Slow — Pigot p 685b / Margaret O’Neil < F < Hud. {6:8c ~ 2x8|| ~ 11 72'}

2/87b • [Pigot] • One evening in June – “youth & Bloom” [+JG pencil:] see rough notes — Pigot p 684d < F < Hud. Cf P-S no 828. {Cg ~ 8||8|| ~ 4112 1472'}

2/87c • [Pigot] • Móda dheas ní Dúda — Pigot p 684a < F < Hud. Cf P-S no 1351. {Cg ~ 8||8|| ~ 6757 317_1}

2/88a • [Pigot] • An Cóta Mór stractha — Pigot p 683f < F < Hud. Cf P-S no 1350. {3:4f ~ 20|| = 4x5 ~ 661' 536_}

2/88b • [Pigot] • Joy be with you — Pigot p 683c < F < Hud. Cf P-S no 995. {6:8c ~ 8||8|| ~ 35_ 35_ 32 15_}

2/88c • [Pigot] • The Deserter — Pigot p 682a < F < Hud. {Cg ~ 8||8|| ~ 1'565 51'3'3}

2/89a • [Pigot] • Gradh mo chroidhe do shean wig — Pigot p 681b < F < Hud. Cf Joyce OIFMS pp 346–47 ( < P). {C]f ~ 3x8|| ~ 5_113 5533}

2/89b • [Pigot] • Scora na wallaige [roman] (drinking/ drinker’s song) — Pigot p 678f < F < Hud. Cf Joyce OIFMS p 377 ( < F). {6:8c ~ 4!|8|| ~ 33 22}

2/89c • [Pigot] • Coulin (The old) — Pigot p 678e < F < Hud. Cf similar setting at P-S no 599. {3:4c ~ 8||8|| ~ 1'1'1' 3'51'}

2/90a • [Pigot] • The pooca [‘a’ corr < ah: poocah?] — Pigot p 678a < F < Hud. Cf P-S no 1107. {6:8f ~ 8||8|| ~ 53 11'}

[End of Hudson].

2/90b • [Pigot] • Buggie faoi Hussie [roman-gaelic-roman] (old jig .i. bogadh faoi shúsa [bracket not closed] — Pigot p 674c < F. Cf Joyce OIFMS p 265 ( < F). {9:8f ~ 3x4:|:4 part 1:‘1st part an octave higher’ ! 4 part 2: ‘2nd part an octave higher’ |: 5x4:|:4:| ~ 113 134}

2/91a • [Pigot] • Sweet Cailín Ruadh [roman-gaelic] — Pigot p 674a < F. Cf Joyce OIFMS p 9 ( < F). {Cd ~ 9|| = 4x2 +1 ~ 4471' 5211}

2/91b • [Pigot] • ’S maith duine og — Pigot p 672d < F. Cf P-S no 1233. {Cg ~ 2x8|| ~ 1234 51'1'1'}

2/92a • [Pigot] • Is air maidin dom/domh? de Luain — Pigot p 673a < F. Cf P-S no 1165. {Cc ~ 8||8|| ~ 5_117_ 7_7_33}

2/92b • [Pigot] • Jacksons Maid — Pigot p 671a < F. Cf P-S nos 796–97. {6:8g ~ 4:|:8|| ~ 5_3 47_}

2/92c–93 • [Pigot] • The Faery Queen — Pigot p 669a < F. {3:4d ~ 15:|:16:|:16:| bar 2a om. ~ 1'1'6 1'1'6}

2/93a • [Pigot] • The Separation of soul & body — Pigot p 668a < F. Cf P-S no 671, attrib. to Carolan. Cf Neal 1724 p 16, no 24. {Cf ~ 8||8|| = 4x4 ~ 51'1'1' 3'2'1'7}

2/93b • [Pigot] • The wild geese, or Roving pedlar — Pigot p 668e < F. Cf Neal p 24, no 39 Gye Fiane. {3:4c ~ 16|| = 4x4 ~ 332 26_1}

2/94a • [Pigot] • Irish air — Pigot p 666a Anon < F. {3:4f ~ 8||8|| = 4x4 ~ 132 15_5_}

2/94b • [Pigot] • Cois abhann [b corrected < m] na Sionainne — Pigot p 664c < F; JG omits bar 5 in copying. Cf Joyce OIFMS p 266 Cois aimhne na leamhna: Beside the river Laune. {3:4f ~ 7||12|| ~ 111 724}

2/94c • [Pigot] • Molly Brallaghan — Pigot p 662d Anon < F. {Cg ~ 8||8|| ~ 4443 2226_}

2/95a • [Pigot] • Rúisg a bhean na tóna (Carolan) — Pigot p 664a / The quarrel with the landlady < F. {3:4g ~ 20||20|| 8+8+4 +8+8+4 ~ 113 1'1'1'}

2/95b • [Pigot] • Jig — Pigot p 660a < F. {6:8f ~ 8:|:8:| ~ 5_1 32}

2/96a • [Pigot] • Humours of Limerick (Jackson) — Pigot p 657a < F; BBJ no 55. {6:8d ~ 3x8:|: ~ 15_ 1_5_}

2/96b • [Pigot] • The Sprightly Widow — Pigot p 656e < F. Cf P-S no 590. {6:8g ~ 8:|:8:| ~ 74 62}

2/97a • [Pigot] • Jacksons Lodge — Pigot p 657b < F; BBJ no 1; parts 1–3: cf Jackson JCIT p 1 Cossey’s jigg. See 2/165a Jacksons maids in the morning, 3/120a Humours of Newtown, 3/181a. {6:8g ~ 4x8:|: ~ 43 23}

2/97b • [Pigot] • Paddy O Doody — Pigot p 656a < F. {6:8g ~ 12|| = 2x4 +4 ~ 1'3 11'}

2/98a • [Pigot] • Gille mo Chroidhe — Pigot p 655e < F. {6:8g ~ 8||8|| ~ 47_ 11}

2/98b • [Pigot] • Leather, or The Shoemakers Fancy — Pigot p 655d < F. See 3/99c Boring the leather. {6:8g ~ 8||8|| ~ 7_7_ 44}

2/98c • [Pigot] • Humours of Glenflesk — Pigot p 655c < F. {6:8g ~ 8||8|| ~ 32 31 32 65}

2/99a • [Pigot] • Jig. Wood & married an a’ — Pigot p 655b < F. Cf Hamilton HUT 2 p 167. {9:8g ~ 4||4|| ~ 753 577}

2/99b • [Pigot] • Humours of Tallagh — Pigot p 654c < F. See 3/42b. {6:8c ~ 8:|:8:| ~ 6_ [r.5_]2 34 54 32}

2/99c • [Pigot] • The Monaghan jig — Pigot p 652e < F. {6:8g ~ 2x8:|:8:| ~ 31 35 31 24}

2/100a • [Pigot] • Ogánaigh óig — Pigot p 649a < F. {3:4d ~ 20|| = 4x5 ~ 1'53 776}

2/100b • [Pigot] • Irish air. a good version of Dar mo bhasa-sa [a] Sheaghain — Pigot p 649b Anon < F. See 3/7a. {3:4f ~ 8:|:16:| ~ 667 551'}

2/100c • [Pigot] • Jig (Jackson) — Pigot p 648e < F. See 2/13a The lads of Dunse. {6:8d ~ 8:|:8:| ~ 5116 6562 or 5_1_1_6_ 6_5_ 6_2_}

2/101a • [Pigot] • Gregor Mor [roman] — Pigot p 647b < F. {Cg ~ 8:|:8:| part 1 ~ 3226_ 6_111}

2/101b • [Pigot] • Before the first dawn of Day — Pigot p 645f < F. {9:8g ~ 4||4|| = 4x2 ~ 325_ 232}

2/101c • [Pigot] • Shannon side — Pigot p 638a / James Irwin, or Shannon side < F. Cf Joyce OIFMS p 279 < F. {Cc ~ 16|| = 4x4 ~ 116_6_ 5_5_3_5_}

2/102a • [Pigot] • The sly Wooer — Pigot p 637e < F. Cf Neal 1724 p 12 no 16 Radara meen chusogh. {Cc ~ 8||8| ~ 5_117_ 3443}

2/102b • [Pigot] • The Weavers Daughter of the County Down — Pigot p 637d < F. Cf Joyce OIFMS pp 284–85 < F. {3:4g ~ 4:|:8|| = A [A]BA ~ 411 357}

2/102c • [Pigot] • When first I left old Ireland — Pigot p 637c < F. Cf P-S no 863 (another setting) {Cc ~ 8||8|| = 4x4 ~ 1117_ 3113}

2/103a • [Pigot] • Siubhail a bhean dubh ó! — Pigot p 636e < F Go home, go home dear cousin. Cf Joyce OIFMS p 283 < F. {6:8g ~ 8||8|| ~ 22 14}

2/103b • [Pigot] • Peggy a rúin! — Pigot p 636b < F. Cf Joyce OIFMS p 295 < F. {6:8g ~ 10|| = 4+4+2? ~ 5_1 22}

2/103c • [Pigot] • The Killesny Maiden — Pigot p 636a < F. Cf Joyce OIFMS p 284 < F. {3:4c ~ 8||8|| ~ 16_1 5_3_5_}

2/104a • [Pigot] • Before I was married — Pigot p 635d < F. {6:8f ~ 8||8|| ~ 1'6 37}

2/104b • [Pigot] • Take Care of my Cap — Pigot p 635b < F. Cf ONMI no 902 The rakes of Clonmel. {6:8g ~ 8:|:8:| ~ 37_ 5_1}

2/104c • [Pigot] • Irish Air — Pigot p 634d < F. {3:4g ~ 10||10:| = 4x5 ~ 1'61' 535}

2/105a • [Pigot] • Irish Air — Pigot p 633e < F. {Cg ~ 8 = 2x4||12 = 3x4|| ~ 1'766 5333}

2/105b • [Pigot] • The Milk Maid — Pigot p 633b < F. {3:4c ~ 20|| = 4x5 ~ 16_1 441}

2/105c • [Pigot] • I lost my love — Pigot p 632b < F. Cf P-S no 460; Cameron p 10. {6:8c ~ 8||8|| = 4x4 ~ 11 33}

2/106a • [Pigot] • An Sean Duine ag luasgadh an chliabháin — Pigot p 632c < F. See 2/139b Kildurrery hunt, 2/138a Nurses tune, 3/7b. {3:4g ~ 8:|:16:|:8:|:16|| = 6x8 ~ 331 445}

2/106b • [Pigot] • Paddy get up — Pigot p 630f < F. {6:8d ~ 8:|:8:| ~ 13 35}

2/107a • [Pigot] • The 3rd of August — Pigot p 630b < F. Cf Joyce OIFMS p 295 < F. {Cg Joyce 4 g ~ 8:|:8:| ~ 3111 3661'}

2/107b • [Pigot] • Knock & Come in — Pigot p 626a < F. {6:8g ~ 3x8:|:8:| ~ 33 42}

2/108a • [Pigot] • Take a Kiss & let her alone — Pigot p 626b < F. Cf P-S no 861 ( < Pigot). {6:8c ~ 8:|:8|| ~ 17' 5'1}

2/108b • [Pigot] • Moll Halfpenny also, “Brien the brave” — Pigot p 622b < F. Cf other settings in Joyce pp 68–9, also Neal 1724 p 5 no 7. {Cc ~ 8:|:8:| ~ 3117_ 37_7_3}

2/108c • [Pigot] • The Red cheeked Lassie — Pigot p 620d < F. {3:4g ~ 8||16|| = 6x4 ~ 553 17_5_}

2/109a • [Pigot] • Paddys slumber — Pigot p 619d < F. {6:8g ~ 8||8|| ~ 35 35}

2/109b • [Pigot] • Magennis from the Co Tyrone. Éamonn Mhágaine [Index: Mhágáine]] — Pigot p 618e < F. {3:4g ~ 16|| = 4x4 ~ 112 555}

2/109c • [Pigot] • Blaris Moor — Pigot p 615b < F ‘another setting’. Cf Joyce OIFMS pp 108–110 (4 airs). {Cg ~ 16|| = 4x4 ~ 3326_ 1135}

2/110a • [Pigot] • My Help is in God & Rory O’Moore — Pigot p 612b < F. Not P-S nos 740, 974 Rory O’Moore. {3:4g ~ 16|| = 4x4 ~ 113 51'7}

2/110b • [Pigot] • Kiss in the Kitchen — Pigot p 616c < F. Cf Joyce OIFMS p 294 < F. {3:4d ~ 16||16|| = 4x8 ~ 11_13 (4 bars), 5_3_ 1_3_5_ (2 bars)}

2/111a • [Pigot] • Belfast Maids — Pigot p 612c < F. {Cg ~ 16|| = 4x4 ~ 5531 136_5_}

2/111b • [Pigot] • The Fairy [’s] Lamentation — Pigot p 610a < F. Cf Joyce OIFMS pp 294–95 < F. {Cc ~ 10||11|| = 4+4+2 +4+3+4 ~ 1132 3343}

2/112a • [Pigot] • The Wicked throat that Drained the Barrel — Pigot p 609c < F. {3:4f ~ 16 = 8+8||15|| ~ 333 354}

2/112b • [Pigot] • The Newry Prentice Boy — Pigot p 600d < F. Cf P-S no 364 < P. MacDowell. {6:8d ~ 8:|8|| ~ 34 14}

2/113a • [Pigot] • Glaisín og na g-craobh — Pigot p 598a < F. Cf Joyce OIFMS p 223 The little grey mare of the branches < F. {Cg ~ 10|| = 4+4+2 ~ 4322 2113}

2/113b • [Pigot] • My Honest dear Neighbour I neer Killed your cat — Pigot p 598b < F. Cf P-S no 470. {6:8g ~ 4:|8|| ~ 5_3 42}

2/113c • [Pigot] • Fallaing a fuair a chiorrbhadh(?) — Pigot p 597b / The cloak that got its combing < F. Cf Joyce OIFMS pp 322–23 < F. {3:4c ~ 15|| = 3x4 +3 ~ 755 1'1'2'}

2/114a • [Pigot] • Milking time is over — Pigot p 595d < F. Cf P-S no 298 ( < Pigot), set by Forde. {Cg ~ 8||8|| = 4x4 ~ 5132 16_5_1}

2/114b • [Pigot] • The Ballinaneach Rangers — Pigot p 591e < F. {6:8d ~ 4:|:8|| ~ 3'6 1'4}

2/114c • [Pigot] • Boheree (Roscommon) — Pigot p 589a < F. Cf Joyce OIFMS pp 299–300 < F. {Cf ~ 16|| = 4x4 ~ 1'765 216_1}

2/115a • [Pigot] • Bean an Fhir Ruadh — Pigot p 588d < F; not P-S nos 1115, 1140. {3:4g ~ 20|| = 4x5 ~ 557 1'1'1'}

2/115b • [Pigot] • The Tin Ware Lass — Pigot p 588b < F. {Cf ~ 8||8|| ~ 1356 1'2'1'5}

2/115c • [Pigot] • My love, what is the reason you can not fancy me — Pigot p 588a < F. Cf PS no 326. {Cg ~ 8||8|| ~ 5121 3357}

2/116a • [Pigot] • The Greenwood Lad — Pigot p 586b < F. Cf Joyce OIFMS p 322 < F. {3:4g ~ 8||8|| ~ 113 534}

2/116b • [Pigot] • Mourne Shore — Pigot p 585b < F. Cf Joyce OIFMS p 295 < F. {Cg ~ 4!|2x4|| ~ 4323 1765}

2/116c • [Pigot] • I have a little Trade — Pigot p 585a < F. Cf P-S no 758. {Cg ~ 4:|4||DC ~ 636_1 361'1'}

2/117a • [Pigot] • An Leanabh amhra — Pigot p 583e / The troublesome (uneasy) child < F. Cf Joyce OIFMS p 297 < F. {Cg ~ 8||8|| = 4x4 ~ 1117_ 7_127}

2/117b • [Pigot] • Múirnín geal mo chroidhe — Pigot p 582d < F. Cf Joyce OIFMS p 302 < F; not P-S no 1104. {Cg ~ 4x4|| ~ 5331 1135}

2/117c • [Pigot] • Many a pleasant hour my love & I did pass — Pigot p 582c < F. Cf Joyce OIFMS p 322 < F. {Cg ~ 4|!4!|4|| ~ 1'541 7_122}

2/118a • [Pigot] • Ta me corta bhfearr [sic] liom bheith sa mbaille — Pigot p 581b / Now I’m tired & wish I was at home (The prodigal son). Faint pencillings [by Joyce?] show unease with notation. < F. Cf P-S no 1136 Tá mé sáruigh: bheárr liom ’san mbaile (The prodigal son). 3/79b is another setting. {3:4c ~ 4x4|| ~ 665 533}

2/118b • [Pigot] • The Wexford Tragedy — Pigot p 580c < F. Cf Joyce OIFMS p 325 < F. {Cg ~ 8||8|| = 4x4 ~ 3432 4446}

2/118c • [Pigot] • The Red Haired Mans wife — Pigot p 580b < F. Not P-S nos 1115, 1140; not O’D 1850 p 166. {3:4g ~ 20!| = 4x5, $ not ~ 652 113}

2/119a • [Pigot] • An old man he courted me — Pigot p 574b < F. Cf P-S no 527; Joyce OIFMS p 111. {6:8g ~ 4||4!| ~ 5_2 55}

2/119b • [Pigot] • The young mans dream — Pigot p 571a < F. See 4/24c. {3:4g ~ 4||8|| ~ 135 336}

2/119c • [Pigot] • An Cailín deas ruadh — Pigot p 580a < F. Cf Bunting 1840 p 66, instrumental setting; not P-S nos 1321–25. {3:4f? ~ 20:| = 4x5 ~ 555 445}

[End of Forde].

2/120a • [Pigot] • Rouse the Grouse • 636 — Pigot p 565a < Miss Ellen Phelan, Cork. Cf OFPC 1 p 69 Apples in winter; ONMI no 1110 Gillan’s apples. {6:8d ~ 8:|:8:| ~ 11_ 1_5_ 5_2_ 2_2_ (tonic d, final a) or 44_ 4_1 15_ 5_5_ (tonic a}

2/120b • [Pigot] • Caitlín a stór (Carolan) — Pigot p 563a < Miss Ellen Phelan. Cf Joyce OIFMS p 397 ‘noted by Miss Phelan from a piper in Kerry’. See 4/124 Planxty Drury. {3:4g ~ 8:|:16:| ~ 511 557}

2/120c • [Pigot] • Jig [ink:] (Gallagher’s jig) — Pigot p 560b < Miss Griffin. See 2/40a The soup of good drink, 3/18b An brísdín bréide, 3/19a. {6:8d ~ 8:|:8 two cadences || ~ 13 57}

2/121a • [Pigot] • I am a poor stranger that is far from my house [index: home] — Pigot p 558b < Miss Griffin. Cf P-S no 799. {3:4g ~ 16|| = 4x4 ~ 355 265}

2/121b • [Pigot] • The pretty green banks of Cavan — Pigot p 547a < Alexander Flowers. Cf Joyce OIFMS p 358 ( < Pigot). {6:8c ~ 8:|:8:| ~ 5_1 22}

2/121c • [Pigot] • Paddy Mac Namara’s reel — Pigot p 546b < Alexander Flowers. {Cg ~ 2x4:|:4:| ~ 3211' 5747_}

2/122a • [Pigot] • An Cóta Caol — Pigot p 41b. Cf Walker 2 no 23. {Cd ~ 16|| = 4x4 ~ 5535 2211'}

2/122b • [Pigot] • Scotch air — Pigot’s page not located. Cf ONWSGM no 47 My only Jo and dearie O (from Wilson’s companion to the ballroom). See 2/193b. See 3/193b. {Cf ~ 8||8|| ~ 1'1'3'1' 1'555}

2/122c • [Pigot] • Tumble the jug — Pigot p 340b. Cf Joyce OIFMS pp 402–403 < Pigot ‘copied from a MS. lent by Mrs Woodruffe (of Cork?)’. {6:8d ~ 8||8|| ~ 51 55}

2/123a • [Pigot] • Siobhan Mhór, or The eagles whistle • 637 — Pigot p 340c < Mrs Woodruffe? {3:4g ~ 22||20||DC = 21x2 ~ 353 353 (tonic g)}

2/123b • [Pigot] • The Humours of Shannon — Pigot p 375b < OF. Cf OFPC 3 p 69. {6:8g ~ 6:|:12|| = 6x3 ~ 43 45}

2/124a • [Pigot] • The Humours of Ross — Pigot p 376a < OF. Cf OFPC 3 p 71. {6:8g ~ 3x8:|:8:| ~ 33 33 33 22}

2/124b • [Pigot] • The Roving Pedlar — Pigot p 378f < OF. Cf OFPC 4 p 90. {3:4d ~ 20|| = 4x5 ~ 312 6_6_1}

2/125a • [Pigot] • Stephney’s [n corrected < e?] Rant — Pigot p 379b < OF. Cf OFPC 4 p 86. {6:8d ~ 2x8:|: ~ 11' 2'1'}

2/125b • [Pigot] • McDonnell’s Hornpipe — Pigot p 379c < OF. Cf OFPC 4 p 88. {Cd ~ 2x8:|: 8 two cadences :| ~ 3_1_1_1_ 7_5_5_5}

2/125c • [Pigot] • The Kilworth Reel — Pigot p 378e < OF. Cf OFPC 4 p 98. {Cf ~ 4:|:4:| ~ 1353 7_242}

2/126a • [Pigot] • The Basket of oysters — Pigot p 381c < OF. Cf OFPC 4 p 123. {6:8g ~ 3x8:|:8:| ~ 33 42}

2/126b • [Pigot] • The mouth of the jug — Pigot p 382c < OF. Cf OFPC 4 p 127. {6:8d ~ 2x8:|:8:| ~ 55 15}

2/127a • [Pigot] • Biaidh bean oile ’gam — Pigot p 383b < OF. Cf OFPC 4 pp 142–43. {6:8g ~ 3x8:|: 4:|:8:| ~ 15 55 15 52}

2/127b • [Pigot] • Two Mile Bridge — Pigot p 383c < OF. Cf OFPC 4 p 145. {6:8g ~ 2x8:|: 8:| ~ 31 35}

2/128a • [Pigot] • Jig (Peggy Bawn) — Pigot p 402a < OF. Cf OFPC 4/93–94 (Jig part). See 4 p 86. {6:8g ~ 8:|:8|| ~ 13 33}

2/128b • [Pigot] • Tomás a Mómpuis [? index: ó] — Pigot p 403c < OF. Cf OFPC 4 p 130. {6:8f ~ 2x9:|: 8:| ~ 51' 1'4'}

2/129a • [Pigot] • Sliabh na m-ban — • 638 — Pigot’s page not located. Cg ~ | $ 6:|:5|| $ ~ 1'636 5215_}

2/129b • [Pigot] • Bean an Tabhairne — Pigot’s page not located. Cf Joyce OIFMS p 345 ( < Pigot). {3:4c ~ 18:|:18:| = 2x [8+3+7+3] ~ 6_7_1 6'6'6' (tonic a) or 123 1'1'2' (tonic f)}

2/130a • [Pigot] • An bhean dubh ó’n sliabh • 639 — Pigot’s page not located. {6:8c ~ 12:| $, end bar 6: $ ~ 31 62}

2/130b • [Pigot] • Sláinte Righ Philib] — Pigot’s page not located. Cf OFPC 2 p 150; Joyce OIFMS p 12 An gamhuin geal bán. {3:4g ~ 12:|:12:| = 4x6 ~ 5_11 121}

2/130c • [Pigot] • The Humours of Ballinacourty • 640 — Pigot p 406a < Miss O’Connell. Cf Curtin MS no 59 Bally na Curtie. See 2/163a, 3/20a, 3/177b. {6:8a ~ 8:|:8|| ~ 15_ 11}

2/131a • [Pigot] • The Humours of Dingle • 641— Pigot p 405e < Miss O’Connell. {6:8a ~ 8||8|| ~ 1'5 55 (tonic a, final b)}

2/131b • [Pigot] • The Humours of Currageen .i. Humours of Clounties [l corrected < ?] — Pigot p 406b < Miss O’Connell. Cf Joyce OIFMS pp 388–89 ( < Pigot); see 3/23a. {6:8g ~ 8||8|| ~ 5_2 21}

2/131c • [Pigot] • McCarthys jig • 642 — Pigot p 406c < Miss O’Connell. Cf Ryan p 100 Hop jig; Levey 1 no 100 Connemara; CRÉ 1 no 69 Cuir barra air [Top it off]. {9:8d ~ 4:|:8|| ~ 5_3_7_ 6_13}

2/132a • [Pigot] • Tadg O Flaherty [roman] • 643 — Pigot p 406d Thady O’F < Miss O’Connell. Cf Aird 3 p 198, no 517 The sailor lassie; Aird 4 p 67, no 177 Miss Margt. Mcgregor’s favourite. {9:8d ~ 4:|:8|| ~ 11'7 652}

2/132b • [Pigot] • The Beggarmans Trot. Sodar an bhacaigh • 644 — Pigot p 406e < Miss O’Connell. {6:8g ~ 8||8|| ~ 55 42 55 22}

2/132c • [Pigot] • Six Mile Bridge • 645 — Pigot p 407b < Miss O’Connell Cf Roche 1 p 49, no 118 The boys of the town. {6:8g ~ 8:|:8|| ~ 1'3 11}

2/133a • [Pigot] • Cherry grove jig [JG pencil:] Cootes jig — Pigot p 407c < Miss O’Connell. Cf Joyce OIFMS p 389 ( < Pigot). {6:8c ~ 2x8|| ~ 41' 57}

2/133b • [Pigot] • Three half pence a day — Pigot p 409e < Miss O’Connell. Cf OFPC 2 p 121. {6:8f ~ 8:|:8:| ~ 6_1 33}

2/133c • [Pigot] • Ferreters Frolic [after notation:] down one note • 646 —.Pigot p 411d < Miss O’Connell. {6:8d ~ 8||8:| ~ 42 22 42 51}

2/134a • [Pigot] • Cois Abhann — Pigot p 435c < O’Neil. Cf Joyce OIFMS pp 393–94 ( < Pigot) < O’Neill (a piper) of Tipperary’. {Cg ~ 7||18|| ~ 1212 5564}

2/134b • [Pigot] • It was in the year 1804 • 647 — Pigot p 475a < A.P.’s (old) MS collection. Cf ONMI no 847 The rakes of Kildare. {6:8g ~ 8||8|| ~ 21 27}

2/135a • [Pigot] • Uair beag roimh lá [title crossed out] — Pigot p 128b Uair bheag roimh lá. Cf Aird 1 p 64, no 185 Lesslie’s march. {6:8d ~ 3x8|| ~ 11 15_}

2/135b • [Pigot] • Uair beag roim lá [pencil; corrected JG < crossed out] Seamus a Chaca do caill Eire [?] — Pigot p 128c Séumus a chaca a chaill Eire. Cf Surenne pp 60–61. {Cf ~ 16|| = 4x4 ~ 6766 4460}

2/136a • [Pigot] • Bryan O Neil. Same as Doctor O’Neil — Pigot p 200c < Holden. {6:8d ~ 8:|:8:| ~ 51 66}

2/136b • [Pigot] • Jacksons Turret — Pigot p 201a < Holden. {2:4d ~ 2x8:|: ~ 1'31'3 1'3'3'2' (2 bars, quavers)}

2/136c • [Pigot] • The Fingalians Dance — Pigot p 227c < Holden. {Cg ~ 2x8:|: ~ 3113 5151 (tonic g, final d)}

2/137a • [Pigot] • Paddy the Weaver — Pigot p 226b < Holden. {6:8g ~ 8:|:8:| ~ 7_5_ 7_5_}

2/137b • [Pigot] • The Black & the Brown — Pigot p 244b < Holden {6:8g ~ 8:|:8:| ~ 31' 1'1'}

2/137c • [Pigot] • The Cock in the Heather — Pigot p 247c < Holden. {9:8d ~ 2x4:|: 4:| ~ 71'7 71'5}

2/138a • [Pigot] • The Nurses Tune — Pigot p 246a < Holden. 6:4d ~ 4:|:8:|:4:|:8:| ~ 331442 331221 (2 bars all notes)}

2/138b • [Pigot] • I love you above all the rest — Pigot p 247c < Holden. {3:4c ~ 4x5|| ~ 16_1 442}

2/139a • [Pigot] • Late on a Saturday Night — Pigot p 255a < Holden. {9:8g ~ 4:|:4:| ~ 5_11 547_}

2/139b • [Pigot] • The Kildurrery Hunt, or The old man rocking the cradle — Pigot p 255c < Holden. See 1/230 b Cailíin deas donn, 2/106a & 3/7b, An sean duine ag luasgadh an chliabháin, 2/138a Nurses tune. {3:4 [read 3:8]g ~ 2x8:|: 8|| ~ 331 422}

2/139c • [Pigot] • When I go to the Fair, ‘Nuair théim air an Aonach &c. [’] — Pigot p 257b < Holden. {Cg ~ 4:|:12:|: ~ 4464 2211}

2/140a • [Pigot] • Turlough McDonaghs Lamentation — Pigot p 231 < Holden. {3:4b fl ~ 2x16:|: = 8x4 ~ 342 111}

2/140b • [Pigot] • An Bacach .i. Bocach buidhe na léige — Pigot p 260a < Holden, See 3/9c, 3/57d. {Ca? ~ 4:|:4:| ~ 526_1 5_6_22}

2/140c • [Pigot] • Drain [:gaelic: read Duain] by the Bromach Murray — Pigot p 314a < Hardiman MS {Cd ~ 8:|:8:| = 4x4 ~ 117_6_ 117_6_}

. 2/141a • [Pigot] • Mangaire sugach ro chan. Same as Ur Chlann na Mná ó’n Sliabh • 648 — ‘An Mangaire Súgach’ was the pseudonym of Aindrias Mac Craith (c. 1709–c. 1794) of Co Limerick. Pigot p 318b < Hardiman MS. {2:4g ~ 8|| $ 8:| $ ~ 12 5_5_ 11 33 (4 bars) or 1127_ 5555 (2 bars)}

2/141b • [Pigot] • Cúl na Muice, resembles “Is fada liom féin gan déanann/déanamh tuileadh don tráig [”] — Pigot p 319a < Hardiman MS. Cf P-S no 1184. {6:4g ~ 6:|:6:| = 4x3 ~ 7311}

2/141c • [Pigot] • Gradh mo chroidhe – [“?]Is annamh sud marcac gan cru? fe lar • 649 — Pigot p 319b < Hardiman MS. {3:4d ~ 16|| = 4x4 ~ 1'55 1'55}

2/142a • [Pigot] • Inghion Langley ó lios na mbroc — Pigot p 320a < Hardiman MS. Cf Joyce OIFMS p 372 ( < Pigot). {Cd ~ 18:|: 4x4 +2 ~ 4454 1111}

2/142b • [Pigot] • Tá mo chroidhe chomh cíordhubh le h-áirne — Pigot p 321b < Hardiman MS. Cf Joyce OIFMS p 375( < Pigot). {Cg ~ 8|| ~ 31'1'2' 7665 [? ill-measured]}

2/142c • [Pigot] • A Fhuise a mhuirin? – um bo [index: A fhuirse a Mhuirn, imbó] — Pigot p 326a < Hardiman MS. Cf P-S no 1466. {6:8d ~ 8:|: ~ 11 7_6_}

2/142d–143 • [Pigot] • Is gurta thusa [JG small lettering:] (Good morrow to your night cap) — Pigot p 326b < Hardiman MS. Cf P-S no 1246. {Cc [?] ~ 4:|:8:| ~ 135_5_ 7_247}

2/143a • [Pigot] • Réalt na Maidne — Pigot p 331a < Hardiman MS. Cf Joyce OIFMS p 372. {3:4g ~ 9||10!| = 4x5 ~ 1'1'1' 663}

2/143b • [Pigot] • Madra Sheain ui Chulionáin • 650 — Pigot p 333b < Hardiman MS, marked ‘110’. {2:4g ~ 8 = 2x4|| ~ 51' 1'7 53' 73 (4 bars)}

2/143c • [Pigot] • Maidin Fomhar .i. An Cailín Péacach • 651 — Pigot p 335b < Hardiman MS, marked ‘117’ {3:4a ~ 8:|:8|| 4+4+3+5 [sic] ~ 543 377}

2/144a • [Pigot] • Inghion an Fhaoit’ ón n-gleann — Pigot’s page not located < Hardiman MS? Cf Joyce OIFMS p 392 ( < Pigot). {Cg ~ 4:|:8|| ~ 5_5_11 426_5_}

[End of Pigot]

2/144b • Oh! Arranmore, Loved arranmore — Cf Moore no 10 1834 song 10; Surenne SI p 12. See 2/11a. {Cf ~ 4||4|| ~ 1'3'1'5 4466}

2/144c • The Lass that wears green — Cf Smith IM p 42; Surenne SI pp 28–29; Joyce OIFMS p 95 Una’s new gown. {6:8g ~ 8||8|| ~ 15 74}

2/145a • The Cuckoo — Cf Surenne SI p 49. See 4/99b. {6:8c ~ 8||8|| ~ 13 63}

2/145b • The Humours of Listivain — Cf Aird 3 p 182, no 470; JCIT p 7; Surenne SI pp 52–53; Holden ISQT 1 p 10 — See 1/66a The humours of Bandon. {6:8c ~ 10||10|| ~ 5_1 27_}

2/145c • Derry Down — Cf Surenne SI p 58. {6:8f ~ 12|| = 4+4 +4 ~ 1'3 11'}

2/146a • A little hour before day — Cf Surenne SI p 60 — See 3/59a Uair bheag goirm roimh an lá. {Cf ~ 8||8|| = 4x4 ~ 6766 4465}

2/146b • Andrew Carey — Cf Surenne SI p 67. {9:8d ~ 2x4:|: 4|| ~ 1'55 1'1'4'}

2/146c • The Thread bare Coat — Cf Surenne SI p 104. {Cd ~ 8||8|| = 4x4 ~ 5535 2211'}

2/147a • It is not in thy power fair maid – The Fair woman — Cf Surenne SI p 65. {6:8d ~ 8||8|| ~ 15 1'7}

2/147b • Sweet Innisfallen — Cf Surenne SI p 122; Moore no 9 1824 song 1. {Cc ~ 8|| ~ 1'1' 65 1'1' 33}

2/147c • Billy O Rourke is the Buachail [all roman] Cf Surenne SI p 71; Hibernian muse p 4 Mrs Casey. See 3/224b Mrs Casey. {6:8d ~ 8||16|| ~ 16_ 5_5_ 6_6_ 43}

2/148a • An Londubh agus an céirseach — Cf Surenne SI p 108 The blackbird and the hen. {6:8a ~ 2x8|| ~ 32 14}

2/148b • John Doe (an old Irish air) An Realthion leanabach • 652 — Cf gnp p 7b; P-S no 738. See 1/8a (variant). {Cd ~ 8||8!| ~ 1'535 7773'}

2/148c • The Humours of Georges street — Cf gnp p 9b. See 2/10b (close variant). {6:8c ~ 8:|:8!| ~ 12 16_}

2/149a • [O’D MS] • A Bonny Lass to me — gnp p 10 A bonny lass to marry me. Cf OFPC 4 p 109; Aird 2 p 9, no 23; Roche 2 p 20; No. 240 The breeches full of stitches. {Cd ~ 4:|:4:|: ~ 4656 1652}

2/149b • [O’D MS] • Why should we quarrell for riches — gnp p 12a. Cf OFPC 4 p 125. {9:8g ~ 4:|:4:| ~ 532 326_}

2/149c • [O’D MS] • Drops of Whiskey — gnp p 21a. Cf Weippert NCD 1 no 20 Drops of brandy. {9:8g ~ 4:|:4:| ~ 133 134}

2/150a • [O’D MS] • The Maid in Danger • 653 — gnp p 25b. Cf OFNIM p 41 Rothemurchus’s rant; Bremner Scots reels p 42; Hamilton HUT 1 p 63. See 1/95b Rothe Murchus’s rant. Related to the current session tune ‘The Graf Spee’. {Cc ~ 4:|: 4 two cadences :| ~ 2257 5752}

2/150b • [O’D MS] • My Love is but a Lassie yet (as a Reel) • 654 — gnp p 26a. Cf Ryan p 30 Five leaved clover; ONMI no 1247; Maguire Hidden Fermanagh p 112 Hetty’s wishes; the current session tune ‘The hunter’s purse’. See 1/249a My love she wears a dandy. {Cg ~ | $ 4:|4:| two cadences both parts ~ 7554 4142 (tonic d) or 3117_ 7_4_7_5 (tonic a)}

2/150c • [O’D MS] • The Cottage in the grove — gnp p 28b. Cf Joyce OIFMS p 93 [from the same MS?] {Cc ~ 4 two cadences !|8|| ~ 1115_ 7254}

2/151a • [O’D MS] • O’Shea’s Frolic • 655 — gnp p 30a. Cf Joyce AIM p 43 The bag of meal; ONDMI no 53 Banish misfortune. {6:8d ~ 8:|:8 two cadences !| ~ 37_ 5_7_ 3_1_ 3_4_}

2/151b • [O’D MS] • The Tap Room • 656 — gnp p 31a. Cf ONMI no 1425 Drowsy Maggie. {Cd ~ 4:|:8||DC ~ 1575 1574 (tonic e) or perhaps 261'6 261'5 (tonic d)}

2/151c • [O’D MS] • The Humours of Six-mile Bridge — gnp p 33b (JG supplying a missing bar) • 657 {Cg ~ 4:|:8|| ~ 1357 47_47_}

2/152a • [O’D MS] • The Scolding Wife — gnp p 33c. Cf P-S no 476. See 2/58a. {Cg ~ 4:|:8|| ~ 1357 47_47_}

2/152b • [O’D MS] • Barrack Hill [JG pencil:] Reels of Bogies • 658 — gnp p 35c. See 1/227b, 2/179a My bride is a young thing, 4/83e Mount the baggage. {Cc ~ 4:|:4:| ~ 5_152 5_17_2}

2/152c • [O’D MS] • Jenny Rock the Cradle • 659 — gnp p 36a. Cf Kerr 2 p 19 Charles Leslie. Part 1: see 4/96d Jack Lattin. {Cc ~ 4:|:4:| ~ 1353 5353}

2/153a • [O’D MS] • The Rambler to Clare [R corrected < ?] — gnp p 36b. See 3/120c. {6:8d ~ 8:|: 12 = 8+4:| ~ 54 51 43 22}

2/153b • [O’D MS] • Johnny Shooting in the glen — gnp p 37a. See 1/42c & 4/82a Miss Monaghan’s reel, 3/159a The dandy girl, 3/179b The pretty girls of this town. {Cg ~ 8:|:8:| ~ 1335 6661'}

2/153c • [O’D MS] • The Back of the change • 660 — gnp p 38a. {Cg ~ 4:|:8|| ~ 6_5_6_2 6_5_1_3 (tonic d)}

2/154a • [O’D MS] • The High Road to Cork • 661 — gnp p 40a. {9:8d ~ 4:|:4:| ~ 517 512 (tonic a)}

2/154b • [O’D MS] • Over the Bridge to Judy — gnp p 44a. Cf P-S no 894 A Munster reel (example of JG correcting metrical irregularities in gnp). {Cg ~ 4:|:8|| ~ 1215_ 1421}

2/154c • [ODMS] • The Lads of the Village • 662 — gnp p 44b Reel (another example of JG correcting metrical irregularities in gnp). Cf Joyce MS 2 p. 26, tune 58, Reel of the olden time (from Mr John Healy). {Cg ~ 4:|:8:| ~ 4455 6466 (tonic g) or 1122 3133 (tonic C) {Cg ~ 4:|:8:| ~ 4455 6466}

2/155a • [O’D MS] • Think on me — gnp p 44c. Cf CRÉ 4 no 165 Na pantalúin ghorma [Blue pantaloons] (parts reversed) from the mid-19th-century MS of James Madigan, Co Louth; ONMI no 1190 The Bantry lasses (parts reversed). part 1: see 2/56b The humours of glasses (part 2) & 3/77b. {Cd ~ 4:|:8|| ~ 51'1'1' 72'4'1'}

2/155b • [O’D MS] • Down the Broom to Joe • 663 — gnp p 46b. Cf Joyce OIFMS p 35 Down through the broom. {Cg ~ 4:|:4:| ~ 1212 5715_}

2/155c • [O’D MS] • The job of Journeywork • 664 — gnp p 47b. Cf Joyce AIM pp 38–39; P-S no 892; Howe’s 1,000 p 20. {Cd ~ 8:|:14!| ~ 15_3_5_ 7_17_6_}

2/156a • [O’D MS] • Colonel Mac Beans reel — gnp p 54a. Cf Cameron p 45; Robert Petrie 2 p 14. {Cg ~ 4:|:8:| ~ 3135 27_24}

2/156b • [O’D MS] • Bonny Anne [JG pencil:] Miss Murphy • 665 — gnp p 54b. Cf Aird 3 p 209, no 548 (part 1). See 3/182 Miss Murphy (part 1). {Cc ~ 4:|:8:| ~ 115_7_ 1135}

2/156c • [O’D MS] • The Indian Melody • 666 — gnp p 56b. {Cg ~ 8:|8||DC [‘:’ faint] ~ 5133 3331'}

2/157a • [O’D MS] • Bóthar Ruadh • 667 — gnp p 58a. {2:4g ~ 4||12|| ~ 65 26_ 11 11 (4 bars) or 6553 226_5_ (2 bars)}

2/157b • [O’D MS] • The Drunken guager [JG pencil:] ? pob ruadh [or pol ?] • 668 — gnp p 59c. Cf Ryan p 125 The drunken ganger’s (parts reversed). {9:8g ~ 4:|:4:| ~ 326_ 324}

2/157c • [O’D MS] • Gilderoy. [JG different pen:] Úna — gnp p 63b. See 1/7b Úna (variant of same air). {Cc ~ 8:|:8:| ~ 1115_ 1116 (tonic d) or 7774 7775 (tonic a)}

2/158a • [O’D MS] • Barons Court Dance • 669 — gnp p 63. Cf [Ms collection of country dances] p 85 (JM 5425); Browne CDs p 1 (JM 5236); CRÉ 5 no 69 Gan ainm [Untitled]. {6:8d ~ 8:|:8!| ~ 11 22 15_ 15}

2/158b • [O’D MS] • Ill gang na mair to yon town — gnp p 63c. Cf Aird 1 p 13, no 35; OFPC 3 p 64; Stephano p 6. See 1/53a The Ferry point (part 1), 1/189d, 3/153a. {2:4g ~ 8:|:8 two cadences :| ~ 1'1' 31 31 42 (4 bars)}

2/158c • [O’D MS] • The Freize Knee Breeches [JG pencil:] or Connaught Ranger • 670 — gnp p 64b. Cf ONMI no 1244 The mountain lark; ONDMI no 517 The steam packet. {Cc ~ 4:|:8|| ~ 2127_ 2124}

2/159a • [O’D MS] • The first of May — gnp p 65a. Cf P-S no 404; Ryan p 74; ONMI no 1708. {Cc ~ 2x8:|: ~ 5131 4465}

2/159b • [ODMS] • Darling Mary’s Fancy • 671 — gnp p 65 lacking bar 7, supplied by JG from bar 5. {2:4c ~ 4:|:8:| ~ 315_2_ 2_221}

2/159c • [O’D MS] • The Humours of Kilkee • 672 — gnp p 66b. Cf Levey 2 p 14 [Jig] untitled; ONMI no 861 The cliffs of Moher. See 4/31c. {6:8g ~ 8:|:8:| ~ 52' 57 22 21}

2/160a • [O’D MS] • The new Custom house jig • 673 — gnp p 66c. Cf Ryan p 131 Three little drummers. See 1/263d. {6:8c ~ 8||8:| ~ 5_5_ 22 5_5_ 57}

2/160b • [O’D MS] • The Gooseberry blossom (reel) — gnp p 67b. Cf P-S no 912. {Cc ~ 4:|:8|| ~ 5_135 4242}

2/160c • [O’D MS] • The Queens County Lasses — gnp p 67c. Cf Joyce OIFMS p 49; ONDMI no 837 The banks of the Ilen. See 3/158c The midnight maid. {Cg ~ '|$4:|:8:| ~ 3_3_13 1325 (tonic d) or _ 7_7_57 5762 (tonic g)}

2/161a • [O’D MS] • The Humours of Milltown Malbay — gnp p 68a. Cf Joyce AIM p 87 The blooming meadows (2 parts); P-S no 941 The humours of Milltown. A Clare jig (3 parts). {6:8g ~ 8:|:8:|:8|| ~ 5_1 33 7_5_ 7_2}

2/161b • [O’D MS] • The Dougarry Boys • 674 — gnp p 68b; part 1 See turn of 1/203c St Patrick’s day. {6:8g ~ 8:|:8:| ~ 51' 76 51' 76 (tonic g) or 7_3 21 7_3 21 (tonic e)}

2/161c • [O’D MS] • The House of Glenarkeen — gnp p 68c. Cf Gow coll 6 p 16; Davidson’s collection p 79. See 4/78a The House of Clonelphin, 3/145c Glanmorgan House. {6:8g ~ 2x8:|: ~ 51 57 47_ 24}

2/162a • [O’D MS] • The Bakers Reel • 675 — gnp p 69a. Cf ONWSGM no 298 The old maid. See 2/10c Tatter the rags, (jig version of same tune?) {Cc ~ 4:|:4:| ~ 6565 4155}

2/162b • [O’D MS] • Miss Johnsons Reel — gnp p 69b. Cf Ryan p 8. See 1/43b, 3/65a, 4/121b. {2:4c ~ 4:|:8|| ~ 3553 51'2'1'}

2/162c • [O’D MS] • The Aberdeen Reel • 676 — gnp p 69c. {Cd ~ 4:|:8|| ~ 15_1_5_ 1_5_3_2_}

2/163a • [O’D MS] • Ballynacourty jig — gnp p 71b. See 2/130c, 3/20a, 3/177b. {6:8g ~ 8:|:8:| ~ 15_ 13}

2/163b • [ODMS] • The Wedding Ring — gnp p 73b • 677 {6:8g ~ 8:|:8:| ~ 15 24 15 74 (tonic a)}

2/163c • [O’D MS] • Cock your pistol Charley — gnp p 73c. See 3/222b A short way to Heaven (parts reversed). {Cg ~ 4:|:4:| ~ 11'3'1' 747_2}

2/164a • [O’D MS] • The Humours of Castleconnell • 678 — gnp p 74a. {Cc ~ 4:|:4:| ~ 4235 4227_}

2/164b • [O’D MS] • The Widow Well Married • 679 — gnp p 74c. {9:8d ~ 4:|:4:| ~ 6_43 6_22?}

2/164c • The Bridge of Perth • 680 — gnp p 74b; part 1: cf ONMI no 1241 The Boyne hunt. See 4/90b The Berkshire hunt. {2:4d 8:|:8|| ~ 6313 1362}

2/164d • [O’D MS] • Jacksons Bottle of Claret — gnp p 76a. Cf Hime 1796 no 3; Murphy CIAJ p 22 Jackson’s mistake. {6:8g ~ 8:|:8:| ~ 12 41' 43 11}

2/165a • [O’D MS] • Jacksons Maids in the morning — gnp p 77a. Cf Holden ISQT 1 p 12. {6:8c ~ 3x8:|: 8!| ~ 5_7_ 22}

2/165b • [O’D MS] • Caseys Jigg (Jackson) — gnp p 78a (gnp reduces bar 1 of printed source to anacrusis: JG supplies a compensatory bar 5a). Cf Jackson JCIT p 1 Cossey’s jig; OFPC 2 p 112; Holden ISQT 1 p 1. {6:8g ~ 2x8:|: 8!| ~ 23 5_1}

2/166a • [O’D MS] • Jacksons “over the water [”] — gnp p 77b. Cf Jackson JCIT p 6. See 4/131b Jackson’s lake. {6:8d ~ 8:|:8:| ~ 33 44}

2/166b • [O’D MS] • All the way to Galway — gnp p 79b. Cf Aird 2 p 57, no 155 Gallway girls; Howe Omnibus complete p 97; Ryan p 39. {2:4g ~ 8:|:8:| ~ 1'3' 75 64 75 (4 bars)}

2/166c • [O’D MS] • The Garden of daisies [corrected from ‘dasies’?] • 681 — gnp p 85a; Words p 83 ‘Shíos go sráid Chaisil dom, air maidin’s me im aonar / Whack fol de diddle didle ….’ Cf ONMI no 1798 (from Tuohy). The air is related to one used for the song ‘The Palatine’s daughter’. {2:4d ~ 8:|:16:| ~ 5555 3544_}

2/167a • [O’D MS] • The primrose Lassy — gnp p 84c. Cf Ryan p 11; ONDMI no 733. {Cg ~ 8:|:8:| ~ 3211 5_132}

2/167b • [O’D MS] • Miss Parkins jig • 682 — gnp p 83b. Cf Roche 2 p 26, no 261 The Berwick jockey; OFPC 2 p 140 Go to Berwick Johnny (hornpipe). {9:8c ~ 4:|:4:| ~ 555 555}

2/167c • [O’D MS] • Mrs Parkers Fancy • 683 — gnp p 83c. Cf Kerr 2 p 11 Lady Loudon; Ryan p 250 Lady Louden’s strathspey. {Cc ~ 4:|:8:| ~ 5353 5362}

2/168a • [O’D MS] • The Angler • 684 — gnp p 80b. {6:8c ~ 8 two cadences :|8:| ~ 55 65 55 64}

2/168b • [O’D MS] • The Wild Irishman — gnp p 81a. Cf Aird 1 p 50, no 143 Norickykstie or The wild Irishman; Hime 1805 book 1, no 10. {6:8d ~ :|:8:| ~ 13 43 13 7_2}

2/168c • [O’D MS] • no Surrender — gnp p 90b. Cf Joyce AIM pp 81–83; ONWSGM no 80. {6:8d ~ | $ 8:|:8:| $ DC ~ 16_ 5_5_ 5_1 34}

2/169a • [O’D MS] • Humours of Purteen — gnp p 70a. Cf Holden ISQT 1 p 4 Humours of Panteen (order of parts: 1, 3, 2). {6:8d ~ 2x8:|: 8:| ~ 14 54 14 52}

2/169b • [O’D MS] • The King God Bless him — gnp pp 55–56. Cf Braham, The king! {6:8d ~ 8 two cadences !|8||8!| ~ 13 46_}

2/170a • [O’D MS] • The Banks of Primroses • 685 — gnp p 1d. Cf Joyce OIFMS p 65 The banks of the roses. {Cg ~ 8|| ~ 1133 1135}

2/170b • [O’D MS] • How are you now my maid? — gnp p 22a. Cf Joyce OIFMS p 70 (part 2). {6:8g ~ 8:|:8:| ~ 35 1'1'}

2/170c • [O’D MS] • Carolans Rambles of Cashel — gnp p 78b. Cf Joyce OIFMS pp 118–19. {3:4g ~ 4:|:11|| ~ 352 17_7_}

2/171a • [O’D MS] • “I’m asleep & dont waken me” • 686 — gnp p 3a. The air is related to the next item. In Pigot MS (copies of JG’s tunes) JEP remarks ‘wrongly barred and divided’. {2:4g ~ 8:|:16:| 'variations' 8:|:8: two cadences [1st has extra bar] :| ~ 7_2 47 54 12 (4 bars) or 7_7_23 4476 (2 bars)}

2/171b • [O’D MS?] The Caravat (Irish song) • 687 — The air is related to the previous item. See PPM 1860 pp 16–21 for Irish words (no air) for this song ‘composed about the year 1810 by James O’Donnell, of Laurencetown, Killfinan, co. of Limerick, for two factions which started in Munster . . . Caravat and Shanavest’. {6:8g ~ 4:|:8:| ~ 7_4 51}

[End of O’Daly’s MS: Doogan’s MS follows]

2/172a • [Doogan MS] • Sally Magee — Cf OFNIM p 23. See 3/121b. {6:8c ~ 4:|:8:| ~ 14 53}

2/172b • [Doogan MS] • Paddy the piper • 688 {6:8d ~ 8:|:|8:| ~ 11 22 71' 26}

2/172c • [Doogan MS] • Jacksons Banner Banogher (?) .i. bonn air bóthar — Cf Jackson JCIT p 8; Holden ISQT 1 p 11 Bouner bouger. See 1/102a Morgan rattler. {6:8d ~ 8:|:8:| ~ 5_2_ 3_1_}

2/173a • [Doogan MS] • Jacksons Night Cap — Cf Jackson JCIT p 5; Holden ISQT 1 p 6. See 2/177a, 4/3a. {6:8d ~ 3x8||DC ~ 1'763 1'7 1'2}

2/173b • [Doogan MS] • Jacksons Frolic — Cf Aird 3 p 191, no 496. {6:8d ~ 8:|:8:| ~ 53 33}

2/173c • [Doogan MS] • The Boy in the Basket — Cf Thompson’s compleat 3 no 48. {9:8g ~ 4:|:4:| ~ 133 132}

2/174a • [Doogan MS] • jig • 689 {6:8d ~ 3x8:|: 8:| ~ 53 13 53 24}

2/174b • [Doogan MS] • Jig [corrected < ?] by Jackson — Cf OFPC 3 pp 14–15 Jacksons jigg; ONWSGM no 162 Jackson’s stranger ( < OFPC). {6:8d ~ 3x8|| ~ 72 72 (tonic e) or 1'3 1'3 (tonic d)}

2/175a • [Doogan MS] • Kiss in the Furze • 690 — Cf Tracy CDs 1795 p 4 (lacks JG’s last 4 bars). See 3/154c. {6:8d ~ 8||4:|:4:| ~ 11 34 1'1' 3'2'}

2/175b • [Doogan MS] • Corneal Irbhin [roman, eal perhaps eul] — Cf B2 p 39; Surenne SI (introduction) p v; B2 p 39; DOS no 60. See 3/209b. {Cf ~ 8:|8:| ~ 1565 2424}

2/175c • [Doogan MS] • Petticoat loose • 691 — Cf J. Johnson Choice Collection, 4 p 119 Curtin MS no 80 (6:8). {12:8b ~ 4:|8:| ~ 3232 7777}

2/176a • [Doogan MS] • The little red Lark of the Mountain — Cf P-S no 304. {3:4 (but noted as 6:8)g ~ 8||8|| ~ 11 15 (read as 6:8)}

2/176b • [Doogan MS] • Blind Mary — Cf Surenne SI p 108. {2:4d ~ 8||8|| ~ 1'1' 65 55 23 (4 bars)}

2/176c • [Doogan MS] • Péarla an bhrolaigh bháin — Cf Petrie AMI pp 9–11. {Cf ~ 8||8|| ~ 1'61'1' 5223}

2/177a • [Doogan MS] • The Hermit of Killarney — Cf Holden ISQT 1 p 26; OFNIM p 17. See 4/159. See also 2/36c, 4/85e Adieu adieu thou faithless world. {Cg ~ 4:|:4:| ~ 115_1 3325}

2/177b • [Doogan MS] • Jacksons Night Cap — Cf OFNIM p 34. See 2/173a, 4/3. {6:8d ~ 3x8|| ~ 1'7 63 1'7 6'2}

2/177c • [Doogan MS] • The Ladies Top Dress [o corrected < ?] • 692 — Cf Ryan p 6 Cameronian (part 1). {Cd ~ 4:|:8:| ~ 5313 4241}

2/178a • [Doogan MS] • Jacksons Morning Brush • (only part 4 only published here as variant to part 2 of 4/1e) • 928 — Parts 1–3: cf Aird 1 p 8, no 22. {6:8d ~ 4x8|| ~ 1_2_1_5_6_1 42}

2/178b • [Doogan MS] • You are welcome home to your Mother • 693 — Cf Joyce OIFMS p 286 The white horse. {6:8d ~ 8:|:8:| ~ 1'5 55 1'5 22}

2/179a • [Doogan MS] • My Bride is a young thing • 694 — See 1/227b Reels of bogies, 2/152b Barrack Hill, 4/83e Mount the baggage. Part 1 see 3/136a The pretty girls of Gorey. {Cc ~ 4:|:4:| ~ 5152 517_2}

2/179b • [Doogan MS] • Jack in the garret — Cf OFPC 2 p 89. {6:8d ~ 2x8:| 8:| ~ 51 43}

2/179c • [Doogan MS] • Sall’s delight — Cf OFPC 2 p 84. {Cd ~ 4:|8|| ~ 3_5_15_ 3562}

2/180a • [Doogan MS] • The Telegraph Reel • 695 — Cf ONMI no 1553 Rolling on the rye grass. See 1/39b, 3/108a. {Cd ~ 4:|8|| ~ 3_5_1_5_ 4_6_16_}

2/180b • [Doogan MS] • The Salamanca Reel • 696 — See 3/65c, 3/140a. {Cd ~ 2x8|| ~ 5353 51'3'1'}

2/180c • [Doogan MS] • The long hills of Mourne • 697 — Cf ONDMI no 477 The Mourne mountains. Related to the tune currently known as ‘Tom Ward’s downfall’. See 3/86c Sprightly Peggy (part 1). {Cg ~ | $ 2x8|| DC $ ~ 3116_ 6_227_ (tonic g)}

2/181a • [Doogan MS] • Miss Birminghams Hornpipe • 698 — Cf Joyce OIFMS p 111 The gipsy hornpipe; ONMI no 1699 The lakeside road. {Cg ~ 8||8|| ~ 1115 4461}

2/181b • [Doogan MS] • The Gay Lass. An ramharach bhuile — Cf OFPC 2 pp 90–91. {6:8d ~ 3x8:|:8:| ~ 66 62}

2/181c • [Untitled jig] — 2-bar pencil fragment. Same as part of 3/73b The pig under the pot. {6:8d] ~ 2 bars only ~ 11' 63

VOLUME THREE

3/1a • K • “Pé’n Éirinn í” slow • 277 — Tunes p 2a. P-S no 1157 is a copy attributed to Goodman. {Cg ~ 4+4+2 ~ 1135 3217_}

3/1b • K • Múirnín na gruaige báine, or Sweet Nellie Bamble Lively • 278 — Tunes p 2b. {Cg ~ 8|8!| ~ 1112 7_276}

3/1c • K • Táim sínte air do Thuamba Andante • 279 — Words p 71 ‘Ogánuig a chúil chraobhuig go de taob dínn air a mbionn tú’; Tunes p 1c. {3:4d ~ 8|| ~ 555 555}

3/2a • K • An Giolla Gruama • 280 — Words p 66–68 (perhaps) An figheadóir agus a bhean giolla gruama [deleted title added in pencil:] ‘Cuirim slán le ceapadh dánta ó nocht go bráth go néagad’. Copy in P-S no 1389 ‘From the Revd. J. Goodman, 30.Oct.63’. {3:4g ~ 8|8:| ~ 117_ 227_}

3/2b • K • William O’Reilly • 281 — Words (in Irish with English title) p 74 ‘Sas [ = ’S agus] duine bocht mise, ’s níl dúil agam a n-ól’. {Cd ~ ?8!|8!| $ to $ in bar 8 of part 1 ~ 4411 3463}

3/2c • K • Briseadh na Bóinne (Sarsfield’s lament) • 282 — Words pp 117–18 ‘Cia h-iad súd thall ar maoilin tsleibh’ muich?’. {Cd ~ 3+2+2+3|| ~ 6555}

3/3a • K • Mo Dhian ghrádh Díleas • 283 — Words p 48 ‘As a dhalta ’s a maoinig tarr taoibh liom oidhche éigin’; Tunes p 2d. {3:4c ~ 8||8:| ~ 112 345}

3/3b • K • Katty Ní Bhriain • 284 — Words pp 48–49 ‘As a Chaitín a stór go dé’n brón sa tímchioll do chroidhe’; also perhaps p 81 An Dall ag iarraighe déirce (fonn Katty ní bhriain) ‘A bhean a tíghe shéimh cuir déirc amach cum an doill’. The next item 3/3c Bean an fhir ruaidh is a variant. {3:4g ~ 4x5|| ~ 632 16_6_6_}

3/3c • K • Bean an fhir ruaidh • 285 — Words pp 50–51 ‘Thugas trí mhí ’s me abpríosún ceangailte chruaig’; Tunes p 2c. The preceding item 3/3b Katty Ní Bhriain is a variant. {3:4g ~ 4x5|| ~ 632 113}

3/4a • K • Giolla dubh ó glóráin • 286 {Cg ~ 8:|10 = 8+2!| ~ 5_132 1132}

3/4b • K • An Cailín beag meidhreach [JG pencil after title:] Seems to me the Irish version of “Lough Sheeling” • 287 — Words pp 51–53 ‘A chailín bhig mheidhrig do raghainn leat ag ól’. {3:4c ~ 16 = 4x4 I$ to bar 8 ~ 1'1'6 764 (tonic a) or perhaps 664 542 (tonic c) — tonality uncertain}

3/4c • K • Inghion an Mhaoir & i ag Ui Méara • 288 — Words p 74 ‘Lá dhá rabhas-sa a ngleanntán uaigneach / agus inghion an Mhaoir agam-sa ag gluaisiochd’. {Cg ~ 4:|4:| ~ 1532 1532 (part 2 in g, part 1 in a)}

3/5a • K • An Cuaichín óg • 289 — Words p 47 ‘Air maidin a nae ’s me tré’m shuan’; Tunes p 2e. {3:4g ~ 16 = 4x4|| $ to bar 8 ~ 16_5_ 112}

3/5b • K • Báibín na gcraobhfholt • 290 — Words pp 53–54 ‘Nuair ghabhaim si an tsráid síos ni fhailltigeann reomham aoineadh’. {3:4d ~ 17 = 4x4 +1|| ~ 111 131}

3/5c • K • Tá grádh ’gam duit a Mháire [JG? pencil after title:] transpose to G-minor] 291 — Words p 54 ‘Tá grádh ’gam duit a Mháire le tuille ’s le bliaghn’. {3:4g ~ 16 = 4x4|| ~ 71'7 527_}

3/6a • K • Dómhnall na Gréine (old version) • 292 {6:8g ~ 3x8:| ~ 74 74 42 42}

3/6b • K • Ceó draoigheachta sheól oidhche chum fághain me • 293 — Words pp 55–58 ‘Ceó draigheachta a chseol oidhche chum fághain me’. {3:4c ~ 12 = 6+6||12 = 6+6:| ~ 557 421}

3/7a • K • Dar mo bhasa-sa Sheaghain • 294 — See 2/100b. {3:4d ~ 7!|15 = 8+7|| ~ 124 550}

3/7b • K • An Seanduine ag luasgadh an chliabháin • 295 — See 2/106a, 2/138a Nurses tune, 2/139b The Kildurrery hunt, or The old man rocking the cradle, 1/230b Cailín deas donn. {3:4d ~ 2x8:| [ = 2x4] two cadences both parts ~ 355 355}

3/7c • K • An Áirc ba deise • 296 — Words pp 58–59 ‘Dá má agamsa bheidheadh tabac a hainm ar ttús do chuirinn a clú tar Venus’. {Cc ~ 2x8 = 4+4|| ~ 1'766 5556 (tonic c but final a)}

3/8a • K • Is buachailín deas óg me • 297 {Cd ~ 4x5|| ~ 3456 71'3'1'}

3/8b • K • An Brianach óg • 298 — See O’D Reliques pp 117–18 (words only). {3:4g ~ 8||8|| ~ 131 51'7}

3/8c • K • An Fhinne-bhean mhodhamhuil • 299 — Words pp 59–60 ‘Sí’n fhine bhean mhodhmhuil d’fúig tineas am cheann / agus dfhág sí gan mheamhair gan chéil me’. {Cg ~ 8||8!| ~ 3343 361'7}

3/9a • K • An Giolla Ruaidh • 300 {3:4g ~ 8:|15 = 4+4+4+3|| ~ 113 113}

3/9b • K • Dá m-beidheadh heel top faoim bhróga • 301 — Words pp 69–70 ‘Dá mbeidheadh heeltop faoim bhróga agus cóir agam chum siubhail’. {Cg ~ 16 = 8+8!| $ to bar 8 ~ 4256 4426_}

3/9c • Bocach buidhe na léige • 699 — JEP p 885 ‘From M. Sullivan’ and positioned among ‘K’ tunes copied from JG. See article in DOS 1922. See 2/140b, 3/57d. {Cd ~ 8 = 4+4!| $ to bar 4 ~ 1115_ 6_4_5_5_}

3/10a • K • Tally heigh ho the Grinder! • 302 — Words pp 60–61 ‘Cheannuigheas-sa sauspann ’s ciotal ’s búclaoi airgid gréinnig’. Cf Clarke MS no 41 The grinders (p 17 of pdf); Ryan p 101 Terry heigh. {9:8 [g] but staff 1 has 2 sharps ~ 2x4|| ~ 426_ 425 (tonic d) or 1'63 1'62' (tonic g)}

3/10b • K • ‘Do mhálluidhe is do bheiltiona’ • 303 {Cd ~ 4||4|| ‘chorus’ 2|| ~ 3132 4465}

3/10c • K • ‘Chúgad a nall a Mháire’ • 304 {Cg ~ 4:|6:| ~ 3516_ 1135}

3/11a • K • An Gearaltach óg uasal • 305 — Words pp 61–62 ‘A ghearaltaig óig uasail sé m’uaigneas tré m’aodhaibh thu’. {3:4d ~ 16 = 4x4|| ~ 553 71'5}

3/11b • K • Baile locha Riach • 306 — Words p 72 ‘Bfhearr liom ná mo chapal ’s dá n-abrainn a shrian’. {Cg ~ 8 = 4+4 or 4x2|| ~ 5533 3575}

3/11c • K • [Baile locha Riach] Another setting of Same • 307 — Words p 72 [?]. {Cc ~ 8 = 4x2|| ~ 51'75 117_0}

3/11d • K • Poc air buille • 308 Words p 73 ‘Siubhlas cuanta ’s bailte móra / ó Ghleann ui Ruachta go s[h?]ráid a Mhuillinn’. {Cg ~ 4|| ‘chorus’ 4:| ~ 772'1' 572'1'}

3/12a • K • A Réir ’s me go suanmhar • 309 {Cg ~ 8||8|| ~ 1135 6432}

3/12b • K • An bhruingioll mheirbh • 310 {Cc ~ 16 = 4x4|| ~ 1112 3311}

3/12c • K • Is mor [mór] an cúrsaoi bróin dam • 311 — Words pp 62–64 ‘Dá mbeinnsi féin am éinín is me léimrig ó chrann go crann’. {Cg ~ 8||8!| ~ 1134 6676}

3/13a • K • An Draoighneán Donn • 312 — Tunes p 8d. {3:4g ~ 16 = 4x4!| $ to bar 8 ~ 333 765}

3/13b • K • Cuisle mo chroidhe • 313 {6:8g ~ 10 = 5x2!| $ to bar 4 ~ 41 21}

3/13c • K • Tadhg buidhe • 314 {Cg ~ 8 = 4x2|| ~ 5332 1114}

3/13d • K • Caitlín na Guaire • 315 — Words p 47 ‘A Chaitilín na guaire léan agus ruaig ort’. {3:4d ~ 8:|:16|| ~ 5_7_1 323}

3/14a • K • Bean an Tabhairne gan aon lochd • 316 — Words p 64 ‘Is duine bocht Eoghan gan comhairle ó aoineadh’. {Cc ~ 10 = 5x2|| ~ 116_4_ 7_7_7_5_}

3/14b • K • Maidin bog Aoibhin • 317 — Words p 65 ‘Maidin bog aoibhin ar buidheachtuint na gréine’. {3:4c ~ 8||8|| ~ 444 665}

3/14c • K • An Cuireata • 318 — Words p 73 ‘Lá dá rabhasa a dtaisdiol na slíghe’. {3:4g ~ 22 = 4x4+6|| ~ 570 655}

3/15a • K • Diarmuid bocach buidhe • 319 — Words pp 68–69 ‘Is fada me gan dout / am Rake air fuaid an domhan’. {3:4c ~ 16 = 4x4 rhapsodic repeats ~ 313 443}

3/15b • K • Peadar na péice im bo!!! • 320 — Part 1: cf ONMI no 1806 Shane O’Neill’s march. {Cg ~ 4||2||4|| ~ 3333 3331}

3/15c • K • Mártan na glóire • 321 — Words pp 70–71. Cf the air commonly used for the song ‘Siobhán Ní Dhuibhir’. See 2/51a. {6:8g ~ 6||6!| $ to bar 7 = 4x3 [+2x3] ~ 51 62}

3/16a • K • Máirghéad de Róisdig • 322 {3:4c ~ 17 = [3x4+5]||17!| ~ 113 111}

3/16b • K • Duain an Tíncéara • 323 {Cc ~ 8 = 4x2|| ~ 3332 3331 (tonic g but final a)}

3/16c • K • Duain an Oirimh • 324 {3:4g ~ 8 = 4x2|| ~ 332 332}

3/17a • Crónán • 700 {3:4 [read 6:8?]g ~ 8 = 4x2|| ~ 342 111 [or 3 2 11 if 6:8 time]}

3/17b • K • An ceannuighe súgach • 325 {6:8g ~ 8||8|| ~ 36 42 (tonic g but final e)}

3/17c • K • Bean an ghleanna • 326 {C]d ~ 4:|:8:| ~ 1353 4653}

3/17d • K • The Roving Bachelor • 327 {Cg ~ 2x4:| bars 4 = 8 ~ 3331' 5553}

3/18a • K • Humours of Churchtown • 328 — Part 1: cf ONMI no 890 How are you Kitty?; ONMI no 975 The woodcock. {6:8g ~ 2x8:| ~ 5_353 5_3 42}

3/18b • K • An brísdín bréide • 329 — Cf OFPC 1 p 33 The soup of good drink. See 2/40a The soup of good drink, 2/120c & 3/19a Gallagher’s jig. {6:8d ~ 2x8:| two cadences both parts ~ 13 57 46 65}

3/18c • K • A Tailor I am • 330 {6:8c ~ 2x8:| ~ 33 77 34 13}

3/19a • K • Galaghers jig • 331 — See 2/40a The soup of good drink, 2/120c Gallagher’s jig, 3/18b An brísdín bréide, 3/197c We’l hunt the wren. {6:8d ~ 2x8:|: ~ 31 17 55 34}

3/19b • K • The Flogging Reel • 332 — See 3/62b, 3/131a, 4/79a. {Cg ~ 8||8|| ~ 3135 3135}

3/19c • K • Miss Moore’s fancy • 333 {Cd ~ 8||8|| ~ 3131' 3142}

3/20a • K • Ballinacourty jig • 334 — See 2/130c, 2/163a, 3/177b. {6:8g ~ 8:|:8:| ~ 15_ 11 23 36_}

3/20b • K • Betty in the Settlebed • 335 {6:8g ~ 2x8:|: ~ 34 54 17 1'7}

3/20c • K • The oak stick • 336 {— Part 1: see 3/132b (part 1) 6:8g ~ 2x8:|: ~ 11 6_6_ 11 35 (tonic g but final d)}

3/21a • K • The Cuckold old man • 337 — See 4/131c McDonnell’s rant (part 1); P-S no 961 The swaggering jig. {9:8g ~ 4||4|| ~ 311 312 (tonic g) or? 644 645 (tonic d)}

3/21b • K • Nabey [?] dance (old) • 338 {9:8d ~ 3x4:|: ~ 143 553}

3/21c • K • Langfords reel • 339 — Cf Ryan p 10 Lady Gardner’s; ONMI no 1554 The four-hand reel (tune commonly known now as ‘The five-mile chase’). {Cg ~ 2x8|| DC ~ 1353 7_5_7_5_}

3/22a • K • Cosa buidhe árda dearga • 340 — See 2/41, 4/4e–5 [Jackson’s] Cogue in the evening. {9:8d ~ 2x4:|: ~ 314 314}

3/22b • K • Early breakfast • 341 {Cg ~ 2x4:|: ~ 5257_ 5257 (tonic g) rather than 1'51'3 1'51'3' (tonic d)}

3/22c • J.G. • Humours of Ardgroom • 701 — Probably composed by JG. {6:8g ~ 4x8:|: ~ 31 33 27_ 22}

3/23a • K • Humours of Clounties • 342 — Cf Mitchell DMWC no 136 An buachaill dreoite. See 2/131b The humours of Carrigeen. {6:8g ~ 2x8:|: ~ 5_2 21 1'7 63}

3/23b • K • Nách teann &c • 343 {6:8g ~ 2x8:|: ~ 11 35 11 32}

3/23c • K • I would if I could • 344 {6:8g ~ 8:|:8 two cadences each part|| ~ 75 75 74 74}

3/24a • Maggy Lawder • 702 — Cf Oswald CPC 1 p 30. {Cd ~ 2x16:|: ~ 1113 1113}

3/24b • The man-of-war Hornpipe • 703 — Cf ONMI no 1726 Billy Taylor’s hornpipe (part 1). See 3/96a Constantine hornpipe. {Cg ~ 2x8:|: ~ 1356 51'3'5}

3/25a • Miss Browns Hornpipe • 704 — Cf Fitzgerald MS p 118; Ryan p 177 Rickett’s hornpipe (part 1). See 4/150a Hornpipe. {Cd ~ 2x8:|: ~ 15_3_1 27_5_2}

3/25b • The Repeal Legacy • 705 — Cf ONDMI no 215 Henchy’s delight. See Carolan 2008:25. {6:8g ~ 2x8:|:8 two cadences :| ~ 31 26_ 27 47_}

3/26a • The Wedding Ring • 706 {2:4g ~ 8 two cadences :|16|| DC ~ 11 35 42 33 (4 bars) or 1112 3453 (2 bars)}

3/26b • The Girls danger [r of Girls corrected < l?] • 707 — Cf Ryan p 22 Old maids of Galway; ONMI no 1417. Commonly known now as ‘Johnny when you die’. {2:4g ~ 2x8|| ~ 3265 2132}

3/26c • The Dublin porter • 708 — Pigot MS (tunes copied from JG) p 885 [ascribed to] ‘(Gallagher)’. {Cg ~ 2x8|| ~ 1133 4246}

3/27a • The green fields to America • 709 — Cf Ryan p 31. See 4/64a. {2:4c ~ 2x8|| ~ 4635 2326_}

3/27b • The Woods are cutting (Co Louth setting) • 710 {Ce ~ 12 = 2x6|| ~ 3135 751'3'}

3/27c • The Wheelwright. — Cf B3 p 28. Copy? of 4/151c. {2:4g ~ 8||12|| ~ 13 51 32 6_2 (4 bars)}

3/28a • Oh Erin my country • 711 {3:4g ~ 32 = 4x8|| ~ 113 434}

3/28b • Delvin House — Cf OFPC 3 p 1. {6:8g ~ 8||16|| ~ 11 15 11 26}

3/29a • The O’Mulloy tune (The old Coulin) • 712 {3:4c ~ 8||8|| = 4x4 ~ 51'1' 3'51'}

3/29b • K • Lucy Campbell (reel) • 345 — unrelated to 1/224a–225 or 4/52d. {Cd ~ 2x4:|: ~ 1'51'3' 1'562}

3/29c • K • Reel “Welcome here again” • 346 — Cf Thompson’s compleat 3 no 93; Gow Coll 1 p 15 Duncan Davidson; Kerr 1 p 17; Aird 5 p 13, no 33 Miss Jean Robertson’s reel. See variant at 2/52c. part 2: see UCC p [74] James (part 1) [probably composed by JG for his son James] {Cd ~ 2x4:|: ~ 1_3_5_5_ 1_3_5_2_}

3/29d • Rise Sons of William rise! slow • 713 — Cf Aird 4 p 13, no 34 La belle Catherine. {2:4d ~ 2x8|| DC ~ 12 31 6_2 7_5_ (4 Bars) or 1121 3117}

3/30a • K • Reel: Tink a tink • 347 — Cf Hamilton HUT 1 p 127; Kerr 1 p 29. {Cg ~ 4:|:4 two cadences :| ~ 1515 427_6_}

3/30b • K • Katty O’Lynch • 348 {6:8d ~ 2x8:|: ~ 35_ 5_5_}

3/30c • J.G. • Fasdaoim an Mhinisdir • 714 — In left margin: ‘J.G.’; probably composed by J.G. {6:8c ~ 3x8:|: ~ 63 31 63 27}

3/31a • Johnny Cope — Cf OFPC 3 p 51. See 4/89d. {Cc ~ 4x8:|: ~ 1113 5117_}

3/31b • Murrays Fancy — Cf OFPC 3 p 52. {Cc ~ 4:|8|| ~ 5_135 7_427_}

3/32a • There will never be peace till Jamie comes — Cf OFPC 3 p 53. {3:4c ~ 2x16|| = 8x4 ~ 331 227_}

3/32b • Capt. Hawkers favourite — Cf OFPC 3 p 47. {2:4g ~ 8:|:8||8||4:|8|| ~ 5311 1313 (2 bars) or 51 11 22 22 (4 bars)}

3/33a • The oil of Barley — Cf OFPC 3 p 62. {6:4c ~ 2x8:|: ~ 5_11334 317_7_7_7_}

3/33b • Ryans Hornpipe — Cf OFPC 3 p 67. {2:4d ~ 2x8:|: ~ 1127_ 5_3_1_7_}

3/33c • Jack the Bachelor — Cf OFPC 3 p 67. {2:4c ~ 2x8:|: ~ 16_6_7_ 117_6_ (tonic c, final e)}

3/34a • The Flower of the vale — Cf OFPC 3 p 68. {6:8c ~ 2x8|| ~ 5_1 5_1 7_2 47_}

3/34b • The Glenmore hunt — Cf OFPC 3 p 69. {Cg ~ 4:|8|| ~ 426_5_ 6_221}

3/34c • Humours of Ardmore (Gearáinín buidhe!) — Cf OFPC 3 p 72. {6:8g ~ 2x8:|: ~ 26_ 6_6_}

3/35 • The white cockade — Cf OFPC 3 pp 4–5. {2:4g ~ 6x8:|: ~ 3332 3331' (tonic g)}

3/36a • The Humours of Cork — Cf OFPC 3 p 9. {6:8g ~ 2x8:|: ~ 51 12}

3/36b • The shepherds Hornpipe — Cf OFPC 3 p 17. {Cg ~ 2x8:|: ~ 1113 51'52}

3/36c • The Kildare club — Cf OFPC 3 p 29. {6:8g ~ 2x8+|| [+:half bar] ~ 55 56}

3/37a • The Humours of Newtown — Cf OFPC 3 p 40. {6:8d ~ 4x8:|: ~ 1'7 1'6}

3/37b • O’Briens March — Cf OFPC 3 p 43. {6:8g ~ 2x8|| ~ 32 31'}

3/38a • Sir Chas. Douglas’ Strathspey — Cf OFPC 3 p 48. {Cd ~ 4:|8||DC ~ 5551 5331'}

3/38b • Charming Molly — Cf OFPC 4 p 74. {2:4c ~ 2x8:|: ~ 5111 5522}

3/38c • The Pretty Lass — Cf OFPC 4 p 82. {2:4g ~ 2x8|| ~ 5133 5122 (tonic g, final b)}

3/39a • The Black Rock — Cf OFPC 4 p 83. See 1/144b. {Cg ~ 4:|:8|| ~ 326_5_ 1562 3/39b • Philip McCue — Cf OFPC 4 p 85. See 1/78b (parts transposed). {9:8g ~ 6x4:|: ~ 134 147_}

3/40a–41 The little house under the hill — Pipes p 26, no 32. Cf OFPC 4 pp 113–15. See 1/100a. Differs from 2/14c. {6:8d ~ 11x8:|: ~ 55 55 55 44}

3/41 • The Bench of Rushes — Cf OFPC 4 p 129. {Cc ~ 2x8:|: ~ 3'3'5'3' 1'1'55}

3/42a • Humours of Woodstown — Cf OFPC 4 p 102. {9:8d ~ 2x4:|: ~ 5_2_2_ 5_2_6_}

3/42b • Humours of Tallow — Cf OFPC 4 p 106. See 2/99b. {6:8c ~ 8||8:| ~ 5_1 15 54 11}

3/42c • Carolans Cup — Cf OFPC 4 p 134. {6:8d ~ 2x8:|: ~ 53 47_}

3/43a • The Executors — Cf OFPC 4 p 107. {Cd ~ 4x4|| ~ 3115_ 6_47_2}

3/43b • McNeals Fancy — Cf OFPC 4 p 136. {Cg ~ 4x4:|: ~ 7_226_ 1346}

3/44a • Crottys Lament — Cf OFPC 4 p 79. {Cg ~ 4||5|| ~ 3211 3332}

3/44b • Ormonds Lament — Cf OFPC 4 p 112 {Cc ~ 9 = 4+5|| ~ 3311 1355}

3/44c • Hornpipe — Non-traditional. {Cc ~ 2x8|| = 8x2 ~ 3_137_ 136_5_}

3/44d • The Lasses of Dundee — near duplicate of 4/87c. {2:4g ~ 4 two cadences ||8|| ~ 1353 5453 (tonic g, final abcd)}

3/45a • Dicksey Land • 715 — Composed around 1859 and credited to Ohio-born Daniel Decatur “Dan” Emmett (1814–1904), founder of the first troupe of black-face entertainers, the ‘Virginia Minstrels’. The tune was adopted as an anthem by the Confederate (Southern) army in the American Civil war. Cf Kerr’s new violin tutor p 36 (parts 1 & 2). JG’s third part seems to belong to an unrelated reel: cf ONMI no 1479 Jenny’s wedding (part 2); Ryan p 52 Come to your tay (part 2); Kerr 2 p 31. {2:4d ~ 8:|16||‘var’8||‘var’: ~ 1_1_1_3_ 5_5_5_3_ (part 3: 157_4 157_1)}

3/45b • Gentle Annie — Cf Foster song book pp 33–35 {2:4g ~ 2x8|| ~ 1121 31'1'7}

3/46a • The Whistling Thief • 716 — Attributed to Samuel Lover. Cf Kerr 3 p 28. {6:8g ~ 2x8|| ~ 53 33}

3/46b • Bugle Quick Step • 717 {6:8c ~ 2x8|| ~ 5_5_ 51 23 16_}

3/46c • Dublin pipers • The Maid in the garret • 718 — See 2/10a. Cf Gow Coll 2 p 6 The forrest; Aird 3 p 155, no 402 Skiver the quilt (parts reversed); Murphy CIAJ p 11 The humours of Burres; the current session tune ‘The legacy’. See 2/10a. {6:8g ~ 2x8:|: ~ 13 1'1' 13 52 (tonic d)}

3/47a • K • An Chéad Céadaoin de Shamhra • 349 — Words p 75 ‘An céad céadaoin de shamhra gan amhras do claoideadhg sinn’. {3:4g ~ 8||8:| ~ 61'6 511}

3/47b • K • Táim-si am Chodladh (old version) • 350 — Cf Neal 1724 p 12. See 1/8b & 4/27a. {3:4g ~ 8:|:16:| ~ 464 353}

3/47c • K • A Mháire breágh cailce • 351 — Words p 76 ‘A Mháire caile [sic] na gcraobhfholt ngealla / ba bhreaghtha seasamh ar aonach’. {6:8c ~ 8||8:| ~ 1'7 55}

3/48a • K • Humours of Glenath • 352 — Cf Aird 4 p 9, no 22 Mrs Spens Monroe’s jig; CRÉ 4 no 8 Rí na bport [The king of jigs]. {6:8g ~ 2x8:|: ~ 12 33 12 36_}

3/48b • K • Nóra an chúil ómair • 353 {3:4c ~ 8||8:| ~ 345 755}

3/48c • K • Na gleannta • 354 {3:4g ~ 8||8:| ~ 752 114}

3/49a • K • Ceapa ui Chuinn • 355 {3:4]g ~ 2x8|| ~ 16_13 61'76}

3/49b • K • An Mangaire súgach • 356 — Words p 82 ‘Maidin dom cois sgairte amuich’. {Cg ~ 2x6|| ~ 1355 6355}

3/49c • K • An Gréasuidhe • 357 — Words pp 76–77 ‘Sé tig an tabhairne dfhág go dealbh me’. {Cc ~ 8||8:| ~ 1121 117_5}

3/50a • K • Éadmon Breathnach (caoine) • 358 — Words p 77 ‘Éadmon Bhreathnuig a marcaig dhil uaisil groidhe’. {Cd ~ 6||6:| $ to bar 7; ~ 5555 51'3'2'}

3/50b • K • Seaghanín Aorach • 359 — Words pp 78–79 ‘Air bhóthar Luimine seadh thárluig an bhás orm’. {Cd ~ 2x8|| ~ 1'1'1'2' 61'64}

3/50c • K • Sighle Ní Chonnolláin • 360 {Cd ~ 2x8 = 4x4|| ~ 1'1'3'1' 1'1'53}

3/51a • K • Sliabh na m-ban • 361— See PPM2 1860 pp 104–08 (words only). {Cg ~ 2x12|| = 4x6 ~ 5555 6416_}

3/51b • K • Móra air maidin duit a spéir bhean chiuin • 362 {3:4g ~ 8|| = 2x4 ~ 112 116}

3/51c • K • Boatmans song (The rowling diddy oh!) • 363 {6:8g ~ 2x8|| ~ 6_6_12 2236_ (tonic d) or 33 56 66 73 (tonic g)}

3/52a • K • McPhersons Lament • 364 {Cg ~ 3x8:|: ~ 1113 2223}

3/52b • K • Ar phósais fós • 365 — See 1/246a Paddy Carey (bars 1–4). {6:8g ~ 8|| bars 1–2 = 7–8 ~ 5_1 31}

3/52c • K • Pádruig Ui Tuama • 366 — Words p 80 Pádruig Ui Tuatha: ‘Do bhiosa lá a ccilláirne agus tharluig orm ann gruagach’. {Cg ~ 2x8|| = 4x4 ~ 4321 6_6_16_}

3/53a • K • O’Sullivan’s Frolic (Bímíd ag ól &c) • 367 {6:8g ~ 2x8|| ~ 51'77 51'2'5 (part 2: 5_3 45 5_3 41)}

3/53b • K • An Róguire dubh • 368 — Cf OFNIM p 40. See related tunes 3/100c Billy O’Rourke, 3/101b Droichead Loch Gearr. {[6:8]g ~ 2x8:|: ~ 76 75}

3/53c • K • Rabhais ag an g-carraig • 369 — See 1/12a. {3:4]d ~ 16 = 4x4!| $ to 3rd beat of bar 8 ~ 555 1'1'7}

3/54a • K • An ceann dubh díleas • 370 {3:4d ~ 16 = 4x4||28 = 7x4 ~ 3'2'3' 4'3'1' [or as if 6:8 & 14 bars: 3'4' 51' 3'1' 41]}

3/54b • K • An cailín donn deas • 371 {Cd ~ 4||8 = 2x4|| ~ 3'2'1'6 6661'}

3/55a • K • An Figheadóir Aorach • 372 — Words p 85–86 ‘Is figheadoir aorach me anoll o Mhaghealla / buacaill socair sásda / do chathach spól go cheoil fe anairt’. {Cg ~ 2x8|| = 4x4 ~ 5564 2225}

3/55b • K • Apples in Winter • 373 {6:8d ~ 8:|:8 two cadences ||8!| ~ 57 52 (tonic e) or 61' 63 (tonic d)}

3/56a • K • Fountains Hornpipe • 374 {Cd ~ 16||8:| ~ 1'1'3'2' 1'1'1'5}

3/56b • K • Push her against the hop [p corrected from b? — hop in index] • 375 {6:8c ~ 2x8:|: ~ 11 14 47_ 7_4}

3/57a • K • Laddy o Lee • 376 — Words p 75 ‘Tá trowser air jack agus [frock ?] air a mhnaoi / an leanbh gan baiste as an sagart gan díol’. {6:8d ~ 10|| = 5x2 ~ 37_ 5_7_ 5_3 47_}

3/57b • K • Red Rose top • 377 {Cc ~ 10|| = 5x2 ~ 1135_ 7_7_7_3}

3/57c • K • Rolling in the Ryegrass • 378 — Cf ONWSGM no 246 Irish Pat; CRÉ 1 no 133 Pádraic spóirtiúil [Sporting Paddy]. {Cg ~ 4 two cadences :|8||DC ~ 5_112 5_17_5_}

3/57d • K • Bocach buidhe na Léige • 379 — Words p 85 ‘Rachadhsa ’nón go Sagsana / mar a bfadhadh me or ’s airgiod’. See 2/150b, 3/9c. {Cd ~ 16|| = 4x4 ~ 1132 116_1}

3/58a • K • Is ró bhreagh’n Dúithchig • 380 — Words p 87 ‘Is ro bhreagha ’n duíthchig ann a mbearainn liom tu / soir cois shrúil na déise’. {3:4g ~ 2x8|| = 4x4 ~ 5_11 7_23}

3/58b • K • The croppy boy • 381 — Words p 84 in Irish and English ‘As d’oidhche déardaoin agus me ar a gcróntrath’. {Cg ~ 8|| = 4x2 ~ 2252 1113}

3/58c • K • Reading made easy • 382 {Cd ~ 7 = 2+2+3:|:14 = 4+5+2+3:| ~ 6677 5556}

3/59a • K • Uair bheag goirm roimh an lá • 383 — See 2/146a A little hour before day. {Cc ~ 4:|8:| ~ 6675 4451}

3/59b • K • An Rábaire saoir • 384 — Words pp 90–91 ‘Do ghlacasa mar shlighe chugam imtheacht óm mhuinntir’. {Cg ~ 2x8|| = 4x4 ~ 4337_ 1465}

3/59c • K • Cuimil an m[h?]áilín • 385 — English title ‘Rub the bag’: cf Ryan p 143; ONMI no 1795 (set dance). {6:8g ~ 8:|:10:| ~ 11 7_7_ 36_ 33 (tonic g)}

3/60a • K • Reel • 386 — Cf ONMI no 1485 Good morning to your night cap. CRÉ 4 no 204 tabhair casadh sa luachair di [roll her in the rushes]. {Cc ~ 4:|8|| ~ 5_127_ 3351 (tonic a?)}

3/60b • K • O Sullivans return • 387 {Cc ~ 4:|8|| ~ 116_1 3216_}

3/60c • K • Domhnall dubh brónach • 388 — Words p 91 (fragment) ‘Tá sgeilín beag nuadh ’gam, le h-insinn dom chomharsain’. {3:4g ~ 14||14|| = 4 times 4+3 ~ 116_ 16_5_}

3/61a • K • Peg Ghlégeal Ní Mhurchadh • 389 {3:4g ~ 12||12|| = 4x6 ~ 5_11 242}

3/61b • D.C. • Kiss the maid behind the Barrel • 719 — See 3/84b. {Cg ~ 6x4:|: part 2 mainly in two cadences] ~ 5_131 5_152}

3/62a • “Good Morrow to you &c”– an old ballad – slow • 720 {Cg ~ 2x8|| = 4x4 ~ 1355 6422}

3/62b • J.S. • The flogging reel • 721 — In left margin: ‘J.S.’. See 3/19b, 3/131a, 4/79a. {Cg ~ 4 two cadences :|4 two cadences ||8|| ~ 3131 3124}

3/62c • Country Dance • 722 — Cf Aird 4 p 29, no 70 Boolonzie (part 1). {Cd ~ 4 two cadences ||4!| ~ 5_15_1 2216_}

3/63a • The Chanters tune slow — Cf B3 p 107. {2:4g ~ 2x8|| ~ 15 17 1'5 75 (4 bars) or 1154 1176 (two bars)}

3/63b • Séid a Bhean bhochd • 723 — Cf P-S no 1121. {6:8d ~ 4 parts: 8:|:8 two cadences :| 8:|:8 two cadences :| ~ 13_5_2_ (tonic d) or 46_ 15_ 46_ 14 (tonic a)}

3/64a • Foleys Reel — Cf Hime 1808 p 1. {2:4g ~ 2x8:|: ~ 3535 427_5_}

3/64b • K • Beig Reel aguinn Dé Domhnuig • 390 {2:4g ~ 2x8:|: ~ 31 27_ 31 55 (4 bars) or 3313 227_5 (2 bars}

3/64c • The Prince of Wales’ polka • 724 {2:4g ~ 2x16|| ~ 55 7_2 44 13 (four bars) rather than 5151 7222 (2 bars)}

3/65a • Miss Johnston’s Reel — Cf Campbell 21 p 10 Mrs Johnston of Houghton Hall; Kerr 1 p 10. See 1/43b, 2/162b, 4/121b. {Cg ~ 4:|8||DC ~ 3553 51'3'1'}

3/65b • D.C. • Lady Cork’s Reel • 725 — Cf ONDMI no 511 The new policeman. {Cg no f ~ 4:|:8|| $ [to bar 1] DC ~ 3431 5_131}

3/65c • D.C. • A Connaught Reel [JG ? pencil:] Salamanca [?] reel • 726 — See 2/180b, 3/140a. {Cd ~ 2x8:|: ~ 5353 572'5}

3/66a • D.C. • A Reel Down the street [Down the street added later] • 727 — Cf ONMI no 1266 Miss Thornton’s reel. See 3/128a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 4 two cadences ||8|| $ to bar 1, DC, 3 llx4,5 bars ~ 1362 3113}

3/66b–67 • The Duke of Yorks March — Cf Aird 4 p 23, no 57; Gentleman’s musical companion 1 p 48; Lee Duke of York’s; Riley 1 p 45. {Cd [part 4 g?] ~ 2x4||12||16|| ~ 1_1_3_3_ 5_5_1_1_}

3/67a • The Flying Polka • 728 — Parts 1–2: cf the tune current session tune ‘The girl with the blue dress’; Cf POK 3 no 40 Green cottage second method & no 28 Polka – Green little cottage; CRÉ 3 no 80 Polka Antaine Mhic Lú [Tony Lowe’s polka]; Moylan JOL no 185 Tarrant’s (2) {2:4g ~ 8:|:8||8|| ~ 54 31 27_ 31 (4 bars) rather than 5542 3111 (2 bars). Last part 15_ 7_6 57_ 31 (4 bars, tonic c)}

3/67b • Polka — Non-traditional. {2:4g ~ 8:|:8||8|| ~ 55 15 76 66 (4 bars)}

3/68a • D.C. • Buonaparte’s Retreat • 729 — Cf ONMI no 1710 Bonaparte’s defeat. {Cc ~ 8||4 two cadences :|12|| ~ 5_112 7_277}

3/68b • D.C. • Humours of Cromane.i. Seachain do chos air an dtépot • 730 {6:8c ~ 8:|8!| two cadences each:| ~ 17_ 7_5_ 17_ 4_4_}

3/69a • D.C. • Drowsy Moggy • 731 — Cf Pipes p 19, no 10, Cork p 72. no 15. {Cg ~ 2 x 4:|:4 two cadences :| ~ 5152 5147_ (final g, but tonic a)}

3/69b • D.C. • Reel (Jer Kane) O’Sheas Frolic [Jer Kane small, added later?; F corrected < ?] • 732 — Cf Treoir 7 (1975) no 5 Mrs Flanagan’s (from accordeonist Mrs D. Flanagan of Ballindine, Co Mayo, a sister of the musicians P.J. Conlon and Mrs Rose Anne Murphy). {[C]d ~ 2x4:|: ~ 351'2' 4'3'2'5}

3/70a • D.C. • Molly will you do it? • 733 — Cf ONMI nos 1370, 1371 The ivy leaf. {Cd ~ 4:|8||DC ~ 1525 1547_ (final d, but tonic a)}

3/70b • D.C. • Reel • 734 — Cf Ryan p 94 The green groves of Erin; ONMI no 1429. {Cc ~ 4:|8||DC ~ 1252 7_242}

3/70c • D.C. • Take her out and air her • 735 — Cf Ryan p 24 The ships are sailing. {Cg ~ 4 two cadences :|8||DC ~ 5_15_7_ 4_2_4_2_}

3/71a • D.C. • Reel (D.S.) Kitty is gone a milking • 73600 [ng corrected] — Cf Ryan p 98 Repeal of the Union; ONMI no 1179. {Cg ~ 4:|8||DC ~ 5255 527_2}

3/71b • D.C. • Money Lad • 737 {Cg ~ 4:|8||DC ~ 3131 6522}

3/71c • D.C. • Money in hand • 738 {Cg ~ 4:|8|| ~ 5_3_5_1_ 5_3_5_1}

3/72a • D.C. • The ships are sailing • 739 — Cf Ryan p 6 Cameronian. {Cd ~ 2x8|| ~ 5313 4241'}

3/72b • DC? • Reel • 740 — Cf VMP Winder MS JaW.345 Orange & blue; Ryan p 78 Jack Smith’s favorite. {Cg ~ 2x8|| ~ 315_1 3511}

3/72c • D.C. • Jig • 741— Cf Tubridy 1 p 35 The battering ram. See 3/184a Mary O’Hara (near duplicate). {6:8c ~ 2x8:| ~ 53 51 53 16_ (final e, but tonic g)}

3/73a • D.C. • Humours of Glynn • 742 — bars 29–30 in the MS are pasted over error on a scrap. {6:8c ~ 4x8:|: ~ 11 36 11 4_1 (tonic a, final a in all parts)}

3/73b • The pig under the pot • 743 — See 4/155c Paddy Whack. {6:8d ~ 8||8:| ~ 11' 63 16 75}

3/74a • K • Airgiod caillighe (the old) • 391 — Part 1: cf Ryan p 116 Strop the razor (part 2). {6:8g ~ [4x8:|:] part 2 bar 5a ( = 5) omitted ~ 5_1 5_7_ (tonic g)}

3/74b • D.C. • The bottles & the glasses come rolling on the table • 744 — Cf Aird 1 p 16, no 44 The Lea rigg. See 2/11c The Lee rigg. {Cg ~ 2x4:|: ~ 15_11 2231}

3/74c • D.C. • Yeomans reel • 745 Cf Aird 3 p 183, no 474 Lochiel’s awa to France, but he’ll come again; ONDMI no 639 On the sly; part 1: the current session tune ‘The Laurel bush/tree’. {Cd ~ 4:|:8|DC ~ 5154 27_24}

3/75a • D.C. • Greggs pipes • 746 — See 3/78b The barley grain. {517_2 5176}

3/75b • D.C. • The Devil among the tailors • 747 {Cc ~ 2x8||DC ~ 5_153 51'53 (final a, but tonic g)}

3/75c • D.C. • Split the Whisker (The new) • 748 — Part 2: cf Mitchell DMWC nos 36 & 59 Garret Barry’s jig. {6:8d ~ 2x8:|: ~ 32 57 1'1' 3'7}

3/76a • D.C. • Tell her I am • 749 — Cf Ryan p 109. See 1/36c The humours of Ballymore. See 3/149c Dúiseachd jig by Jackson. {6:8g ~ 2x8:|: ~ 1'4 14 56 41'}

3/76b • D.C. • Jig • 750 {6:8g ~ 2x8:|: ~ 53 21 32 65}

3/76c • D.C. • Fire on the mountains • 751 — Cf Ryan p 106 Billy Patterson’s favourite; Kerr 1 p 37 The blackthorn stick. {6:8g ~ 2x8:|: ~ 1'6 53 5_5_ 33}

3/77a • D.C. • Butchers March (as a jig) • 752 — See 1/183b. {6:8g ~ 4x8:|: ~ 76 76 76 51}

3/77b • D.C. • Humours of glasses • 753 — Cf ONMI no 1469 The Skibbereen lasses (part 1). {Cd ~ 4:|:8||DC ~ 5355 4344}

3/78a • D.C. • The Darkhaired girl • 754 — Cf Ryan p 16; ONMI no 1326 The black haired lass. See 1/158c The Darkgate girl. {Cd ~ 4:|8|| ~ 3135 4537_}

3/78b • D.C. • The barley grain • 755 — Part 2: cf CRÉ 3 no 65 Polca Chnoc na bPoll [Knocknaboul polka] (part 2). See 3/75a Greggs pipes. {Cg~ 4:|8|| ~ 527_2 5213}

3/78c • K • Slán & beannachd le buairiomh an tsaoghail • 392 {6:8d ~ 8||8:| ~ 1'7 45}

3/79a • K • Bonny Bettie • 393 {3:4g ~ 16|| = 4x4 ~ 343 245}

3/79b • K • Táim cortha ó bheith am aonar am luighe • 394 — Words p 100 (fragment) ‘Tráthnóinín deighionach ’s me dul a bhálcaoriochd / do dhearcas an spéirbhean ’na suidhe’. 2/118a is another setting. {3:4d ~ 19|| = 4+3 +4+3 +5 ~ 667 655 (tonic d)}

3/79c • Jig • 756 — Cf ONMI no 949 The humors of Trim; DMWC no 42 The rolling wave. {6:8g ~ 2x8:|: ~ 53 13 53 17}

3/80a • K • Humours of Strandroad • 395 {6:8d ~ 2x8:|: ~ 3_4_ 3_4_ 3_4_ 5_7_}

3/80b • K • Thro’ the heath • 396 {6:8d ~ 2x8:|: ~ 51' 2'7 51' 2'7}

3/80c • K • Round the world for sport • 397 — See 1/117b. {6:8g ~ 2x8:|: ~ 55 33 55 21'}

3/81a • The Smith’s March • 757 {6:8d ~ 2x8:|: ~ 5_1 5_1 5_1 3_2_}

3/81b • Wallop the Ladies • 758 — See 2/2a Cherish the ladies, 4/2a “Thought”. {6:8d ~ 4x8:|: ~ 15_ 1_5_ 6_2_ 6_3_}

3/82a • K • Cailín gan chiall • 398 {6:8c ~ 2x8:|: ~ 31 5_3 32 5_4}

3/82b • McCarthys Hornpipe • 759 — Cf Ryan p 171 Blanchard’s; also known as ‘RoxboroughCastle’. See near duplicate 1/244b. {Cg ~ 2x8:|: ~ 1151 4451}

3/82c • D.S. • The Pidgeon on the gate • 760 {Cg ~ 4:|:8||DC ~ 5321 3231'}

3/83 • D.S. • Nóra Críona • 761 — Pipes p 27, no 41 Norah Kiste, UCC p [73], no 6. {6:8c ~ 5x8:|: part 4 two cadences ~ 11 35 11 25 (tonic g)}

3/84a • D.S. • The Showman’s reel • 762 {Cd ~ 2x4:|: ~ 5353 5342}

3/84b • D.S. • Kiss the maid behind the barrel • 763 — See 3/61b. {Cg ~ 4:|8|| ~ 5_121 3343}

3/84c • K • Humours of Glencurtha • 399 {6:8d ~ 3x8:|: ~ 1'5 1'5 46 46}

3/85a • K • Duke of Yorks troop slow • 400 — Cf Hamilton HUT 1 p 86. {6:8g ~ 3x8:|: ~ 1'5 31 7_1 53}

3/85b • K • Touch it up tight • 401 {6:8d ~ 2x4:|: ~ 22 61' 22 63}

3/86a • K • Humours of Tralee • 402 — Part 1: Cf ONMI no 1094 Miss Casey (and the current session tune ‘The orphan’ (one of the ‘Larazus’ family of tunes). See 1/86a Paddy from London (part 1). {6:8c ~ 2x8:|: ~ 11 7_3 54 7_7_}

3/86b • K • Moggy will you do it again • 403 {6:8d ~ 2x8:|: ~ 2'3 '2'6 51' 1'5}

3/86c • K • Sprightly Peggy • 404 — Part 1: see 2/180c The long hills of Mourne. {Cd ~ 2x8:|: ~ 3116_ 6_121}

3/87a • K • Is claoite ’n galar an grádh • 405 {6:8g ~ 12!| = 6!+6, $ to bar 7; ~ 35 31}

3/87b • K • Jenny bank the weavers • 406 {Cd ~ 2x4:|: ~ 1324 1343}

3/87c • K • Jockey thro’ the town • 407 — See 3/186b Lanigan’s ball. {6:8d ~ 2x8:|: ~ 13 55 54 54}

3/87d • K • Rock of the quilt • 408 {6:8g ~ 2x8:|: ~ 31 6_2 31 6_1}

3/88a • K • The new Glenath • 409 — Cf Ryan p 143 The eviction. {6:8g ~ [LS 8:|:8 2 cadences :| ~ 64 62 63 31}

3/88b • K • Kennedys Freisure • 410 — Title refers to Tom Kennedy? {9:8g ~ 2x4:|: ~ 115 153}

3/88c • K • Humours of Millstreet • 411 — Cf ONMI no 1000 The old grey goose (part 1). See 1/96a We’ll all take Coach & trip it away (part 1). {6:8g ~ 2x8:|: ~ 32 31 22 27_}

3/89a • K • Slidrem Sandy ? (Tristram Shandy) • 412 {6:8c ~ 2x8:|: ~ 15_ 6_5_ 6_6_ 43}

3/89b • K • Jacksons pipes • 413 — BBJ no 29 (this setting). {Cg ~ 4x8:|: ~ 661'6 6223}

3/90a • K • Humours of Ballinafad [u of Hu corrected < ?] • 414 — Cf Ryan p 114 The rambler from Clare. {6:8c ~ 2x8:|: ~ 32 7_7_ 32 44}

3/90b • K • Lady (of the lake) in the boat • 415 {6:8g ~ 2x8:|: ~ 11 35 15_ 35}

3/90c • K • My name is bold Kelly • 416 — Cf the air used for the song ‘The bold Fenian men’. {3:4g ~ 16!| = 4x4 $ to bar 8 ~ 511 17_1 :}

3/91a • K • An Crimíneach comm • 417 {6:8d ~ 2x8:|: ~ 1_4_ 5_5_ 1'4_ 5_1_}

3/91b • K • Kerin’s Frolic • 418 — See 1/69b An stáicín eórnadh, especially part 1. {Cg ~ 2x8:|: ~ 6634 2233}

3/91c • K • Miss Connell’s reel • 419 — See 2/25a Sukey bids me. {Cg ~ 4!|8||DC ~ 15_16 5323}

3/92a • K • The Banks of the Dee • 420 {3:4g ~ 8:|:16:| ~ 16_6_ 5_11}

3/92b • K • The gipsey (an old country dance) • 421 — Unrelated to 2/55a. {Cg ~ 8:|:4:| ~ 1'1'67 61'55}

3/92c • K • Lady Kennedys reel • 422 {Cg ~ 8:|:8|| ~ 3333 1356}

3/93a • K • Shantruis • 423 {Cg ~ 2x8:|: ~ 15_6_6_ 1106}

3/93b • K • Máire & Brian • 424 — Words p 102 ‘Bliaghain agus lá máireach seadh d’fhágas an baille’. {3:4d ~ 4||4:| ~ 1'1'1' 3'2'1'}

3/93c • K • Cos deas a mbróigín • 425 {3:4g ~ 20 = 4x5 !|$ to bar 10 ~ 36_6_ 113}

3/94a • K • Malichi Daly • 426 — Cf OFPC 1 p 25 The bucks of Tipperary. See 2/36b, 1/94a. {6:8d ~ 2x8:|: ~ 16_ 5_5_ 11 33}

3/94b • K • Siobháinín Seó • 427 {9:8d ~ 2x4:|: ~ 554 557}

3/94c • K • Caoine Phiaruis Feirteára [sic] • 428 — Words pp 100–101 ‘A Dhia ’tá shuas an truadh leat mise mar táim’. Cf Dánta PF pp 38–39. {Cd ~ 14|| = 3x3+(3+2) ~ 5'5'4'5' 3'2'1'2'}

3/95a • K • Down the Bank • 429 — Cf Aird 5 p2, no 5 Down with the Peebles, Irish. See 1/220a (near duplicate), 1/179c Roy’s wife (part 1). {Cc ~ 3x4:|: ~ 5333 5322 (tonic d, final e)}

3/95b • J.S. • Take me while I’m pleasing • 764 {Cg ~ 4:|:8||DC ~ 5151 5135}

3/95c • JS • The pidgeon on the gate • 765 {Cd ~ 2x8|| ~ 5157' 5155}

3/96a • J.S. • Constantine Hornpipe • 766 — Cf ONMI no 1726 Billy Taylor’s hornpipe (part 1). See 3/24b The man-of-war hornpipe (part 1). {Cg ~ 2x8:|: ~ 1356 51'3'5}

3/96b • D.C. • Scotch Mary • 767 {Cg ~ 2x4:|: ~ 51'53 1232}

3/96c • D.C. • Brighton Hornpipe • 768 — Cf CRÉ 3 no 225 Cornphíopa Uí Mhathúna [O’Mahony’s hornpipe]. {Cg ~ 2x8:|: ~ 5211 5213}

3/97a • D.C. • Dowlas [?] Hornpipe • 769 {Cg ~ 2x8:|: ~ 1115 3225}

3/97b • D.C. • Hornpipe • 770 {Cg ~ 2x8:|: ~ 3153 671'6}

3/97c • D.C. • Merthyr Hornpipe • 771 — Cf Ryan p 177 Rickett’s hornpipe. {Cd ~ 2x8:|: ~ 113_5_ 6_5_1_0 (0 = crotchet rest)}

3/98a • D.C. • Swansea Hornpipe • 772 {Cd ~ 2x8:|: ~ 14_13 4542}

3/98b • D.C. • Rimmi [Rimini? i no dot] Hornpipe • 773 {Cg ~ 2x8:|: ~ 1'513 6310 (0 = crotchet rest)}

3/98c • D.C. • Hornpipe • 774 — Cf ONMI no 1557 The Greencastle hornpipe. See 3/104a The mountain hornpipe. Part 1: see 1/58c Hanley’s hornpipe. {Cg ~ 2x8:|: ~ 3535 1'765}

3/99a • K • Cailleach an dilisg • 430 — Part 1: cf Aird 1 p 26, no 74 Duncan’s dance (part 2). See 3/181b. {6:8d ~ 2x8:|: ~ 64 42}

3/99b • K • Humours of Listowel • 431 — Cf Tubridy 1 p 31 The geese in the bog; Ryan p 102 Catholic boys (part 1). {6:8g ~ 2x8:|: ~ 37_ 37_}

3/99c • K • Boring the leather • 432 — Cf ONDMI no 334 When you go home. See 2/98 Leather, or the shoemaker’s fancy. {6:8g ~ 2x8:|: ~ 7_7_ 42}

3/100a • K • The weavers jig • 433 — Cf Ryan p 106 Bundle and go (part 1). See 2/27a The free masons march (part 1). {6:8g ~ 2x8:|: ~ 13 7_2 13 11'}

3/100b • K • Follow me down to Carlow • 434 — See 3/182b Miss Murphy’s reel. {6:8c ~ 2x8:|: part 2 two cadences ~ 11 5_7_ 13 57}

3/100c • K • Billy O’Rourke • 435. — See 3/101b Droichead loch gearr, also (related) 3/53b An rogaire dubh. {6:8d ~ 2x8:|: ~ 7_6_ 3_7_}

3/101a • K • Drunken mans Frolic • 436 {6:8g ~ 2x8:|: ~ 7_767 4741 (tonic a) or 11' 71' 51' 52 (tonic g)}

3/101b • K • Droichead loch gearr • 437 — See 3/100c Billy O’Rourke, also (related) 3/53b An rogaire dubh. {6:8d ~ 2x8:|: ~ 7_6_ 3_7_}

3/101c • K • Charlie over the water • 438 — See 1/156–57 The Scots came o’er the borders. {6:8d ~ 2x8:|: ~ 35 1'1'}

3/102a • K • Lovely Charlie • 439 — Cf ONMI no 1748 The redhaired boy {Cc ~ 2x8:|: ~ 3_6_12 3321 (tonic?c) or perhaps 5_134 5543 (tonic?a)}

3/102b • K • Orange & green (minuet) • 440 — See 1/212c Lochaber no more, 4/44a Limerick’s lamentation, 4/160a Lochaber. {3:4g ~ 8:|16|| ~ 334 221}

3/102c • K • Sir Barrys March • 441 — See 4/158b Mooreheads hornpipe (part 1). {Cg ~ 2x8:|: ~ 1115 4222}

3/103a • K • The mountain Ranger • 442 {Cc ~ 2x8|| ~ 1414 7570}

3/103b • K • Humours of holystone • 443 — The Holy Stone is in Dingle. See 2/57a The bucks of Westmeath (part 1), 1/29c The humours of Berehaven (part 2). {6:8d ~ 2x8:|: ~ 55 24 24 22}

3/103c • jig • 775 {6:8d ~ 8:|: 8 two cadences :| ~ 46_ 4_4_4'7'1'5}

3/104a • The Mountain Hornpipe • 776 — Cf ONMI no 1557 The Greencastle hornpipe. See 3/98c Hornpipe. {Cg ~ 2x8:|: ~ 35_35_ 3'765}

3/104b • Silver and gold • 777 — Cf Petrie AMI p 144 The Catholic boy; CRÉ 1 no 9 Cathaoir an phíobaire [The piper’s chair]. {6:8g ~ 2x8:|: ~ 5_1 34 54 32}

3/104c • Hornpipe • 778 {Cd ~ 2x8:|: ~ 3_5_1_1 326_5_}

3/105a • The Maid of Aberdeen • 779 — Cf ONWSGM no 268 The Curragh races. {[C]d ~ 2x8:|: ~ 5151 7242}

3/105b • The coughing old man • 780 — Cf OFNIM p 28 Round the world for sport. See different setting at 4/120a Sugradh ann gach uile áit. Diversion every where. {6:8g ~ 2x8:|: ~ 13 15 1'6 32}

3/105c • O Sullivans Fancy • 782 — Cf Ryan p 126 Vaughan’s favorite; ONMI no 720 Have a drink on me. See 3/131c for note by JG on how to play the repeat of the turn. {6:8g ~ 2x8:|: ~ 36_ 6_6_}

3/106a • Humours of Glengarriff • 782 — Cf Ryan p 114 The rambler from Clare. {6:8d ~ 2x8:|: ~ 37_ 5_7_ 37_ 24}

3/106b • The meadow in Bloom [JG pencil:] & [?] Within a mile of Dublin • 783 {Cg ~ 4:|8||DC ~ 25_7_7_ 25_43}

3/106c • My love is in America • 784 — Cf Ryan p 58 Cheese it; ONMI no 1548 Corney is coming. See 1/52b The bride’s to bed. {Cd ~ 4:|8||DC ~ 5_113 7_4_2_4_}

3/107a • Reel • 785 — Cf CRÉ 1 no 173 An buachaill sa mbád [The boy in the boat]. {Cd ~ 2x8:|: ~ 5335 4243}

3/107b • Bonny Lads — See near duplicate at 1/53b. {Cd ~ 4:|8||DC ~ 3165 4522}

3/107c • O’Connells welcome to Clare • 786 — Cf ONMI no 862 Charley the prayermaster. {6:8g ~ 8:|:8||DC ~ 11 35 11 43

3/108a • The Telegraph reel • 787 — Cf ONMI no 1553 Rolling on the rye grass. See 1/39b, 2/180a. {Cd ~ 2x4:|: ~ 5515 461'5}

3/108b • The D – – take the Minister • 788 — Cf Ryan p 8 Ally Croaker’s favorite. {Cd ~ 4:|8:| ~ 1466 6675}

3/108c • Mamma’s pet • 789 — Cf ONWSGM no 205 (part 1). See 3/177c (part 1). {Cd ~ 4:|8||DC part 1 two cadences ~ 17_6_5 1352 (tonic c) rather than 7_6_5_4_ 7_241 (tonic d)?)}

3/109a • Reel Miss Kellys • 790 — Cf ONMI no 1289 McFadden’s handsome daughter (part 1). {Cd ~ 8:|:8||DC ~ 5_5_13 4321}

3/109b • Hornpipe • 791 — See 1/62a Newcastle Hornpipe (related?). {Cd ~ 2x8:|: ~ 3332 1115_}

3/109c • jig • 792 — See 1/7a Fagbhamaoid súd mar atá sé. {6:8g ~ 2x8:|: ~ 5_1 36 36 37_}

3/110a • Scotch Mary • 793 — See 3/182a Reel. {Cd ~ 4:|:8||DC ~ 3135 37_7_7_}

3/110b • The Fair Maids of Ireland • 794 {Cd ~ 2x4:|: ~ 5721' 2'5'2'1'}

3/110c • The morning star — See 1/51a The steam packet, near duplicate. {Cg ~ 4:|8||DC ~ 3331 361'6}

3/111a • The Police jacket (reel) • 795 — Cf Ryan p 47 Paddy on the railroad; ONMI no 1509 The merry blacksmith. See 4/90c The railroad. {Cd ~ 2x8:|: ~ 1'1'63 51'3'2'}

3/111b • The blackberry blossom — See 4/79c (variant). {Cd ~ 4:|:8||DC ~ 5331 3331'}

3/111c • March (Sir Barry Denny’s) • 796 — Cf VMP Clarke MS WCl.18 Ballance a straw; Howe’s 1,000 p 46; Boss Murphy no 250. See near duplicate at 3/128b March. {Cg ~ 2x8:|: ~ 3331 5556}

3/112a • D.S. • The Grey goose • 797 — Cf ONMI no 755 The templehouse jig (part 1). See 2/49a. Part 1: see 4/84c Dunkeild House. {6:8d ~ 2x8:|: ~ 13 53 7_2 42}

3/112b • K • Pears for Ladies • 444 {6:8d ~ 5x8:|: ~ 31 11 31 42}

3/113a • Planxty Reilly (Carolan) — Copy (?) of 4/122d–123. {6:8d ~ 12:|:12:|:8:|:8:|: ~ 17_ 3_4_}

3/113b • J.G. • Jig “Ara go easy!” • 798 — In left margin: ‘J.G.’; probably composed by J.G. The last two bars are written at the end of p 112. {6:8d ~ 4:|:4:| two cadences each part ~ 5_5_ 5_2}

3/114–15 • K • The Drogheda jig • 445 — Cf Pipes p 28, no 56 (different setting) — See 1/74 (part copy). {6:8g ~ 13x8:|: ~ 11 14 11 12}

3/116a • K • A Dháithín a ghrádh ghil • 446 — Words p 110 (fragment) ‘A Dháithin ’sa ghrá ghil aro déin dam ceairt’; another fragment to same air: ‘Bhéarfainn ól fada air bórd duit a ghrá mo chroidhe’ {3:4d ~ 16!| = 4x4 $ to bar 8 (! after beat 2) ~ 71'3' 1'52}

3/116b • K • Dá mbeidhinnsi air bórd loinge d’ólfainn do shláinte • 447 — See 3/119b Seughan geal uch Ridire. {3:4c ~ 16!| = 4x4 ~ 111 111}

3/116c • K • “When this old hat was new” • 448 {Cg ~ 16!| = 4x4 $ > 8 ~ 3335 6653}

3/117a • K • Ag éirge ’mach air maidin dam • 449 {Cd ~ 16:| = 4x4 ~ 5532 1113}

3/117b • K • Mickey Reilly • 450 {3:4g ~ 8||8|| ~ 132 26_2}

3/117c • K • The Humours of Minard • 451 {6:8g ~ 2x8:|: ~ 35 1'5}

3/118a • K • Píce an t-súgradh • 452 — See Iris 2:109–111 for mention of a Dingle dancer named thus. {6:8g ~ | $ !8:|8:|:8:| no $ ~ 7_7_ 7_5_}

3/118b • K • Cluithche an t-úisín shuairc • 453 {Cd ~ 16!| $ to bar 8 beat 2 ~ 1'1'1'2' 3'3'2'2'}

3/119a • K • Humours of passage • 454 — Cf OFPC 3 p 12. {6:8d ~ 2x8:| ~ 11 22 33 36_ (tonic g) or (tonic d? 4455 6662)}

3/119b • K • Seughan [?] geal uch Ridire [probably Seaghan] • 455 — (Seán na gealaidhe: Jack o’ the lantern?). See 3/116b Dá mbeidhinnsi air bórd loinge d’ólfainn do shláinte. {3:4d ~ 16!| $ to bar 8 beat 2 ~ 555 555 http://www.pcadvisor.co.uk/review/mono-laser-printers/samsung-xpress-m2835dw-mono-laser-printer-review-3574887/}

3/119c • K • Móirín Ní Chealla • 456 — Words p 109 ‘ ’S móra duit a Móirín ui Chealla / ó chseólais do chapal chum drúchd’. {6:8d ~ 8||‘chorus’8|| ~ 34 7_5_}

3/120a • K • Humours of Newtown • 457 — Part 1: cf Jackson JCIT p 1 Cossey’s jigg; ONMI no 991 Jimmy O’Brien’s jig; Tubridy 2 p 38 The maid in the meadow. See 3/181a, 2/97a Jackson’s Lodge, 2/165b Caseys jig. {6:8g ~ 2x8:|: ~ 43 23}

3/120b • K • An Air [corrected] • 458 {6:8g ~ 2x8:| = 4x4 ~ 33 42 37_ 11}

3/120c • K • The Rambler from Clare • 459. See 2/153a. {6:8g ~ 8:|12:| = 2x4 +(4+4)+4 ~ 54 51}

3/121a • K • The Lowlands of Holland • 460 {Cg ~ 8||8:| = 4x4 ~ 3322 1147}

3/121b • K • Sally Magee • 461 — Cf OFNIM p 23. See 2/172a. 6:8c ~ 8||8:| ~ 14 53 14 56}

3/121c • K • Tailiuir an Mhagaig • 462 — Words p 124 ‘Ó Dhia ro! aindhir nó’n rachfá-sa liomsa ag ól’. See 3/15c. {6:8g ~ 12|| = 3x4 ~ 3 72 (3-bar 6-stress phrases)}

3/121d • K • Rós Fhíonnáin (reel) • 463 {Cg ~ 2x4:| ~ 1122 1135}

3/122 • K • Killicrankie • 464 {Cd ~ 16:|:16:|:8:|:8:| ~ 5553 51'53}

3/123a • K • Humours of Ballycairde (baille’n cháirde) • 465 {6:8g ~ 2x8:| ~ 11 6_6_ 7_2 13}

3/123b • K • Johnny’s [corrected < ies?] wedding (reel) • 466 {Cc ~ 4:|8|| part 1 two cadences ~ 3531 2427_}

3/123c • K • The Girl that lost her — • 467 {Cg ~ 8:|:8|| ~ 137_2 3563}

3/124a • K • Máire Ní Dhaoinléith • 468 — Tunes p 8c. See 1/10a Sibéil Ni Bhriain. {Cg ~ |! $ 4!|8|| no $ ~ 1155 671'6}

3/124b • K • Jenny bank the rose • 469 {Cc ~ 4:|8||DC ~ 1'577 4477}

3/124c • K • O’Sullivans Favourite • 470 {Cd ~ 2x8:| ~ 137_7_ 1324}

3/125a • K • Bás nó cunncas • 471 {Cg ~ 4:|8||DC ~ 4414 5557}

3/125b • K • Nóra óg • 472 — See 3/83a Nóra Críona, 3/183b Nóra Críona as a jig. {6:8g ~ 4x8:|: ~ 13 43 13 247}

3/126a • K • Jig .i. “Cuir do lámh orm-sa a Mháire” • 473 {6:8g ~ 2x8:| ~ 32 5_4}

[The next 37 items have ‘G.S.’ in the left-hand margin]

3/126b • G.S. • The star of Munster • 799 {Cg ~ 8:|8|| ~ 3217' 15_7_7_}

3/126c • G.S. • The Lee flower • 800 {Cg ~ 4!|8||DC ~ 1543 25_23}

3/127a • G.S. • The Coursing [overwrites something] reel • 801 — Cf ONDMI no 775 The maid of Feakle (part 1); CRÉ 3 no 192 De ghrá na sean-mheasúlachta [For the sake of old decency] (part 1). {Cg ~ 2x8||DC ~ 5326' 2323}

3/127b • G.S. • The Cork Lasses • 802 — Cf Mitchell & Small PPT no 14 The Sword in hand. See 1/42a The Union is welcome to Ireland. {Cd ~ 4!|8||DC ~ 4635 2662}

3/127c • G.S. • Last nights fun • 803 — Cf ONDMI no 452. {9:8? c ~ 4:|:4 two cadences :| ~ 155 154 (tonic d) or 5_22 5_21 (tonic g)}

3/128a • G.S. • Down the street • 804 — Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a, 3/165c Lady Caroline Bligh’s reel. {Cg ~ 8:|8|| ~ 111'3 4245}

3/128b • G.S. • March • 805 — Cf VMP Clarke MS WCl.18 Ballance a straw; Howe’s 1,000 p?46. Boss Murphy no 250. See near duplicate at 3/111c March (Sir Barry Denny’s) {Cg ~ 2x8:| ~ 3331 5556}

3/128c • G.S. • Bonny Kate • 806 — See 3/142b. {Cd ~ 4 two cadences :|8||DC ~ 5_16_5_ 1_5_2_2_}

3/129a • G.S. • Money Musk [s written over something] • 807 {Ca ~ | $ 2:|:4 two cadences !| DC $ ~ 5346 5324 (tonic a)}

3/129b • G.S. • Money Musk (another version) • 808 — Cf Robert Petrie 2 p 11; Cameron p 25. {Ca ~ | $ 4:|:4 two cadences !|DC $ ~ 5356 5324 (tonic a)}

3/129c • G.S. • Roast beef from London • 809 {Cd ~ 2x4:| ~ 331'5 7424}

3/129d • G.S. • Reel • 810 — Cf Hime 1805 book 2, no 23 Ryan’s rant; CRÉ 4 no 136 Siamsaíocht an Rianaigh [Ryan’s rant]. Cg ~ 2x4:|: ~ 371'7 3747_ (tonic a)}

3/130a • G.S. • The Sandy haired boy • 811 — Cf ONMI no 1354 The strawberry blossom (parts reversed); the current session tune ‘The boys of Ballynahinch’. {Cg ~ 4 two cadences :|8||DC ~ 61'1'4 1'477 (part 1, tonic d); 3'1'2'6 1'2'4'5' (part 2, tonic a)}

3/130b • G.S. • jig • 812 — Cf Harding’s All-round p 14 The Sylph; VMP Harrison MS RH.100; Ashman p 1 (part 1). {6:8d ~ 2x8:|: ~ 1_1 52 34 7_2}

3/130c • G.S. • The top of Cork road • 813 — Part 2: cf Aird 1 p 68, no 196 Irish lilt (part 2). See 1/101a (part 2). {6:8d ~ 2x8:|: ~ 11_ 6_7_ 12 32}

3/131a • G.S. • The Flogging reel (another set) • 814 — Cf DubMMag Nov 1842, tune no 40 (from Paddy Conneely). See 3/19b, 3/62b, 4/79a. {Cd ~ 4:|:4 two cadences :|8:|DC ~ 3135 3131'}

3/131b • G.S. • The maids of Erin • 815 — Cf Surenne DMS pp 10–11 The Marquis of Huntley (parts reversed); Ryan p 258. {Cc ~ 4:|:4!| two cadences both parts ~ 5_3_3_1 5216'}

3/131c • O’Sullivans Fancy • [see 782] — Note (with music) by JG on how to play the repeat of the turn of 3/105c O Sullivans fancy.

3/132a • G.S. • Farewell to the Highlands • 816 — Cf Curtin MS no 5 A Highland quickstep. Part 1: cf Aird 2 p 3, no 7 2nd Turks march; CRÉ 1 no 31 Banríon na luachra [The queen of the rushes]. {2:4g ~ 2x8:|: ~ 3112 4225 (2 bars) or 31 42 31 52 (4 bars)}

3/132b • G.S. • jig • 817 — Part 1: cf Aird 2 p 65, no 177 Oak stick. New way (part 2). See 3/20c The oak stick (part 2); {6:8g ~ 2x8:|: ~ 35 55 24 44}

3/132c • G.S. • Scotch lilt • 818 — Cf Roche 2 p 37, no 292 The waves of Tory. Part 1: See 1/101b jig (Paddy mc Fadden Mhic Phawdeen). {2:4d ~ 2x8:|: ~ 51 57 42 24 (4 bars) rather than 5117 5576 (2 bars)}

3/133a • G.S. • The wash-woman • 819 — Cf Roche 2 p 72, no 187 The Laune rangers; ONMI no 1221 Kitty Losty’s reel. See 3/147a The queen of May. {Cg ~ 4!|8||DC ~ 771'7 4224}

<3/133b • G.S. • The Linster [?] Highroad — Cf Aird 4 p 3, no 8 The high road to Linton; Cameron p 18; Kerr’s collection p 3. See 1/ 217b High road to London, 2/57d The primrose girl. {CG ~ 2x4:|: ~ 361'1' 661'1'}

3/133c • The lowbacked car — Cf Lover Low-backed car. {6:8g ~ 24|| = 6x4 ~ 13 47_}

3/134a • G.S. • Temple House • 820 — See 3/112a The grey goose (part 1), 2/49a (jig version of this reel). {Cd ~ 4!|8||DC ~ 1353 7_242}

3/134b • G.S. • The Ladies pantaloons • 821 — See 1/228b The green pantaloons. {Cg ~ 4:|:8||DC ~ 3414 2454}

3/134c • G.S. • The Bridal polka • 822 — Cf Jenny Lind’s favorite polka composed by Anton Wallerstein in 1846; Albert Bridal polka; Alexander’s scrap book new series vol 7 p 30 Bridal polka no 1 by D’Albert; Trim Hardy no 76 (parts 1 & 3). CRÉ 5 no 94 Polca na Brídí. It was recorded in 1922 by Chicago piper Tom Ennis as ‘Murphy’s polka’, and is still current in the Irish popular tradition as the ‘Jenny Lind polka’. See 1/210b New Jenny Lind polka.&nbslp;{Cg ~ 2x8:| ~ 7_3 21' 27 25 (4 bars)}

3/135a • G.S. • jig • 823 — Cf Ryan p 118 Prince Charles; ONDMI no 165 Charles Stewart. {6:8d ~ 2x8:|: ~ 11' 65 45 7_2}

3/135b • G.S. • The Rakes of Clonmel • 824 — See 2/40b. {6:8d ~ 2x8:|: ~ 37_ 5_1}

3/135c • G.S. • Jig • 825 — Cf ONDMI no 316 The humors of Glynn. {6:8g ~ 2x8:|: ~ 1'3 31 33 7_2}

3/136a • G.S. • The pretty girls of Gorey • 826 — Part 1 see 2/179a My bride is a young thing. {Cd ~ 4!|8|| ~ 5152 5174}

3/136b • G.S. • Reel • 827 — Cf Robert Petrie 2 p 3 Honble Mrs Maule’s Reel; Kerr 3 p 12 Sheep shanks; ONMI no 1500 The linen cap. See 1/50c The Kilkenny Hunt. {Cd ~ 4!|8||DC ~ 1'531 2462}

3/136c • G.S. • The Summers morning • 828

3/136d • G.S. • The Tinkers Frolic • 829 — See 1/41c, 4/50b The jolly tinker. {Cd ~ 2x4:|: ~ 5175 5154 (tonic a)}

3/137a • G.S. • Highland Fling • 830 — Cf CRÉ 2 no 121 Gan ainm [untitled, from Tom Barrett]. {2:4c ~ 8:|16 = 2x8|| ~ 15 55 42 42 (4 bars)}

3/137b • G.S. • Victoria Quadrilles No. 1 — Non-traditional. {6:8g ~ | $ 2x8|| $ ~ 35_ 35_35 32}

3/137c • [G.S.] • [Victoria Quadrilles] No. 2. {2:4g ~ 2x8|| ~ 33 11 15_ 5_5_ (4 bars)}

3/138a • [G.S.] • [Victoria Quadrilles] No: 3. {6:8g ~ 2x8|| ~ 51' 51'}

3/138b • [G.S.] • [Victoria Quadrilles] No. 4. {2:4d ~ 2x8|| ~ 1115_ 1313}

3/138c • K • The Pantheon jig • 474 {6:8g ~ 2x8:|: ~ 5_3 21}

[The next 29 tunes have OD / O’D / O.D written in the left margin]

3/139a • O’D • Kilkenny jig • 831 — Cf ONMI no 724 The maid at the well. See 1/35a The black stripper. {6:8g ~ 2x8:|: part 2 two cadences, of 5 bars out of 8 ~ 15_ 14 64 36_}

3/139b • O’D • Garry Owen — Common in print in 2-part versions. Parts 1 & 2 cf Alexander Flowers p 64; part 3: cf ONDMI no 1001 (part 6). See 1/254b. {6:8g ~ 3x8:|: +8:| ~ 63 33 63 22}

3/140a • O’D • A Connaught Reel • 832 — Cf ONMI no 1433 Lord Gordon? Part 1: cf ONMI no 1119 The bucks of Oranmore. See 2/180b The Salamanca, 3/65c. {Cd ~ 4 two cadences !|8|| ~ 5_3_5_3_ 5_3_6_2_}

3/140b • O’D • A Munster Reel • 833 — Cf ONMI no 1456 Jenny’s welcome to Charlie. {Cg ~ 4:|:8||8||8|| ~ 1152 471'7}

3/141a • O’D • Reel • 834 {Cg ~ 4 two cadences :|8|| ~ 14_13 17_5_3_}

3/141b • O’D • The new post office (reel) • 835 — Cf ONMI no 1302 The new mail coach. {Cd ~ 4:|8|| ~ 5_3_3_5_ 3211}

3/141c • O’D • Reel • 836 — Cf CRÉ 2 no 176 Bainis an phíobaire [The piper’s wedding] {Cc ~ 4:|8|| ~ 1665 1531 [1565 1531 if 2nd note corrected to C]}

3/142a • O’D • jig • 837 — Cf Joyce OIFMS p 351 The cat’s bagpipes; Ryan p 122 Jackson’s rolling jig (2 part setting); P-S no 942 Old Clare jig (part 1); ONDMI no 329 Humors of Clare (parts 2 & 3 reversed). {6:8d ~ 3x8:|: +8|| ~ 13 24 13 56}

3/142b • O’D • Bonny Kate • 838 [JG:] (see page 128) — See 3/128c. {Cd ~ 4:|4!|two cadences each part ~ 3_5_6_5_ 1_5_2_2_}

3/143a • O’D • Ride a mile • 839 — Not Pipes p 30, no 77 — See 1/82c. {9:8g ~ 4:|8|| ~ 513 511'}

3/143b • O’D • Strathspey — Cf Cameron p 38 Lord Seaforth; Hamilton HUT 1 p 146. {Cg ~ 4:|:8|| ~ 7_5_13 436_6_}

3/143c • O’D • Captain Kellys reel • 840 — Cf Ryan p 12. {Cg ~ 4:|8|| ~ 1211' 5326_}

3/144a • O’D • Lady Hynes : jig • 841 — perhaps related to 2/151a O’Shea’s frolic. {6:8d ~ 4 parts: 8:|:8 two cadences :|8:|:16|| ~ 17_ 17_ 3_1_ 3_1_}

3/144b • O’D • The Maiden Fair (reel) • 842 {Cg ~ 4:|8|| ~ 1531 1534}

3/145a • O’D • The Galway harebait (reel) • 843 {Cg ~ 2x8|| ~ 2115_ 5174 (tonic a)}

3/145b • O’D • Sir Robert Bruce’s Hornpipe • 844 — Cf ONMI no 1790 The Lodge road (part 1). {Cd ~ 2x8:|: ~ 1127_ 5_5_5_5_}

3/145c • O’D • Glanmorgan House (Jig) • 845 — See 2/161c The House of Glenarkeen, 4/78a The House of Clonelphin (the tune commonly known now as ‘The boys of Tandragee’ or ‘Happy and gay’). {6:8a ~ 2x8:|: ~ 51 57 47_ 24}

[JG originally numbered pp 146–59 as 145–158, and has corrected the numbers by overwriting.]

3/146a • O’D • The Sporting days of Easter • — Part 2: cf ,CRÉ 4 no 106 Timpeall an tseomra [All round the room] (from Grier MS). Part 2: see 4/79f Fanny (part 1). 846 {Cd ~ 4:|:8|| ~ 2525 7724}

3/146b • O’D • A Scotch Country Dance • 847 {2:4f ~ 8:|16|| ~ 13 53 54 54 (4 bars)}

3/146c • O’D • The Munster Lass • 848 — Cf Walker’s Hib Mag, May 1787, p 796; Fitzmaurice 3 p 1. See 4/20e, 3/200b Mulcahy’s favourite. {6:8d ~ 8:|:8 two cadences :| ~ 11' 3'1' 11' 52}

3/147a • O’D • The Queen of May • 849 — Cf ONMI no 1221 Kitty Losty’s reel. See 3/133a The wash-woman. {Cd ~ 4:|8|| ~ 571'5 4224}

3/147b • O’D • Miss Duns Fancy • 850 — Cf ONMI no 1311 The happy days of youth; The O’Connor Don reel (piper Martin Reilly’s original version): see Mitchell & Small 1980; Mitchell 2010, — video here . {Cg ~ 4:|8|| ~ 1563 1326_}

3/147c • O’D • The Farmers Lass • 851 — Cf Ryan p 53 Boy in the gap. Part 1: see 3/200b Mulcahy’s favourite. {[C]d ~ 4:|8|| ~ 121'7 5454}

3/148a • O’D • The Humours of Peppermint • 852 {6:8g ~ 2x8:| part 2 two cadences (2nd unmarked) ~ 11 61' 52 36_)

3/148b • O’D • Hornpipe • 853 — Cf Raven p 186 Deep waters (part 1); Kerr 2 p 28 Lamplighter’s hornpipe; Ryan p 185. {2:4g ~ 2x8:|: ~ 5511' 5511'}

3/148c • O’D • Maggie tripping on the shore • 854 — Related to the Irish tune ‘Maggie Pickens’. See 4/22b “Whistle owre the lave o’t”. {Cg ~ 4:|8|| ~ 15_43 4326_}

3/149a • O’D • Lovely Jane [June?] • 855 — Cf OIFMS p 101 ‘Hibernia’s lovely Jane’{Cc ~ 2x4|| ~ 3 116_1 426_5_ (tonic & final g)}

3/149b • O’D • Reel • 856 — Cf OFPC 4 p 82 Caper Fey; Mitchell DMWC no 65 The copperplate. See 3/159b The cup of tea. {Cg ~ 8:|: ~ 131'6 1'1'31}

3/149c • O’D • Dúiseachd jig by Jackson • 857 —Cf Ryan p 109 Tell her I am. See 3/76a Tell her I am. {6:8d ~ 3x8:|: ~ 31 6_1 7_2 33}

3/150a • Jig • 858 — Cf Ryan p 112 The bridal; ONWSGM no 131 Kennedy’s bridal jig; POK 4 no 15. {6:8g ~ 2x8:|: ~ 13 51' 51 27_}

3/150b • Lady Clares Quick step • 859 — Cf ‘The Longford collector’, popularized by fiddler Michael Coleman’s famous 1934 recording; CRE 1 no 184 Bailitheoir Longphoirt. {Cc ~ 2x8:|: ~ 1135 4635}

3/150c • Naebody • 860 — See 2/48b I have a wife of my own. {9:8d ~ 4:|8:| ~ 135 134}

Of course, the melody of # 911 is also (or was in a previous generation) hugely popular as that of the song ‘Molly Brannigan’. 3/151a • Jig • 861 — Cf ONMI no 1090 Kitty of Oulart. {6:8d ~ 8:|:8:| ~ 53 53 45 22}

3/151b • Frazers Frolic • 862 — Cf ONMI no 1246 Colonel Fraser (parts 1 & 2). See 1/44a Reel. {Cg ~ 4:|8|| ~ 315_1 2454}

3/151c • The geese in the bog • 863 — Cf Howe Omnibus complete p 108; P-S no 940. {6:8c ~ 8:|:8:| ~ 13 5_5_ 13 5_6_}

3/152a • The Kerry [y overwrites something] Lasses • 864 — Cf ONMI no 1229 The ewe reel. {Cg ~ 4 two cadences :|8|| ~ 5_15_1 7_454}

3/152b • The Humours of Ennistimon • 865 {6:8g ~ 3x8:|:8:| ~ 33 42}

3/153a • We’ll gang na mair to yon town — Cf Aird 1 p 13, no 35; OFPC 3 p 64; See 1/53a The Ferry point (part 1), 2/158b. {2:4g ~ 8:|:8:| ~ 11' 31 31 32 (4 bars)}

3/153b • Farewell to old Ireland • 866 {2:4g ~ 8:|:8:| ~ 3525 1135 (2 bars) or 32 13 44 7_5_ (4 bars}

3/153c • The rights of an Irishman • 867 — Cf ONMI no 783 The book of rights. {6:8d ~ 8:|:8:| ~ 15 55 15 23}

3/154a • An Taibhse dorcha slow — Cf DubMMag Oct 1842, tune no 34 “Speak low, speak low, the Banshee is crying”. {3:4eflat ~ 16|| = 4x4 ~ 3_3_6_ 5_5_4_}

3/154b • An t-seanbean sultmhar [sultmhur?] — Cf Hamilton HUT 1 p 30; Alexander Flowers p 74. See 3/221c The jolly old woman, 1/66a The humours of Bandon. {6:8c ~ 8!|!8:| ~ 5_1 27_ 61 27}

3/154c • Kiss in the Furze (Jackson) — Cf Tracy CDs 1795 p 4 Kiss in the furs. See 2/175a. {6:8d ~ 4:|:8:| ~ 11 34 11 32}

3/155a • Slow March • 868 {Cg ~ 8:|:8:| ~ 5631 5631'}

3/155b • Scotch Reel — Cf Ryan p 82 Maginnis’ delight. See 4/88e The shoe makers frolic. {Cg ~ | $ 4 two cadences :|8|| $ ~ 3565 3545}

3/155c • Reel • 869 — Part 1: cf Aird 2 p 13, no 34 A trip to Clumber. For the Ger: flute (part 2). {Cg ~ 4:|8|| $ ~ 5352 1351'}

3/156a • Reel (by Waller) • 870 {Cg ~ 4:|8|| ~ 1153' 4'73'5}

3/156b • Hornpipe • 871 {Cc ~ 2x8:|:8:| ~ 1132 16_6_7}

3/157a • The French Militia (reel) • 872 {Cd ~ 8:|:8:| ~ 1414 7577}

3/157b • Toss the Feathers • 873 {Cg ~ 4:|:8|| ~ 1555 1522}

3/157c • The Humours [of] Bally Connell — Cf Kerr 4 p 19. See 2/54c A Highland reel. {Cd ~ 2x4:|:4:| ~ 1'3'1'5 1'522}

3/158a • The Downshire reel • 874 — Cf ONMI no 1215 The bloom of youth. {Cg ~ 4:|8|| ~ 15_6_5_ 1326_}

3/158b • Butter to peas (Reel) • 875 — Cf Aird 1 p 68, no 187; ONMI no 1405 The maid that dare not tell (part 1). See 2/29a Buttered pease. {Cd ~ 4:|8|| ~ 3546 3542}

3/158c • The midnight maid • 876 — Cf ONDMI no 837 The banks of the Ilen. See 2/160c The Queens county lasses. {Cd ~ 4:|8|| ~ 351'3' 1'3'2'5 (tonic d?)}

3/159a • The Dandy Girl • 877 — See 1/42c and 4/82a Miss Monaghan’s reel; also 3/179b The pretty girls of this town. {Cd ~ 8:|:8:| ~ 1335 4635}

3/159b • The cup of Tea • 878 — Cf OFPC 4 p 82 Caper Fey; Mitchell DMWC no 65 The copperplate. See 3/149b Reel. {Cd ~ 8:|:8:| ~ 1'3'1'5 1'531 (tonic d?, final e)}

3/159c • The new rigg’d ship • 879 — Common in print but in 6:8 time. {2:4d ~ 8:|:8:| ~ 11 11 25_ 25_ (4 bars)}

3/160a • “Cameron’s got his wife again” — Cf Cameron p 14; Kerr 1 p 10. {Cd ~ 4:|8|| ~ 1'555 1'522}

3/160b • Miss Rae’s reel — Cf Surenne DMS p 143 Rachel Rae; Cameron p 15 (attributed to J. Lowe). {Cd ~ 4:|8|| ~ 131'5 1'3'3'7}

3/160c • The Earl of London’s [read Loudon’s] Strathspey — Cf Aird 3 p 198, no 518. {Cg ~ 4:|8|| ~ 5515 2662}

3/161a • The Fife Hunt — Cf VMP Mittel MS WM.141; Cameron p 59; Kerr 1 p 14. {Cd ~ 4:|8|| ~ 315_3_ 2_222}

3/161b • The Indian Jugglers — Cf Power CDs no 8, p 4. {6:8g ~ 8:|:8:| ~ 11 51'}

3/161c • Dumfries House — Cf Anderson’s budget p 26. {6:8g ~ 8:|16||DC ~ 11 51 45 25_}

3/162a • The back of the change house — Cf Campbell 8 p 7; Hamilton HUT 1 p 59; Cameron p 55. See 1/39a. {Cd ~ 4:|8|| ~ 5_5_26_ 5_5_11}

3/162b • Ayrshire Lasses — Cf Gale’s pocket companion 1 p 39; Kerr 2 p 11. {Cd ~ 4:|8|| ~ 532'2' 2'3'1'6}

3/162c • Long Live [sic] to Balantyre [read Blantyre] (Strathspey) — Gow Repos 1 p 29 Lennox’s love to Blantyre; Kerr 3 p 18; Surenne DMS p 2. {Cg ~ 4:|8|| ~ 1_1_3_1_ 2_3_6_6_}

3/163a • Hibernia • 880 — Cf Robertson Hibernia; Hamilton HUT 1 p 4. See 4/49b The Hibernian medley. {6:8d ~ 8:|8||DC ~ 31 5_5_ 1_1 22}

3/163b • The Lowlands of Scotland [corrected < Holland?] • 881 — Cf Kerr 1 p 35 The hare’s foot; ONMI no 1296 Jim Kennedy’s favourite. See 1/124c Reel. {Cg ~ 8:|8|| ~ 3_3_5_1 5_7_5_ 3_p>

3/163c • Woods Hornpipe — Cf Kerr 2 p 39. {Cg ~ 8:|:8|| ~ 1113 5552}

3/164a • Welcome to the Country • 882 {Cg ~ 4:|8|| ~ 7574 51'1'2'}

3/164b • Lady Betty Cochran’s Reel — Cf Campbell 11 pp 10–11. {Cd ~ 4:|8|| ~ 3_1_5_5_ 4_326_}

3/164c • Double Kisses — Cf Cameron p 49. {Cd ~ 4:|8|| ~ 15_11 15_22_}

3/165a • Lassie look before ye — Cf Howe Omnibus complete p 114; Kerr 1 p 8. {Cd ~ 4:|8|| ~ 1313 2722}

3/165b • Delven House — Cf Gow BNG 2 p 28; Kerr 2 p 13. {Cd ~ 4:|8|| ~ 1215_ 2_27_6_}

3/165c • Lady Caroline Bligh’s Reel See p. 66 • 883 — Cf Cf ONMI no 1266 Miss Thornton’s reel. See 3/66a Down the street, 3/128a. {Cg ~ 4:|8|| ~ 131'3 4242'}

3/166a • Shane’s Castle • 884 — Cf PON MS /2 p 60. {2:4d ~ 8:|:8:| ~ 1313 3416_}

3/166b • Fight about the Fire Side — Cf Cameron p 21; Stephano p 6. {Cd ~ 4:|8|| ~ 5_3_2_2 5_3_5_3_}

3/166c • The Drunken Wives of Lochaber — Cf Aird 6 p 4, no 8. {Cg ~ 4:|:8:|: ~ 5_5_7_2 1132}

3/167a • The Earl of Dalkeith’s reel • 885 — Cf Aird 1 p 13, no 35 We’ll gang nae mair to yon town, parts 1 & 2. {Cg ~ 4:|8|| ~ 3542 6_5_6_5_}

3/167b • The Swaggering jig • 886 — Cf P-S no 961. {9:8d ~ 4:|:4:| ~ 36_5_ 36_2 (tonic d, final a)}

3/167c • Roll her on the mountain • 887 — Cf Kerr 1 p 3 Roll her on the hill. {Cg ~ 4:|:4:| ~ 5153 6661'}

3/168a • The Wet Weather • 888 {2:4d ~ 8:|:8:| ~ 12 7_6_ 12 34 (4 bars)}

3/168b • The Waterloo Hornpipe • 889 {Cg ~ 8:|:16:| ~ 1115 6446}

3/168c • Jig • 890 — Cf P-S no 400 Miss Goulding – by Carolan. From John O’Daly’s MSS. {6:8g ~ 8:|:16 = 4x4:| ~ 1315 7_2_ 7_4}

3/169a • Hawkes Hornpipe • 891 {Cc ~ 8:|:8:| ~ 35_7_7_ 7_7_7_7_}

3/169b • Hornpipe • 892 — Cf ONMI no 1574 The boys from Scart; Ryan p 168 Delaware hornpipe. {Cg ~ 8:|:8:| ~ 3333 1'1'51}

3/169c • Earl Dalhouse’s reel — Cf Johnson Scottish fiddle music p 224, from Nathaniel Gow, c. 1800. {Cg ~ 4:|:4:| ~ 1'3'53' 2'3'1'6}

3/170a • Lady Madelina Sinclairs strathspey — Cf Campbell 8 p 18; Gow BNG 2 p 26. {Cg ~ 4:|8|| ~ 5336 5522}

3/170b • Slow March — Non-traditional. {Cg ~ 8:|:8:| ~ 5_3_5_1 6_6_6_4_}

3/170c • Clean pease straw • 893 — Cf Surenne DMS p 117 Pease strae. {Cd ~ 8:|:8:|DC ~ 1343 25_7_6_}

3/171a • Touch her if you dare • 894 — Part 2: Cf VMP Browne MS BF13.037 Allonby Lasses (part 2). {Cg ~ 2x8|| ~ 7_7_3_7_ • 3_7_13 (tonic e, final e) rather than 5_5_1_5_ 1_5_6_1 (tonic g)}

3/171b • The Scotch Hunt • 895 {Cc ~ 4:|8|| ~ 5_134 2454}

3/171c • Slow March — Non-traditional. {Cg ~ 8:|:8:| ~ 3353 1115_}

3/172a • Invercauldy Scotts measure — Cf Stewart Airs 2 p 107 Scotts measure. {Cg ~ 8:|:8:| ~ 425_3 745_3}

3/172b • Touch it if ye dare • 896 — Cf ONDMI no 632 You rogue you dar’n’t meddle me; Moylan JOL no 82 The worn torn petticoat. {Cg ~ 4:|8|| ~ 3125_ 7_247_}

3/172c • Kitty got her clinking • 897 — Part 2: cf Hime Pocket book p 16 Soldier’s dance after the battle; Aird 4 p 17, no 46. See 2/51c The soldiers dance. {Cg ~ 4:|:4:| ~ 5_5_5_3_ 5_5_6_2_}

3/173a • Hornpipe • 898 — Cf ONMI no 1749 The fancy fair. {Cg ~ 8:|:8:| ~ 3432 11'1'2'}

3/173b • McConnells Quick step • 899 {6:8g ~ 16:|:16:| ~ 13 13 11' 65}

3/174a • Andrews Farewell to Ireland • 900 {6:8c ~ 8:|:8 two cadences :| ~ 11' 64 51 23}

3/174b • No. I • Set of Quadrilles — Non-traditional. {2:4d ~ 3x8||DC $ ~ 31 5_5_ 5_5_ 5_3 (4 bars)}

3/174c • No. II [Set of Quadrilles]. {2:4d ~ 8:|:8:| ~ 5_5_5_5_ 5_117_}55 51 66 62 (4 bars) rather than 5_5_5_5_ 5_117_ (2 bars)}

3/175a • No. III [Set of Quadrilles]. {6:8d ~ 8:|:8:| ~ 15_ 15_}

3/175b • No. IV [Set of Quadrilles]. {2:4d ~ 8:|:8:| ~ 13 53 45 65 (4 bars))

3/175c • O.D. • Waltz (The Fitzwilliam) — Non-traditional. {3:4d ~ 8 two cadences :|16 = 2x8|| ~ 111 35_5_}

3/176a • D.C. • My love is in America • 901 — Notes of music are obscured by pencilled notes of music [by P.W. Joyce?]. Cf ONMI no 1347 Jenny picking cockles. {Cg ~ 4 two cadences :|8|| ~ 51'55 4277}

3/176b • D.C. • The merry time of Easter • 902 {Cg ~ 4:|: 4:|two cadences both parts ~ 5_1_5_3_ 6_5_2_2_}

3/176c • D.C. • The Pretty Girl [Gir corrected] in danger • 903 — Cf Aird 2 p 37, no 101 Marquis of Huntleys reel; Ryan p 251 Marquis of Huntly’s strathspey; ONMI no 1229 The ewe reel. See 3/152a The Kerry reel. {Cg ~ | $ 4 two cadences :|8||DC ~ 5_15_1 7_243}

3/177a • D.C. • Paddy on the road • 904 — Cf ONMI no 1533 Rakish Paddy. {Cg ~ 8:|:8:| ~ 7775 7424}

3/177b • D.C. • Bally-na-courty jig • 905 — See 2/130c, 2/163a, 3/20a. {6:8g ~ | $ ? 2x8:| part 1 two cadences; ~ 15_ 5_1 34 36_}

3/177c • D.C. • Mamma’s pet • 906 — Cf ONWSGM no 205 (part 1). See 3/108c (part 1). {Cg ~ 4 two cadences :|8||DC ~ 17_6_5_ 1352 (tonic c)}

3/178a • D.C. • “‘Bundle and go’” • 907 {6:8g ~ 8:|:8:| ~ 5_3 27_ 5_3 51}

3/178b • D.C. • Coffee and Tea • 908 — Cf ONMI no 794 Connie the soldier. {6:8g ~ 8:|:8:| ~ 25 1'2 11 14}

3/178c • D.C. • [Coffee and Tea] – another version • 909 {6:8d ~ 8:|:8:| ~ 25 57 24 24}

3/179a • K • I’m sorry to leave my country • 475 {Cg ~ 4:|8||DC ~ 5_132 427_1}

3/179b • K • The pretty girls of this town • 476 — See 1/42c & 4/82a Miss Monaghan’s reel, also 3/159a The dandy girl. {Cd ~ 2x4:| two cadences both parts ~ 1335 5635}

3/179c • K • Pádruig, píobaire slow • 477 {6:8g ~ 8|| = 4x2 ~ 12 11 16 22}

3/179d • K • [Untitled] • 478 {Cg ~ 4:|:4:| ~ 5_131 3122}

3/180a • K • Dubhairt sí go bhfaghain • 479 — See 1/110 Trip to the cottage (part 1). {6:8g ~ 8:|:8:| ~ 54 32}

3/180b • K • Pádruig mac gailbhe • 480 — Words pp 112–13 ‘A Phádruig mac gailbhidhe ’sé mo cheasnaoi ’s m’amhgar’. {3:4g ~ 16!| $ end & bar 8 ~ 532 111}

3/180c • DS • Heilan’s Fling • 910 — Cf CRÉ 1 no 93 Barr an tsléibhe (The mountain top). {Cg ~ | $ 4:|8!| DC $ ~ 326_5_ 3561'}

3/181a • DS • Humours of Newtown • 911 — Cf Jackson JCIT p 1 Cossey’s jig. Part 1: cf Roche 1 p 50; ONMI no 991 Jimmy O’Brien’s jig; JOL no 214; Mullaly pp 51–52 Jackson’s wife to the road; Tubridy 2 p 38 The maid in the meadow. See 3/120a, 2/97a Jacksons Lodge; 2/165b Caseys Jigg (Jackson) . {6:8d ~ 2x8:|: ~ 43 23}

3/181b • DS • Cailleach an Dilisg • 912 — See 3/99a. {6:8d ~ 2x8:|: ~ 64 42 64 31}

3/181c • K • Neil Gow’s second wife • 481 — Cf Gow Repos 2 p 13 Niel Gow’s wife; ONMI no 1539 The watchmaker. {Cc ~ 4:|8||DC ~ 3127_ 3135}

3/182a • K • Reel • 482 — See 3/110a Scotch Mary. {Cg ~ 2x8||DC ~ 35_35 35_7_7_}

3/182b • K • Miss Murphys reel • 483 — Cf CRÉ 1 no 107 An ríl cam [The crooked reel]. See 2/156, Bonny Anne (part 1), 3/100b (jig version) Follow me down to Carlow. {Cc ~ 2x4:|: ~ 115_7_ 1135}

3/182c • Jig. S.G • 913 [initials in gaelic] — Probably composed by JG. {6:8g ~ 2x4:|: ~ 5_2 34 52 36_}

3/182d • K • Domhnall mo ghrádh • 484 — Words p 115 (in English, chorus refrain in Irish) ‘Judy barefooted to the market did walk / herself & her Domhnal together did talk’. {3:4d ~ 16|| ‘chorus’ 4|| ~ 112 445}

3/183a • K • Fiagaidhe an Chúil bháin • 485 {3:4g ~ 2x16|| = 4x8 ~ 661' 661'}

3/183b • K • Nóra Críona as a jig • 486 — See 3/83a Nóra Críona, 3/125b Nóra óg. {6:8g ~ 2x8:|: ~ 11 32 11 34}

3/184a • D.C. • Mary O’Hara • 914 — Cf Tubridy 1 p 35 The battering ram. See 3/72c Jig (near duplicate). {6:8g ~ 2x8:|: ~ 53 51 53 36 (final e, but tonic g)}

3/184b • K • An bhean dubh • 487 — Words p 116 (These words with chorus seem appropriate to 3/184b, which has a chorus, rather than to 1/2c.) ‘Nuair bhím-sí air mo dhíthchioll / agus me díbirt na ngabhar ón ttig / cur fá [chorus:] ‘A bhean dubh, a gheal dubh / ’s a bhean dubh aro ca bhfuil tú?’ {3:4g ~ 8|| ‘chorus’ 8 two cadences covering 5 bars :| ~ 355 753}

3/184c • K • Paddy O’Neil • 488 {6:8g ~ 2x8:|: ~ 5_1 6_2}

3/185a • K • Taidhreamh a deineag a réir dham • 489 — Words p 119 ‘Taidhreamh a deineag a réir dam / go déanach air mo leaba shuain’. {Cg ~ 16|| = 4+2 4+2 4 ~ 1'1'1'6 6631'}

3/185b • K • jig • 490 — Cf OIFMS p 116 The shamrock; Ryan p 107 Happy to meet, sorry to part; Roche 1 p 45, no 106 You’ll go a-hunting no more. {6:8g ~ 2x8:|: ~ 53 11 35 6_2}

3/185c • K • The new married couple • 491 — Part 2: cf Kerr’s collection p 32 The tenpenny bit (part 2). {6:8d ~ 2x8:|: ~ 6_2 6_1 6_2 6_1 (tonic d?) or (14 13 14 13 tonic b?)}

3/186a • J.G. • jig [JG pencil] • 915— In left margin:.’ J.G.’; probably composed by JG. {6:8d ~ 4x8:|: ~ 46_ 46_ 46_ 25_}

3/186b • H • jig. Lanigan’s ball. • 916 — Blotted text in left margin: ‘ [Dr / br?] H’ [Brother Holden?]. — Notes of music are obscured by pencilled notes of music [by P.W. Joyce?]. Cf Kerr 2 p 13; Kerr’s collection p 31 Ryan p 134; Aird 3 p 160, no 416 Dribbles of brandy. See 3/87c Jockey thro’ the town. {6:8d ~ 2x8:|: ~ 13 55 7_2 44}

3/187a • Petrie • A Dhomhnail mo mhaoin — In left margin: ‘Dr Petrie per J O’Daly’. Cf P-S no 1139. {3:4c ~ 8:|:16:| = 6x4 ~ 115_ 111}

3/187b • K • Strathspey • 492 — See near identical fragment at 4/4a, 4/92a Braes of Aghteryre. {Cd ~ 2x8|| ~ 1_1_3_5_ 1315_}

3/187c • Braw braw lads — Cf SMM 2 p 3, no 125; Dick p 3. {Cd ~ 2x4|| ~ 3211 5552}

3/188 Scotch airs [Heading referring to the next 27 items] 3/188a • [Scotch airs] • He is over the hills — Cf Hamilton SSS p 184, Graham 2 pp 70–71. {6:8g ~ 8:|8|| ~ 5_1 36_}

3/188b • [Scotch airs] • Mary Morrison Tenderly — Cf Mitchison pp 72–73; Turnbull pp 66–67. {Cd ~ 2x4|| ~ 1153 1142}

3/188c • [Scotch airs] • My boy Tammy Tenderly — Cf Cameron p 17; Turnbull pp 42–43; Forde 300 NM 2 p 13. {Cc ~ 2x4|| ~ 1357 4427_}

3/189a • [Scotch airs] • Saw ye my wee thing slow — Cf Hamilton SSS p 34–35; Graham 2 pp 94–95. See 1/206a Mary of Castlecary. {6:8g ~ 2x8|| ~ 5_1 22}

3/189b • [Scotch airs] • Wae’s me for prince Charlie slow — Cf Hamilton SSS pp 38–39; Graham 1 pp 114–15 Gypsy laddie. {Cg ~ 2x8|| = 4x4 ~ 1144 2255}

3/189c • [Scotch airs] • The Brisk young Lad — Cf Turnbull pp 188–89. See 1/133a The bunch of currants (part 1). {6:8bflat ~ 2x8|| ~ 33 42 31 15_}

3/190a • [Scotch airs] • John Anderson my jo — Cf Cameron p 45; Forde 300 NM 2 p 4. See 1/205c. {Cc ~ 16|| = 4x4 ~ 5_112 3334}

3/190b • [Scotch airs] • I loe na a laddie but ane — Cf SMM 3 p 276, no 267; Kerr 1 p 31 (The air of Thomas Moore’s song ‘Believe me if all those endearing young charms’). See 1/176c, 3/197a. {6:8g ~ 2x8|| ~ 11 66 52 33}

3/190c • [Scotch airs] • What can a young lassie — Cf SMM 4 p 327, no 316; Dick p 176. {6:8d ~ 2x8|| ~ 13 42}

3/191a • [Scotch airs] • Highland Mary — Cf Cameron p 26; Hamilton SSS p 69. {Cbflat ~ 2x8|| ~ 5_111}

3/191b • [Scotch airs] • Pibroch of Donail Dhu — Cf Hamilton SSS p 116; Kerr’s Collection p 34. {6:8f ~ 8||4|| ~ 56 53}

3/191c • [Scotch airs] • The Braes aboon Bonaw [a corrected in Bonaw] — Cf Hamilton SSS p 52; Gale’s pocket companion 1 p 13. {2:4d ~ !8||8!|DC ~ 15 55 15 32 (4 bars)}

3/192a • [Scotch airs] • O This is no my ain Lassie — Cf Hamilton SSS p 81; Kerr 3 p 41. {Cd ~ 2x4|| ~ 355'3' 6542}

3/192b • Wilt thou be my dearie — Cf Edin repos music 2 p 129; Hamilton SSS p 97; Forde 300 NM 2 p 21. {2:4g ~ 18|| ~ 16_ 15_ 14 32 (4 bars)}

3/192c • Haud awa frae me Donald — Cf Gale’s pocket companion 1 p 33; Cameron p 48. {Cd ~ 8||8!|DC ~ 11 5_5_ 11 32 (4 bars)}

3/193a • My heart is sair for somebody — Cf Hamilton SSS p 12. {2:4g ~ 2x8|| ~ 15 22 13 63 (4 bars)}

3/193b • My only Jo my dearie oh — Cf Hamilton SSS pp 94–95; Graham 2 pp 138–39 Thy cheek is o’ the rose’s hue. {Cd ~ 2x8|| ~ 1'1'3'1' 1'555}

3/193c • Here awa, there awa — Cf Hamilton SSS p 89; Forde 300 NM 2 p 1; SMM 1 p 58, no 57. {3:4f ~ 2x8|| = 4x4 ~ 775 333}

3/194a • Laddie oh leave me — Cf Hamilton British Minstrel 3 p 65. {3:4c ~ 21|| =4+4+4+5+4 ~ 5_17_ 113}

3/194b • Tam glen — Cf Songs of Burns p 13. {3:4g ~ 12|!12!| = 4x6 ~ 311 117_}

3/194c • When the kye came hame — Cf Hamilton SSS p 29. {Cc ~ 12|| = 2+2+2+2+2+2 ~ 3115_ 5_7_7_1}

3/195a • Argyle is my name — JG repeats in error bars 9 & 10. Cf SMM 6 p 578, no 560; Graham 2 pp 114–15; Forde 300 NM 2 p 24. {6:8g ~ 8||10 = 8+2|| ~ 5_13 2 33 5_1}

3/195b • Cam’ ye by Athol? — Cf Hamilton HUT 1 pp 116–17. {6:8d ~ 2x8|| ~ 31 53}

3/195c • Wha wadna fight for Charlie — Cf Hamilton SSS p 157; Kerr 2 p 15; Kerr’s collection p 20. {2:4d ~ 2x8|| ~ 1133 1131}11 33 11 31 (4 bars, tonic d?) or 7_7_ 22 7_7_ 27_ (tonic e?)}

3/196a • This is nae my ain house — Cf Orph Caled 2 p 72, no 32. {Cd ~ 2x4|| ~ 353'2' 1'572}

3/196b • The year that’s awa — Cf Graham 3 pp 78–79. {6:8g ~ 12|| ~ 55 11}

3/196c • A scotch lilt • 917 — Part 1: cf Hamilton HUT 2 p 168 Monie musk. See 4/4c reel (2-bar fragment). {Cd ~ 2x4|| ~ 5354 5324}

3/197a • K • thug sí na móide ná geabhach liom • 493 — Related to ONMI no 114 My lodging is on the cold ground (air used for Moore’s song ‘Believe me if all those endearing young charms’). See 1/176c, 3/190b. {6:8g ~ 2x8|| ~ 13 51' 52 32}

3/197b • K • Tá mo phass agam am phóca • 494 — Words p 123 ‘Tá mo phass agaim am pócadh ós gach baille dha seoltar me air cuaird’. {3:4d ~ 2x12|| = 4x6 ~ 116_ 113}

3/197c • K • we’l hunt the wren • 495 — See Croker Researches p 233 on this custom. See 1/266a Allisdrum’s march (first two bars), 3/19a Galagher’s jig (part 1). {6:8c ~ 8|| = 4x2 ~ 31 17}

3/198a • K • Round to the Rebels • 496 {Cg ~ 2x8:|: ~ 5337 5335}

3/198b • K • Catherine Ogie • 497 {Cc ~ 2x8:|: ~ 5112 557_2}

3/198c • K • Do bhíos-sa lá breagh gréine • 498 — Cf Words p 120 Lá breagh aorach ‘D [h?]o bhíossa lá breagh aorach [aorach changed to greine by writing above] / cois na habhan dá nglaodhaid siud laoi’. {Cd ~ 16|| = 4x4 ~ 1'1'1'5 771'5}

3/199a • K • Caoine ’n Duine Aosda da chloinn • 499 — Words p 121 ‘Léan ar an mnaoi, thug uaithe ’n ghuidhe / nár órduig an duine aosda beadh taobh le na chloinn’. A version of the song ‘Carraig Aonair’ (about a drowning tragedy off the coast of Cork). See a Ballyvourney text from A.M. Freeman: ‘Luan duv an Áir’, JFSS 6 no 23, 130–32, and a related account in Croker Researches pp 175–76. {3:4g ~ 16|| = 4x4 ~ 342 1'1'2'}

3/199b • K • Better than worse • 500 — Cf CRÉ 5 no 52 Port an Túir Mhóir [The Toormore jig] (part 1). {6:8g ~ 2x8:|:? ~ 5_6_ 5_6_}

3/199c • K • Cáinseóireacht na mná leis an sean duine • 501 {3:4g ~ 2x8|| = 4x4 ~ 234 317_}

3/200a • K • The Union Hornpipe • 502 — Cf Tubridy 1 p 25 An tsean-bhean bocht. {Cg ~ 2x8:|: ~ 336_5_ 1116_}

3/200b • K • Mulcahy’s favourite • 503 — Part 1: see 3/146c The Munster Lass. {6:8g ~ 2x8|| ~ 13 51'(tonic d)}

3/200c • K • The Wedding of Ballyporeen [o in poreen corrected] • 504 — See 1/185b. {6:8g ~ 2x8|| ~ 13 51'}

3/201a • K • Doolins reel • 505 — Cf CRÉ 5 no 146 Oifig nua an phoist [The new post office] (part 1) (commonly known as the ‘Scartaglen reel’). {Cd ~ 4:|:8||DC ~ 3211' 7424}

3/201b • Lady Sheppard • Irish air from the Petrie collection — In left margin ‘Lady Sheppard ’. Cf Petrie AMI pp 68–69 Scorching is this love. Petrie’s tune was the source of the Church of Ireland hymn ‘Christ is the world’s redeemer’ (tune ‘Moville’). {Cg ~ 2x8|| ~ 1111 3332}

3/201c • Lady Sheppard • Irish air from Petrie’s collection (transposed & slightly altered) • 918 — In left margin ‘Lady Sheppard sept. 66’. This is the tune now famous under the title ‘The Londonderry air’. Cf Petrie AMI p 57 Name unknown, from ‘Miss J. Ross of N.T. Limavady, in the county of Londonderry’. {Cg ~ 2x8|| ~ 3335 26_02}

3/202a • Willie brew’d a peck [pock?] o maut — Cf Edin repos music 2 pp 116–17; Graham 2 pp 80–81. {2:4g ~ 2x8:|: ~ 5_6_6_4_ 1216_}

3/202b • Nancy of the branching tresses — Cf B2 p 45; Clinton Gems no 57. {Cg ~ 2x8|| = 4x4 ~ 1'3'61' 5213}

3/202c • The green woods of Triugha — Cf B2 p 42. {3:4g ~ 2x8|| = 4x4 ~ 134 31'6}

3/203a • The old Triugha — Cf B2 p 67. {3:4g ~ 2x8|| ~ 1'1'3 1'53'}

3/203b • Beside a Rath — Cf B2 pp 49–51. {Cg ~ 2x16|| ~ 16_6_7_ 1101}

3/204a • The rose without rue — Cf B3 p12. See 4/102b. {2:4d ~ 2x8|| ~ 4_116_ 6_15_3}

3/204b • O’Neil’s cavalcade — Cf B2 p 32. {2:4g ~ 20|| ~ 2761' 5775}

3/204c • Dermot O’Dowd — Cf B2 p 24; DMMag April 1842, tune no 10. {3:4c ~ 8|!8!| ~ 5_11 127_}

3/205a • Marseillaise Hymn maestoso. {Cg ~ 30|| = 4+4+2+4+4+2+2+4+2+2 ~ 1122 5513}

3/205b • The Standard Bearer — Cf Lindpainter. {Cd ~ 18|| ~ 1'1'33 5133}

3/206a • The charming fair Eily — Cf B2 pp 1–3. {6:8a ~ 16|| = 4x4 ~ 15 65}

3/206b • Mona’s lament — Cf Howe 500 p 223. {3:4d ~ 20|| = 5x4 ~ 5_11 332}

3/206c • The dawning of the day. see vol. I. page 268 — Cf B2 p 53. {Cg ~ 2x8|| ~ 116_5_ 5532}

3/207a • Killarney Fair • 919 {6:8d ~ 24|| ~ 33 44 53 21}

3/207b • The Limerick jockey • 920 {6:8g ~ 24|| ~ 11' 65 11'65 Killarney Fair Boston Music Company}

3/208a • That is the road she went — Cf B2 p 40. {6:8g ~ 8|:16:| ~ 1'7 65}

3/208b • O’Rourke’s Feast slow — Cf Walker 2 no 19; B2 p 8. {6:8g ~ 8||16|| ~ 15 44}

3/209a • Planxty Irwin — Cf B2 p 7. {6:8g ~ 2x8|| ~ 1'6 53}

3/209b • Colonel Irwin — Cf B2 p 39. See 2/175b. {Cc ~ 2x8:|: ~ 1565 2424}

3/209c • Young Cusac — Cf B2 p 72. {6:8d ~ 2x8|| ~ 1'1' 77 66 75}

3/210a • Planxty Sudley — Cf B2 p 68. See 4/126c. {Cd ~ 32|| ~ 1113 5555}

3/210b • Planxty Thomas McJudge — Cf B2 p 47. See 4/123b. {6:8g ~ 8||16|| ~ 51' 1'3' 3'1' 14}

3/211a • Planxty Birmingham — Cf B2 p 70. {6:8g ~ 2x8:|: ~ 11 74}

3/211b • Fanny Power — Cf B2 p 49. See 4/148c. {6:8d ~ 2x8:|: ~ 1'1' 4'2'}

3/211c • Clara Burke — Cf MS 7348 p 185; B3 p 70. {3:4d ~ 16|| ~ 556 1'1'1'}

3/212a • Young James Plunket — Cf MS 7348 p 173; B3 p 26. {Cg ~ 16|| ~ 111'1' 6633}

3/212b • Planxty Charles Coote — Cf B3 p 26. See 4/148a. {Cd ~ 2x8:|: ~ 3525 4235}

3/212c • Planxty Burke — Cf B3 p 31. {12:8bflat ~ 3x4|| ~ 1534 7_471'}

3/213a • Planxty Drury — Cf B1 p 6; Holden OIM no 14. See 4/125a. {6:8d ~ 16||20|| ~ 1'1' 53}

3/213b • Sir Festus Burke — Cf B3 pp 34–35. See 4/147a. {2:4c ~ 26|| ~ 11 31 45 7_5_ (4 bars)}

3/214a • Night closed round — [words by Thomas Moore]. Cf Haverty 300 p 96; Surenne SI p 124; ONMI no 205 Thy fair bosom. {3:4f ~ 16|| = 4x4 ~ 1'1'1' 2'65}

3/214b • Thou flower of virgins — Cf B2 p 23. {3:4d ~ 2x8:|: =4x4 ~ 112 35_5_}

3/214c • Try again — Non-traditional. {2:4d ~ 2x8||DC ~ 15 15 46 66 (4 bars)}

3/215a • Sit down under my protection — Cf B3 p 1; MS 7348 p 176. See 4/100c. {3:4g ~ !12!20|| ~ 123 1'2'3}

3/215b • The parting cup • 921 {6:8g ~ 8||16|| = 3x8 ~ 13 15 45 22}

3/216a • The Hornless cow — Cf B3 p 29. {6:8g ~ 3x8:|: ~ 57 1'1'}

3/216b • Patricks delight • 922 {9:8g ~ 12|| = 3x4 ~ 11'4 512}

3/216c • Mistress O’Grady • 923 {2:4g ~ 2x8||DC ~ 1'753 2465}

3/217a • Air an mbaille tá’n cúilfhion — Cf B3 pp 14–15. {3:4g ~ 24|| = 3x8 ~ 51'1' 3'53}

3/217b • The Humours of Galway • 924 {2:4g ~ 3x8|| ~ 1353 4616}

3/218a • O’Molly [sic] dear • 925 {Cc ~ 8||16|| = 3x8 ~ 1132 115_5_}

3/218b • Over the lake — Non-traditional. {6:8g ~ 24|| = 6x4 ~ 51' 61}

3/219a • Maire na gruaige báine — Cf B3 p 49. {3:4g ~ 2x8:|: = 4x4 ~ 113 111}

3/219b • Tyreragh ? Tír iarrach [?] — Cf B3 p 31; MS 7348 p 182. {g ~ 2x8|| = 4x4 ~ 1'652}

3/219c • Rose Connolly — Cf B3 p 14; Surenne SI p 142. {6:8g ~ 16|| = 4x4 ~ 31 56}

3/220 • Lady of the desert (coulin) slow — Cf B3 pp 88–90. {3:4g [see 3:8 in part 4] ~ 8||8||16||3:8 ‘var’ 8:|:8 ~ 1'1'2' 765}

3/221a • Nora mo mhíle stór — Cf B3 p 24. {3:8g ~ 8|!8:| ~ 445 334}

3/221b • Take my love — Cf B3 p 37 (JG begins by transposing B3 from A up to C, but from bar 2 to the end keeps pitch of original key, so that most of his text needs 3 sharps). {2:4c ~ 16|| = 4x4 ~ 1133 4233}

3/221c • The jolly old woman — Cf Alexander Flowers p 74; Hamilton HUT 1 p 30. — See 3/154b An t-seanbean sultmhar, 1/66a The humours of Bandon. {6:8c ~ 2x8:|: ~ 5_1 27_}

3/222a • K • Seo uileó thoil • 506 {Cg ||8||‘chorus’ 8|| ~ 3576 1'1'1'6}

3/222b • K • A short way to Heaven • 507 — Cf OFPC 3 p 45 Sweet Molly; CRÉ 1 no 177 Baintreacht na radaireacht [The tap room, etc.]. See 2/56c The Scotch bonnet, 2/163c Cock your pistol, Charley (parts reversed). {Cg ~ 4:|8||DC ~ 5157 547_2}

3/222c • K • Hornpipe • 508 {Cg ~ 8:|:8:| ~ {5_115 4236}

3/223a • K • Killaloe Hornpipe • 509 {Cg ~ 8:|:8:| ~ 5315 25_5_5_}

3/223b • K • The Green little Island • 510 {6:8g ~ 8||8:| ~ 32 66 55 63}

3/223c • K • Caoineadh Shéamuis Mhic Coitir • 511 — Words p 113–15 ‘Léan ort a Chorcuig / léan ort agus dochar’. {Cd ~ 6||6|| = 3x2||2x3 ~ 331'5 5542 (bar 2 corrected)}

3/224a • Is buachail óg me • 926 {Cg ~6+6||6+6|| ~ 116_6_ 7_7_33}

3/224b • Mrs Casey — Cf Hibernian muse p 4 (‘in Fontainbleau’); Howe Omnibus complete p 106. See 2/147c Billly O’Rourke. {6:8c ~ 8:|16|| ~ 16_ 5_5_ 6_6_ 43}

3/225a • Bhannerach Dhon na chri Slow — Cf Hamilton HUT 1 p 74; Dick p 24. {6:8g ~ 4+4||4+4|| ~ 15 53 15 51}

3/225b • Paddy now, wont you be easy — Cf Hamilton HUT 2 p 39. {9:8 but with barline after beat 2, as well as 3, of bar 1] ~ 3x4:| ~ 11'6 11'6}

3/225c • The Ladies of Carrick — Cf Hamilton HUT 2 p 112. |$!8:|:8:| two cadences [no dal $] ~ 5556 5566}

3/226a • Carolan’s cap — Cf Hamilton HUT 2 p 141. {2:4d ~ 8||8|| ~ 331'3' 1'522}33 1'3' 1'5 22 (4 bars, tonic d) or 6_6_ 45 41 5_5_ (tonic a?)}

3/226b • Is céasda ’n galar an gradh — Cf B3 p 44. {3:4g ~ 8:|16:| ~ 651' 111}

VOLUME FOUR

4/1 • Jackson’s airs [Heading immediately covering airs numbered I–XXI on pp 4/1–11. All these were evidently copied from NLI MS 7348 (as were very many of the tunes in this volume). We give references to Breandán Breathnach’s list of Jackson tunes (BBJ) Other airs attributed to Jackson are to be found elsewhere in JG’s collection.]

4/1a • I Horse in the Pound — BBJ no 30; MS 7348 p 4. Cf Gow Repos 1, p 36. See 2/32 Humours of Dublin, bars 1–16. {6:8 g (or d?) ~ 2x8:|: ~ 1'3 52 1'3 42}

4/1b • II Trip to the Garret • 927 — BBJ no 31; MS 7348 p 4. {9:8d ~ 3x4:|: ~ 5_2_2_ 5_2_6_ tonic d?)}

4/1c • III Maid at the Fair — BBJ nos 18 & 60; MS 7348 p 4. Cf OFPC 1 p 71; OFNIM p 34. {6:8d ~ 3x8:|: ~ 5_5_ 22 5_5_ 11}

4/1d • IV Morning Brush • 928 — BBJ no 5; MS 7348 p 4. Cf Jackson JCIT p 4; Murphy CIAJ p 5. Printed versions lack JG’s 4th part. See 2/178a (4th part) for a variant of part 2. {6:8d ~ 4x8:|: ~ 1_2_ 1_5_ 6_1 42}

4/1e–2 • V Grog • 929 — BBJ no 32; MS 7348 pp 5–6. {6:8d • 4x8:|: • 1_2_ 1_5_}

4/2a • VI “Thought” • 930 — BBJ no 33; MS 7348 p 5. Cf Howe 500 p 220 Cherish the ladies: Jackson. See 2/2a Cherish the ladies, 3/81b Wallop the ladies. {6:8d ~ 3x8:|: 16|| ~ 1'5 15 65 44}

4/2b–3 • VII Jigg • 931 — BBJ no 34; MS 7348 p 6. (6:8d. {6:8d ~ 4x8:|: ~ 72 72 72 41}

4/3a • VIII Night Cap • 932 — BBJ no 6; MS 7348 p 6. Cf OFNIM p 34; Jackson JCIT p 5; Amateurs companion p 13; Surenne SI p 20 The night dance (Strike the gay harp). {6:8d ~ 3x8:|: ~ 1'7 63 1'7 62}

4/3b • IX Welcome home [JG pencil:] ‘done’ — BBJ no 17; MS 7348 p 6. This tune is duplicated as no XVIII on 4/6b. Cf OFPC 1 p 65. See copy at 1/137c. {6:8g ~ 2x8:|: ~ 1'6 53 1'6 52}

4/3c–4 • X Snack • 933 — BBJ no 35; MS 7348 p 7. {6:8d ~ 9x8:|: ~ 35 36 35 42}

4/4a • Strathspey • 934 — fragment in pencil, on blank half-line after preceding item but unrelated. See 3/187b Strathspey, 4/92a Braes of Aghteryre. {[Cg or Cd] ~ 3-bar fragment ~ 1135 1'3'1'5}

4/4b • XI Trip to the Furze • 935 — BBJ no 36 (listed as 9:8 time); MS 7348 p 8. {6:8d[ would be better as 9:8] ~ 4x6:|: ~&55 55 57 55 (tonic a) or 44 44 46 44 (tonic g) [9:8: 555 557 444 446]}p>

4/4c • reel • 936 — Pencil, 2 bars only, on blank half-line after preceding but unrelated. See 3/196c A Scotch lilt (first two bars). {Cd ~ 2 bars ~ 5354 5324}

4/4d • XII Cogue in the morning — BBJ no 16; MS 7348 p 8. Cf OFPC 1 p 14. See 1/134d Humours of Mullin-a-fannia. {6:8c ~ 2x8:|: ~ 5_1 32}

4/4e–5 • XIII Cogue in the evening — BBJ no 37; MS 7348 p 8. Cf OFPC 1 p 52 Cosabue ord. See 2/41 & 3/22a Cosa buidhe arda dearga. {9:8g ~ 4x4:|: ~ 313 314}

4/5a • XIV Favourite or Dream — BBJ no 8; MS 7348 p 9. Cf Holden ISQT 1 p 9. See 1/25a. {6:8d ~ 2x8:|: ~ 1_1_ 5_3_ 5_5_ 2_2_}

4/5b • XV Rowly Powly — BBJ no 21; MS 7348 p 9. Cf OFPC 4 p 101. {6:8d ~ 8:|:16:|: ~ 13 53 24 74}

4/5c • XVI Drum — BBJ no 38; MS 7348 p 9. Cf Citizen vol 4 August 1841, tune no 28; Ryan p 146 Frazer’s. See 1/237b Loosen the belts (part 1). {6:8d ~ 2x8:|: ~ 51 51 (tonic d) or 7_4 7_7_(tonic/final e)}

4/5d • XVII House Maid • 937 — BBJ no 39; MS 7348 p 10. See 1/25a. {6:8g ~ 4x8:|: ~ 65 65 (tonic d) or 54 54 (tonic e)}

4/6a • The Jenny Lind Polka [top margin, JG pencil:] Down 3 notes — [Mrs G] piano, 2 staves, metrical irregularities. Tune still in regional polka tradition. See facsimile in TMP 2 p 154. {2:4f ~ 32||DC ~ 5_5_ 6_6_ 7_7_ 21 (four bars) or 5_3_5_5_ 6_4_6_6_ (2 bars)}

4/6b • XVIII Welcome Home — MS 7348 p 10. Duplicate of 4/3b. {6:8g ~ 2x8:|: ~ 1'6 53 1'6 52}

4/7a • The Flirting Polka — piano [Mrs G], 2 staves. {2:4g ~ 8|Fine 8||DC ~ 13 7_5_ 24 53 (4 bars) or 15_32 7_25_5_ (2 bars)}

4/7b • The Annie Polka — piano [Mrs G], 2 staves. Title common in print but none related found. {2:4g ~ 8||Fine 16|| ~ 441'5 2'41'5}

4/8a • The German Polka — piano [Mrs G], 2 staves. Cf Murphy German polka. {[2:4]d ~ 8||8:|8|| ~ 53'42' 31'1'3}

4/8b–9 • The Prince Regent Polka — [Mrs G], piano, 2 staves. {2:4d ~ 2x8:|:7:|DC ~ 5653 4621}

4/9a • “The King’s own” Polka, By Miss Gamble — piano [Mrs G], 2 staves. {2:4f ~ 8:|:8||DC ~ 5535 5444?}

4/9b • Domhnall [roman] – I saw thy Form, in youthful Prime — Duet. MS 7348 p 80. Cf Moore no 4 1812 song 5; Muhollan SIST 48. See 4/160c. {Cd ~ 2x8|| = 4x4 ~ 3315_ 7_5_3_5_}

4/10a–11 • The Bridal Polka — piano [Mrs G], 2 staves. Cf Albert Bridal polka. {2:4g ~ 7x8|| ~ 3566 53'4'3'}

4/11a • XIX The Hunt • 938 — BBJ no 40; MS 7348 p 10. See copy at 4/61 The Bennison Hunt. {6:8d ~ 3x8:|: ~ 1'3 55}

4/11b • XX Groom .i. Larry Grogan • 939 — BBJ no 41; MS 7348 p 11. Cf Stewart Airs 2 p 97. See copy at 1/230c. {6:8g ~ 2x8:|: ~ 33 22}

4/11c • XXI Bottle of Punch — BBJ no 40; MS 7348 p 11. Cf Holden ISQT 1 p 12 The bottle of claret; Holden ISQT 1 p 35 Bottle of punch. See 1/20b. {6:8d ~ 2x8:|: ~ 15 35}

4/11d • The Rakes of Westmeath • 940 — MS 7348 p 15. Cf Aird 5 p 9, no 23; Cooke 48 Irish CDs 1 no 24. {9:8d ~ 2x4:|: ~ 1'1'3 1'1'4}

4/12a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4f ~ 8||16|| 1st part ~ 11 7_7_ 7_7_ 6_5_ (4 bars)}

4/13a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4 d? ~ 2x8||DC ~ 51'33 2465}

4/13b • Jacksons Hornpipe • 941 — 1/69a is a copy. {Cd ~ 3x8:|: ~ 15_33 2216_}

4/13c • Bantry Bay • 942 — Cf OFPC 3 p 2–3 Love & whiskey or Bob & Joan; Riley 1 no 143 Bobbing Joan. The air is now used for the song ‘Courting in the kitchen’). 1/234b is a copy. See 1/152a Bob and Joan. {Cg ~ 4:|:8:|: ~ 3111 361'6}

4/14a • Polka — piano [Mrs G], 2 staves, non-traditional. {2:4bflat ~ 8||Fine $ 8:| $ DC ~ 5754 3131}

4/14b–17 • La Bella Caterina Brilliant — piano [Mrs G], 2 staves, much polka rhythm. {2:4dflat ~ 8||16|| 5x8|| 4|| ~ 7777 2'1'1'7}

4/17a • K • Curls [line 1] – Curls on Irish pipe| [line 2] • 512 — For these ‘curls’ cf OFNIM (reproduced in ONIFM Appendix A, pp 329–30). For further ‘curls’ see 4/18b. 4/17b • [Untitled waltz] — piano [Mrs G], 2 staves, non-traditional. {3:4bflat ~ 8|:8:| ~ 166 46_6_}

4/18a • Hornpipe • 943 — Cf Kerr 4 p 40. 1/57b is a copy. See 4/59e Murphy’s hornpipe. {Cd ~ 3x8:|: ~ 15_15_ 1325_}

4/18b • The Highland Fabric — MS 7348 p 58. Cf Colclough p 17. See 1/146. {6:8c ~ 2x8:|:4:|:3x8:|: ~ 55 52 55 23}

4/18c • The Lads that thresh the Barley • 944 — See 4/129b O’Reilly of Athcarne. {2:4g ~ 4:|:4 two cadences :|: ~ 5_133 4465}

4/19a • Let no body see you – a Reel — MS 7348 p 15. Cf Carlin no 239 Capt Byng by Nath. Gow. 1/53c is a copy. {Cg ~ 4:|:8:|: ~ 71'31 22'75}

4/19b • The Rocks of Cashel — Cf Hime 1805 book 1, no 13 (JM 5297); Aird 4 p 11, no 29. {Cd ~ 4x4:|: part 3 repeats part 1 ~ 1565 1562}

4/19c • The Sick Boy — See 1/236–37 An buachaill breoite (slight variations in bar 18). {Cg ~ 3x4:|:3x5:|: ~ 1221 1247}

4/19d • Tatter Jack Walsh • 945 — Cf UCC p [72], no 17. {6:8g ~ 2x8:|: ~ 31 7_7_ 7_4_ 5_1}

4/20a • Blewits jig • 946 — Different settings very common in print, sometimes with the title Barney/Judy Bralligan / Brallaghan. {9:8d ~ 3x4:|: ~ 355 351'}

4/20b • Miss McLeod’s Reel • 947 — Different settings very common in print. Cf Howe Omnibus p 44. See 1/46a, 1/189a. {Cg ~ 2x8:|: ~ 11'66 3333 (tonic g, final a)}

4/20c • The Limerick Lasses • 948 — See 1/242b (a copy?). {Cd ~ 3x4:|: ~ 15_1'2 4542}

4/20d • Lord W^m Fitzgeralds Waltz — Cf Power 2 p 2. {3:8g ~ 3x8:|: ~ 556 556 553 113 (4 bars)}

4/20e–21 • The Munster Lass — Cf gnp p 164. See 3/146c (shorter version). {6:8d ~ 6x8:|: ~ 11' 2'1' 11' 52}

4/21a • Paddy O’Kelly • 949 {6:8d ~ 3x8:|: ~ 5_3_ 33}

4/21b • Lisburn Lasses • 950 — Part 2: cf ONDMI no 792 The cup of tea (parts 2 & 3 reversed). See 1/37a. {Cd ~ 4:|:8:|: ~ 11'51' 11'42}

4/21c • Cordon Bleu [footnote by JG, lacking in the source:] The order of the “Cordon bleu” was founded by Louis XVIII, on the birth of the Duke of Bordeaux son of the Duke de Berri AD 1820 JG — Cf gnp p 165; Alday 1818; PON MS /3 (pages unnumbered). {2:4g ~ c3x8:|: ~ 51' 35 25 33 (4 bars)}

4/21d • The Highland Fling • 951 {Cd ~ 4:|:8|| ~ 5335 3'2'3'2'}

4/22a • Ag taisdiol na bláirne — Cf OFPC 2 p 126 Stalk en vauraga. {3:4a ~ 12:|:20|| = 8+4, 8+8+4 ~ 35_6_ 111}

4/22b • “Whistle owre the lave o’t” — Cf Gleadhill p 30; Kerr 1 p 11. Related to the Irish tune ‘Maggie Pickens’. See 3/148c Maggie tripping on the shore. {Cg ~ 4:|8|| ~ 16_33 51'46_}

4/22c • The Scholar — Cf Levey 1 no 39. See copy at 1/235b. {Cd ~ 4 two cadences ||8:|: ~ 1342 15_5_6_}

4/22d • Rambles to Conaught — gnp p 163. Undistinguished. {6:8d ~ 3x8:|: ~ 11 11 12 37_}

4/23a • A Reel — See copy (better version) at 1/241b. {Cd ~ 4:|:8:|: ~ 1515 1'562}

4/23b • Lady E [Elizabeth] Douglas’s Reel • 952 — MS 7348 p 1. part 2: cf Ryan p 76 Gem of Ireland (part 2). {Cd ~ 4:|:8:|: ~ 15_5_1_ 2_2_6_6_}

4/23c • A Reel • 953 — 1/242a is a copy. See also 3/44d & 4/87c Lasses of Dundee. {Cg ~ 2x8:|: ~ 1353 5453}

4/23d • Willy o’er the Mountains • 954 — Cf Aird 4 p 11, no 29 Rocks of Cashel; Holden ISQT 1 p 8. {Cd ~ 3x4:|: ~ 1_5_6_5_ 1_5_6_2_}

4/23e • Lord Mayo • 955 — Cf OFPC 3 p 68; Saust p 7; gnp p 173; Neal CIT p 28. {Cc ~ 4:|:8:|: ~ 1154 517_5_}

[Here begins a series of solos mixed with two-staff duets from Moore, or a collection including Moore and non-Moore, with double titles, evidently copied or adapted from NLI MS 7348.]

4/24a • Maid of the Valley – go where glory waits thee — Duet. MS 7348 p 60. Cf Moore no 1 1807 song 1, duet; McC 1 p 1; Edin repos mus 2 p 70. {3:4g ~ 4:|:4||DC ~ 1_2_5_ 4_6_5_}

4/24b • The Brown Maid – oh! Breathe not his name — Duet. MS 7348 p 60. Cf Moore no 1 1807 song 4, duet; McC 1 p 4; Holden OIM no 16. {Cg ~ 8||DC = 4!4!| ~ 6342 2111}

4/24c • The Fox’s Sleep – When He who adores thee — Duet, with JG using the lower line of treble staff of keyboard accompaniment for his lower line. MS 7348 p 61. Cf Moore no 1 1807 song 5, solo; McC 1 p 5; Surenne SI p 9. {Cd ~ 16|| ~ 1'1'75 561'1'}

4/25a • The Young Man’s Dream – as a Beam o’er the Face of the Waters &c — Duet, with JG using the low part of the treble line for his lower part. MS 7348 p 64. Cf Moore no 1 1807 song 11, 4-part setting; McC 1 p 11; Surenne SI p 141 (treble part). See 2/119b. {3:4d ~ 16|| ~ 355 211}

4/25b • Kitty of Coleraine – When daylight was yet sleeping &c – [“]Paddys Resource” — Duet, with JG using single or top line of keyboard treble for his lower part. MS 7348 p 64. Cf Moore no 3 1810 song 5, solo; Surenne SI p 36. See 1/265c. {6:8d ~ 16|| ~ 15_ 16}

4/25c • Gradh mo Chroidhe – The Harp that once thro’ Tara’s Halls — Duet, with JG using the 2nd treble for his lower part. MS 7348 p 65. Cf Moore no 1 1807 song 6, 4 parts; McC 1 p 6; Surenne SI p 114. {Cg ~ 8|| ~ 5561' 5215}

4/26a • The Coulin – Tho’ the last glimpse of Erin &c — Duet, with JG using the 2nd treble of 4-part setting for his lower part. MS 7348 p 65. Cf Moore no 1 1807 song 9, 4 parts; McC 1 p 16. See 4/56c–57. {3:4g ~ 2x8:|: ~ 1'1'2' 1'31}

4/26b • The Summer is coming – Rich & rare were the gems she wore — Duet, with JG using 2nd treble as his lower part. MS 7348 p 66. Cf Moore no 1 1807 song 10, 4 parts; McC 1 p 10. {3:4g ~ 8!|16|| ~ 1'1'7 667}

4/26c • Luggelaw – Not more welcome the fairy numbers — Solo. MS 7348 p 65. Cf Moore no 6 1815 song 3, solo; McC 2 p 54; Surenne SI pp 142–43. {3:4g ~ 16|| ~ 246 513}

4/27a • Táimsi am chodla &c – Like the bright lamp that lay on Kildares holy shrine — Duet, with JG’s lower line from 2nd treble and, at solo sections, from the lower line of the keyboard treble staff. (JG replaces the pseudo refrain at the end with ‘D.C.’). MS 7348 p 67; cf Moore no 3 1810 song 1, verse solo, 3-part refrain; McC 1 p 25 Surenne SI p 137. See 1/8b & 3/47b. {3:4g ~ 8||24||DC ~ 453 342}

4/27b • John O Reilly the Active – oh think not my Spirits are always as light — Solo. MS 7348 p 69. Cf Moore no 1 1807 song 8; McC 1 p 8; Surenne SI p 134. {6:8g ~ 24|| ~ 5_14 7_}

4/28a • Thady you gander – Oh! tis sweet to think that where’er we rove — Solo. MS 7348 p 68 (duet). Cf Moore no 3 1810 song 8, solo; McC 1 p 31; Surenne SI pp 14–15. See 1/15b Domhnall na gréine with spirit (the tune known now as ‘The leg of the duck’). {6:8g ~ 24|| ~ 32 32 6_2 6_2}

4/28b • Heigh ho my Jacky – Drink to her &c — Solo. MS 7348 p 69. Cf Moore no 3 1810 song 2, solo; McC 1 p 25; Surenne SI p 91. {3:4g ~ 12|| ~ 334 442}

4/28c • Arrah my Dear Eveleen – Silent oh Moyle &c — Solo. MS 7348 p 69. Cf Moore no 2 [1809?] song 9, solo; Surenne SI p 19; Holden ISQT 1 p 21. See 4/74a [untitled]. {Cd ~ 16|| ~ 117_7_ 6_7_5_3_}

4/28d • The Song of Sorrow – weep on, weep on, your hour is past — Solo. MS 7348 p 70. Cf Moore no 4 1812 song 3, solo; McC 1 p 38; Surenne SI p 54. {Cg ~ 16|| ~ 4442 1361'}

4/28e • Cruachan na Feine [roman] – Avenging & bright fall the swift swords of Erin — Solo. MS 7348 p 70. Cf Moore no 4 1812 song 9, solo; McC 1 p 44; Surenne SI pp 112–13. {3:4d ~ 8||8|| ~ 113 255}

4/29a • The Yellow Horse – What the bee is to the floweret — Solo. MS 7348 p 71. Cf Moore no 4 1812 song 10, solo; McC 1 p 45; Surenne SI p 125. {2:4g ~ 16||8|| ~ 13 42 13 24 (4 bars, tonic d) or 57 1'6 57 61' (tonic g, but final d)}

4/29b • Were I a Clerk – you remember [Ellen] our hamlets pride — Solo. MS 7348 p 71. Cf Moore no 5 [1813?] song 11; McC 2 p 50; Surenne SI pp 112–13. The name El-len, omitted by JG, is attributed notes in the music. {6:8g ~ 8||8|| ~ 56 31}

4/29c • Castle Tirowen – Remember thee! yes while there’s life in this heart &c — Solo. MS 7348 p 71. Cf Moore no 7 1818 song 5; McC 2 p 68; gnp p 159; Surenne SI p 59. {3:4d ~ 16|| ~ 1'1'3 1'1'6}

4/29d • The Lamentation of Aughrim – Forget not the field where they perished — Solo. MS 7348 p 72. Cf Moore no 7 1818 song 10; McC 2 p 73; Surenne SI p 105. {3:4d ~ 12|| ~ 356 111}

4/29e • Ná baineann san dó – They may rail at this Life – or – This Earth is the Planet — Solo. MS 7348 p 72. Cf Moore no 7 1818 song 11; McC 2 p 74; Surenne SI p 72. See 1/79b, 2/1b. {6:8g ~ 16|| ~ 55 55}

4/30a • Cuisle mo chroidhe – Come o’er the sea Maiden with me — Solo. MS 7348 p 72. Cf Moore no 6 1815 song 1; McC 2 p 52; Surenne SI pp 38–39. {6:8d ~ 20|| ~ 33 32}

4/30b • Kitty Tyrrel – oh! Blame not the Bard — Duet. MS 7348 p 73. Cf Moore no 3 1810 song 3, duet; McC 1 p 27; Surenne SI p 56. {6:4g ~ 8||8|| ~ 5_116}

4/30c • The Braes of Moran — Cf OFPC 4 p 148. {Cd ~ 2x4:|: ~ 131'3' 1'562}

4/31a • I once had a True Love – Through Grief & through Danger — MS 7348 p 74. Cf Moore no 3 1810 song 9, duet; McC 1 p 32; Surenne SI p 30. {3:8g ~ 30|| = 6x5 ~ 6142 (4 bars)}

4/31b • Banks of Banna – When thro’ Life unblest we Rove — Duet, using 2nd treble for his lower part. MS 7348 p 75. Cf Moore no 3 1810 song 10, 4 parts; McC 1 p 33; Surenne SI pp 18–19. {Cd ~ 16|| ~ 1'1'3'3' 1'555}

4/31c • [Untitled jig] [roughly pencilled jig filling blank half line after preceding item] • 956 — A version of the ‘Cliffs of Moher’. See 2/159c. {[6:8d] ~ [8||8||] ~ 51' 57 22 22}

4/32a • We brought the Summer with us – come send round the wine &c — Solo. MS 7348 p 75. Cf Moore no 2 [1809?] song 10; McC 1 p 22; Surenne SI p 135. {6:4d ~ 16|| ~ 1555}

4/32b • Gage Fane – ’Tis believed that this harp &c — Duet, with JG using 2nd treble for his lower part. MS 7348 p 76, duet. Cf Moore no 3 1810 song 12, trio; McC 1 p 35; Surenne SI p 147. {3:4g ~ 16|| ~ 323 213}

4/32c • Dermott – Take back the virgin page — Duet. MS 7348 p 76. Cf Moore no 2 [1809?] song 3, duet; McC 1 p 15; Saust p 3; Surenne SI p 4. {3:4d ~ $ 8 $||8 part 2 two cadences (2nd unmarked) !|~ 553 1_1_6}

4/32d–33 • The Sixpence – It is not the tear at this moment shed — Duet. MS 7348 p 77, duet. Cf Moore no 3 1810 song 11, duet; McC 1 p 34; Saust p 3; Surenne SI p 4. See 1/187a. {Cg ~ 16|| ~ 6632 556_1}

4/33a • The Red Fox – Let Erin remember the days of old — Duet, with JG using 2nd treble for his lower part. MS 7348 p 78. Cf Moore no 2 [1809?] song 8, 3 voices; McC 1 p 20. {Cg ~ 8!|8!| ~ 1133 5543}

4/33b • The old woman – Oh! the days are gone when beauty bright — Duet, with JG using single or top line of treble staff of keyboard as his lower part. MS 7348 p 78, duet. Cf Moore no 4 1812 song 1, solo; cf McC 1 p 36. {6:8g ~ 20|| ~ 32 15_}

4/34c–35 • The retreat from St Jean D’Acre — [Mrs G] 2 pages of close copying for piano, 2 staves. Cf Glover Retreat. {2:4c modulating to g without change of key signature ~ 36||8||24||50|| ~ 33 65 54 43 (4 bars)}

4/36a • K • A Mháire ’s a Mhúirnín [note JG:] time wrong – see other book • 513 — Words pp 125–26 ‘A mháire ’s a mhúirnín ’s a lúibín ’na gcraobhfholt’; cf Tunes p 5d (closer to 1/5a q.v.). {Cd ~ 7||7!|! ~ 1'3'1'4 5505}

4/36b • Seaghan Ua Dhuibhir an ghleanna — Cf OFNIM p 21. See 1/250b. Seaghan Ua Dhuibhir an ghleanna {3:4c ~ 4:|:8|| ~ 1'1'2 631'}

4/36c • St Patricks day – Tho’ dark are our Sorrows &c — Duet, with JG using single or top line of treble keyboard for his lower part, which may be intended for an instrument (song is quite jig-like with no vocal traits). MS 7348 p 79. Cf Moore no 4 1812 song 2, solo; McC 1 p 37; Surenne SI pp 44–45. See 1/203c (from a different source). {6:8g ~ 22|| ~ 11 55}

4/36d • Bruach na Cairge báine — Tunes p 10b. Solo. All on one line (squeezed in later?). MS 7348 p 111 An Irish air. Cf O’D 1850 p 280; OFNIM p 36. See 1/17 (exact copy), 4/102e. {6:8c ~ 4:|:8||D [C?] ~ 53 47_}

4/37a • Father Quinn – When’eer [sic] I see those Smiling Eyes — Solo. MS 7348 p 80. Cf Moore no 7 1818 song 7; McC 2 p 70; Surenne SI pp 74–75. {Cg ~ 16|| ~ 4632 426_1}

4/37b • Open the Door – She is far from the land &c — Duet with JG using tenor part for his lower part. MS 7348 p 81. Cf Moore no 4 1812 song 7, trio; McC 1 p 3; Surenne SI p 82. {6:8d ~ 2x4|| ~ 15 66}

4/37c • The Moreen – The Minstrel Boy to the war is gone — Duet with JG using the second of three parts for his lower part. MS 7348 p 81. Cf Moore no 5 [1813?] song 6, trio; McC 2 p 93; Surenne SI pp 4–5. Cg ~ 2x8|| ~ 1142 351'7}

4/37d • An Caoine or Dirge – My gentle Harp once more I waken — Solo. MS 7348 p 91. Cf Moore no 7 1818 song 1; McC 2 p 64; Surenne SI p 29. {3:4g ~ 16|| ~ 1'1'6 431'}

4/38a • The Rose Tree of Paddys Land – I’d mourn the hopes that Leave me — Duet: in bars 5–8 JG adapts the lower treble keyboard line of the solo version for his duet lower line. For bars 1–4 he uses the second treble part of the 3-part text, which lacks bars 5–8. MS 7348 p 82. Cf Moore no 5 [1813?] song 12, solo/ trio setting; McC 2 p 51; Surenne SI p 33. {Cd ~ 2x4:|: ~ 15_5_5_ 1232}

4/38b • Sly Patrick – Has Sorrow thy young days shaded — Duet. MS 7348 p 82. Cf Moore no 6 1815 song 2, duet; McC 2 p 53; Surenne SI p 60. {6:8g ~ 2x8|| ~ 32 5_6_}

4/38c • Miss Molly – I saw from the Beach &c — Duet. MS 7348 p 84. Cf Moore no 6 1815 song 10, duet; McC 2 p 61; Surenne SI p 66. See 1/184b. {6:8d ~ 12|| = 6x2 ~ 17_ 13}

4/39a • K • An Beinsín luachradh • 514 — See 1/18a. Cf Tunes p 10e (closer to 1/18a). {Cd ~ 2x8:|: ~ 3'2'4'3' 1'1'53}

4/39b • Síos as suas liom – Oh! where the slave so lowly &c — Duet, with bars 1–16 of JG’s lower line taken from part 2 of the trio, and bars 17–24 from the treble line (or the lower treble line) of the keyboard. MS 7348p 83. Cf Moore no 6 1815 song 7, trio/ solo; McC 2 p 58. {Cd ~ 24|| = 6x4 bars 17–20 ‘Sym’+21–24 ‘song’ ~ 1'1'1'3 1'1'55}

<4/39c • The Cuckoo’s Nest — MS 7348 p 180. 1/60a is a copy, parts 2 and 3 reversed. {Cg ~ 3x8|| ~ 421'3' 7445}

4/40a • The little Harvest Rose – In the morning of life &c — Duet. MS 7348 p 84. Cf Moore no 7 1818 song 3, duet. Cf McC 2 p 66. {Cd ~ 16|| = 4x4 ~ 3423 11'1'7}

4/40b • Denis dont be threatening – Nay, tell me not dear, that the goblet drowns — Duet. MS 7348 p 85. Cf Moore no 4 1812 song 8, solo; McC 1 p 43; Holden OIM no 30; Surenne SI pp 24–25. See 1/208a, solo. {6:8d ~ 24|| = 6x4 ~ 7_5_ 7_5_}

4/40c • Caoilte glas na trugha • 957 — Cf Mulholland 1 p 25. {3:4d ~ 4||9|: = 4+5+4 ~ 115 31'5}

4/41a • Molly My dear – At the mid hour of night &c — Duet, with JG using 2nd treble of 4-part setting for his lower part. MS 7348 p 86. Cf Moore no 5 [1813?] song 2, 4 parts; McC 2 p 89; Surenne SI pp 48–49. {3:8g ~ 10||15|| ~ 556 442 331 211 (4 bars)}

4/41b • O Patrick fly from me – When first I met thee &c — Duet. MS 7348 pp 86–88. Cf Moore no 6 1815 song 4, duet; McC 2 p 55; cf Surenne SI pp 32–33. Lower line of duet cf Saust p 3. {2:4g ~ 24|| = 6x4 ~ 3221}

4/41c • Oh Erin my Country tho’ strangers may roam Andante — Cf Howe 500 p 224. {6:8d ~ 12|| ~ 74 15}

4/42a • Yellow Wat on/in [read ‘and’] the Fox – Oh! doubt me not the season is o’er — Duet, with JG’s lower line mainly taken from the lower of the two keyboard parts. MS 7348 p 87. Cf Moore no 5 [1813?] song 10, solo; McC 2 p 49; Surenne SI p 84. {6:8d ~ 24|| = 3x8 ~ 7_5_ 76}

4/42b • ’Sa vournin Deelish – Tis gone and for ever, — Duet, with JG using the lower line from second part of trio for his lower part. MS 7348 p 88. Cf Moore no 6 1815 song 9, trio. {Cd KS c> d ~ 8:|:8|| ~ 1117_ 6_6_6_3_}

4/43a • Norah Kisthee – Wreath the Bowl &c — Duet, with JG using the second part of quartet for his lower part. MS 7348 p 89. Cf Moore no 7 1818 song 6, 4 parts. Cf McC 2 p 69; Holden ISQT 1 p 1. {6:8d ~ 2x8||DC ~ 13 43}

4/43b • Winnowing Sheet – If thou’lt be mine &c — Duet on two staves unbracketed. MS 7348 p 89. Cf Moore no 7 1818 song 8; McC 2 p 71; Surenne SI p 93. {6:8d ~ 10|| = 4+4+2 ~ 5_1 22}

4/43c • The Dandy O! The young may Moon — Duet, with JG using the treble of quartet for his lower part. MS 7348 p 91. Cf Moore no 5 [1813?] song 5; McC 2 p 92; Surenne SI p 20. See 1/44a. {6:8d ~ 2x8|| = 8x2 ~ 11 6_5_}

4/43d • K • The Banks of Cloddie [JG note:] voce T.K • 515 — See 1/248a. {Cd ~ 4||12:|: = 4x4 ~ 1111 3355}

4/44a • Limericks Lamentation – When cold in the earth — Duet. MS 7348 p 90. Cf Moore no 7 1818 song 4, 4 parts. Cf McC 2 p 67. See 1/212c Lochaber no more, 3/102b Orange and green, 4/160a Lochaber. {3:4g ~ 32|| = 4x8 ~ 333 323}

4/44b • Unknown – Oh! for the swords of former times &c — Duet, with JG’s lower line taken from the second treble of two trebles and one bass. MS 7348 p 93. Cf Moore no 7 1818 song 12, trio; McC 2 p 75; Surenne SI p 100. {Cd ~ 12|| = 6x2 ~ 1324 1327_}

4/45a • The dear Black Maid – The Dirge – How oft has the Banshee cried — Duet. MS 7348 p 92. Cf Moore no 2 [1809?] song 5; McC 1 p 17; Surenne SI p 43. {3:4g ~ 24|| = 6x4 ~ 355 551}

4/45b • Groves of Blarney – Tis the last Rose of Summer — Duet. MS 7348 p 93. Cf Moore no 5 [1813?] song 4, 4 parts; McC 2 p 91; Surenne SI p 1. {3:4g ~ 16|| = 4x4 ~ 31'6 531}

4/45c • Erin my Country – Secundo — Where is the top part of the duet? 4/41c doesn’t match. {6:8d ~ 8:|7:| ~ 35 1'5}

4/46a • The Brown Thorn – St Senanus & the Lady – oh! haste & leave this Sacred Isle — Solo (bars 1–25, & duet (bars 26–41). MS 7348 p 95. Cf Moore no 2 [1809?] song 1 p 52. solo and trio; McC 1 p 13; Surenne SI p 98. 3:4g ~ solo bars 1–25, duet 26–41 = 10x4 if bars 12–13 [error?] are telescoped ~ 534 1'56}

4/46b • The Brown Irish Girl – By that Lake whose gloomy shore — Solo. MS 7348 p 70; cf Moore no 4 1812 song 6, solo. Cf McC 1 p 41. {Cg ~ 10|| ~ 6531 6211'}

[End of batch of copies from Moore]

4/46c • Lady Caroline Bertie — Cf Holst; Clarke MS no 176 (p 84 of pdf). {2:4d ~ 8:|:8||8|| ~ 5_321 7_7_5_3_}

4/47a • The Triumph — Cf Hime 1810 p 4; Kerr’s Collection p 22. {2:4g ~ 3x8:|: ~ 5331 4227_ (2 bars), or 53 42 1'7 53 (4 bars)}

4/47b • The Recovery — Cf Howe Omnibus complete p 157; Weippert NCD 2 no 3. {2:4bflat ~ 8:|:8||8||DC ~ 5_15_1 2222 (2 bars), or 5_5_ 22 52 11 (4 bars)}

4/47c • Culvey Lodge — Cf Nath Gow 1812 Calver lodge (parts transposed); Howe’s 1,000 p 71. {Cg ~ 8:|:8|| ~ 1'1'2'7 5555}

4/47d • New Prime of Life • 958 — Cf Ashman p 25. {2:4f ~ 2x8:|: ~ 53 1'1 22 53 (4 bars) or 5535 • 1'511 (2 bars)}

4/47e • Voulez Vous Dancer Madamoiselle — Cf Kerr 1 p 27; Weippert NCD 2 no 6; VMP Winder MS JaW.169. {6:8c ~ 8:|:8||8||DC ~ 33 21 7_2 13}

4/47f • Calder Fair — (the air used for the nursery rhyme ‘Sing a song of sixpence): cf Howe Omnibus complete p 114. See 1/191a. {2:4d ~ 2x8:|: ~ 116_5_ 6_1_3_3_ (2 bars)or 16_ 6_3_ 2_5_ 3_5_ (4 bars)}

4/48a • Miss Spicers Fancy — Cf Hime 1809 no 3, p 3. {6:8bflat ~ 8:|:8||DC ~ 34 51'}

4/48b • Peter street Dance — MS 7348 p 44. Cf Hime 1809 no 2, p 3; Clinton Gems no 189. See 1/106c, 1/215c. {Cbflat [JG end:] or in this key: [bar 1 notated in g] ~ 8:|:16|| ~ 1353 51'76}

4/48c • Lady Matilda Bruce • 959 — Cf Gow Repos 4 p 21. {2:4f ~ 2x8:|: ~ 33 17_ 5_3_ 24 (4 bars)}

4/48d • Hyde Park Fair • 960 {Ca ~ 8||8:|: ~ 135_5_ 4_2_4_5_}

4/48e • A French Dance • 961 — Cf ONMI no 812 The girls of Banbridge (parts reversed). {6:8d ~ 2x8:|: ~ 5_1 52 34 7_2}

4/49a • A Tyrolese Dance • 962 {2:4f ~ 3x8:|: ~ 5_5_6_4_ 2_5_4_1_ (4 bars)}

4/49b • The Hibernian Medley • 963 — unusual rhythm with crotchet dotted plus quaver, See 3/163a Hibernia. {6:8c ~ 3x8|| ~ 31 5_5_ 3_5_ 42}

4/49c • Ayrshire Lasses • 964 — Cf Gow Repos 1 p 19 The merry lads of Ayr; Koehler 3 p 236. {Cc ~ 2x4|| ~ 3115_ 3144}

4/49d • The Wellington Medley — Cf Alday 1815 p 1a (single jig), p 1b (reel). {6:8[c illegible], 24 bars / reel: C[c illegible, no change of time signature noted], 8 bars ~ 8:|8:|:8||2x4|| ~ 5_1 21}

4/49e • A Favourite Reel • 965 Cg ~ 2x4:|: ~ 1'1'1'1' 1'1'2'2'}

4/50a • The Priest of Lurgan • 966 — The title refers to the Revd Edward Sterling (1706–62), rector of Lurgan, Co Cavan. See Donnelly 2000. See nearly identical copy at 1/241a. {6:8d ~ 4x8:|: ~ 1'4 41' 1'4 47}

4/50b • The Jolly Tinker • 967 — Cf Kerr 1 p 34. See 1/41c, 3/136d. {Cd ~ 7x4:|: ~ 5152 5154 (tonic e)}

4/50c • Old Neil Gow — Cf Hime 1809 no 3, p 3; Aird 5 p 1, no 1; Cameron p 46. {Cg ~ 2x4:|: ~ 51'63 51'66}

4/50d • Fairy Boy — By Samuel Lover. Cf gnp p 141; Lover Fairy boy; Howe Omnibus complete p 98. {3:4g ~ 2x8|| ~ 15_6_ 165}

4/50e • Kathleen O’More — Cf gnp p 96; Clinton Gems no 32. {6:8a ~ 8|| ~ 11 22}

4/51a • Gustys Frolick — Cf P-S no 813. {9:8g ~ 9x4:|: part 2 two cadences without repeat mark ~ 5_5_3 5_14 or 5_5_3 47_4 (4 bars)}

4/51b • Lady Perth’s Fancy or Rokeby — Cf Hime 1815 p 1; Goulding & co’s selection of CDs no 34; Power CDs no 1. {6:8c ~ 3x8:|: ~ 13 51 25_ 13_}

4/51c • Miss Corbets Reel — Cf Aird 5 p 8, no 21; parts 1 & 3 of ONMI no 1209 The new demesne, 2nd setting, & of ONDMI no 485 The college groves. {Cd [scarcely legible] ~ 4:|:8:|: ~ 1_3_5_3_ 2_4_2_7__}

4/52a • The Tank — Cf Weippert NCD 1 no 24; Hamilton HUT 1 p 11; Kerr 1 p 29. {2:4 [c? or g?] ~ 2x8:|: ~ 11' 7_7 25 31 (4 bars)}

4/52b • Miss Ross’s reel — Cf Campbell 8 p 22. {Ca ~ 4:|:8:|: ~ 3231' 527_2}

4/52c • What a Beau your granny was — See copy at 1/239. Basic tune common in print, but normally in common time. {2:4d ~ 6x8:|: ~ 3'1'2'7 1'1'65 (2 bars) or 3'2' 1'6 65 42 (4 bars)}

4/52d–53 • Lucy Campbell • 968— Unrelated to 3/29b or to the commonly printed Lucy Campbell. Cf Joyce MS 3 p 283, tune 846 Lucy Campbell with variations (from Miss Eileen O’Moore’s MS music book). See 1/224–25 (variant). {Cd ~ 8x8:|: ~ 5553 5764}

4/53a • The Harmonious Blacksmith — Version of composition by Handel. Cf gnp p 175. See 1/240a (copy?). {Cg ~ 4:|:8||12|| ~ 1125 3425}

4/53b • The Straw Berry Banks • 969 — Cf Joyce OIFMS no 234 pp 113–14. See copy at 1/37b. See 1/43a Betsy Baker. {Cg ~ 8:|:8||DC ~ 137_2 331'1'}

4/54a • Dunbarton Drums — Cf gnp p 60; Graham 3 pp 68–69; Oswald CPC 2 p 1. {Cg ~ 4x8:|: ~ 3333 1554}

4/54b • The long Strands of America • 970 — Somewhat reminiscent of OFPC 4 p 103 The duke’s retreat {Cg ~ 2x8:|: ~ 4437_ 3116 (tonic & final b)}

4/54c • Kutus off — Non-traditional. Kutuzov was a Russian general in the Napoleonic wars. {2:4g ~ 8:|:8:DC 8||DC ~ 1'5 45 35 23 (4 bars)}

4/54d • Kutus off [written small] — Non-traditional. {2:4g ~ 8||16|| ~ 3_3_ 17_ 3_3_ 6_1 (4 bars)}

4/55a • Lady Sutherlands Reel — Cf Aird 4 p 10, no 26 Countess of Sutherland’s reel. {2:4g ~ 4:|:8|| ~ 15_6_5_ 4_3_2_2}

4/55b • Enrico — See close variant at 1/244c A Welsh hornpipe. {2:4d ~ 8||8:|: ~ 13_13 5653}

4/55c • Síghle Ní Ghuidhreadh — JG’s 7 parts equate to OFPC 1 pp 12–13, parts 1–2, 4–7, & OFNIM pp 24–25, part 7. OF’s part 1 lacks JG’s repeat cadence, in which JG’s bars 13–14 are nearly identical to his part 3, bars 13–14. Is there an older source for both? See part copy in 1/16c. {3:4g ~ 16||16:|:variations 16:|:8:|:8:|:8:|:16:|: ~ 133 244}

4/56a • The Humours of Bandon — defective version. Cf gnp p 166. See 1/66a. {6:8g ~ 10:|:13|| [sic] ~ 5_1 27_}

4/56b • The Boughileen Buidhe — Cf gnp p 169; OFNIM p 40 The boughlee buee or Gallaway Tom. See 1/231. {12:8d ~ 6x4:|: ~ 1323 1326_}

4/56c–57 • The Coulin — Parts 1–2: cf Crosby Irish pp 201–202 and Hamilton HUT 2 p 163; part 3: cf O’Hara GMR p 19 ( part 5); part 4: cf Murphy CIAJ p 8 (part 4); parts 5–8: cf OFNIM p 33 (parts 3–6). See 4/26a. {3:4d ~ 8x8:|: parts 3–8 variations ~ 1'1'2' 1'5_1_}

4/57a • Gráine Mhaol • 971 — Parts 1–2: cf B3 p 36. {6:8c ~ 4x8:|: ~ 55 5_1 45 7_7_}

4/57b • The Frost is all over • 972 — Cf Howe Omnibus complete p 99; P-S no 850. See 1/29a. {6:8c ~ 2x8 ~ 12 6_2_ 1_1 6_2}

4/58a • Paddy O’Rafferty — Cf gnp pp 170–71 (variations differently ordered); Moore no 8 1821, song 5 Drink of this cup. {6:8d ~ 12x8:|: ~ 5_5_ 5_2 5_5_ 11}

4/58b • The Cameronian Reel • 973 — Cf Bremner Scots reels p 82 Cameronian’s rant; Aird 1 p 38, no 107; Cooke 1797 p 4; OFPC 3 p 44. {Cd ~ 4:|:7||DC one bar (5th?) of part 2 omitted ~ 3_1_3_5_ 3_1_5_6_}

4/59a • Richers Hornpipe • 974 — Cf Hime’s pocket book 2 p 36; Ryan p 102 Huntsman’s hornpipe. See 1/55a The stage hornpipe. {2:4g ~ 16:|:8:|: ~ 1_117_ 25_11}

4/59b • Duval’s Hornpipe — Cf Hime’s pocket book 4 p 7 Miss Duval’s hornpipe. See copy at 1/57a. {Cg ~ 8:|:12:|: ~ 1134 1134}

4/59c • Blanchards Hornpipe – wrong [part 2 crossed out] • 975 — Part 1: cf Aird 4 p 37, no 92; Curtin MS no 19 Limerick hornpipe; Ryan p 187 Fisher’s; POK 2 no 45 Fisherman’s hornpipe. See 1/54c. Part 2: see 1/56b, 4/60a The Liverpool hornpipe (part 2). {Cg ~ 2x8:|: ~ 13_4_5_ 3_3_4_5_}

4/59d • Aldrige’s Hornpipe — Cf Colclough p 15. See 1/141a. {Cd ~ 2x8:|: ~ 1113 5412}

4/59e • Murphy’s Hornpipe • 976 — Cf Kerr 4 p 40. See 1/55c (copy), 4/18a. {Cd ~ 4 two cadences ||8:|: ~ 15_15_ 2224}

4/60a • The Liverpool Hornpipe — Pipes p 29, no 67. Cf Howe Omnibus p 43. See copy at 1/56b. {2:4d ~ 2x8:|: ~ 3_3_12 4316_}

4/60b • Ross’s Hornpipe • 977 — Parts 1 & 2: cf Harding’s all-round p 62 The medal. Parts 3 & 4 seem to be an unrelated reel in the genre of ‘Kiss the maid behind the barrel’. See copy at 1/56c. {2:4d ~ 2x8:|:4x4:|: ~ 113_3_ 6_7_16_}

4/60c • The Old Foxhunters Jigg • 978 {6:8g ~ 4:|:21:|: ~ 3212 3211, part 2: 33 33 22 22}

4/60d • The chorus jigg • 979 — Cf Holden ISQT 1 p 24; Murphy CIAJ p 15; Aird 2 p 48, no 131. {6:8d ~ 4x8:|: two cadences in parts 2 (without repeat mark) and part 4 ~ 51 41 51 51'}

4/61a • Money in both Pockets • 980 — Two-part versions common in print. Cf OFPC 2 p 152; Gow Coll 3 p 30. 1/232 is a copy. See 1/119c. {6:8d ~ 6x8:|: part 6 two cadences without repeat mark ~ 13_ 5_5_ 13_ 5_4}

4/61b • The Bennison Hunt — Same as 4/11a The Hunt [Jackson]. {6:8d ~ 3x8:|: ~ 13_ 5_5_ 12 57_}

4/61c • Rossline Castle — Cf Graham 1 pp 16–17. See 1/176a. {Cd ~ 2x8:|: ~ 1554 6423}

4/61d • Tell tale eyes — composition in Scots style, non-traditional. {Cc ~ 4:|:8:|: ~ 1111 117_2'}

4/61e • Paddys green Island • 981 — Cf Joyce OIFMS p 7, copied from a MS lent by O’D. {6:8bflat ~ 2x8:|: ~ 32 6_5_ 5_3 7_2}

4/62a • Stop at the Corner • 982 — Cf Gore Highland collections p 112 Miss Leslie of St Andrews reel. {Cd ~ 2x8:|: ~ 1'3'2'5 61'52}

4/62b • The Stop Waltz — [by Signor Spagnoletti]. Cf Duval. {3:8f ~ 3x8:|:5:|: ~ 6_5_4_ 5_35_ 4_24_ 3_13 (4 bars)}

4/62c • The Blue l — Cf Flute player’s pocket companion 1 p 106; Ashman p 1. {6:8c? ~ 2x8:|: ~ 55 33 12 33}

4/62d • Old womans Money • 983 — Cf gnp p 30; Ryan p 131 The Limerick Lass. {6:8d ~ 2x8:|: ~ 32 31 32 66}

4/62e–63 • Pretty Girl milking her cow • 984 — Seems to be from print, but no close source found. See 1/14c. {9:8g ~ 9x4:|: ~ 351 341}

4/63a • The actor of all work — Non-traditional. There was a play with that title written in 1817 by George Colman the younger for the actor Charles Mathew. {2:4f ~ 2x8:|: ~ 3_3_11 5_5_33}

4/63b • Whistle & I’ll come to you my Lad • 985 — Cf Harding’s 200 p 50. {6:8d ~ 8:|:16|| ~ 35 35 31' 4'2'}

4/63c • Flora Macdonald — Cf Raven p 136 The Maid of Glenconnel. See copy at 1/240b, variant at 4/65f. {6:8g ~ 2x8:|: ~ 31 5_5_ 31 32}

4/64a • The Green Fields of America — Cf Ryan p 31. See 3/27a. {2:4a ~ 2x8:|: ~ 4635 2226_}

4/64b • Down the Bourne Davy love — Cf Hamilton HUT 2 p 164; Corri 2 p 3; Lawson MS (6th tune from end). {2:4] ~ 21|| =4x4+appendix 5 ~ 315_2_ 3_5_11}

4/64c • [Untitled jig] • 986 — pencil 8-bar fragment, begun on staff 5, continued on staff 12. The first two bars are each marked ‘bis’. {[6:8g] ~ 8-bar fragment ~ 51 51 47_ 47_}

4/64d • Darby Kelly — Cf Whitaker & Dibdin. {6:8g ~ 44:|: = 8+8+20+4+4 ~ 13 13}

4/64e • The Hare in the corn — Cf OFPC 1 p 77. {6:8d ~ 3x8:|: ~ 35 63 43 42}

4/65a • The Tartan Plaid — Cf Amateurs companion p 20. See 4/88e. {Cc ~ 4:|:8:|: ~ 3565 3542}

4/65b • Blue Ribbon — Cf Amateurs companion p 45. {6:8c ~ 2x16:|: ~ 31 5_3_ 33 11}

4/65c • For lack of gold he left me O— Cf OFPC 1 p 75; Graham 1 pp 146–47. {2:4c ~ 2x8:|: ~ 1_1_5_1 6_221}

4/65d • Boney over the Alps • 987 — Cf ONMI no 1590 Jerry Daly’s hornpipe, 1st setting; Raven p 171 Napoleon crossing the Alps. See copy at 1/68c. {2:4g ~ 2x8:|: ~ 3212 7_7_7_2}

4/65e • Paddys Evermore • 988 — Cf ONMI no 262. See copy at 1/255b. {2:4d ~ 8|| $ 8:|: $ ~ 1113 27_5_4_ (2 bars) rather than 11 25_ 3_1 11 (4 bars)}

4/65f • Mrs McDonald • 989 — variant of 4/63c. See 1/240b. {6:8c ~ 2x8:|: ~ 31 5_4_ 33 32}

4/66a–67 • Jeannette and Jeannot. Words by Jeffries Music by Glover — [Mrs G]. Song with piano accompaniment, incipit ‘You are going far away, far away from poor Jeanette’. [by JG:] gothic title ornamented with shamrocks. Cf Glover Jeannette’s song. {2:4g ~ 8|| [words:] 40|| song ends bar 44; 1 verse under staff +2 verses ~ 33 33 33 51 33 (4 bars)}

4/68a–69 • Jeannot’s Song. Words by C Jeffries Music by Ch Glover — [Mrs G]. Song with piano accompaniment, incipit ‘Cheer up, Cheer up My own Jeanette, Tho’ far away I go’. Cf Glover Cheer up. {2:4bflat ~ 13||36|| voice ends bar 45 ~ 5_117_ 225_5_}

4/70–71 • The Cavalier. Words by Bellamy Music by Glover — [Mrs G]. Song with piano accompaniment, incipit ‘Twas a beautiful night, The stars shone bright, And the moon o’er the waters played’. Cf Glover The Cavalier. {6:8e ~ 8|| [words:] 28|| voice ends bar 24 ~ 33 51}

4/71 • An Seanduine — Cf OFPC 4 p 76 The shan dinna or silly old man. See 1/15a, 2/34b Pay the reconing. {6:8d ~ 4x8:|: = quatrain + refrain ~ 15 13}

4/72–73 • “Siubhail a Rúin” • 990 — [Music & words written by JG]. Voice and piano. Followed by five stanzas in English, incipit ‘I would I were on yonder hill’. Bar one of voice line 4 (p 72) is metrically defective. Cc ~ 4||18|| voice ends bar 20 ~ 3322 115_7_}

4/73 • The Campbells are Coming • 991 — Cf Aird 1 p 8, no 21; OFPC 1 p 74. {6:8g ~ 8:|:8 two cadences || ~ 15 53 15 32}

4/74a • [Untitled] — [Mrs G?]. Rough unfinished arrangement for voice and piano (no words) of Moore’s ‘Silent O Moyle’. See 4/28c. {Cc ~ 15| fragment, bar 5, voice begins, no words ~ 3322 127_5_}

4/74b–75 • Quadrille • 992 — JG filled the last line of p 74 with the first ten bars (bar 10 crossed out and rewritten). It is concluded on the top of p 75. {6:8g ~ 2x8:|: ~ 51' 51 5_3 26}

4/75a • The Storm Quadrille — Non-traditional. {6:8d ~ | $ 8:|:8|| $ 8:|: ~ 1122 31' 3'2'}

4/75b • Miss Rawdons fancy • 993 — Cf ONMI no 1328 The Dublin lasses. Now commonly known as ‘The boys of Ballysadare’. {Cg ~ 4:|:8|| ~ 5156 5132}

4/75c • Ceann dubh dílís — Cf Mulholland AIA 2 p 70; O’Hara GMR p 5. {3:4f ~ 16:|:33|| sic ~ 557 111}

4/75d • Lady C Bruces favorite — Cf Hamilton HUT 2 p 25 (by Nathaniel Gow); Gow BNG 2 p 12 Lady Charlotte Bruce’s favorite. {6:8g ~ 2x8:|: ~ 334 2 35 7_2}

4/76a • I’d rather live a single life than marry a donny [?] man • 994 {Cg ~ 8:|:8|| ~ 5313 671'1'}

4/76b • The Fox asleep • 995 — Cf Amateurs companion p 7. {Cg ~ 2x8|| = 4x4 ~ 1'1'75 551'1'}

4/76c • An Draoighnéan [sic] donn • 996 {Cd ~ 4||12|| ~ 3113 671'1'}

4/76d • The green woods of Truigha • 997 {Cg ~ 6:|:12|| = 4x6?? ~ 1113 5536}

4/76e • Truagh • 998 {3:4c ~ 6:|:13||, ~ 767 1'1'1}

4/76f • Tulloughorum — Cf Hamilton HUT 1 p 84; Alburger pp 86–87; Stephano p 7. {Cg ~ 4:|:8||DC [?] ~ 3542 3535}

4/77a • Wellington Dance • 999 — 4/77a • Wellington Dance • 999 — Cf Joyce MS 3 p. 287, tune 857 The Wellington reel (From Miss Eileen O’Moore’s MS music book); Ryan p 43 Paddy on the turnpike; ONMI 1555 Cronin’s favorite; ONDMI no 768 The flowers of Limerick; Roche 1 p 56 The mills are grinding. Now generally known as ‘The bunch of keys’. {Cd ~ 8||8:|: ~ 5_111 3565}

4/77b • The Waterloo Dance — Cf Joshua Gibbons p 95; Trim Hardy no 49. {2:4d ~ 8:|:8:|: ~ 3_5_ 11 21 15_ (4 bars)}

4/77c • Bachelors walk — Cf ONMI no 880 The Killeshandra lasses. See 1/101c Brisdín bréide. {6:8g ~ 8:|:8:|: ~ 13 53 22 62}

4/77d • Gregg’s pipes • 1000 — Cf ONMI no 1199 The bucks of Oranmore. {Cd ~ 4x4:|: ~ 1_5_5_1 1_5_6_2_}

4/77e • The New Honey Moon • 1001 { Cd ~ 4:|:8:|: ~ 5_3_5_3 6_416_}

4/77f • The Country Lass • 1002 {Cd ~ 4:|:8:|: ~ 13_13_ 2_224}

4/77g • Llewellyn — Air of the Welsh song ‘The ash grove’. Cf OFPC 3 p 33; Colclough 19d. See 1/151b (a copy?). {6:8g ~ 4:|:8:|: ~ 13 22}

4/78a • The House of Clonelphin — Cf Joyce OIFMS pp 95–96 ‘copied from a Munster MS. Lent me by the late John O’Daly’ (perhaps JG used the same source). See 2/161c The house of Glenarkeen, 3/145c Glanmorgan house. {6:8g ~ 2x8:|: ~ 51 57}

4/78b • Burn’s [sic] Farewell • 1003 — Cf Aird 2 p 6, no 17 The peacock; Holden Masonic p 30, no 16; Colclough p 21. See 1/157a. {Cc ~ 2x8:|: ~ 3117_ 3343}

4/78c • Rose Bradwardine — Cf Hodson Highland quadrilles (2nd tune). {6:8c ~ 8||16||8|| ~ 31 6_5_}

4/78d • A Quick step • 1004 {2:4g ~ 16||16||DC ~ 5_1 33 66 1'1' (4 bars)}

4/78e • The Boys of the lough • 1005 {Cd ~ 2x8:|: ~ 5335 1'3'2'6}

4/79a • The Flogging reel • 1006 — Cf Ryan p 7. See 3/19b, 3/62b, 3/131a. {Cc ~ 2x4:|:8|| ~ 3134 3131'}

4/79b • The Rakes of Kildare • 1007 — Cf Howe Omnibus complete p 108; Aird 5 p 28, no 69 A jig; B2 p 39 Get up early. See near duplicate 1/248c. {6:8d ~ 8:|:8 two cadences || ~ 5_1 55 75 47}

4/79c • The Blackberry blossom • 1008 — Cf Petrie AMI p 12. See 3/111b (variant). {Cg ~ 4:|:8|| ~ 5_2_3_1_ 3_3_3_1}

4/79d • Sheela Magan — Non-traditional. {6:8c ~ 25:|: ~ 32 5_1}

4/79e • Flora McDonald plaintively —Davidson 150 Scotch songs pp 64–65 (music by M. Kelly, ‘A captive maid pin’d in the tower of Dunmore’). {6:8d ~ 20|| bars 17–20 an addendum ~ 5_5_ 5_2 5_3 15_}

4/79f • Fanny • 1009 — Cf CRÉ 4 no 106 Timpeall an tseomra [All round the room] (from Grier MS). Part 1: see 3/146a The sporting days of Easter (part 2).. {Cg ~ 2x4:|: ~ 1_3_15_ 4_6_22_}

4/80a • McNeill’s Hornpipe — Cf Kerr’s Collection p 28 Jacky Tar; Stephano p 27 Jack ashore. See 1/45b The college hornpipe, 1/55b. {Cd ~ 8:|:8|| ~ 11_1_5_ 3_113}

4/80b • Waltz by Mozart — Cf Howe Omnibus p 37 Mozart’s celebrated military waltz; Riley 2 p 74. {3:8bflat ~ 16:|:2x8:|:16:|:2x8:|: ~ 5_5_5_5_}

4/80c • Waltz • 1010 {6:8 [sic] g ~ 8:|:8||DC ~ 55 55}

4/80d • Murray’s Maggot or The Heart of my Kitty [JG pencil:] .i. Kittys rambles to Youghal • 1011 — See 4/131a. {6:8d ~ 8:|:16|| ~ 1_7_ 14 37_ 3_4_}

4/81a • Signora Ferze’s Hornpipe • 1012 — Cf gnp p 172; ONMI no 1800 The hunt; CRÉ 5 no 211 Cornphíopa an tíogar [The tiger hornpipe] (from Denis Murphy). See copy at 1/248b. {Cg ~ 4:|:8|| ~ 1_3_2_6_ 4_4_6_5_}

4/81b • The Dumfree House • 1013 {Cg ~ 4:|:8|| ~ 1_13_2_ 3_6_7_5_}

4/81c • Roy’s reel • 1014 {Cg ~ 12:|:4:|: ~ 1132 115_2_}

4/81d • Kitty’s Wedding or The Boys of the Abbey • 1015 — Cf ONDMI no 786 Over the moor to Maggie. {Cg ~ 2x8:|: ~ 1133 1'642}

4/81e • The geese on the bog [JG pencil:] or Box the Monkey — See 1/247b (a copy?). {6:8d ~ 4x8:|: ~ 1'3' 1'3'}

4/82a • Miss Monaghans reel • 1016 — See 142c, 2/153b Johnny shooting in the glen, 3/159a The dandy girl; 3/179b The pretty girls of this town. {Cd ~ 8:|:8:|: ~ 1235 6635}

4/82b • Neil Gow – or the Marquess of Huntley’s Strathspey • 1017 {Cd ~ 8:|:8 two cadences || ~ 1_1_3_5_ 6_122}

4/82d • The Pleasant Rocks — Cf Moore no 1 1807 2nd tune, keyboard four hands. JG follows top staff in bars 1–8, staff 3 in bars 17–20, top staff in bars 21–32 (end) omitting all dots. Cf also B1 p 12 Carraige an aoibhnis; Neal 1724 p 19 Clanuff’s delight. {3:4c ~ 24|| = 6x4 ~ 125 665}

4/82e–83 • Irish Jigg • 1018 {8 two cadences ||16||8 two cadences ||16|| ~ 2'462}

4/83a • The Bloom is on the Rye — Cf Bishop & Fitzball. {Cc ~ 23|| = 4x4 +2+2+3 ~ 3342 7_6_27_}

4/83b • Alice Gray — Cf Hodson Alice Gray. {2:4g ~ 16|| ~ 31 26_ 52 22 (4 bars)}

4/83c • Birks of Invermay — MS 7348 p 109 (JG copied the secondo part from the MS and omitted the air (in error?). {Cd ~ 8:|:8:|: ~ 3335_ 5_5_4_4_}

4/83d • My nannie o — Cf gnp p 117, Edin repos music 1 p 24. {Cg ~ 2x8:|: ~ 5155 3211}

4/83e • Mount the Baggage [aggag corrected] • 1019 — Cf McGlashan Strathspey reels p 31 The merry maid’s wedding; OFPC 3 p 64 The Haughs of Cromdale. See 1/227b Reels of bogies, 2/152b Barrack Hill, 2/179a My bride is a young thing. {2:4g ~ 2x8:|: ~ 5117 5524 (2 bars) or 51 52 51 7_2 (4 bars)}

4/84a • The Lothian Lass • 1020 — Cf Cameron p 37; Graham 3 pp 34–35 Last May a braw wooer. See 1/172c One day a braw wooer. {6:8g ~ 3x8:|: ~ 13 21 31 65}

4/84b • Lake of Killarney — Cf Edin repos music 1 pp 86–87; Murphy CIAJ p3; OFPC 1 pp 36–37; BNG 3 p 16. See 4/88d. {6:8d ~ | $ 8:|:‘Sym’ 8:|:So. 8|| $ 8|| $ ~ 32 55}

4/84c • Dunkeild House • 1021 — Cf Hamilton HUT 2 p 116; Koehler 2 p 152. Part 1: see 3/112a The grey goose. {6:8g ~ 8:|:16|| ~ 13 53 42 42}

4/84d • Cuisle mo chroidhe — Cf Mooney 1 pp 32–33. {3:4d ~ 33|| 4-bar parts ~ 112 7_7_5_}

4/84e–85 • Black eyed Susan — Cf Hamilton HUT 2 p 151 (song by Richard Leveredge). {3:4g ~ 28|| ~ 5_12 321}

4/85a • The Mac Gregors gathering — Cf Dun VMS, pp 394–98. {6:8c ~ 32|| ~ 11 26_ 16_ 1_5_}

4/85b • The Roscommon Ball • 1022 — Part 1: cf part 1 of Moylan JOL no 176 Danny Ab’s (1) (the tune of Scottish origin known as ‘The cock o’ the North’). Part 2: cf Moylan JOL no 167 Going to the well for water (also known as ‘The Scattery Island slide). Part 3: cf the third part of the popular version of ‘Dingle Regatta’; Moylan JOL no 91 The Kilcummin slide (which has also been recorded from Padraig O’Keefe and Denis Murphy).{12:8c ~ 3x4|| ~ 3_4_5_7_ 7_5_7_5_}

4/85c • Shannons Flowery Banks — Cf OFPC 1 pp 58–59. {Cg ~ 4:|:8|| ~ 3346 5631}

4/85d • The Cooleen Bawn — Cf OFPC 3 p 32; Holden ISQT 1 p 30. See 1/268b (a copy?). See 1/11a An súisín bán. {Cg ~ 2x6:|: ~ 36_6_5_ 1244}

4/85e • Adieu Adieu Thou faithless World — Cf OFPC 1 p 25. See 2/36c. {Ca ~ 2x4:|: ~ 115_1 3325}

4/86a • An Irish Air • 1023 {3:4g ~ 2x8:|: ~ 113 663}

4/86b • An Páisdín Fionn [Paisdín?] — Cf OFPC 3 p 12; gnp p 134. {6:8g ~ 2x8:|: ~ 1'7 3'2 37_ 7_5_}

4/86c • A man’s a man for a’ that — Cf OFPC 3 p 10; Hamilton HUT 1 p 20; SMM 3 p 300. {Cd ~ 2x4:|: ~ 116_2 315_5_}

4/86d • Sally in our alley — Cf Henderson 1847 p 14. See 1/201b (a copy?). {3:4d ~ 16|| ~ 5_17_ 417_}

4/86e • Pray Goody — Cf MS 7348 p 56; gnp p184; OFPC 4 p 111. Edin repos music 1 p 41. See 1/204b. {Cg ~ 8||4||DC ~ 5542 3115}

4/86f • Peggy Bawn — Cf MS 7348 p 56; Moore no 10 1834 song 7 Song of Innisfail; OFNIM p 17; Henderson 1847 p 5. {3:4d ~ 2x8|| ~ 137_ 14_3_}

4/87a • Strathspey • 1024 {Cd ~ 4:|:4 two cadences ||4 two cadences || ~ 51'3'3' 1'555}

4/87b • The Yellow Haired Laddie — JG omits the first two notes in bar 6 of part 2 in copying. Cf Aird 6 p 45, no 116; OFPC 3 p 36; Edin repos music 1 p 13. {3:4d ~ 2x8|| two cadences each part ~ 356 1'1'3'}

4/87c • The Lasses of Dundee • 1025 — Cf Howe’s 1,000 p 162. Near duplicate of 3/44d. See also 4/23c Reel. {Cg ~ 4:|4 two cadences || ~ 1353 5453}

4/87d • Away away to the Mountains brow — Cf gnp p 152; Alexander Lee Away away. {6:8g ~ 60||, bar 45 corrected? ~ 33 31}

4/88a • The Rose of Allandale — Cf Nelson & Jefferys; Howe Omnibus complete p 9. {Cd ~ 24|| = 6x4 ~ 3311 27_5_5_}

4/88b • The Gipsy King — Comic opera song? Not the one composed by S. Nelson (see 4/88a). {6:8d ~ 28|| = 4+4+2+4+4+2+4+4 ~ 12 11}

4/88c • Let us haste to Kelvin grove — Cf MS 7348 p 49, duet; Thomson 6 n p 30; Kerr 3 p 41. {Cd ~ 4:|:6:|: ~ 3216_ 6_221}

4/88d • The Lake of Killarney — Cf Edin repos music 1 p 86; OFPC 1 pp 36–37. See 4/84b. {6:8g ~ | $ 8:|:12|| $ ~ 32 55}

4/88e • The Shoe Makers Frolic — Cf Cameron p 7 Clydeside lasses; Ryan p 86. See 3/155b Scotch reel, also 4/65a The tartan plaid. {Cf ~ 4 two cadences ||8|| ~ 3565 3535}

4/89a • Scotch Air — Cf Edin repos music 3 p 117. {Cd ~ 2x8:|: ~ 1'1'3'3' 2'1'55}

4/89b • If thou wouldst have me sing & play — Cf Moore If thou wouldst. {6:8d ~ 8:|:16|| = 3x8 ~ 35 51}

4/89c • Brides to Bed — See 1/52b, nearly identical. {Cd ~ 4:|:8|| = 3x4 ~ 5_113 7_3_4_7__}

4/89d • Johnny Cope — Cf Aird 2 p 19, no 52; OFPC 3 p 51. See 3/31a. {2:4g ~ 4x8:|: ~ 1113 5117_}

4/90a • Lullaby — Cf Storace; Riley 2 p 5c. See 1/203d. {6:8d ~ 12|| ~ 56_ 5_5_}

4/90b • The Berkshire Hunt — Cf Gow 2nd coll p 2 Perth-shire hunt; Surenne DMS p 62. See 2/164c The bridge of Perth. {Cg ~ 2x8|| ~ 6_3_1_3_ 1_3_6_2_}

4/90c • The Rail Road • 1026 — Cf Ryan p 47 Paddy on the railroad; ONMI no 1509 The merry blacksmith. See copy at 1/37c. See also 3/111a The police jacket. {Cd ~ 2x8|| ~ 1'1'63 1'1'63}

4/90d • Kate Kearney — Cf Light vol 2 no 5, p 2; OFPC 4 p 132. See 1/192b. {6:8c ~ 2x8:|: ~ 5_1 21}

4/90e–91 • Chieftains ye are welcome — Non-traditional (operetta?). Flamboyant, alternating solo and chorus. {2:4d ~ C16||16 two cadences :|4|| ~ 1_3_5_1 6_15_1}

4/91a • Widow Mahoney — Cf Hamilton HUT 2 p 9. {6:8g ~ 20|| ~ 54 32}

4/91b • The Rising of the Lark — Cf Forde 300 NM 1 p 31 Codid yr hedydd; Hamilton HUT 1 p 98. {2:4d ~ 12||12|| = 2x6+3x4 ~ 15_ 3_5_ 4_6_ 11 (4 bars)}

4/91c • Tho’ tis all but a dream at the best — Cf Moore National airs p 167. {6:8d ~ 24|| ~ 57 55}

4/92a • The Braes of Aghteryre — Cf Aird 2 p 54, no 146. See 4/4a Strathspey (pencil fragment). {Cd ~ 2x8:|: ~ 1133 1'3'1'6}

4/92b • Drowsy Moggy • 1027 — Cf ONMI no 1424 Sleepy Maggie. Now popularly known as ‘Jenny’s chickens’. {Cd ~ 2x4:|: ~ 3331 3337_}

4/92c Lochiel’s March — Cf Lochiel sheet music (imprint) at JM 4229. {6:8a ~ 6x8:|: ~ 56 53 56 52}

4/92d • Lochiels Quickstep • 1028 {6:8a ~ 8:|:8||DC 11||DC ~ 32 43}

4/92e–93 • The Return of the Admiral — Cf MS 7348 p 77; Clarke MS p 104, no 212 (p 99 of pdf). {Cd ~ 20|| ~ 351'5 7533}

4/93a • Come back to me — Non traditional. Cf Lover, Come back to me. {Cd ~ 24|| ~ 117_6_ 5300}

4/93b • Kathleen ma Vourneen — Cf Howe Omnibus complete p 16. {3:4g ~ 5x8|| ~ 332 554}

4/93c • Ned of the Hill — Cf Lover, Ned of the hill. {6:8g ~ 16|| = 4x4 ~ 5_1 35}

4/93d • Lassie would ye love me — Song by William Holder. Cf MS 7348 p 102; Grieg Minstrelsie 2 pp 226–27. {2:4g ~ 16|| = 4x4 ~ 13 53 25_ 32 (4 bars)}

4/94a • Sing Sing Music was given — Cf Moore no 9 1824 song 12; Surenne SI p 88. {6:8g ~ 24|| = 3x8 ~ 13 23}

4/94b • Mo Nora a stór • 1029 {3:4d ~ 16|| ~ 132 13_1}

4/94c • Mind not the day light around is breaking — Non-traditional. Words by Thomas Moore. {3:8g ~ 16: ~ 533 355 (2 bars)}

4/94d • Molly Bawn — Cf Lover Molly Bawn. {3:4d ~ 26|| = 6x4 +2 ~ 536 531'}

4/94e–95 • Kenmure’s on and awa — Duet, with instrumenal lower line. Cf Elias Howe HVWM, p 120; Kerr 1 p 32; Hamilton HUT 2 p 36 (all solo). {6:8f ~ 8:|:8|| ~ 11' 55 11' 22}

4/95a • Rondo — Non-traditional. {3:4 [read 3:8]c ~ 16:|:16:|:16|| [divide last bar in 2] ~ 555 427_ 111 113 (4 bars)}

4/95b • Lough sheelan — Cf Moore no 6 1815 song 8; Holden ISQT 2 p 9. {3:4g ~ 16|| = 4x4 ~ 1'1'3' 753}

4/95c • Moll Tierney — Cf gnp p 174; Hamilton HUT 1 p 18. {6:8g ~ 2x14||14:|: = 6x7 ~ 14 66}

4/96a • Mullowneys jigg — MS 7348 p 3. See 1/233 (independent copy of MS 7348?). {6:8d ~ 6x8:|: ~ 35 55}

4/96b • The Scotch Chieftain Duncan McQuinn — Little traditional interest. MS 7348 p 21. See 1/234a (a copy?). {6:8g ~ 4x8:|: ~ 1_1_ 1_1 5_3_ 2_6_}

4/96c • Which way [w corrected] did she go – Cia an bealach a deachaidh sí — MS 7348 p 21; cf Citizen 3, Jan 1841, tune no 1; P-S nos 1215–16. {3:4g ~ 2x9|| = 2x(4+5) ~ 156 332}

4/96d–97 • Jack Lattin — MS 7348 p 191. Common in print, often with multiple variations, e.g. McGibbon pp 110–111. See copy at 1/255a. Part 1: see 2/152c Jenny rock the cradle. {2:4d ~ 7x8:|: ~ 1351' 5331'}

4/97a • The Unfortunate Rake — MS 7348 p 190. Cf Holden ISQT 2 p 9; ONMI no 735 Basket of turf (parts reversed). See copy at 2/50a. {6:8g ~ 8||8:|: ~ 51' 2'4 11' 2'5}

4/97b • The Foggy Dew — MS 7348 p 171. Cf Surenne SI p 110. See copy at 1/235a. {Cg ~ 8||16|| = 6x4 ~ 1131' 6521}

4/97c • Paddys Resource — MS 7348 p 112. Cf Smith IM 34b Oh! Tell me what sound. {6:8c ~ 16|| ~ 15_ 16 1'3 46_}

4/97d • The Drummond Lasses — MS 7348 p 112. Cf ONDMI no 673; Riley 1 p 2 Duvil’s hornpipe; CRÉ 4 no 144 Ríl Leaicí [Lackey’s reel], parts reversed. See copy at 1/49b. {Cg ~ 2x4:|: ~ 1353 137_2}

4/98a • Sweet Portaferry Plaintive — MS 7348 p 184. Cf B3 p 55. {3:8d ~ 2x16|| ~ 3215 (4 bars)}

4/98b • ’Tis a pity I dont see my love Distinctly — MS 7348 p 184. Cf B3 p 69. {9:8g ~ 4 two cadences ||8|| ~ 326_ 116}

4/98c • Kitty Nowlan Moderately — MS 7348 p 184. Cf B3 p 71. {3:4d ~ 8:|:8|| ~ 13_1 6_5_5_}

4/98d • Katty Quin — MS 7348 p 180. Cf B3 p 66. See copy at 1/238c. {6:8g? ~ 2x8:|: ~ 14 54 55 62}

4/98e • Deirdre’s [1st r corrected] Lament for the Sons of Usneach Moderately quick — MS 7348 p 180. Cf B3 p 1. {3:4g ~ 2x8|| ~ 15_6_ 111}

4/98f • Soft mild morning animated — MS 7348 p 181. Cf B3 p 57. {3:4d ~ 16|| ‘chorus’ 16|| ~ 453 342}

4/98g–99 • The Red Man’s wife Tenderly — MS 7348 p 181. Cf B3 p 63. {3:4d ~ 10||10:|: ~ 1'3'2' 1'1'2'}

4/99a • Get up early — MS 7348 p 178. Cf B3 p 39. {6:8g ~ 2x8:|: ~ 5_1 25}

4/99b • My Bonny Cuckoo — MS 7348 p 179. Cf B3 p 96. See 2/145a. {6:8g ~ 12|| = 3x4 ~ 13 6_3_}

4/99c • If I had a court & a castle — MS 7348 p 179. Cf B3 p 99. {2:4c ~ 8:|:12:|: = 5x4 ~ 22 44 42 6_6_ (4 bars)}

4/99d • Charles McHugh – The wild boy — MS 7348 p 183. Cf B3 p 50. {3:4 [read 3:8]d ~ 8||8:|: = 4x4 ~ 5_147_ (4 bars)}

4/99e • O’Reilly’s Lamentation slow & plaintive — MS 7348 p 179. Cf B3 p 106. {3:4g ~ 12|| = 3x4 ~ 334 7_17_}

4/99f • Sloan’s Lamentation rather slow — MS 7348 p 179. Cf B3 p 87. {2:4g ~ 2x8|| ~ 75 1'3 51 11 (4 bars)}

4/100a • The Kilkenny tune In marching time — Cf MS 7348 [p 178]; B3 p 108. {Cc ~ 2x8:|: = 4x4 ~ 3211 5_113}

4/100b • The Pharroh, or War March — Cf MS 7348 [p 176]; B3 p 105. {6:8g ~ 5x8:|: ~ 41 41}

4/100c • Sit down under my protection Moderately quick — MS 7348 [p 176]. Cf B3 p 1. See 3/215a. {3:4g ~ 12:|:20:|: = 8+4 ~ 123 1'2'3'}

4/100d • Young Bridget — MS 7348 p 177. Cf B3 p 82. {3:4g ~ 24~ 1'4'2' 1'1' [1'?] [bar 4 has 4 beats]}

4/101a • The Deaf old Man — MS 7348 p 177. Cf B3 p 78. {3:8d ~ 12||24||~ 435_ 114 (6 bars)}

4/101b • The Gentle Maiden Very slow — MS 7348 p 177. Cf B3 p 108. {6:8g ~ 2x8:|: ~ 17_ 56}

4/101c • Is it the Priest you want — MS 7348 p 175 Cf B3 p 86. {6:8g ~ 2x8:|: ~ 6553}

4/101d • Give me your Hand – By Rory dall O’Cahan [all roman] 1603 Moderately quick — Cf MS 7348 p 174; B3 p 46. {6:8g ~ 26|| rhapsodic ~ 6_16_1}

4/101e • Norah my Thousands [sic] treasures Slow — MS 7348 p 173. Cf B3 p 24. See 3/221a Nora mo mhile stór. {3:8d ~ 8||8:|: = 4x2 4x2 ~ 445 334}

4/102a • Did you see the black Rogue — Cf MS 7348 [p 172]; B3 p 4. {6:8a ~ 3x8:|: ~ 12 15}

4/102b • The Rose without Rue — MS 7348 [p 172]. Cf B3 p 12. See 3/204a. {2:4g ~ 8||8|| = 4x4 ~ 5_116_ 6_15_3}

4/102c • The Cunning young Girl plaintive — MS 7348 p 170. Cf B3 p18. {2:4g ~ 14!| ~ 51' 1'1' 7_2 42 (4 bars)}

4/102d • Why should not poor folk — MS 7348 p 171. Cf B3 p 38. {6:8d ~ 3x8|| 33 22}

4/102e • Brink of the White Rocks Slow — Cf B3 p 22. See 4/36d. {6:8g ~ 3x8:|: ~ 51 31}

[End of batch of copyings from B3 (either directly or via NLI MS 7348 (gnp)]

4/103a • The Four leaved Shamrock – by Lover — MS 7348 p 103. Cf Lover Four-leafed shamrock. {Cd ~ 15|| = 8+7 ~ 5_4_5_1 115_5_}

4/103b • My Mother dear — MS 7348 p 111. Cf Lover My mother dear! {Cd ~ 20:|: = 5x4 ~ 3511 6654}

4/103c • The Land of the West — MS 7348 p 107 (duet, of which JG takes only the melody, plus 12 bars omitted by JG). Cf Lover Land of the West. {6:8g ~12|| = 3x4 ~ 35 26_}

4/103d • [Untitled] — piano [Mrs G]. Three lines, two parts, bracketed, both with chords. First bracket marked ‘5th (i.e. the 5th part of a quadrille). {6:8eflat ~ 8||11||DC ~ 31 15_}

4/104a–106 • The Navarino Quadrilles. — piano [Mrs G]. Cf Dunois? (unavailable). {1st 2:4bflat, 2nd 6:8bflat, 3rd to 5th 6:8eflat ~ 1st 8||fine 2x8||DC, 2nd 8|:8:|DC, 3rd 16[bar 8 fine]||8||, 4th 8 fine||16||, 5th 8:|fine 8||DC 3 Times ~ 1st 1'15_1, 2nd & 3rd 1'653, 4th 13 53, 5th 33 33}

4/106a–109 • Ethiopian Quadrilles — piano [Mrs G]. Five parts labelled 1 - ; 2 L’été; 3 La Poule; 4 La Trenise; 4 La Finale. {1st 2:4g, 2nd 2:4c, 3rd 6:8g, 4th [{2:4]aflat, 5th 2:4c ~ 1st 8||fine 3x8||DC, 2nd & 4th 8||fine 16||, 3rd 8||fine 3x8|| DC, 5th 16|| ‘1st and 2nd figures’ 16|| $~ 1st: 34 63, 2nd: 13 26, 3rd: 5_1 7_6_, 4th: 11 33 42 6_2 (4 bars), 5th: 11 26_}

4/110a • The Highland Minstrel boy — MS 7348 p 105; cf Kerr 3 no 8. {Cd ~ 12|| = 3x4 ~ 35_6_5_ 6'27'1}

4/110b • Jessie – by S. Lover — MS 7348 p 96. Cf Lover Sweet Jessie. {6:8g ~ 16| = 4x4 ~ 31 35}

4/110c • The hard Hearted Maiden slow — MS 7348 p 110. Cf Citizen 4, November 1841, tune no 37. Part one lacks a bar. {3:4g ~ 11|12| = 6+5+6+6 ~ 123 51'7}

4/110d • I can if I choose – The Savage loves &c — MS 7348 p 36. Cf Citizen 4, November 1841, tune no 36. {2:4g ~ 2x8||~ 17_ 15 63 26_ (4 bars)}

4/110e • Is gentle Mary dead? with expression — MS 7348 p 34. Cf Citizen 4, September 1841, tune no 30. {3:4d ~ 2 x 10 = 4 x 5 ~ 6_5_3_ 6_6_7_}

4/110f • “The death of my friends is what grieves me” Slow — MS 7348 p 32. Cf Citizen 4, October 1841, tune no 32. {2:4g ~ 7|7| = 4+3 4+3 ~ 23 66 32 15_ (4 bars)}

4/111a • Ye banks and braes — piano [Mrs G]. Lower line very simple (perhaps her own arrangement). {6:8c ~ 2x8|$ 8|DC ~ 12 32}

4/111b • Maiden wander with me — MS 7348 p 34. Cf Citizen 4, December 1841, tune no 42. {Cg ~ 2x8| ~ 1111 2216_}

4/111c • The deceitful Stranger — MS 7348 p 35. Cf Citizen 4, December 1841, tunes nos 40 & 41. {6:8d ~ 2x8|| 5_1 36_}

4/111d • There’s a hole in my breeches — Cf Citizen 4, September 1841, tune no 29. {6:8g ~ 16| = 4x4 ~ 15 32}

4/112a–114 • The Artillery Quadrilles — piano [Mrs G]. At the end of the item elegantly, in the same hand, ‘Crioc’. Cf Gormley Artillery quadrilles (JM 4902). {1st 2:4eflat, 2nd, 4th, 5th 2:4bflat, 3rd 6:8bflat ~ 1) 8:|8||DC, 2–5) 3x8||DC [3,4 & 5 add DC after part 2, 5 adds $ after parts 2–3] ~ 1st 5_4_ 5_5_, 2nd 5_1 55, 3rd 13 51', 4th 31 15, 5th 32 15_)

4/114a • John McDermott allegro — MS 7348 p 32. Cf Citizen, vol 4, October 1841, tune no 34. {Cg ~ 4:|:8| ~ 6262 5153}

4/114b • An Bruach grianach .i. The Sunny Rock slow — MS 7348 p 32. Cf Citizen 4, October 1841, tune no 33. {6:8g ~ 2x8|| 16 67}

4/114c • My Heart is Heavy – Ta mo chroidhe trom — MS 7348 p 30. Cf Citizen 4, August 1841, tune no 26. {Cg |2x8|| ~ 5_6_31' 6632}

4/114d • She is a lovely girl – Is breagh an Cailín í — MS 7348 p 30. Cf Citizen 4, August 1841, tune no 25. {3:4d ~ 4x6|| ~ 5_11 312}

4/115 • Rousseau’s Dream — MS 7348 pp 62–3. Cf Cramer. {Cg ~ 68 bars: |$4:|:4||$4:|:8||4:|4||4||4:|4||4||4:|4||4||4:|4||4|| ~ 3311 2231}

4/116a • Prince Alberts March — MS 7348 p 31. Non-traditional {Cd ~ 4x8:|: in bar 19: erroneous barline deleted by JG ~ 5_3_15_ 3311}

4/116b • The standard of Ireland — MS 7348 p 29. Cf Citizen 4, July 1841, tune no 23 (chorus). {3:4c ~ 5x8|| part 5 ‘chorus’ ~ 1_3_5_ 112}

4/116c • Molly St George – by T.Connellan — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 19. {3:4g ~ 2x16|| = 8x4 ~ 1'1'6 564}

4/117a • The Song of the Streams — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 18. {2:4g ~ 2x9|| = 2x(5+4) ~ 57 1'6 1'5 32 (4 bars)}

4/117b • The joy of the Maidens — MS 7348 p 28 Cf Citizen 3, June 1841, tune no 20. {6:8d ~ 2x8|| ~ 16_ 6_1}

4/117c • Irish Dance — MS 7348 p 29. Cf Cf Citizen 4, July 1841, tune no 24. {6:8d ~ |$ 8:|: Fine 8:|:8|| $ DC ~ 36_ 5_5_}

4/117d • The Wearing of the Green Rather slow — MS 7348 p 26. Cf Citizen 1, May 1841, tune no 14. {2:4d ~ 16|| ~ 41 35 41 11 (4 bars)}

4/117e • Paddy McRory allegretto — MS 7348 p 26. Cf Citizen 3, May 1841, tune no 15. {6:8d ~ 2x8|| ~ 3_5_ 1_6_}

4/117f • The little Field of Barley .i. An goirtín éorna [sic] — MS 7348 p 24. Cf Citizen 3, April 1841, tune no 10. {6:8g ~ 2x8|| ~ 11 65}

4/118–20 Sturm Marsch Galop [shadow effect] — piano, Mrs G. At end, in Mrs G’s hand, ‘Ventry Sep 14th – 1852’ — Cf Bilse Sturm marsch. {2:4f (bars 1 to 48), 2:4bflat (bars 49 to 93) ~ 8|: $ 40:|Trio 29 Hur-rah||16||DC ~ 55 51 56' 5'5' (4 bars) [Prologue & beginning]}

4/120 • Sugradh ann [n blotted/ deleted?] gach uile áit. Diversion every where [JG introduces gaelic alphabet & abbreviations] — MS 7348 p 24. Cf Citizen 3, April 1841, tune no 11. — See different setting at 1/93b The coughing old man. {6:8d ~ 2x8|| ~ 1315 1'5 62}

4/121a • Ivorys Hornpipe • 1030 — MS 7348 p 16. See 1/61c The jockeys hornpipe (part 1). Cf Ashman p 44 Trumpet; ONMI nos 1585, 1586 The trumpet hornpipe. {Cg ~ 2x8:|: ~ 1111 331'3}

4/121b • Miss Johnsons Reel — MS 7348 p 17. Cf Ryan p 8. See 1/43b, 2/162b, 3/65a. {Cg ~ 4:|:8|| ~ 3553 51'3'2'}

4/121c • The Duchess’s slipper — MS 7348 p 17. Cf Aird 4 p 57, no 151; Edin repos music 2 p 58. See copy at 1/243c. {Cg ~ 4:|:8|| ~ 5_353 5_36_2}

4/121d • Irish air — MS 7348 p 22 Name unknown. Cf Citizen 3, 1841, tune no 3 For the violin. Name unknown. {6:8c ~ 2x8|| ~ 11 27}

4/121e • Fuaim na dtonn – The sound of the waves Slow — MS 7348 p 22. Cf Citizen 3, Feb 1841, tune no 4. {2:4c ~ 2x8|| ~ 33 55 1'1' 54 (4 bars)}

4/121f • Bhfearr liom bheith marbh. I had rather be dead — MS 7348 p 23. Cf Citizen 3, March 1841, tune no 8. {3:4g ~ 12||12|| = 4x6 ~ 332 116_ (or 3_3_2_ 1_1_6__)}

4/122 • Carolan’s Airs [Heading, underlined. These extend from pp 122a–149a. They are each numbered in the margin, 1. 2. 3, etc.: indicated below as [Car] 1, [Car] 2, etc. before the title]

4/122a • [Car] 1 • Planxty Maguire — Cf gnp p 173; B1 p 35; ONMI no 695. {Cd ~ 8:|:16|| ~ 3151 3556}

4/122b • [Car] 2 • Planxty Peyton • 1031 — Cf gnp p 165; B3 p 97; ONMI no 680. {6:8f ~ 2x12:|: = 3x4 ~ 41 7_7_}

4/122c • [Car] 3 • Bumper Squire Jones — Cf gnp p 172; Dublin University Magazine January 1841. {6:8d ~ 7:|:8:|: ~ 31 34}

4/122d • [Car] 3 • [Bumper Squire Jones] Another setting — Cf OFNIM p 19. {d ~ 7:|:8:|: ~ 3134}

4/122e–123 • [Car] 4 • Planxty Reilly — Cf gnp p 168; DOS no 140 (from JG)). See copy (?) at 3/133a. {6:8c ~ 12:|:12||8:|:8:|: ~ 17_ 3_4_}

4/123a • [Car] 5 • Planxty O’Rourke — Cf gnp pp 172–73; Lee Carolan 1a Ple raca na Rourkaugh, B2 p 47. See 3/210b (a copy?). {6:8g ~ 12 two cadences ||12!| ~ 15 44}

4/123b • [Car] 6 • Planxty Judge — Cf gnp pp 174–75; B1 p 47; DOS no 67. See 3/210b {6:8g ~ 8:|:8||8|| ~ 71' 1'3' 3'1' 14}

4/123c • [Car] 7 • Farewell to Music slow — Cf Walker 2 no 16; OFNIM p 26. {Cf ~ 8:|:13:|: = 4x4+5 ~ 1132 2475}

4/124a • [Car] 8 • Receipt for drinking • 1032 — Cf Walker 2 no 18 (last 16 bars). See 1/84b. {Cg ~ 8:|:32:|: ~ 5342 6_111'}

4/124b • [Car] 9 • O’Moore’s Fair Daughter • 1033 — Cf Joyce OIFMS p 298 Seabhac na h-Eirne: The hawk of Ballyshannon; DOS no 134. {Cc ~ 16:|:16:|: = 4+6+6 / +4+4+8 ~ 1134 51'1'1'}

4/124c • [Car] 10 • Planxty Drury • 1034 — Cf Lee Carolan p 22; DOS no 43. {6:8g ~ 8||8:| ~ 51 44}

4/125a • [Car] 10 • [Planxty Drury] An other setting — Cf Crosby Irish pp 239–44; B1 p 6. See 3/213a. {6:8d ~ 16:|:20!|! = 12+4+12+4+4 ~ 11 5_3_}

4/125b • [Car] 11 • Young Terence McDonough Slow — Cf Surenne SI pp 50–51. {3:4g ~ 16:|:16|| ~ 5_12 111}

4/125c • [Car] 12 • Im asleep and dont awake me — At end of tune, ‘This air differs considerably from Táimsi am chodla etc as sung by the peasantry or played by pipers. I am of opinion that the other is the original version & that Carolan did not compose but harmonise it. J.G.’ Cf Amateurs companion p 50; Lynch p 67; Surenne SI p 156. {3:4g ~ 8||2x16|| ~ 6_11 113}

4/126a • [Car] 13 • Connor O’Reilly • 1035 — See 4/228d, 4/228e. {Cg ~ 15:|:16:: = 4+4+7?+4x4 ~ 5_133 51'1'7}

4/126b • [Car] 14 • Catherine Ogie • 1036 — Cf Orph Caled 1 p 44, no 22; Hime’s pocket book 1 p 42; Amateurs companion pp 26–27. {Cc ~ 8:|:8:|: ~ 5_111 3212}

4/126c • [Car] 15 • Planxty Sudley — Cf B2 p 68. See 3/210a. {Cc ~ 32|| = 4x8 ~ 1113 5557}

4/126e–127 • [Car] 16 • Concerto — Cf OFPC 1 p16 (copying error by JG with added half bar and misplaced barlines). {2:4d ~ 16:|:16|| ~ 1'1'1'7 5435}

4/127a • [Car] 17 • Port Gordon — Cf OFPC 1 pp 50–51. {Cg ~ 16:|:16|| = 8x4 ~ 1132 2253}

4/127b • [Car] 18 • Devotion — Cf OFPC 1 pp 52–53. {3:4c ~ 8:|:24|| = 4x8 ~ 3'2'1' 751'}

4/127c • [Car] 19 • Grace Nugent • 1037 — Cf B1 p 31. {Cd ~ 8:|:16|| = 6x4 ~ 1135 3151}

4/128a • [Car] 20 • Planxty O’Connor • 1038 — Cf Lee Carolan pp 9–10 Dennis O’Connor (DOS no 122). {6:8d ~ 11:|:18|| ~ 3'7 35}

4/128b • [Car] 21 • Planxty O’Neill — MS 7348 p 26. Cf Lee Carolan pp 4–5 Mrs O’Neill (DOS no 136). {Cg ~ 13||11|| ~ 5133 6317_}

4/128c • [Car] 22 • John Kelly — MS 7348 p 27. Cf Lee Carolan p 1. {6:8c ~ 8:|:8:|: ~ 11 7_2}

4/128d • [Car] 23 • Conor O’Reilly of Clounish — MS 7348 p 28. Cf Citizen 3, June 1841, tune no 21. See 4/126a. {6:8g ~ 4:|:8|| ~ 51 54}

4/128e–129 • [Car] 24 • Connor [sic] O Reilly — MS 7348 p 33. Cf Citizen 4, September 1841, tune no 31. See 4/126a. {6:8g ~ 4:|:8|| ~ 51 54}

4/129a • [Car] 25 • Rambles to Teague [sic] — MS 7348 p 38. Cf Mullhollan SIST p 38a; DubMMag February 1842, tune no 5. {3:4g ~ 16||16||4||11||14|| ~ 111 334}

4/129b • [Car] 26 • O Reilly of Athcarne — MS 7348 [p 42]. Cf DubMMag May 1842, tune no 16; DOS no 138, from JG. 171b is a copy. See 4/18c The lads that thresh the barley. {Cd ~ 8:|:12:|: ~ 5_133 4465}

4/129c • [Car] 27 • John Nugent of Coolamber — MS 7348 p 44. Cf Lee Carolan p 7 (DOS no 107). {6:8g ~ 3x8:|: ~ 6_1 15_}

4/130–31 • The Olga Waltz — Piano, Mrs G, 2 staves. Cf Densari “Olga”. {3:4f ~ 16||16||17(1+16)||1||16|| ~ 5_11 334}

4/131a • Kittys Rambles to Youghal • 1039 — Cf gnp p 131; Howe Omnibus p 45 Lady’s triumph or Katy’s rambles. See 4/80d. {6:8c ~ 8:|:8:|: ~ 3_6_ 13}

4/131b • Jackson’s Lake — Cf Jackson JCIT p 6 Jackson over the water; OFNIM p 35. See 2/166a. {6:8f ~ 9:|:8:|: ~ 7_7_ 11}

4/131c • McDonnell’s Rant — Cf OFNIM p 23. See 3/21a The cuckold old man (part 1). {9:8g ~ 4:|:4:|: ~ 311 312}

4/131d • The Waterford Hornpipe — OFNIM p 24. See near copy 1/60b Dwyer’s. {Cg ~ 3x8:|: ~ 3112 7_5_5_5_}

4/132a • [Car] 28 • Planxty Johnson — Solo. MS 7348 p 94, duet. Cf Moore no 3 [1810] tune 3. {d ~ 12||16|| ~ 115_3_}

4/132b • [Car] 29 • George Reynolds — MS 7348 p 103. Cf Lee Carolan p 8 (DOS no 157). {6:8d ~ 8||8:|: ~ 11 35}

4/132c • [Car] 30 • The O’Connor — MS 7348 p 131. Cf Lee Carolan p 9 (DOS no 115 Maurice O’Connor). {6:8g ~ 8 two cadences ||2x8|| ~ 3_1_ 4_6_}

4/132d • [Car] 31 • Air • 1040 — MS 7348 p143. {Cd ~ 16:|:16:|: = 4x8 ~ 3255 6551'}

4/133a • [Car] 32 • Planxty McDermott — MS 7348 p 143. Cf Lee Carolan p 5 Mrs McDermot (DOS no 81); Mulholland AIA 1 p 4. {Cg ~ 15||11|| ~ 1'556 1'556}

4/133b • [Car] 33 • Planxty Crofton — MS 7348 p 144. Cf Lee Carolan p 26 Sir Edward Crofton (DOS no 22). {6:8g ~ 9||6||16|| ~ 11_ 5_1}

4/133c • [Car] 34 • Planxty McDermott Roe — MS 7348 p 144. Cf Lee Carolan p 23 Mr Edmond McDermot Roe (DOS no 85). {6:8g ~ 16||12|| ~ 3_3_ 11}

4/133d • [Car] 35 • Planxty Daly — MS 7348 p 145. Cf Lee Carolan p 13 James Daly (DOS no 31). {6:8c ~ 8:|:8|| ~ 61 24}

4/134a • [Car] 36 • Planxty Mervyn — MS 7348 p 145. Cf Lee Carolan p 25 Mervyn Spratt Esq. (DOS no 156). {6:8c ~ 12||8||s ~ 16_ 5_5_}

4/134b • [Car] 37 • Planxty Sterling — MS 7348 p 145. Cf Lee Carolan p 13 Mrs Sterling. {Cc ~ 13||13|| ~ 1'1'72' 1'51'4}

4/134c • [Car] 38 • Planxty Burke — MS 7348 p 146. Cf Lee Carolan p 27; Hibernian muse p 63 (DOS no 14). {6:8g ~ 3x8|| ~ 26 45}

4/134d • [Car] 39 • Mr Jas Crofton — MS 7348 p 146. Cf Lee Carolan p 26 (DOS no 23). {Cc ~ 8||16|| ~ 4_3_11 3311}

4/135a • [Car] 40 • Mr Patk Kelly — MS 7348 p 146. Cf Lee Carolan p 22 (DOS no 74). {6:8c ~ 10||8|| ~ 15 42}

4/135b • [Car] 41 • James Betagh — MS 7348 p 147. Cf Lee Carolan p 24 (DOS no 4). {Cc ~ 18||16|| ~ 1_5_4_2_ 1_3_5_7__}

4/135c • [Car] 42 • Maurice O’Connor — MS 7348 p 147. Cf Lee Carolan p 22; Hibernian muse p 27 (DOS no 117). {Cc ~ 2x16|| ~ 1'1'1'1' 3'3'3'3'}

4/135d • [Car] 43 • Chas O’Connor — MS 7348 p 149. Cf Lee Carolan p 2; Mulholland AIA 1 p 21 (DOS no 125). {6:8g ~ 8||12|| ~ 11 6_3_}

4/136a • [Car] 44 • Doctor Delany — MS 7348 [p 148]. Cf Lee Carolan pp 23–24; Hibernian muse p 20 (DOS no 32). {Cc ~ 8||10||16|| ~ 4443 3311}

4/136b • [Car] 45 • Lord Louth — MS 7348 p 148. Cf Lee Carolan p 20; Hibernian muse p 20 (DOS no 77). {6:8c ~ 8 two cadences ||15|| ~ 6_1 7_3}

4/136c • [Car] 46 • Miss Murphy — MS 7348 p 149. Cf Lee Carolan pp 18–19. {Cc ~ 8||12|| ~ 3525 157_5}

4/136d–137 • [Car] 47 • Col. Manus O’Donnell — MS 7348 p 149. Cf Lee Carolan p 19 (DOS no 126). {6:8c ~ 18||16|| ~ 23 11}

4/137a • [Car] 48 • Lady Dillon — MS 7348 p 150. Cf Lee Carolan p 16 Young Lady Dillon. {Cc ~ 8:|:9:|:10|| ~ 1_6__ 1_1_ 3_1_1_1_}

4/137b • [Car] 49 • Michl O’Connor slow — MS 7348 p 150. Cf Lee Carolan p 16 (DOS no 121). {Cg ~ 12:|:16|| ~ 1134 6427_}

4/137c • [Car] 50 • Lord Dillon — MS 7348 p 151. Cf Lee Carolan p 16 (DOS no 34). {Cg ~ 16:|:18|| ~ 117_6_ 5_3_5_3_}

4/137d • [Car] 51 • A Jigg — MS 7348 p 154. Cf Lee Carolan pp 5–6 (DOS no 57 Jig to Captain Higgins). {6:8g ~ 8:|:8|| ~ 3_1_ 3_4_}

4/138a • [Car] 52 • Doctor O’Connor — MS 7348 p 151. Cf Lee Carolan p 14 (DOS no 119). {6:8c ~ 16||16|| ~ 11 11 33 33}

4/138b [Car] 53 • Mrs Garvey — MS 7348 p 152. Cf Lee Carolan p 14 (DOS no 49). {3:4c ~ 36|| ~ 135 327_}

4/138c • [Car] 54 • Madam Cole — MS 7348 p 152. Cf Lee Carolan p 12. {Cc ~ 16||16|| ~ 3355 6651'}

4/138d–139 • [Car] 55 • Mr Nugent — MS 7348 p 153. Cf Lee Carolan p 10 (DOS no 108 Mrs Nugent). {Cg ~ 18||19|| ~ 1'5'3'4' 4'2'75}

4/139a • [Car] 56 • Mrs Crofton — MS 7348 p 153. Cf Lee Carolan pp 8–9. {Cg ~ 16:|:12|| ~ 1'2'64 6454}

4/139b • [Car] 57 • Mrs Costelloe — MS 7348 p 154. Cf Lee Carolan pp 11–12. {Cd ~ 7||15|| ~ 5525 5744}

4/139c • [Car] 58 • Mrs O’Connor — MS 7348 p 154. Cf Lee Carolan p 6. {Cg ~ 12||13 = 8+5|| ~ 1234 5564}

4/139d • [Car] 59 • Counsellor Dillon — MS 7348 p 156. Cf Lee Carolan p 21; DOS no 38. {6:8c ~ 6:|:6|| ~ 21 6_5_}

4/140a • [Car] 60 • Planxty Ward — MS 7348 p 155. Cf Lee Carolan p 6–7 Mr William Ward; DOS no 167. {6:8d ~ 8||16|| ~ 6_2 35}

4/140b • [Car] 60 • Captn Higgins — MS 7348 p 155. Cf Lee Carolan pp 5–6; DOS no 57. {Cg ~ 8||13|| ~ 1645 3421}

4/140c • [Car] 62 • Mrs Edwards — MS 7348 p 156. Cf Lee Carolan pp 3–4. {Cg ~ 12||12|| ~ 1115_ 1132}

4/140d • [Car] 63 • Major Shanly — MS 7348 p 156. Cf Lee Carolan p 3. {Cd ~ 8||18|| ~ 51'1'1' 7565}

4/141a • [Car] 64 • Mr Moore — MS 7348 p 157. Cf Lee Carolan pp 2–3 John Moore (DOS no 103). {Cc ~ 8||16|| ~ 16_4_1_ 4_6_17_}

4/141b • [Car] 65 • Jigg — MS 7348 p 157. Cf Lee Carolan p 3, after John Moore (DOS, jig part of no 103 John Moore). {6:8c ~ 2x8|| ~ 16_ 5_3_}

4/141c • [Car] 66 • Honble Thos Burke — MS 7348 p 157. Cf Lee Carolan pp 13–14. {Cg ~ 9 = 8+1||12|| ~ 5_17_7_ 5_5_5_7__}

4/141d • [Car] 67 • Planxty Power — MS 7348 p 159. Cf Lee Carolan p 8 David Poer Esq. (DOS no 153). {Cg ~ 11|15|| ~ 1115_ 1324}

4/142a • [Car] 68 • Mr Waller — MS 7348 p 158. Cf Lee Carolan p 2 (DOS no 165). {3:4g ~ 23||23|| ~ 121 122}

4/142b • [Car] 69 • Mrs Trench — MS 7348 [p 158]. Cf Lee Carolan p 7 {6:8c [read key f] ~ | 8:|8|| ~51 42}

4/142c • [Car] 70 • Madam Maxwell — MS 7348 p 159. Cf Lee Carolan p 13. {Cg [read key c?] ~ 8||16|| ~ 5651 3551 4/142d • [Car] 71 • Young O’Connor — MS 7348 p 158. Cf Lee Carolan p 25; Mulholland AIA 1 p 30. {6:8g [read key c] ~ 8:|:8|| ~ 11 21}

4/143a • [Car] 72 • Mrs O Donnell — MS 7348 p 160. Cf Lee Carolan p 15. {Cg ~ 15||15|| ~ 1134 51'1'7}

4/143b • [Car] 73 • Mrs Harwood — MS 7348 p 160. Cf Lee Carolan p 18 (DOS no 54). {6:8c ~ 16||12|| ~ 1'3 35}

4/143c • [Car] 74 • Mrs O’Connor of Ballinagar — MS 7348 p 161. Cf Lee Carolan p 19b. {Cg ~ 9||12|| = 8+1+8+4 ~ 51'1'2' 7435}

4/143d • [Car] 75 • A jigg — MS 7348 p 161. Cf Lee Carolan p 24, after Mr James Betagh (DOS, jig part of no 4 James Betagh). {6:8g ~ 16||16|| ~ 31_ 24}

4/144a • [Car] 76 • A Jigg — MS 7348 p 162. Cf Lee Carolan p 17, after Young Lady Dillon; DOS, jig part of no 35 Lady Dillon. {6:8c ~ 16|| ~ 5_5_ 17_}

4/144b • [Car] 77 • Mrs [or Mr?] Garvey — MS 7348 p 162. Cf Lee Carolan p 15 Mrs Garvey (DOS no 50). {Cc ~ 13||20|| ~ 1353 326_6_}

4/144c • [Car] 78 • Harry McDermott Roe — MS 7348 p 162. Cf Lee Carolan p 15 (DOS no 80). {Cc ~ 8||7|| ~ 5415_ 36_16_}

4/144d • [Car] 79 • Carolans Maggot — MS 7348 p 163. Cf Lee Carolan p 21 (DOS no 189). {Cg ~ 4||4||6|| ~ 5611 1'1'1'6}

4/144e–145 • [Car] 80 • Colonel Irwin — MS 7348 p 163. Cf Lee Carolan p 21 (DOS no 60). {Cc ~ 9 = 8+1||8|| ~ 1565 2724}

4/145a • [Car] 81 • Miss Noble — MS 7348 p 164. Cf Lee Carolan p 23 (DOS no 106). {6:8c ~ 12||11|| = 8+4+8+3 ~ 52 7_7_}

4/145b • [Car] 82 • Elevation — MS 7348 p 164. Cf Lee Carolan p 17 (DOS no 194). {Cg bars (1 to 15) 3:4g (bars 16 to 46) ~ 11||4| [|]31|| ~ 1'2'1'1' 3'1'1'7}

4/145c • [Car] 83 • The good Bishop of Clogher — MS 7348 p 165. Cf Lee Carolan p 17b (DOS no 89). {6:8c ~ 8:|:15|| ~ 31' 1'5}

4/146a • [Car] 84 • Carolans Frolick — MS 7348 p 163. Cf Lee Carolan p 27. {6:8g ~ 8:|:16:|: ~ 51' 1'3'}

4/146b • [Car] 85 • Bryan McGuire — MS 7348 p 166. Cf Lee Carolan p 5 (DOS no 95). {Cg ~ 23|| ~ 5__1_1_6__ 1_7__5__ 4__}

4/146c • [Car] 86 • Loftus Jones — MS 7348 p 166. Cf Lee Carolan p 11. {Cc [read key f] ~ 17||24 = 3x8|| ~ 1'1'76 5435}

4/146d–147 • [Car] 87 • Lady Blaney • 1041 — MS 7348 p 169. {2:4g ~ 16||24|| ~ 5643 2115 (2 bars) or 54 21 6_4_ 3_5_ (4 bars)}

4/147a • [Car] 88 • Sir Festus Burke — MS 7348 p 170. Cf B3 p 34. See 3/213b. {2:4d ~ 26 = 8+18||18|| ~ 1'1' 3'1 5'6' 42 (4 bars)}

4/147b • [Car] 89 • Planxty Hugh O Donnell — MS 7348 p 175. Cf B3 p 47. {6:8c ~ 16||16!|! ~ 5_1 7_2}

4/148a • [Car] 90 • Planxty Coote — MS 7348 p 173. Cf B3 p 26 Planxty Charles Coote. See 3/212b. {Cc ~ 8:|:8:|: ~ 3_5_2_5_ 4_2_3_5_}

4/148b • [Car] 91 • Young James Plunket — MS 7348 p 173. Cf B3 p 26. {Cg ~ 16|| ~ 111'1' 6633}

4/148c • [Car] 92 • Fanny Power — MS 7348 p 174 (duplicates bar 3 and later deletes it: JG retains the duplication). Cf B3 p 49. See 3/211b. {6:8d [read a?] ~ [8]:|:8|| ~ 11 42}

4/148d • [Car] 93 • The Princess Royal — MS 7348 p 182. Cf B3 p35. {2:4]c ~ 8||12:|: ~ 3215 3215}

4/148e • [Car] 94 • Planxty Miss Burke — MS 7348 p 183. Cf B3 p 43. {6:8d ~ 8!|8|| ~ 11 7_2}

4/148f • [Car] 95 • Emon Dowdall con spirito — MS 7348 p 185. Cf B3 p 77. {Cf ~ 8:|:8:|: ~ 5525 7531}

4/149a • [Car] • Doctor John Hart — MS 7348 p 186. Cf B3 p 23. {3:4a ~ 16||16|| ~ 535 531}

4/149 • [Heading] Ceolta Cearbhalláin go Duige seo — Large script [end of batch of Carolan tunes] 4/149b • West’s Hornpipe — MS 7348 p 2. Cf Kerr’s Caledonian p 25; Cameron p 42. {Cd ~ 8||8|| two cadences each part ~ 13_5_5_ 13_5_5_}

4/149c • Miss Carroll’s Hornpipe — MS 7348 p 2. Cf OFNIM p 51. {Cd ~ 8:|:8:|: ~ 13_6_2_ 3_116_}

4/149d • I will neither spin tow nor flax allegro con spirito — MS 7348 p 125. Cf DubMMag July 1842, tune no 23. {9:8g ~ 4:|:4:|: ~ 325_ 5_14}

4/149e • The Hurlers March molto vivace — MS 7348 p 125. Cf DubMMag July 1842, tune no 24; P-S no 990. {6:8c ~ 8:|:8|| two cadences each part ~ 67 65}

4/150a • Hornpipe — MS 7348 p 13. Near duplicate of 1/243a. See 3/25a Miss Brown’s hornpipe. {Cd ~ 8:|:8:|: ~ 15_5_1 27_5_2}

4/150b • Grand March in Bluebeard — MS 7348 p 13; cf Shaw For the gentlemen p 16; Hamilton HUT 1 p 98. {Cd ~ 8:|:8||DC ~ 5532 1122}

4/150c • Wraggs Foot March — MS 7348 p 31. {Cd ~ 8:|:8:|: ~ 115_5_ 1_1_3_5_}

4/150d • Sean bhean bhochd [bochd?]— After the first part: ‘The second part to be repeated in chorus Thus’ [all of first part with limited variation. After the second part: ‘This following part addes when played as a Quadrille’. MS 7348 [p 123]. Cf DubMag March 1843, tune no 12. {2:4a ~ 1st part 8||8||; 2nd part 8||8||; 3rd part 16|| ~ 1st part 33 53 21 2 5 (4 bars); 2nd part 33 63 21 25; 3rd part 1'7 73 1'7 63}

4/150e • Did you not see him — MS 7348 p 123. Cf DubMag March 1843, tune no 11. {3:4g ~ 8||8:|: ~ 112 445}

4/151a • I will not be deceived again Larghetto agitato — MS 7348 p 125. Cf DubMMag July 1842, tune no 21. {3:4g ~ 24|| = 3x8 ~ 36_7_ 224}

4/151b • Maguire’s Lamentation mournfully not slow — MS 7348 p 183. Cf B3 pp 28–29. {3:4d [read g] ~ 8||8!|! ~ 5_13 312}

4/151c • The Wheelwright Distinctly & briskly — MS 7348 p 183. Cf B3 p 28; Surenne SI pp 136–37. See 3/27c (a copy?). {2:4d ~ 8||12|| = 5x4 ~ 13 53 32 6_2 (4 bars)}

4/151d • I do not Incline — MS 7348 p 175. Cf B3 p 65; Surenne SI p 30. {6:8g ~ 2x8|| ~ 5_1 32}

4/151e • Celia Connallon By Tom Connallon 1650 Slow [L marg] — MS 7348 p 185. Cf B3 p 91. {2:4d ~ 8|!8!| ~ 36 34 22 25 (4 bars)}

4/151f • Dandy Jim — By Dan Emmett (the originator of black-face minstrel shows in the USA). MS 7348 p 188. Cf Ethiopian songs 108; Davidson’s universal melodist 1 p 43. {2:4c ~ 16|| = 4x4 ~ 1'6 35 1'6 31 (4 bars)}

4/152a • Lucy Neal Andante — MS 7348 p 188. Cf Ethiopian songs 108 pp 2–3. {2:4c ~ 24|| = 4x4 +8 ~ 11 11 11 6_2 (4 bars)}

4/152b • Lilly Baker — MS 7348 p 188. Cf Ethiopian songs 2nd series pp 1–3. {2:4g ~ 8||8|| ‘chorus’ 8|| ~ 11 33 11 22 (4 bars)}

4/152c • Charmin’ Isabel — MS 7348 p 188. Cf Ethiopian songs 2nd series pp 4–6. {2:4g ~ 8||8 ‘chorus’ || ~ 34 51 32 32 (4 bars)}

4/152d • “Who dat knockin’ at de Door”, — MS 7348 p 189. Cf Ethiopian songs 2nd series pp 6–7. {2:4g ~ 21|| ~ 54 52 54 13 (4 bars)}

4/152e • Cloe’s to be my wife — MS 7348 p 189. Cf Ethiopian songs 2nd series, p 9. {6:8g ~ 12|:4|| ~ 56 53 42 15_}

4/152f • Murphy’s Weather eye — MS 7348 p 189. Cf Alexander Flowers p 65. {6:8d ~ 8:|:8|: ~ 32 16_}

4/153a • Rory O’More — Piano, Mrs G. Three double staves. Cf Lover Rory O’More; Surenne SI p 149. {6:8 [f] ~ 16+half||DC ~ 5_2_ 5_7_}

4/153b • Jim Browne • 1042 — MS 7348 p 189. Minstrel song in the style of ‘Old Zip Coon’ or ‘Turkey in the straw’. Cf Ryan p 44 Old Zip Coon (part 1). See 4/158e. {2:4c ~ 8||8|| ~ 11 5_5_ 34 22 (4 bars) or 1113_ 5_5_5_1 (2 bars)}

4/153c • Boatman Dance — Has been attributed to Dan Emmett (the originator of black-face minstrel shows in the USA). MS 7348 p 190. Cf Russell Dance boatman. {2:4d ~ 23|| ~ 65 65 65 53 (4 bars)}

4/153d • Ole Rosin de Bow • 1043 — Widely popular folk and minstrel song in USA and elsewhere. MS 7348 p 190. Cf Kerr 1 p 29. {6:8g ~ 2x8| ~ 13 35 51 6_ 6_}

4/154a • Sir Roger De Coverly — Piano, Mrs G, two double-staff lines joined by curly brackets. See 1/80c. {9:8g ~ 4:|:4:| ~ 115 227}

4/154b • The Fox-hunters Jig • 1044 — Piano, Mrs G, four double-staff lines joined by straight lines. See 1/257b. {9:8]g ~ 4x4:|:8||DC ~ 334 332}

4/155a • St Clairs Hornpipe • 1045 — MS 7348 p 190. {Cg ~ 8!|!8:|: ~ 1_5_7_7_ 6_15_1_}

4/155b • The Irishman • 1046 — MS 7348 p 191. {Cd ~ 8||8|| ~ 5553 1'1'1'5}

4/155c • Paddy Whack — MS 7348 p 192. Parts 1, 4 & 5: cf OFPC 1 pp 26–27 (parts 1, 3 & 4); parts 1–2: cf Edin repos music 3 p 35. See 3/73b The pig under the pot. {6:8g ~ 8||4x8:|: ~ 11' 63 16 75}

[End of copying from NLI 7348]

4/155d • The Cossack March — Cf Ganter Cossack’s march. {Cd ~ 16 = 8+$8||Fine 8||$ ~ 1115_ 2221}

4/156a • The 4th Dragoon Guards March — Cf Hull p 3 Grand slow march; Ashman p 3. See 1/173a (more dotted version) which is closer to JM 4131. {Cg (bars 1–16) d (bars 17–32)? [illegible]~ 4x8:|: ~ 1113 5114}

4/156b • The Grand Scotch March — Cf Howe Omnibus complete p 117, Hamilton HUT 1 p 142. {Cd ~ 4x8:|: ~ 1151' 5551'}

4/156c–157 • Duke of Wurtemburgh’s March — Non-traditional. {Cd [d major but parts 3–4 b minor] ~ 2x8:|:‘Minore’8:|:8||DC ~ 1113 55_5_3}

4/157a • King of Prussia’s March — Non-traditional. Cf PON MS /5, no 11 Prussias march. {Cd ~ 8:|:12:|: ~ 5554 3332}

4/157b • Duke of Rutlands March — Non-traditional. {Cd ~ 2x8|| both parts two cadences ~ 3127_ 1113'}

4/157c • Duke of Yorks March — Cf Gentleman’s companion p 48. {Cd [key change last part?] ~ 8:|:12:|:Trio 7||8||DC ~ 1_1_3_3_ 5_5_1_5_}

4/157d • Irish March of the 45th Regiment • 1047 {6:8d ~ 8:|:8:|: ~ 56 51 56 42}

4/157e • Quick March in The Battle of Prague — Cf Hamilton HUT 1 p 124, attributed to Kotzwarra. {2:4d ~ 8:|:8||DC ~ 53 31 22 11 (4 bars)}

4/158a • Sean bhean críona an dranntáin • 1048 — JG:] ‘not’ [?]. Cf OFNIM p 36 Stad erro rogura stad stad or Stay easy you rogue stay stay; P-S nos 1288–89. See 1/93a When the cock crows it is day. {6:8g ~ 8:|:8:|:14||DC ~ 12 44 12 22}

4/158b • Mooreheads Hornpipe — Cf Hime 1802 no 1. See 3/102c Sir Barry’s march (part 1). {Cd ~ 8:|:8:|: ~ 1115 2224}

4/158c • Sleep on, Sleep on, my Cathaleen Dear — Cf OFPC p 18. {Cg ~ 4:|:8:|: ~ 4442 1361'}

4/158d • The Lasses of Irvine — Cf Bremner Scots reels p 36 Irvin Stiple. {Cg ~ 4:|:4 two cadences || ~ 113_5_ 6_7_2_4_}

4/158e • The Tralee Hornpipe • 1049 — Cf Ryan p 44 Old Zip Coon (part 1). See 4/153b Jim Browne. {Cbflat ~ 3x8:|: ~ 1315_ 5_5_5_1}

4/159a • Dear Mary • 1050 — Cf Duff Choice selection p 22 [Untitled] Slow. {Cbflat ~ 3x8:|: ~ 1117 5553}

4/159b • Can I believe thee Dear Kitty andante — Non-traditional. {6:8f ~ 8:|:14:|: ~ 15_ 6_5_}

4/159c • The Highland Watch Slow — Cf OFNIM p 45. {Cg ~ 8:|:16|| ~ 3131 317_7_}

4/159d • Slow March — Non-traditional. {Cc ~ | $ 8:|:8||DC $ ~ 1122 3153}

4/159e • The Hermit of Killarney — Cf OFNIM p 17; Holden ISQT 1 p 26; Surenne SI p 92. See 2/176c. See also 2/36c, 4/85e Adieu adieu thou faithless world. {Cg ~ 4:|:4|| ~ 115_1 3325}

4/160a • Lochaber • 1051 — Cf Crosby Caledonian p 30. See 1/212c Lochaber no more, 3/102b Orange and green, 4/44a Limerick’s lamentation. {3:4g ~ 16||16|| = 8x4| ~ 333 433}

4/160b • The Cottage Quadrille — Non-traditional. {6:8d ~ 8:|:8||DC 8||DC ~ 15_ 15_}

4/160c • Éadmoin a Chnoic Slow — Cf Tunes p 1a (same version with substantial variations); OFNIM p 21; O’D 1850 p 218. Different version from 1/17b. {3:4g ~ 8:|:8|| ~ 132 31'6}

4/160d • Carolans Dream — Cf MS 7348 p 165; OFNIM p 27. {Cc ~ 8:|:8|| ~ 3217_ 327_3}

4/160e • Domhnall — Solo. Cf Moore no 4 1812 song 5; Mulhollan SIST p 48 Donald. See 4/9b, duet. {Cd ~ 2x8|| ~ 3315_ 7_5_3_5_}

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Version history of Annotated index of all the tunes in the order of the manuscripts

Version 1.0 as of 10 October 2013 (original) Version 1.1 as of 19 June 2015

Items updated:

1/90c • 174, 1/243a • 593, 1/264c • 272, 1/266–67 • 275, 2/10c • 606, 2/53a • 615, 2/171b • 687, 3/45a • 715, 3/49a • 355, 4/39c, 4/150a, 4/151f, 4/153c, 4/153d • 1043, 4/158a• 1048

Version 1.2 as of 22 November 2015

Changes made to presentation of Breathnach codes for tunes in 2:4 and 6:8 time:

2:4 tunes now presented—default— as two bars (four stresses per bar **** ****) or else as four bars (two stresses per bar ** ** ** **) with a space separating the bars of code. In doubtful cases both versions are given.
6:8 tunes are now presented as ** ** (two bars) or, if expanded, as ** ** ** ** (four bars).
In many items the codes have been revised or expanded (not listed here individually).

Other items updated:

1/26b • 58, 1/31b • 72, 1/34b • 80, 1/36b• 84, 1/39a • 90, 1/50c • 524, 1/58c • 126, 1/61c • 530, 1/62a • 128, 1/64b • 132, 1/67a • 137, 1/70a • 533, 1/102c • 546, 1/116c • 190, 1/181c • 566, 1/210b • 574, 1/217b, 1/222a • 586, 1/229b • 223, 1/246c • 598, 1/253a • 250, 1/263d • 269, 1/264c • 272, 1/264d • 600, 1/266–67 • 275, 2/2a • 601, 2/48a • 608, 2/49a, 2/51a, 2/52b • 614, 2/57d • 629, 2/130c• 640, 2/131c • 642, 2/136c, 2/154c • 662, 2/166c • 681, 2/171a • 686, 2/171b • 687, 2/175c • 691, 2/180c • 697, 3/3b • 284, 3/3c • 285, 3/26c • 708, 3/60a • 386, 3/67a • 728, 3/81b • 758, 3/98c • 774, 3/111c • 796, 3/112a • 797, 3/120a • 457, 3/128b • 805, 3/129c • 809, 3/132a • 816, 3/133b, • 827, 3/134c • 822, 3/136b • 827, 3/140a • 832, 3/146c • 848, 3/147b • 850, 3/150a • 858, 3/150b 859, 3/169b • 892, 3/181a • 911, 3/185 b • 490, 3/187b • 492, 3/200b • 503, 4/2a • 930, 4/4b • 935, 4/48e • 961, 4/52d–53 • 968, 4/58b • 973, 4/59a • 974, 4/59c • 975, 4/60b • 977, 4/65e • 988, 477d • 1000, 4/84c • 1021, 4/85b • 1022, 4/153b • 1042, 4/158e • 1049

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ERRATA TO THE PUBLISHED EDITION OF TUNES OF THE MUNSTER PIPERS 2

Page 14, no 551 The Humours of Flip: there is an unamended metrical irregularity in bar 5. The first three notes of the bar should be amended thus (crotchet followed by dotted quaver and semiquaver):

Page 49, no 639 sliabh na m-Ban: the final note of the tune should be Fsharp, not G.

Page 89, no 742 Humours of Glynn: in the last bar of part 2 the last two notes should be semiquaver B, crotchet A. The last note of part 4 should be A.

Page 95 no 758 Wallop the ladies: the last note of part 2 should be D, not C.

Page 97, no 763 ‘Kiss the Maid behind the Barrel’: 3/84b (not 3/84d)

Page 135 no 881 The lowlands of Scotland: the second-last note of part 1 should be D sharp, not E sharp.

Page 166, no 954 Willy o’er the Mountains: the double repeat bar line at the end of bar 6 should be placed at the end of bar four instead.

Page 172, no 971 Gráine Mhaol: the metrical irregularity in bar 4 should be amended thus:

Page 187, no 1033 Burns’ Farewell: 4/78b (not 4/78d)

Page 204, no 1042 Jim Browne: 4/153b (not 4/153a)

Page 204, no 1043 Ole Rosin de Bow: 4/153d (not 4/153c)

Page 207, no 1048 Sean bhean críona an dranntáin: 4/158a (not 4/158)

Page 245: Closing bracket missing in 2nd line of first paragraph

Page 252, in index of titles, Dicksey Land: part 3 is a reel (not part 2 is a reel)

Page 258, missing from index of titles: Irish Dance • jig • 4/117